Here are 100 books that Alas, Babylon fans have personally recommended if you like
Alas, Babylon.
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I have an annoying habit of figuring out why someone says or believes what they do—and think that is more interesting than their actual ‘truth’. I try to keep this in check during social events (it can make for painful dinner table conversations if I go too far). Still, it means the general take on the medical humanities (and I’d put all the books below in that wide category) is something I’m passionate about. Why do we believe what we do about health? About disease? About the body? And why do we think medical doctors have the truth for us?
I read this book 3 months into the COVID-19 pandemic and LOVED it—it totally made me realize that: 1. we’ve been here before; 2. our reactions and responses are all tried and true (and probably not that useful); and 3. we would survive this time, too—at least most of us.
This is Daniel Defoe (yes, you know him from Robinson Crusoe) explaining what it was like to live in London when the plague came. It wasn’t pretty. The most chilling moment in the book came at the end, when I googled facts about the plague, realized it went away, and then came back repeatedly for decades.
The haunting cry of "Bring out your dead!" by a bell-ringing collector of 17th-century plague victims has filled readers across the centuries with cold terror. The chilling cry survives in historical consciousness largely as a result of this classic 1722 account of the epidemic of bubonic plague — known as the Black Death — that ravaged England in 1664–1665. Actually written nearly 60 years later by Daniel Defoe, the Journal is narrated by a Londoner named "H. F.," who allegedly lived through the devastating effects of the pestilence and produced this eye witness account. Drawing on his considerable talents as…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Although I come from a family with a number of medical professionals, I am not one myself. My interest in medical thrillers is a three-strand braid that combines my learning and experiences in the fields of sociology, literature, and storytelling. Horrific as the stories on this list are, they share both a hopefulness that mankind is capable of overcoming whatever challenge nature presents, or they themselves conjure and a warning to get ourselves right before the next one comes along. At a time when it is tempting to despair over the human condition, I hope these books inspire your faith in mankind’s resourcefulness and ability to endure.
I especially love this novel as Camus applies his background in existential philosophy to elevate the medical thriller genre into the realm of the metaphysical.
I love how the novel uses the plot device of an outbreak of the plague to force me as a reader to move beyond the surface questions of “What?” “When?” and “Where?” to ask the deeper question of “Why?” and “What now?”
“Its relevance lashes you across the face.” —Stephen Metcalf, The Los Angeles Times • “A redemptive book, one that wills the reader to believe, even in a time of despair.” —Roger Lowenstein, The Washington Post
A haunting tale of human resilience and hope in the face of unrelieved horror, Albert Camus' iconic novel about an epidemic ravaging the people of a North African coastal town is a classic of twentieth-century literature.
The townspeople of Oran are in the grip of a deadly plague, which condemns its victims to a swift and horrifying death. Fear, isolation and claustrophobia follow as they…
I have always been fascinated by stories where faith, myth, and the human condition collide in unexpected ways. The kinds of books that don’t just tell a story, but make you question God, morality, suffering, and what remains of humanity when everything collapses. These are the kinds of stories that stay in your head long after you finish reading. They mix faith, myth, and the end of the world in ways that feel strangely personal and unsettling. They are not simple fantasy, not traditional horror, and not religious fiction in the usual sense. They sit in a strange space where belief, suffering, and human nature all collide.
I love this book because it explores the end of the world in the most intimate and emotional way possible.
What moved me deeply was not the apocalypse itself, but the quiet relationship between father and son, trying to preserve goodness in a world where goodness no longer seems to matter. I felt a constant weight while reading, as if hope itself was fragile and rare.
It made me reflect on what it truly means to carry faith and humanity when everything else is gone.
NATIONAL BESTSELLER • WINNER OF THE PULITZER PRIZE • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle).
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
I‘ve been thinking about the forces that drive humanity together and pull us apart at the same time since my late teens; back then, I started reading the classical dystopian tales. The (perceived) end of time always speaks to me, because I think it‘s in those moments of existential dread that we learn who we really are. That‘s why I like reading (and reviewing) books, and also why those topics are an undertone in my own writings. I do hope you enjoy these 5 books as much as I have.
I‘ve always been fascinated by the dividing line between human and monster. Because, what is a monster?
I know, this kind of question will usually get a quick answer, but I have been thinking about this particular question for quite some time now. I am Legend revolves around this question, and I love it for that. I also love it for the somewhat unexpected twist in the end, and that one can be interpreted as an answer.
Anyway, for me, this book got me thinking about morale and ethics and other stuff. I just like it when a book gets me to that point where I think: wait a moment, but what if…?
An acclaimed SF novel about vampires. The last man on earth is not alone ...Robert Neville is the last living man on Earth ...but he is not alone. Every other man, woman and child on the planet has become a vampire, and they are hungry for Neville's blood. By day he is the hunter, stalking the undead through the ruins of civilisation. By night, he barricades himself in his home and prays for the dawn. How long can one man survive like this?
Why me / this list? Well, as a kid of parents whose cities were blitzed, I spent my early years in a tiny English village, eventually walking to school through the graveyard of a 12th-century church. We moved to Canada when I was eight, and a whole new history bloomed – Iroquois and coureur de bois were magnetic! As I evolved into a voracious reader, Lee, Orwell, and Vonnegut got me into the complexity of people. Now I’m compelled to read (and write) stories centered on how experiences shape us as individuals, and as societies.
P.S. Shortly after my departure, archeologists found Roman ruins under that tiny English village.
Future-facing at the time of its publication in 1957, On the Beach isn’t really war fiction in the literal sense, because the fictional war around which it is built is already over.
Set in 1963 Australia, it details the life-affirming but grim experiences of a cast of characters including the crew of a US Navy submarine who are all facing inevitable and impending death from the aftereffects of massive nuclear war that has extinguished all life in the northern hemisphere.
The LA Times described it as "timely and ironic... an indelibly sad ending that leaves you tearful and disturbed," and The Economist called it "still incredibly moving after nearly half a century.” I’d call it a compelling and thought-provoking cautionary tale, and a ride you only want to go on via your imagination.
Pearson English Readers bring language learning to life through the joy of reading.
Well-written stories entertain us, make us think, and keep our interest page after page. Pearson English Readers offer teenage and adult learners a huge range of titles, all featuring carefully graded language to make them accessible to learners of all abilities.
Through the imagination of some of the world's greatest authors, the English language comes to life in pages of our Readers. Students have the pleasure and satisfaction of reading these stories in English, and at the same time develop a broader vocabulary, greater comprehension and reading…
I have always been fascinated by stories where faith, myth, and the human condition collide in unexpected ways. The kinds of books that don’t just tell a story, but make you question God, morality, suffering, and what remains of humanity when everything collapses. These are the kinds of stories that stay in your head long after you finish reading. They mix faith, myth, and the end of the world in ways that feel strangely personal and unsettling. They are not simple fantasy, not traditional horror, and not religious fiction in the usual sense. They sit in a strange space where belief, suffering, and human nature all collide.
I love this book because it turns the biblical idea of good versus evil into something frighteningly human and tangible.
What stayed with me was not the plague or the supernatural elements, but how ordinary people reveal who they truly are when the world collapses. I felt constantly unsettled by how thin the line is between morality and survival.
This story made me reflect deeply on faith, corruption, and the fragile nature of civilization in ways that few novels ever have.
Stephen King's apocalyptic vision of a world blasted by virus and tangled in an elemental struggle between good and evil remains as riveting and eerily plausible as when it was first published.
Soon to be a television series.
'THE STAND is a masterpiece' (Guardian). Set in a virus-decimated US, King's thrilling American fantasy epic, is a Classic.
First come the days of the virus. Then come the dreams.
Dark dreams that warn of the coming of the dark man. The apostate of death, his worn-down boot heels tramping the night roads. The warlord of the charnel house and Prince of…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
I’ve been a science fiction fan for as long as I can remember. As someone who never quite felt like I fit in, these stories became a kind of refuge and revelation for me. They taught me that being on the outside looking in can be its own kind of superpower—the ability to see the world differently, to question it, and to imagine something better. I’m drawn to characters who are flawed, searching, and human, because they remind me that courage and belonging are choices we make, not gifts we’re given. That’s the heart of every story I love and the kind I try to write.
I’d read the reviews, so I was prepared for a great book. I wasn’t prepared to be thrown out of my comfort zone—but in the best possible way.
Mandel made me sit with what it really means to lose everything and still create something beautiful. It’s not about saving the world; it’s about creating a new dream and making it your home. I loved how it celebrates art, memory, and the strange persistence of humanity even when everything else is gone.
This book reminded me that hope is often raw, painful, and ultimately necessary.
'Best novel. The big one . . . stands above all the others' - George R.R. Martin, author of Game of Thrones
Now an HBO Max original TV series
The New York Times Bestseller Winner of the Arthur C. Clarke Award Longlisted for the Baileys Women's Prize for Fiction National Book Awards Finalist PEN/Faulkner Award Finalist
What was lost in the collapse: almost everything, almost everyone, but there is still such beauty.
One snowy night in Toronto famous actor Arthur Leander dies on stage whilst performing the role of a lifetime. That same evening a deadly virus touches down in…
I’ve loved reading alternative visions of Britain since I read a Strontium Dog saga in ‘2000AD’ as a boy. What was science fiction then has become closer to reality now. The idea of one event, such as a meteor shower in Triffids or a virus in ‘Grass,’ causing havoc worldwide is gripping. I prefer the British stories because they are closer to home. Many of these were written close to the Second World War, and their authors describe deprivation in unflinching detail. Recent political events have turned my mind to how human actions can cause dystopian futures, as in Orwell’s 1984.
This is no cosy dystopia. I was shocked by the violence and ruthlessness of the protagonists. This is a prescient novel, written 64 years before COVID-19, about a virus that emerges from China and ravages the world. Instead of infecting humans, the virus kills all grass. Brutal decisions are made, and any sense of law and order disappears. We were a gnat’s whisker from this happening in the UK, and I was impressed with Priest’s vision. The book cracks along at a good pace, too.
A thought experiment in future-shock survivalism' Robert MacFarlane
'Gripping ... of all science fiction's apocalypses, this is one of the most haunting' Financial Times
WITH AN INTRODUCTION BY ROBERT MACFARLANE
A post-apocalyptic vision of the world pushed to the brink by famine, John Christopher's science fiction masterpiece The Death of Grass includes an introduction by Robert MacFarlane in Penguin Modern Classics.
At first the virus wiping out grass and crops is of little concern to John Custance. It has decimated Asia, causing mass starvation and riots, but Europe is safe and a counter-virus is expected any day. Except, it turns…
I have been an avid reader for my entire life, as well as someone trained extensively in technology (master’s degree in electrical engineering). About twenty years ago, I became seriously drawn to writing and, quite naturally, gravitated toward technology-centric stories. Reading technology-based stories (novels and short stories) as well as nonfiction scientific articles provides a perpetual source of new ideas. And keeping up with the latest domestic and international news keeps me apprised of all the ways technology affects the world, for better and for worse.
I really enjoyed this book firstly because of the complete plausibility of the scenario, an extraterrestrial pathogen that comes to earth about which we are powerless to do anything.
Crichton’s medical background is on solid display here, and it is intriguing to experience the author’s very first fiction effort, knowing, as we do, the many great stories to come in the ensuing years (Jurassic Park, etc.). I also very much enjoyed the idea of a group of talented people from a wide range of disciplines working together to tackle a challenge of immense importance.
From the author of Jurassic Park, Timeline, and Sphere comes a captivating thriller about a deadly extraterrestrial microorganism, which threatens to annihilate human life.
Five prominent biophysicists have warned the United States government that sterilization procedures for returning space probes may be inadequate to guarantee uncontaminated re-entry to the atmosphere. Two years later, a probe satellite falls to the earth and lands in a desolate region of northeastern Arizona. Nearby, in the town of Piedmont, bodies lie heaped and flung across the ground, faces locked in frozen surprise. What could cause such shock and fear? The terror has begun, and…
I lived in small towns with “ordinary” people most of my life, so books where people from small towns contend with situations beyond the ordinary fascinate me. I also served in the US Army as a nuclear, biological, and chemical operations specialist and am a military history buff, so anything with a military spin is all that more engaging for me and I developed a morbid fascination for just how easy it would be for us to end civilization as we know it. Therefore, military science fiction and post-apocalyptic fiction are among my favorite genres.
Parts of Gust Fronthit home. I read this while living in the Appalachians, so seeing Cally preparing for an invasion in a remote valley in Georgia, and the subsequent fighting that takes place in and around the Appalachians, struck a nerve with me. If the worst happened, up to and including the alien invasion depicted here, would the mountains be the best place to hold out and resist? The scope of the novel covers many settings, including other familiar ones like Washington D.C., all of which ground the speculative premise of an alien invasion in a story that feels very real; something that any of us could be forced to live through.
