Here are 100 books that Ain't Burned All the Bright fans have personally recommended if you like
Ain't Burned All the Bright.
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When I was a teenager, my mother sewed me a quilt, but when I moved to Wales and discovered Welsh antic quilts, my interest became a passion. These bold red and black flannel patchworks with intricate quilting seem contemporary but date back to the 19th century. I have been painting them and have learned a lot about their history and how they have provided income and artistic expression for women over the years. It’s a pleasure to see that this passion is shared by so many people worldwide, and I’m fascinated by all the stories these beautiful objects hold.
This book is a real joy to read, with a particular story of a particular family but a universal feel to it. It could be my story or yours. The illustrations have the charm of the eighties, but the story doesn’t feel dated, and it is really inspirational to get quilting or think about which pieces of fabric I would use to tell my family’s story.
Twenty years ago Valerie Flournoy and Jerry Pinkney created a warmhearted intergenerational story that became an award-winning perennial. Since then children from all sorts of family situations and configurations continue to be drawn to its portrait of those bonds that create the fabric of family life.
Since losing his mom, thirteen-year-old Jack Wilson has spent most of his time seeing just how much trouble he can get away with so that he feels like a winner at something. But he takes his mischief too far and is faced with the possibility of unbearable consequences. He…
I’ve had a love for Christianity since I was a child. However, it wouldn’t be until years later that the love for it would turn into a passion for penning Christian Fiction. I began my journey in ministry in 2014 and two years later, I released the first novel. Since then, God has allowed me to write on many different topics I’ve now recognized were needed. I want others to see Christian Fiction doesn’t have to be boring or dry, but can be entertaining, inspirational, and full of life. This is why I’ve chosen these books as recommendations and I hope the readers will enjoy them even more than I have.
Lady of the Church is a realistic depiction of a lady who feels as though she’s losing her identity. To many, they only cared about “First Lady,” the title, and not Sabrina, the person. This book made me laugh, sad, happy, and mad at the same time. I even found myself questioning whether or not I was guilty of judging a person based on their stature and not character. Overall, I enjoyed this book and would recommend it.
Sabrina Dean did not sign up for her role as First Lady of Everlasting Love Ministry, but that’s what happened when she married a preacher’s kid. The role requires far more than she bargained for. There is the pressure of perfection. Isolation from not being treated like a “regular” sister in Christ and the judgment. Oh, the judgmental remarks she endures. It also doesn’t help that things at home aren’t as perfect as people think. Sabrina puts on a brave face, one of many, but how much more pressure can she take?
If five gentlemen from Mexico, a colored/negro woman from Eatonville, Florida, a former President who happened to be white, with historical privilege, from Plains, Georgia, and two Professors of History can use their knowledge, training, God’s gifts to help us to understand history better, why shouldn't I also be passionate and excited to write. Telling stories, writing, contributing, and unearthing lies and truths so that a child who looks like me – or who does not look like me – is provided a better world. Let me hokey about this – maybe the word is dorky – whatever, the privilege is mine.
This work is not a history book but a collection of Zora Neal Hurston’s writings. Hurston wrote fiction and nonfiction and was a trained anthropologist. Her work taught me that history is oft-times found in the strangest places. This reader did this for me – a writer and anthropologist Hurston was. When I read the reader, I wanted to raise my hand and ask questions. Other times, I remained silent, only talking to myself and thinking.
In my former life as a trial lawyer, I remember quoting her writings in a final argument to explain language and culture. As my voice broke, tears flowed – this was the first time I explained the power of this book. They understood, and some of my jurors cried with me.
The foundational, classic anthology that revived interest in the author of Their Eyes Were Watching God—"one of the greatest writers of our time"—and made her work widely available for a new generation of readers (Toni Morrison).
During her lifetime, Zora Neale Hurston was praised for her writing but condemned for her independence and audacity. Her work fell into obscurity until the 1970s, when Alice Walker rediscovered Hurston's unmarked grave and anthologized her writing in this groundbreaking collection for the Feminist Press.
I Love Myself When I Am Laughing... And Then Again When I Am Looking Mean and Impressive established Hurston…
Good question. Why would a white guy be passionate about nineteenth-century African American community building and activism? It’s a long story, but the short version is that by the time I reached graduate school, I could no longer avoid the realization that I had been dramatically miseducated about American history, and that the key to American history—one important key, anyway—is African American history. You can’t understand what it means to be an American if you don’t know this history, and you can’t understand our own very troubled times, or how to respond to these times, how to turn frustration into action, unless you know this history. So I developed my expertise over the years.
If you’re interested in nineteenth-century African American activism, then you should read something by someone directly involved in that work. William Still, based in Philadelphia, was involved in a great many social-reform efforts, but he is known today primarily for his work with the Underground Railroad—an institution that was itself a blend of fact and fiction, history and legend. In this book, Still tells the story of a number of individuals who successfully escaped from enslavement, some of them with organized assistance, and others who managed on their own before reaching the networks available to them once they reached Philadelphia and Still’s network of committed antislavery workers.
Since the book is comprised primarily of these many individual stories, and with no discernible organizing principle, this can be a challenging book to read from the first page to the last. But that won’t stop you, and you might find yourself replicating…
Excerpt from The Underground Rail Road: A Record of Facts, Authentic Narratives, Letters, &C., Narrating the Hardships, Hair-Breadth Escapes and Death Struggles of the Slaves in Their Efforts for Freedom, as Related by Themselves and Others, or Witnessed by the Author
Resolved, That the Pennsylvania anti-slavery Society request him to compile and publish his personal reminiscences and experiences relating to the Underground Rail Road.
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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct…
I was always fascinated by the Vietnam War since my older sister’s friends went off to fight in it. After getting my PhD and writing about World War I and World War II, I returned to Vietnam by getting involved with veterans groups and taking veterans and students to Vietnam. Since then I have written widely on the topic, teach about the Vietnam War, and have been involved in several major Vietnam War documentaries for outlets including the History Channel and National Geographic Channel. From those early days I have read everything I can get my hands on about the war, about my generation’s war.
This was the first collection of oral histories that I ever read from the Vietnam War. Reading history done this way, with the men speaking for themselves, opened a new world for me. It allowed me to understand that it is only by talking to and with our veterans that the true depth of the combat experience can be delved. Terror, camaraderie, death, honor, humor, compassion, and boredom – the full human story of Vietnam and war is on display in Bloods. And it was this book that taught me to be an oral historian.
On top of that, Bloods also, of course, makes clear the uniqueness of the Black experience in Vietnam – fighting a war for America while the country wrestled with its eternal question of race. This book is good and important for so many reasons.
A NEW YORK TIMES NOTABLE BOOK • The national bestseller that tells the truth about the Vietnam War from the black soldiers’ perspective.
An oral history unlike any other, Bloods features twenty black men who tell the story of how members of their race were sent off to Vietnam in disproportionate numbers, and of the special test of patriotism they faced. Told in voices no reader will soon forget, Bloods is a must-read for anyone who wants to put the Vietnam experience in historical, cultural, and political perspective.
I knew I was an anti-authoritarian before I had words for it, and my education in social justice has been long and slow. I have been researching and writing about anarchism for the better part of three decades, and am now a board member of the Institute for Anarchist Studies. Anarchy is a subject that engages me both at the level of intellectual passion, what lights up my mind, and on a visceral level, in my revulsion at the inequalities and iniquities in this world and my yearning for a fully emancipated way of life.
Reading Anarcho-Blackness as a white cismale reader was an experience of discombobulation—a certain disorientation followed by a surprising re-orientation. Bey’s Black anarchism, “indebted to... Black queer and trans feminisms” dramatically reorganizes the priorities of an anarchist tradition that is sometimes still too indebted to hollow universalisms and pinched humanisms that don’t sufficiently include everyone. This is an anarchism specifically for Black queer and trans people which ends up—in a sense that is only “paradoxical” for those of us not paying enough attention—being for everyone. The prose is both philosophical and playful, inviting us to imagine a life that is by turns “ungovernable,” “unpropertied,” “uncouth,” “unhinged,” and “uncontrolled.”
Anarcho-Blackness seeks to define the shape of a Black anarchism. Classical anarchism tended to avoid questions of race—specifically Blackness—as well as the intersections of race and gender. Bey addresses this lack, not by constructing a new cannon of Black anarchists but by outlining how anarchism and Blackness already share a certain subjective relationship to power, a way of understanding and inhabiting the world. Through the lens of Black feminist and transgender theory, he explores what we can learn by making this kinship explicit, including how anarchism itself is transformed by the encounter. If the state is predicated on a racialized…
A spy school for girls amidst Jane Austen’s high society.
Daughters of the Beau Monde who don’t fit London society’s strict mold are banished to Stranje House, where the headmistress trains these unusually gifted girls to enter the dangerous world of spies in the Napoleonic wars. #1 NYT bestselling author…
As the Black American daughter of Jamaican immigrants born and raised in Anchorage, Alaska, I love stories that depict the beauty of being multifaceted human beings. Stories steeped in broad understandings of place and home. Stories that encourage us to delight in being the people we are. I also believe our children are natural poets and storytellers. Lyrical picture books filled with rich language and sensory details encourage the thriving of such creativity. In addition to writing All the Places We Call Home, I'm the author ofAll the Colors We Will See, an essay collection about race, immigration, and belonging.
A History of Me is a poetically-told story of trial and struggle, but ultimately of triumph and celebration of self. This book is deeply rooted in the author’s experience as a Black child who attended a predominantly white school. Yes, I love this book for its words and illustrations, but I also love it because I share the same experience. This book is one I wish I could hand to the child I once was. Theodore directly addresses the challenges but also provides encouraging words of connection to past generations. These words empower the little girl in the story and readers who find themselves in this book. We need more stories that consider the impact racial injustice can have on identity formation. A History of Me is one such story.
An uplifting message of hope for the future and pride in your history, inspired by a mother's experience of being the only Black child in her classroom.
Who do you see when you look in the mirror?
Emphasizing the strength, creativity, and courage passed down through generations, A History of Me offers a joyful new perspective on how we look at history and an uplifting message for the future.
Being the only brown girl in a classroom full of white students can be hard. When the teacher talks about slavery and civil rights, she can feel all the…
I’m a children’s book author-illustrator who loves picture books that can tackle difficult topics in a unique way. Along with Where Is Poppy?, I’ve also illustrated The Remember Balloons, written by Jessie Oliveros, which helps to gently explain Alzheimer’s and memory loss to kids without sugarcoating the realities of the illness. I think books can be a great tool for helping kids understand and process ideas that can be a little heavy or overwhelming, even for adults.
This book is a quiet and moving book about the loss of a father, which is also a lovely ode to nature.
It feels even more special knowing that Brian Pinkney finished the final art of this book after his father, Jerry, passed away, mirroring the boy in the story whose father leaves behind a final page in his sketchbook for him to finish.
In this moving account of loss, a boy takes a walk in the woods and makes a discovery that changes his understanding of his father.
A week after the funeral I stare in the morning mirror Angry that my father’s eyes Stare back at me.
Confused and distraught after the death of his father, a boy opens an envelope he left behind and is surprised to find a map of the woods beyond their house, with one spot marked in bright red. But why? The woods had been something they shared together, why would his father want him to go…
History is learned in the worst way by most, through textbooks. Textbooks are written heavy on dates, timelines, and synopsizing events for multiple-choice, maybe a few, essay questions in schools. Whose facts are they? To paraphrase Frederick Douglass, what does the Fourth of July mean when you’re black? History is taught in these fact silos. But that’s not how it happens. History happens in layers that build under pressure, erupt, and shift like rock sediment evolving over time. I chose these five nonfiction books because they unapologetically show the fault lines and pressures that make American history. These books also uncover the hidden gems created by those societal pressures.
I found this book while researching my own history book. I purchased a used copy complete with the underlined text and notes of other people that I always find interesting. It’s an old book, first published more than fifty years ago. I see it as the perfect companion piece to King’s book.
Here, late author/editor Dorothy Sterling (quite an agitator herself) includes African American leaders' letters, speeches, songs, and news articles. Sterling covers heavyweights such as Frederick Douglass, Sojourner Truth, and Henry Highland Garnet, along with overlooked figures Ira Aldridge (Shakespearean actor), poet Phillis Wheatley, merchant Paul Cuffe, and opera singer Elizabeth Greenfield, the Black Swan. Reading Speak Out expanded my knowledge of the breadth and scope of the early Civil Rights Movement.
This impressive collection, drawn from a wealth of original research into previously untapped sources,including letters, diaries, memoirs, speeches, poems, songs, newspaper articles, advertisements, a ship's log, and official documents,allows African Americans to speak afresh across more than two centuries. Besides the expected voices of Frederick Douglass and Sojourner Truth, this book makes vivid the experiences and views of a diverse range of lesser-known but equally fascinating personalities: Ira Aldridge, one of the great Shakespearean actors of his day William Allen, the first black college professor in the country the astronomer and mathematician Benjamin Banneker Paul Cuffe, owner of a fleet…
A gay retelling of the classic fairy tale--a scrumptious love story featuring ungrateful stepsiblings, a bake-off, and a fairy godfather.
Cinderelliot is stuck at home taking care of his ungrateful stepsister and stepbrother. When Prince Samuel announces a kingdom-wide competition to join the royal staff as his baker, the stepsiblings…
I am a multi-award-winning African Australian writer, and have a deep passion for stories by people of colour, stories that engage with difference. I write across genres and forms, and my award-winning works are mostly Afrocentric. I am especially curious about unique voices in black speculative fiction in transformative stories of culture, diversity, climate change, writing the other, and betwixt.
The tales in Tananarive Due’s The Wishing Pool and Other Stories have a certain linger and enchantment that touch the reader across many levels.
It casts Black protagonists with revolutionary focus in the everyday, in poignant tellings deeply engraved with humanity and what else. Due journeys the reader across a personal odyssey infused with Black horror real as touch.
In her first new book in seven years, Tananarive Due further cements her status as a leading innovator in Black horror and Afrofuturism; featuring the 2023 World Fantasy Award–winning story, “Incident at Bear Creek Lodge”!
“In these 14 powerhouse stories, Due probes history, the grim present moment, and not so far-flung futures, delivering an expansive collection that still hits close to home . . . There are no false notes; every piece is a study in tension, showcasing Due's mastery at balancing action, suspense, and emotion. Centering Black characters and often Black experiences, this is a standout in both Black…
