Here are 100 books that Ain't Burned All the Bright fans have personally recommended if you like
Ain't Burned All the Bright.
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I identify as agender and grew up in Oklahoma, one of the worst places to be trans or LGBTQ because of the onslaught of anti-LGBTQ legislation that’s flying through the Oklahoma state legislature. Writing Ugliest, a book about teen activists fighting these laws, reminded me how important standing up for what’s right is and what powerful activists teens can be when they get together. This list has other books celebrating the strength of teens protesting and pushing against societal wrongs. Although some terrible things happen in these books—just like in the real world—reading them reminds us that fighting back is worth it.
I loved Ayo, this book’s fourteen-year-old main character. She’s burnt out on activism, having been raised by a famous activist mom fighting for Black rights in America. All Ayo wants is to take a break and live a normal teen life. This makes so much sense to me—why do people who are at a disadvantage have to spend their time fighting for basic rights—what if they just want to spend their time making art or writing books like selfish white dudes are free to do?
But when something terrible happens at a big march, Ayo skipped, all the education and activist spirit her mom drilled into her no longer feels like a burden. I loved how she figured out she wanted to fight and really came into her own.
"A love letter to Harlem and hope. I Rise is smart and funny and full of heart.*"
Fourteen-year-old Ayo who has to decide whether to take on her mother's activist role when her mom is shot by police. As she tries to find answers, Ayo looks to the wisdom of her ancestors and her Harlem community for guidance.
Ayo's mother founded the biggest civil rights movement to hit New York City in decades. It's called 'See Us' and it tackles police brutality and racial profiling in Harlem. Ayo has spent her entire life being an activist and now, she wants…
A heartbreakingly beautiful novel in verse about adoption, family, friendship, and love in all its many forms, perfect for fans of Robin Benway and Jandy Nelson, from the acclaimed author of Three Things I Know Are True.
Rynn was born with a hole in her heart—literally. Although it was…
I am a theater historian whose research focuses on African American theater of 1940s-50s. While other periods and movements—the Harlem Renaissance (1920s), the Federal Theatre Project (1930s), the Black Arts Movement (1960s), and contemporary theater—have been well studied and documented, I saw a gap of scholarship around the 1940s-50s; I wondered why those years had been largely overlooked. As I dived deeper, I saw how African American performance culture (ie. theater, film, television, music) of the later-20th Century had its roots in the history of those somewhat overlooked decades. I’m still investigating that story, and these books have helped me do it.
We tend to think about the Black Arts Movement of the 1960s as dominated by militant male voices. This book explores the rich contributions of black women artists to the movement—by amplifying the voices of women artists in their own words. The book is a collection of oral histories, drawing on dozens of interviews with influential Black women artists. Some of them are recognizable, like playwrights/poets Sonia Sanchez and Ntozake Shange. Others are less familiar names whose influence should be appreciated more fully. This is a rich celebration of the impact of women artists during a key period of African American cultural change.
The first oral history to fully explore the contributions of black women intellectuals to the Black Arts Movement, Sistuhs in the Struggle reclaims a vital yet under-researched chapter in African American, women's, and theater history. This groundbreaking study documents how black women theater artists and activists-many of whom worked behind the scenes as directors, designers, producers, stage managers, and artistic directors-disseminated the black aesthetic and emboldened their communities.
Drawing on nearly thirty original interviews with well-known artists such as Ntozake Shange and Sonia Sanchez as well as less-studied figures including distinguished lighting designer Shirley Prendergast, dancer and choreographer Halifu Osumare,…
Long before I became a writer, I was a mom and a teacher. Over some 25 years, I read hundreds, thousands of picture books to kids. I fell in love with the lyrical language, the amazing variety, and the ways picture book authors and illustrators tell a complete story, engage kids (and adults!), and keep readers turning the pages. To me, picture books are an extraordinary gift not only for a young audience, but also for the parents, caregivers, teachers, and librarians who share them with kids. I hope these picture book suggestions inspire you to create special memories with the children you know and love.
It begins when “Nell picks up a seed.” First, there’s a sprout that needs soil and water and sun. The sprout grows, is replanted, and grows some more. Eventually, Nell’s sprout becomes a towering tree enjoyed by her extended close-knit family.
Evocative, rhythmic text leads readers between the here and now of young children climbing Nell’s full-grown pecan tree, and the “before,” when Nell, a child herself, tended the seed, ensuring it would thrive. Rich illustrations add warmth and layers to this tender story about the ways we share ourselves with the family that remains once we are gone.
This gorgeous picture book shows how one little girl's careful tending of a pecan tree creates the living center of a loving, intergenerational Black family. For Earth Day and every day! Perfect for fans of Matt de la Pena and Oge Mora.
Before her grandchildren climbed the towering tree,
explored its secret nests,
raced to its sturdy trunk,
read in its cool shade,
or made pies with its pecans...
Nell buried a seed.
And just as Nell's tree grows and thrives with her love and care, so do generations of her close-knit family.
A heartbreakingly beautiful novel in verse about adoption, family, friendship, and love in all its many forms, perfect for fans of Robin Benway and Jandy Nelson, from the acclaimed author of Three Things I Know Are True.
Rynn was born with a hole in her heart—literally. Although it was…
When I was a teenager, my mother sewed me a quilt, but when I moved to Wales and discovered Welsh antic quilts, my interest became a passion. These bold red and black flannel patchworks with intricate quilting seem contemporary but date back to the 19th century. I have been painting them and have learned a lot about their history and how they have provided income and artistic expression for women over the years. It’s a pleasure to see that this passion is shared by so many people worldwide, and I’m fascinated by all the stories these beautiful objects hold.
This book is a real joy to read, with a particular story of a particular family but a universal feel to it. It could be my story or yours. The illustrations have the charm of the eighties, but the story doesn’t feel dated, and it is really inspirational to get quilting or think about which pieces of fabric I would use to tell my family’s story.
Twenty years ago Valerie Flournoy and Jerry Pinkney created a warmhearted intergenerational story that became an award-winning perennial. Since then children from all sorts of family situations and configurations continue to be drawn to its portrait of those bonds that create the fabric of family life.
I have studied Black politics since I was an undergraduate student at Savannah State College. My principal mentor at Savannah State was Hanes Walton, Jr. Walton (1941-2013) devoted his career to laying the intellectual foundations for the study of Black politics as a subfield in American political science. I have spent my career researching and teaching Black politics. I have authored and/or edited eight books. I am an expert on American politics, urban politics, and racial and ethnic politics.
Robert C. Smith (1947-2023) was one of the most prolific political scientists who wrote about Black political leadership.
This book is a critical examination of national Black political leadership in the U.S. after the 1960s. Smith posits a thesis that after the Civil Rights Movement, Black Americans became incorporated into the Democratic Party, becoming a critical component of the party’s governing coalition. However, Smith maintains that Black political leadership also became much more mainstream, co-opted, and marginalized.
This book questions the extent to which Black Americans have made substantive policy gains since the 1960s and whether their incorporation into the political system has helped or hurt their capacity to press their demands on the political system.
This comprehensive study of African American politics since the civil rights era concludes that the black movement has been co-opted, marginalized, and almost wholly incorporated into mainstream institutions.
CHOICE 1997 Outstanding Academic Books
This is the first comprehensive study of African American politics from the end of the 1960s civil rights era to the present. Not an optimistic book, it concludes that the black movement has been almost wholly encapsulated into mainstream institutions, co-opted, and marginalized. As a result, the author argues, African American leadership has become largely irrelevant in the development of organizations, strategies, and programs that would address…
When my sister got divorced, she and my nephew, Jordy, moved in with our parents. My mother was—and still is—a big music fan, and she decided to play the same music in her house that Jordy’s dad played in his. The music became a bridge; a way for Jordy to feel like he was at home in both places. I loved this and kept it tucked away for years before Here and There came to me. I feel passionate about helping kids find a way to feel safe and comfortable in themselves—no matter where they are or what they’re going through—and all the books on my list do this brilliantly.
The Ring Bearer is a celebration of a blended family. Jackson has a big job: he must carry the ring in his mother’s wedding ceremony. He’s nervous. What if he drops it? What if he trips? The simple action of this story is relatable for kids and, even more importantly, they will connect with the deeper fears Jackson faces—big changes, new family dynamics, and sharing love. Also, Floyd Cooper’s illustrations? Stunning.
Jackson's mama's getting married, and Jackson's going to be the ring bearer - but what if he trips? Or walks too slowly? Or drops the rings? And what about his new step-sister, Sophie? She's supposed to be the flower girl, but Jackson's not sure she's taking her job as seriously as she should. In a celebration of blended families, this heartwarming story, stunningly illustrated by the award-winning Floyd Cooper, is a perfect gift for any child who's nervous to walk down the aisle at a wedding.
I was always fascinated by the Vietnam War since my older sister’s friends went off to fight in it. After getting my PhD and writing about World War I and World War II, I returned to Vietnam by getting involved with veterans groups and taking veterans and students to Vietnam. Since then I have written widely on the topic, teach about the Vietnam War, and have been involved in several major Vietnam War documentaries for outlets including the History Channel and National Geographic Channel. From those early days I have read everything I can get my hands on about the war, about my generation’s war.
This was the first collection of oral histories that I ever read from the Vietnam War. Reading history done this way, with the men speaking for themselves, opened a new world for me. It allowed me to understand that it is only by talking to and with our veterans that the true depth of the combat experience can be delved. Terror, camaraderie, death, honor, humor, compassion, and boredom – the full human story of Vietnam and war is on display in Bloods. And it was this book that taught me to be an oral historian.
On top of that, Bloods also, of course, makes clear the uniqueness of the Black experience in Vietnam – fighting a war for America while the country wrestled with its eternal question of race. This book is good and important for so many reasons.
A NEW YORK TIMES NOTABLE BOOK • The national bestseller that tells the truth about the Vietnam War from the black soldiers’ perspective.
An oral history unlike any other, Bloods features twenty black men who tell the story of how members of their race were sent off to Vietnam in disproportionate numbers, and of the special test of patriotism they faced. Told in voices no reader will soon forget, Bloods is a must-read for anyone who wants to put the Vietnam experience in historical, cultural, and political perspective.
I’m a multi-award-winning novelist and Kansas historian. Through reading letters written by African Americans in Kansas, I realized that black people were a major political force. In fact, with the settlement of Nicodemus, for the first time in American history, enough black people had gathered in one place to dominate political decisions and prevail over the white community. No one had told the story of the three black powerhouses who shaped politics on a county, state, and national level. I was thrilled when University of Oklahoma Press published my academic book. It won second place in the Westerner’s International Best Book contest.
In addition to information about patterns of settlement and leadership, Crockett provides a rare glimpse into intra-racial prejudices. Was it better to have light-colored skin, or would pride in being black predominate? Some editors argued that “past association with whites had corrupted the race.” Skin color was a criterion for social position in some communities, with attitudes varying from town to town. Most scholars are reluctant to touch this subject. I salute Crockett’s courage in delving into the hierarchy of color.
From Appomattox to World War I, Black Americans continued their quest for a secure position in the American system. The problem was how to be both black and American-how to find acceptance, or even toleration, in a society in which the boundaries of normative behavior, the values, and the very definition of what it meant to be an American were determined and enforced by whites. A few black leaders proposed self-segregation inside the United States within the protective confines of an all-Black community as one possible solution. The Black-town idea reached its peak in the fifty years after the Civil…
As the Black American daughter of Jamaican immigrants born and raised in Anchorage, Alaska, I love stories that depict the beauty of being multifaceted human beings. Stories steeped in broad understandings of place and home. Stories that encourage us to delight in being the people we are. I also believe our children are natural poets and storytellers. Lyrical picture books filled with rich language and sensory details encourage the thriving of such creativity. In addition to writing All the Places We Call Home, I'm the author ofAll the Colors We Will See, an essay collection about race, immigration, and belonging.
A History of Me is a poetically-told story of trial and struggle, but ultimately of triumph and celebration of self. This book is deeply rooted in the author’s experience as a Black child who attended a predominantly white school. Yes, I love this book for its words and illustrations, but I also love it because I share the same experience. This book is one I wish I could hand to the child I once was. Theodore directly addresses the challenges but also provides encouraging words of connection to past generations. These words empower the little girl in the story and readers who find themselves in this book. We need more stories that consider the impact racial injustice can have on identity formation. A History of Me is one such story.
An uplifting message of hope for the future and pride in your history, inspired by a mother's experience of being the only Black child in her classroom.
Who do you see when you look in the mirror?
Emphasizing the strength, creativity, and courage passed down through generations, A History of Me offers a joyful new perspective on how we look at history and an uplifting message for the future.
Being the only brown girl in a classroom full of white students can be hard. When the teacher talks about slavery and civil rights, she can feel all the…
If five gentlemen from Mexico, a colored/negro woman from Eatonville, Florida, a former President who happened to be white, with historical privilege, from Plains, Georgia, and two Professors of History can use their knowledge, training, God’s gifts to help us to understand history better, why shouldn't I also be passionate and excited to write. Telling stories, writing, contributing, and unearthing lies and truths so that a child who looks like me – or who does not look like me – is provided a better world. Let me hokey about this – maybe the word is dorky – whatever, the privilege is mine.
This work is not a history book but a collection of Zora Neal Hurston’s writings. Hurston wrote fiction and nonfiction and was a trained anthropologist. Her work taught me that history is oft-times found in the strangest places. This reader did this for me – a writer and anthropologist Hurston was. When I read the reader, I wanted to raise my hand and ask questions. Other times, I remained silent, only talking to myself and thinking.
In my former life as a trial lawyer, I remember quoting her writings in a final argument to explain language and culture. As my voice broke, tears flowed – this was the first time I explained the power of this book. They understood, and some of my jurors cried with me.
The foundational, classic anthology that revived interest in the author of Their Eyes Were Watching God—"one of the greatest writers of our time"—and made her work widely available for a new generation of readers (Toni Morrison).
During her lifetime, Zora Neale Hurston was praised for her writing but condemned for her independence and audacity. Her work fell into obscurity until the 1970s, when Alice Walker rediscovered Hurston's unmarked grave and anthologized her writing in this groundbreaking collection for the Feminist Press.
I Love Myself When I Am Laughing... And Then Again When I Am Looking Mean and Impressive established Hurston…
