Here are 100 books that Against the Currant fans have personally recommended if you like
Against the Currant.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I am a musician and writer who has always loved mysteries. Main character-sleuths who are likable and sometimes get in over their heads are my favorites, both as a reader and a writer, especially if they contribute something positive to their world in addition to solving the crime. If their careers or hobbies – anything from the arts to small customer-service businesses – offer joy to themselves and to others, so much the better. Since I grew up in the New York area, I like books that are set there, but am open to a good story set anywhere in the world.
Here is one of the latest in the popular books featuring Greenwich Village coffee house manager, Clare Cosi.
It is enormous fun to tag along on Clare’s most recent wild adventure as she investigates both murder and attempted murder while trying to plan her honeymoon with an overworked police detective, getting a quick education in beekeeping, and still overseeing the Village Blend and its loveable staff.
Despite numerous intriguing complications, I loved how Clare handles everything with great aplomb and integrity. The action, the wit, the appealing characters, and the evolving plot that kept me guessing until the end made this story a winner.
"Coyle's latest Coffeehouse mystery is a honey of a tale....A primer on bees, coffee, and some of New York's most unusual and exciting areas make for a fascinating and mysterious read."—Kirkus Reviews
Clare Cosi is busy as a bee planning her honeymoon when murder buzzes into the Village Blend in this all-new mystery in the beloved New York Times bestselling Coffeehouse series by Cleo Coyle.
While struggling to find a romantic (and affordable) destination for her upcoming honeymoon, coffeehouse manager Clare Cosi whips up a honey of a drink made from honey-processed coffee. Clare plans to serve her outstanding new…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am a musician and writer who has always loved mysteries. Main character-sleuths who are likable and sometimes get in over their heads are my favorites, both as a reader and a writer, especially if they contribute something positive to their world in addition to solving the crime. If their careers or hobbies – anything from the arts to small customer-service businesses – offer joy to themselves and to others, so much the better. Since I grew up in the New York area, I like books that are set there, but am open to a good story set anywhere in the world.
The latest in a series featuring an engaging New York City ballerina/amateur sleuth.
On hiatus from Lincoln Center while her ballet company is on tour, Leah goes undercover as a dancer on Broadway to keep her eyes open for clues into who is harassing the show’s leading lady online. It starts simply enough until murder enters the picture.
I loved the quirky backstage energy, the interplay between the colorful cast of characters, and the many absorbing plot twists. It’s easy to applaud as Leah keeps investigating despite mounting personal danger as well as the anxiety it causes in her romance with the appealing detective on the case.
Mad Music was the buzziest new show of the upcoming Broadway season, with a hot score, a cool director, and a deadly plot twist no one saw coming. When rumors of a behind-the-scenes disaster surface, ballerina Leah Siderova finds herself with the opportunity of a lifetime: the chance to make her Broadway debut while playing a double role. The producers hope to capitalize on her talent, as well as her devoted fan base, to revive ticket sales. Leah's true reason for abandoning Lincoln Center for the Great White Way is her undercover investigation of online threats against Amber Castle, the…
I am a musician and writer who has always loved mysteries. Main character-sleuths who are likable and sometimes get in over their heads are my favorites, both as a reader and a writer, especially if they contribute something positive to their world in addition to solving the crime. If their careers or hobbies – anything from the arts to small customer-service businesses – offer joy to themselves and to others, so much the better. Since I grew up in the New York area, I like books that are set there, but am open to a good story set anywhere in the world.
First in a reissued series, this has a local 1990s Upper East Side vibe. “Jake” (short for Jacqueline) is part of a supportive group of ghostwriters who regularly meet to discuss the problems and pitfalls of their chosen career.
But she soon finds herself solving the murder of one of their own. I loved the uniquely detailed characters –the writers, Jake’s mother, her mom’s best friend, the neighbors. Enjoyable wit and humor prevail throughout, and the lively situations that lead Jake into both peril and perplexing romantic possibilities are enjoyable.
The ease with which older and younger generations blend is a definite asset to a plot with some real surprises.
"Murders multiply, but Jake proves up to the challenge. She sees through all the subterfuge and chicanery, solving a mind-boggling mystery in a burst of insight. All the characters are charmingly kooky and fun. This is a good beginning for a new series. We will be looking for more of Jake O'Hara." - TheMysteryReader.com "[Wald] writes with a light touch." - New York Daily News "The author keeps the plot airy and the characters outlandish." - South Florida Sun-Sentinel With her books sporting other people's names, ghostwriter Jake O'Hara works behind the scenes. But she never expected a séance at…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am a musician and writer who has always loved mysteries. Main character-sleuths who are likable and sometimes get in over their heads are my favorites, both as a reader and a writer, especially if they contribute something positive to their world in addition to solving the crime. If their careers or hobbies – anything from the arts to small customer-service businesses – offer joy to themselves and to others, so much the better. Since I grew up in the New York area, I like books that are set there, but am open to a good story set anywhere in the world.
I loved Ella Shane who rose from Lower East Side poverty to success.
She directs and performs in her own opera company – most unusual for a woman in 1899, even in New York. Never forgetting where she came from, she is grateful for all she’s achieved. In this first of a three-part series, Ella turns sleuth after one of her young singers dies mysteriously onstage.
When the singer’s cousin (a Duke, no less) arrives to investigate, the promise of romance is definitely in the air. The contrast between late 1890s protocols versus the changing attitudes of the coming new century is fascinating. The main characters are beautifully and compassionately drawn, and the story has an action-packed finale.
On the cusp of the twentieth century, Manhattan is a lively metropolis buzzing with talent. But after a young soprano meets an untimely end on stage, can one go-getting leading lady hit the right notes in a case of murder?
New York City, 1899. When it comes to show business, Gilded Age opera singer Ella Shane wears the pants. The unconventional diva breaks the mold by assuming “trouser roles”—male characters played by women—and captivating audiences far and wide with her travelling theatre company. But Ella’s flair for the dramatic takes a terrifying turn when an overacting Juliet to her Romeo…
I consider myself a disruptor of sorts, both in my life and in the art I make (I’m an actor, too). So I am by nature drawn to novels that bend and reshape (and sometimes ignore altogether) the rules and conventions that are supposed to govern the novelist’s craft and lead me to experience the world—and often the art of writing fiction itself—in ways I have never experienced either before. The novels on my list do just that.
I once heard a friend of mine describe Last Exit to Brooklyn as “a significant minor novel.” He was wrong. It’s a good deal more than that.
Set in the same Brooklyn in which one will find Herschel Cain, the main character in my own novel, before he becomes professional wrestler Haystacks Kane, yet light years away, Last Exit is a searing portrayal of life in the raw amongst the American underclass, profoundly disturbing and terribly, terribly sad. It shook me to my core when I read it not long after it was published in the mid-1960s, and has remained with me ever since.
In countless ways, Selby’s novel thumbs its nose at traditional novel structure and the customary rules of grammar, spelling, and punctuation in order to present virtually every moment of its bleak and upsetting narrative with a ferocious immediacy rarely found anywhere else.
Last Exit to Brooklyn remains undiminished in its awesome power and magnitude as the novel that first showed us the fierce, primal rage seething in America’s cities. Selby brings out the dope addicts, hoodlums, prostitutes, workers, and thieves brawling in the back alleys of Brooklyn. This explosive best-seller has come to be regarded as a classic of modern American writing.
A missing child is every parent’s worst nightmare. Emotionally driven, tense, full of despair and hope, these stories captivate me. When I decided to include a cold case mystery of a toddler’s disappearance in my debut novel, I dove deep into both true crime and fictional novels on the subject. These books represent a range of gripping mysteries about not only finding missing children, but the scrutiny and heartache their mothers face. I hope you find these stories as absorbing, powerful, and suspenseful as I do!
Remember Mia is dark, emotional, and twisty. What I liked most about this book is how much the main character riled me up!
She’s an unsympathetic and unreliable narrator, and it propels the story forward. As this story unravelled, I questioned everything: Is the mother’s postpartum psychosis to blame for the missing child? Why didn’t she report the baby missing? Is there even a missing baby in the first place?
I enjoy when a novel makes me question what I thought I knew.
Like Girl on the Train and Gone Girl, Remember Mia is a riveting psychological suspense, exploring what happens when a young mother’s worst nightmare becomes devastatingly real…
First I remember the darkness. Then I remember the blood. I don’t know where my daughter is.
Estelle Paradise wakes up in a hospital after being found near dead at the bottom of a ravine with a fragmented memory and a vague sense of loss. Then a terrifying reality sets in: her daughter is missing.
Days earlier, Estelle discovered her baby’s crib empty in their Brooklyn apartment. There was no sign of a…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I created Hard Case Crime 20 years ago to revive the look, feel, and storytelling style of the great paperback crime novels of the 1940s and 50s: slender, high-velocity tales with irresistible premises, crackling dialogue, and powerful emotions, all presented behind gorgeous painted covers in the classic pulp style. Since then, I’ve had the opportunity to publish Stephen King, Joyce Carol Oates, Ray Bradbury, James M. Cain, Erle Stanley Gardner, Mickey Spillane, Brian De Palma, Ed McBain, and many more extraordinary authors.
Malamud isn’t thought of as a crime writer, but this story of a robber who goes to work for the man he robbed as a kind of silent penance is very much a story of crime and punishment, of sin and redemption, and it directly inspired one of my own stories about a killer who winds up working for the mother of the man he killed.
A sad and troubling book, this book is about how even good intentions can lead to bad outcomes and how atonement might never be enough but is still necessary.
The Assistant, Bernard Malamud's second novel, originally published in 1957, is the story of Morris Bober, a grocer in postwar Brooklyn, who "wants better" for himself and his family. First two robbers appear and hold him up; then things take a turn for the better when broken-nosed Frank Alpine becomes his assistant. But there are complications: Frank, whose reaction to Jews is ambivalent, falls in love with Helen Bober; at the same time he begins to steal from the store.
Like Malamud's best stories, this novel unerringly evokes an immigrant world of cramped circumstances and great expectations. Malamud defined the…
I've lived in Brooklyn for over 30 years now. I've always had a weakness for fun, snarky urban fantasy where the city is always a supporting character—and sometimes a major one. One day I decided to write a short story in the style of Simon R. Green's Nightside books, only instead of London, it'd feature New York City. And thus, the Conradverse was born. I tend to combine action, humor, real Brooklyn and NYC locations and history, and copious pop culture references when writing in this setting, and I seek out other books that do a great job at handling some or all of these elements.
If Indiana Jones was based in Brooklyn and was also an expert at magic and arcane lore, you'd have Piers Knight, the titular character of this book. Although a bit lighter on humor than the other entries here, I found this book to be fun and snappy, and as an additional bonus delves into the real (and weird!) historical factoids about New York City.
Professor Piers Knight, an esteemed curator at the Brooklyn Museum, is regarded by many on the staff as a revered institution of his own, if not an outright curiosity. Knight's portfolio includes lost civilizations; arcane cultures, languages, and belief; and, more than a little bit of the history of magic and mysticism. His colleagues don't know that, in addition to being a scholar of all things ancient, he is schooled in the uses of magical artefacts, the teachings of forgotten deities, and the threats of unseen dangers. If a mysterious object surfaces, Professor Knight makes it his job to figure…
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
Some first person voices are just so naturally nostalgic, like you’re sitting around a campfire listening to someone telling you a story.
“The year my mother started hearing voices from her dead brother Clyde,” or “But Gigi was the first to fly.” So many moments to hold onto in this novel, each an introduction to another tale, or a memory you can’t wait to listen to and run off down the street to share it for yourself.
The voice of August is so real and clear and poetic that one forgets there’s even a writer behind it. This close first-person voice lets us in, welcomes us into the secrets of the street. “Everywhere we looked we saw the people trying to dream themselves out.” And dream I did, along every glorious page, only I never wanted out.
THE NEW YORK TIMES BESTSELLER FROM A NATIONAL BOOK AWARD WINNING AUTHOR
A TIME MAGAZINE TOP 10 NOVEL OF 2016 | SHORTLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION 2016
FROM THE WINNER OF THE ASTRID LINDGREN MEMORIAL AWARD 2018
They used to be inseparable. They used to be young, brave and brilliant - amazingly beautiful and terrifyingly alone. August, Sylvia, Angela and Gigi shared everything: songs, secrets, fears and dreams. But 1970s Brooklyn was also a dangerous place, where grown men reached for innocent girls, where mothers disappeared and futures vanished at the turn of a street corner.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I loved graphic novels even before I became an author/illustrator. But because I create for young readers, I also read a lot of graphic novels aimed at them. I am also a big believer that books with female protagonists are important for all readers: male, female, and non-binary. All of the books I’ve recommended are books I plucked off my own bookshelf, and that I’ve read several times and I think are exceptional in some way.
One night, eleven-year-old Effie (a recent orphan) is dropped off at her aunts’ house.
She doesn’t really want to be there until she discovers that her aunts are witches and she may be one too! This female-driven graphic novel is full of colorful characters who help Effie find the magic within herself.
Graphic novels tell half the story through the art and Witches of Brooklyn beautifully rendered with lines that communicate energy and grace.
There's a new witch in town! Life in Brooklyn takes a strange turn when Effie discovers MAGIC runs in the family.
A middle-grade graphic novel adventure filled with magical hjinks for fans of Phoebe and Her Unicorn and Making Friends.
Could there really be witches in Brooklyn?!
Effie's aunts are weird. Like, really WEIRD. Really, really, really WEIRD! The secretly-magic kind of weird and that makes Effie wonder . . . does this mean she can do magic, too?
Life in Brooklyn takes a strange twist for Effie as she learns more about her family and herself. With new friends…