Here are 100 books that After Camus fans have personally recommended if you like
After Camus.
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I love stories so much I majored in English at UVa. Though I showed up in New York with only reading and waitressing skills, Iâve somehow enjoyed the privilege of working in the arts at some of the greatest institutions (Paul Taylor, Cooper Union, ABT). I respond to art, people and especially art-people. Encountering their deep love (and glorious dysfunction) in books enables me to extend the special communion that grows around audiences and artists. This is central to me. It reminds me that beauty is important. It helps me hold on.
This is a big ambitious book with a huge literary and emotional payoff.
Itâs set in Chicago, a town I donât know well during the AIDS epidemic, an experience that has stayed with me. Itâs also set in Paris, a place we all love to read about, in the art world, where I like to linger. I donât always appreciate a multiple timeline structure; here, however, it really enriches the plot, heightens the stakes, and amplifies the theme of love within tragedy.
Every character is well-drawn and makes a lasting impression as you jump into not only a community in crisis, but also a world of visual art, found families, mortality, and memory. Itâs a stunningly sublime story about the experiences and people who forever change us.
PULITZER PRIZE FINALIST NATIONAL BOOK AWARD FINALIST A NEW YORK TIMES TOP 10 BOOK OF 2018 LOS ANGELES TIMES BOOK PRIZE WINNER ALA CARNEGIE MEDAL WINNER THE STONEWALL BOOK AWARD WINNER
Soon to Be a Major Television Event, optioned by Amy Poehler
"A page turner . . . An absorbing and emotionally riveting story about what it's like to live during times of crisis." -The New York Times Book Review
A dazzling novel of friendship and redemption in the face of tragedy and loss set in 1980s Chicago and contemporary Paris
In 1985, Yale Tishman, the development director forâŠ
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa storiesâall reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argueâŠ
Born into a powerfully matrilineal family (my mother chose my name when she was twelve) in small town Appalachia, I believe that we inherit our parentsâ unresolved emotional dilemmas as well as their physical characteristics, and that the sensual elements of places our families may have inhabited for generations are âbred in the bone.â Iâve always said that history tells us the facts, but literature tells us the story. Iâm a language-conscious writer who began as a poet, so that each line has a beat and a rhythm. Words awaken our memories and the powerful unconscious knowledge we all possess. The reader meets the writer inside the story: itâs a connection of mind and heart.Â
I loved Waltzing With The Dragons for its autobiographical sense of history and description of mother/daughter bonds that are truly universal.Â
The story begins in 1922 with Ly, the daughter of one of the last Mandarins in north Vietnam, who flees an arranged marriage at thirteen to stay with her fatherâs friends, a French couple, and lives through the WWII Japanese occupation, finally fleeing to the South where she falls in love with a French Army doctor and gives birth to a daughter, Mai-Tam, in 1952.Â
Mai-Tam, who is Eurasian and never feels she belongs, grows up in the shadow of the American-Vietnam war. The novel ends in 1967, preserving a mother-daughter kinship that sustains migration and separation.Â
Waltzing with the Dragons is the true story of a Vietnamese woman and her Eurasian daughter.Born in 1922 in the north of Vietnam, under French colonial rule, Ly was the daughter of one of the last Mandarins, a childhood friend of Ho Chi Minh. After she rebelled against her family, by refusing an arranged marriage at thirteen, she was sent to live with her fatherâs best friends, a French couple. It was the beginning of a life-long love affair with French culture and lifestyle. At seventeen, she married a French army officer who, shortly there after, was killed in action.âŠ
From the start, tented under bedcovers with a flashlight and diary, writing has been sheer joy and discovery. When I became aware that I was bisexual in my twenties, I wrote a memoir to make sense of my body, especially in light of my Christian upbringing, which became Swinging on the Garden Gate. When a fire burned all my belongings, including decades of writing, I found comfort in keeping a journal and was amazed that the practice still gave me hope. How? Why? My curiosity led to three books on writing as a transformational practice and countless workshops. The mystery of how creating something creates the creator fuels everything I do.
Some of the worst memoir-writing advice Iâve ever heard is, âDonât write in the midst of emotional turmoil.â If Mark Doty had listened, readers would have never received the gift of Heavenâs Coast. No doubt this memoir began as a journaled record of Doty losing his beloved partner to AIDS.Â
His record of love, loss, and grief packs a punch because itâs so raw. It has lasting power because Doty took time to revise, adding eloquence, perspective, and insight. This is also a great model for integrating reflection into a story.Â
HEAVEN'S COAST is an anatomy of loss: tender, heartbreaking, consoling and, ultimately, incredibly moving. Beginning with the first onset of AIDS and its lengthening shadow over a blissful relationship, the book follows the shifting patterns between two loves as the illness takes hold - the change in them and the change in the way they perceive the world, through the lens of grief. Doty examines the nature of AIDS as opposed to other illnesses, the responses of society, the frustration of medical care and the exhausting - and occasionally uplifting - burden of caring for the dying at home.
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.Â
Iâve been researching treatment harms for 3 decades and founded RxISK.org in 2012, now an important site for people to report these harms. Theyâve been reporting in their thousands often in personal accounts that feature health service gaslighting. During these years, our treatments have become a leading cause of mortality and morbidity, the time it takes to recognize harms has been getting longer, and our medication burdens heavier. We have a health crisis that parallels the climate crisis. Both Green parties and Greta Thunbergâs generation are turning a blind eye to the health chemicals central to this. We need to understand what is going wrong and turn it around.
AIDS was the pandemic before Covid. Unlike Covid, it mobilized people to take the science and efforts to find a cure into their own hands â especially people on the fringes of society. Nothing like this had ever happened before. It appeared to mark a watershed where medicine would become a servant of the people rather than people being enslaved to its commercial priorities. Sadly this is not how things worked out. The discovery of Triple Therapy was a high point of modern medicine but we have gone downhill since then with few if any drugs saving lives the way Triple Therapy did. Impure Science shows you vividly what we are up against.
In the short, turbulent history of AIDS research and treatment, the boundaries between scientist insiders and lay outsiders have been crisscrossed to a degree never before seen in medical history. Steven Epstein's astute and readable investigation focuses on the critical question of "how certainty is constructed or deconstructed," leading us through the views of medical researchers, activists, policy makers, and others to discover how knowledge about AIDS emerges out of what he calls "credibility struggles." Epstein shows the extent to which AIDS research has been a social and political phenomenon and how the AIDS movement has transformed biomedical research practicesâŠ
Iâm a nice gay Jewish former wannabe actor turned AIDS activist. I joined ACT UP, the AIDS Coalition to Unleash Power, in 1987, and for the next eight years, I chaired committees, planned protests, led teach-ins, and facilitated our weekly meetings. I visited friends in hospitals, attended far too many AIDS memorials, participated in over a hundred zaps and demonstrations, and earned the title of ACT UPâs unofficial âChant Queen.â It was the hardest, most intense, most rewarding, most joyous, and most devastating time of my life. Aware that I had witnessed history, it became my mission to record what happened and to make sure our story was not forgotten.Â
In Reports from the Holocaust, Larry Kramer charts his own journey into AIDS activism, through a collection of his articles, speeches, jeremiads, and public pronouncements dating from the earliest days of the AIDS crisis. A combination gadfly, angry prophet, activist conscience, and provocateur, Larry was also a huge pain-in-the-ass and an unyielding and loving advocate for the gay communityâall of which is on full display here. The book includes his incendiary â1,112 and counting,â written in 1983, which first awakened me (and the rest of the gay community) to the political dimensions of the AIDS crisis, as well as his speech four years later, that led to the formation of ACT UP. I defy you to read this book and not want to take to the streets in protest.
Author of "Faggots" and the screenplay for "Women in Love", Kramer is also co-founder of America's first AIDS service organization, Gay Men's Health Crisis. This work is a collection of Kramer's central articles, over a period of ten years, together with a new essay on the current state of AIDS.
Second novels rarely get the love that they deserve. People come to them with all kinds of presumptions and expectations, mostly based on whatever they liked (or didnât like!) about your first novel, and all writers live in fear of the dreaded âsophomore slump.â I spent a decade trying to write my second novel and was plagued by these very fears. To ward off the bad vibes, I want to celebrate some of my favorite second novels by some of my favorite writers. Some were bona fide hits from the get-go, while others were sadly overlooked or wrongly panned, but theyâre all brilliant, beautiful, and full of heart.
A few years ago, I had the chance to write about Allan Gurganus for Harperâs magazine. That gave me a reason to read his entire oeuvre. Thereâs a lot of great stuff in there, but Plays Well With Others is my favorite. Published in 1997, it was the eagerly awaited follow-up to Oldest Living Confederate Widow Tells All, Gurganusâs smash hit debut, which had come out in 1989. That book sold several million copies and was adapted into a TV miniseries as well as a Broadway show.
Unfortunately, Plays Well could not escape the long shadow cast by Widow. But I am here to tell you that this story of a queer friend-group weathering the worst of the AIDS crisis in 1980s New York City is a sui generis work of genius: a sexually graphic, laugh-out-loud funny, emotionally devastating tour-de-force, as beautiful and bonkers as it isâŠ
In his widely read, prizewinning Oldest Living Confederate Widow Tells All, Allan Gurganus gave fresh meaning to an overexplored American moment: 1860-65. He now turns that comic intensity and historical vision to another war zone: entry-level artistic Manhattan 1980-95. In his first novel since Widow, Gurganus offers us an indelible, addictive praise-song to New York's wild recent days, their invigorating peaks and lethal crashes.
It's 1980, and Hartley Mims jr., a somewhat overbred Southerner, arrives in town to found his artistic career and find a Circle of brilliant friends. He soon discovers both Robert Christian Gustafson, archangelic boy composer ofâŠ
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiersâŠ
Iâm the global health reporter for The New York Times, the latest iteration in 30 years as a foreign correspondent. Iâve covered wars and humanitarian disasters, but itâs health stories that have always drawn me most. Health stories are intimate and personal, but theyâre also about politics and economics, and social norms â about power. Iâve written about the Zika virus crisis in Brazil, child malnutrition in India, teen suicide in the Arctic â but no story has drawn me in and kept me riveted like Africaâs AIDS pandemic has over the past 25 years. I intend to keep reporting on it until the day a cure is found.
Iâm going to say right off the top that this book is not well written: itâs turgid and florid and hard to follow. But itâs also recent, unlike most of the books on my list, and itâs the first comprehensive accounting of PEPFAR, the extraordinary US intervention into the African pandemic.
Itâs impossible to understand the huge shift in the dynamic of the pandemic without understanding how massively George Bushâs decision to support HIV treatment in Africa changed â well, everything â and Bass is the first writer to try to really dig into that story.
"Randy Shilts and Laurie Garrett told the story of the HIV/AIDS epidemic through the late 1980s and the early 1990s, respectively. Now journalist-historian-activist Emily Bass tells the story of US engagement in HIV/AIDS control in sub-Saharan Africa. There is far to go on the path, but Bass tells us how far we've come." -Sten H. Vermund, professor and dean, Yale School of Public Health
With his 2003 announcement of a program known as PEPFAR, George W. Bush launched an astonishingly successful American war against a global pandemic. PEPFAR played a key role in slashing HIV cases and AIDS deaths inâŠ
Amidst COVID-19, HIV/AIDS is a touchpoint for journalists, scholars, writers, and a public who seek a usable past in understanding the present and making an uncertain future less so. The challenge of how to love, live, and survive amidst pandemics isn't new, I play here on the title of one of the first safer sex books,How to Have Sex in an Epidemic. As someone who studies how activists document their work and how they bring those materials to life today, I'm both fascinated and troubled by pandemic comparisons. These books offer crucial stories and productive tools to think with as we navigate questions of how to survive, and maybe even thrive amidst intersecting pandemics.
In We Are Having This Conversation Now, Alexandra Juhasz and Theodore Kerr blow up the conventions of academic work on epidemics.
In a series of thirteen short dialogues they reflect as activists, media-makers, and scholars on the history, present, and future of AIDS. The reflections on AIDS-related culture and conversation they share, will spark for readers critical questions about how personal experiences, community, cultural production, and interpersonal relations come together.
Doing this kind of reflective work is particularly important now, as we need to begin to understand not only HIV/AIDS, but how it impacts the experience of living amidst other viral pandemics including COVID-19.Â
We Are Having This Conversation Now offers a history, present, and future of AIDS through thirteen short conversations between Alexandra Juhasz and Theodore Kerr, scholars deeply embedded in HIV responses. They establish multiple timelines of the epidemic, offering six foundational periodizations of AIDS culture, tracing how attention to the crisis has waxed and waned from the 1980s to the present. They begin the book with a 1990 educational video produced by a Black health collective, using it to consider organizing intersectionally, theories of videotape, empowerment movements, and memorialization. This video is one of many powerful yet overlooked objects that theâŠ
Iâve read a lot of books that feature gay characters. These characters often partition into two main groups: angsty men who are victims of oppression or illness, or camp stereotypes who provide the light relief. I prefer to read about heroes who happen to be gay. Thatâs why I started writing novels. My recent books are historical novels inspired by real gay heroes. The feedback I get from readers indicates that there are a lot of people who want the same as I do.
Jill Nalder is one of the great heroes of the AIDS crisis in eighties Britain. Her story features in the TV series Itâs A Sin. This is her memoir and itâs an uplifting and heartbreaking read. Jill is one of those miraculous allies for gay men who fought to get more information about AIDS distributed more widely. Itâs thanks to people like her that AIDS is no longer a death sentence.
'I read the book in one go. I laughed and cried like a baby, and was transported back to a time of innocence, clouded by the enormity of the harsh reality . . . Just amazing' CATHERINE ZETA JONES
'As it happens, I was also a Jill in the eighties - but not half as good a Jill as real Jill' DAWN FRENCH
'Jill met the crisis head on . . . She held the hands of so many men. She lost them, and remembered them, and somehow kept going' RUSSELL T DAVIES
A heartbreaking, life-affirming memoir of love, lossâŠ
Creativity, Teaching, and Natural Inspiration
by
Mark Doherty,
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted reparteeâŠ
My passion for this topic dates back to my childhood and being impressed by the scary diseases and unhygienic toilets that were part of my family lore. I grew up to be a historian of medicine, which allowed me to indulge my interest in deadly diseasesâat a safe historical distance! That curiosity led me to write the Gospel of Germs, a history of popular understandings of the germ theory of disease. Post-COVID, I am thinking about how to get ready for the next big pandemic that climate change and globalization will likely throw at us: will it be bird flu, dengue, mpox, or some new COVID variant?
Of the many riveting books written about the other âbig oneâ of the 20th centuryâthe AIDs pandemic, still ongoingâI especially love Franceâs account because it combines the power of a personal memoir with a âyou are thereâ description of the plagueâs unfolding in the United States.
I also like how France shows the positives in an otherwise tragic story. When faced with a deadly new disease, grassroots activists waged brilliant fights to get attention to its dangers and, in the process, changed American science for the good.
Winner of The Green Carnation Prize for LGBTQ literature
Winner of the Lambda Literary Award for LGBT non-fiction
Shortlisted for the Wellcome Book Prize 2017
'This superbly written chronicle will stand as a towering work in its field' Sunday Times
'Inspiring, uplifting and necessary reading' - Steve Silberman author of Neurotribes, Financial Times
How to Survive a Plague by David France is the riveting, powerful and profoundly moving story of the AIDS epidemic and the grass-roots movement of activists, many of them facing their own life-or-death struggles, who grabbed the reins of scientific research to help develop the drugs thatâŠ