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My current research centers on the organizing strategies of 20th and 21st-century Black activists in the U.S. and western Europe and on the U.S. as a reference culture for European anti-racism movements, particularly in my native country, the Netherlands. I believe the recent Black Lives Matter protests in Europe are an example of the effectiveness of diasporic politics and the next phase in a much longer history of homegrown activism. Foregrounding ‘Black Europe’ as an independent field of study accordingly helps to create much needed critical knowledge about Black Europeans’ history, agency, and needs as we navigate further into the volatile twenty-first century, while simultaneously challenging the perimeters of diasporic meaning and the centrality of ‘Black America’ within.
While the Black freedom struggle is often approached through the activism of Black males, the history of the struggle in Europe—like in the United States and elsewhere in the world—owes much to Black women, Black female scholar-activists, and Black feminist and Queer networks. Yet they remain woefully underrepresented in scholarship and collective memory.
I, therefore, chose this edited volume, because it uniquely presents the stories, intersectional experiences, and visions of contemporary Black female activists, artists, and scholars from across the continent. This not only uncovers the significant intellectual, political, social, and cultural contributions of Black women, but also expands definitions of (political) activism to include, among others, motherhood and the home.
This book brings together activists, artists and scholars of colour to show how Black feminism and Afrofeminism are being practiced in Europe today, exploring their differing social positions in various countries, and how they organise and mobilise to imagine a Black feminist Europe.
Deeply aware that they are constructed as 'Others' living in a racialised and hierarchical continent, the contibutors explore gender, class, sexuality and legal status to show that they are both invisible - presumed to be absent from and irrelevant to European societies - and hyper-visible - assumed to be passive and sexualised, angry and irrational.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
My current research centers on the organizing strategies of 20th and 21st-century Black activists in the U.S. and western Europe and on the U.S. as a reference culture for European anti-racism movements, particularly in my native country, the Netherlands. I believe the recent Black Lives Matter protests in Europe are an example of the effectiveness of diasporic politics and the next phase in a much longer history of homegrown activism. Foregrounding ‘Black Europe’ as an independent field of study accordingly helps to create much needed critical knowledge about Black Europeans’ history, agency, and needs as we navigate further into the volatile twenty-first century, while simultaneously challenging the perimeters of diasporic meaning and the centrality of ‘Black America’ within.
Next to a growing body of work on the centuries-old Black human and cultural presence in and contributions to Europe (see among others the work of David Olusoga, Peter Fryer, Paul Gilroy, Olivette Olete, and Jacqueline Nassy Brown), memoirs and autobiography provide an excellent means for understanding the Black lived experience in Europe. In line with a longer, transnational Black tradition of using the genre to counter Black invisibility in history writing and collective memory, such works often expertly combine personal narrative with historical research.
While countless other impressive examples exist (see e.g. Afua Hirsh) and Reni Eddo-Lodge’s work doesn’t fully qualify as a ‘memoir,’ I chose her work because of the honest and insightful way it addresses—and has fueled British discussions on—the meaning of citizenship for racialized subjects in the United Kingdom, and the roles class and the politics of memory play in this. As a time document of…
'Every voice raised against racism chips away at its power. We can't afford to stay silent. This book is an attempt to speak'
The book that sparked a national conversation. Exploring everything from eradicated black history to the inextricable link between class and race, Why I'm No Longer Talking to White People About Race is the essential handbook for anyone who wants to understand race relations in Britain today.
THE SUNDAY TIMES BESTSELLER WINNER OF THE BRITISH BOOK AWARDS NON-FICTION NARRATIVE BOOK OF THE YEAR 2018 FOYLES NON-FICTION BOOK OF THE YEAR BLACKWELL'S NON-FICTION BOOK OF THE YEAR WINNER OF…
My current research centers on the organizing strategies of 20th and 21st-century Black activists in the U.S. and western Europe and on the U.S. as a reference culture for European anti-racism movements, particularly in my native country, the Netherlands. I believe the recent Black Lives Matter protests in Europe are an example of the effectiveness of diasporic politics and the next phase in a much longer history of homegrown activism. Foregrounding ‘Black Europe’ as an independent field of study accordingly helps to create much needed critical knowledge about Black Europeans’ history, agency, and needs as we navigate further into the volatile twenty-first century, while simultaneously challenging the perimeters of diasporic meaning and the centrality of ‘Black America’ within.
As one of the first scholarly attempts to investigate the Black experience on a continental scale (as opposed to in individual European nations), this edited volume presents a good introduction to the multifaceted questions and approaches that emerge when studying this topic. Offering insights from various scholarly disciplines and 20th and 21st-century case studies from individual countries such as France, Germany, Italy, Britain, and the Netherlands, it provides thoughtful essays that explore the meanings of ‘Blackness’ and belonging in Europe, and the roles the local, national, global, and metaphysical play within (imaginary) diasporic discourse and identity. As such, it invites critical thinking about the strengths and limitations of the usability of ‘Black Europe’ as a concept and unit of analysis.
The presence of Blacks in a number of European societies has drawn increasing interest from scholars, policymakers, and the general public. This interdisciplinary and multi-disciplinary collection penetrates the multifaceted Black presence in Europe, and, in so doing, complicates the notions of race, belonging, desire, and identities assumed and presumed in revealing portraits of Black experiences in a European context. In focusing on contemporary intellectual currents and themes, the contributors theorize and re-imagine a range of historical and contemporary issues related to the broader questions of blackness, diaspora, hegemony, transnationalism, and "Black Europe" itself as lived and perceived realities.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
My current research centers on the organizing strategies of 20th and 21st-century Black activists in the U.S. and western Europe and on the U.S. as a reference culture for European anti-racism movements, particularly in my native country, the Netherlands. I believe the recent Black Lives Matter protests in Europe are an example of the effectiveness of diasporic politics and the next phase in a much longer history of homegrown activism. Foregrounding ‘Black Europe’ as an independent field of study accordingly helps to create much needed critical knowledge about Black Europeans’ history, agency, and needs as we navigate further into the volatile twenty-first century, while simultaneously challenging the perimeters of diasporic meaning and the centrality of ‘Black America’ within.
This impressively well-researched study focuses on the reception of Angela Davis, Audre Lorde, Toni Morrison, and Alice Walker in post-World War II Germany. Although it only marginally references the Black German perspective (for that I recommend among others the work of Tina Campt, Tiffany Florvil, and Fatima El-Tayeb), it skillfully shows how Europeans perceive notions of race and racism through the prism of (African) Americanization.
Gerund illuminates particularly how White Germans’ interactions with (Black) America can provide pivotal insights into the meaning of ‘Whiteness’ and ‘citizenship’ in a European national context. This matters, because this in turn shapes (mis)understandings of the Black European plight and thus what anti-racism activists are up against. Like the works by Black scholars on the Netherlands, such as Gloria Wekker’s White Innocence and Philomena Essed’s edited volume Dutch Racism, Gerund’s study contributes to our understanding of how (fighting) notions of race must include grasping…
From Josephine Baker's performances in the 1920s to the 1970s solidarity campaigns for Angela Davis, from Audre Lorde as "mother" of the Afro-German movement in the 1980s to the literary stardom of 1993 Nobel Laureate Toni Morrison, Germans have actively engaged with African American women's art and activism throughout the 20th century. The discursive strategies that have shaped the (West) German reactions to African American women's social activism and cultural work are examined in this study, which proposes not only a nuanced understanding of "African Americanizations" as a form of cultural exchange but also sheds new light on the role…
I am an academic and development practitioner with decades of experience in the classroom and research and development practice. My research niche is in issues of development in the global South, ranging from social conflict/natural resources conflict, political sociology of African development, decolonization of knowledge, to political economy, and globalization studies. In the above capacity, I have, over the years, taught, researched, and ruminated on the development challenges of the global South, especially Africa. I have consulted for many multi-lateral development agencies working in Africa and focused on different dimensions of development. I have a passion for development and a good knowledge of the high volume of literature on the subject.
I read this book in hard copy first as part of my undergraduate readings at the University of Nigeria, and later on in my graduate studies programme. I have also found it useful for my students in my classes on political economy and decolonization of knowledge.
The book, even though written a long time ago, is a fine and thorough critique of colonialism and its apprehension as the roots of Africa’s development problems. It details how colonialism is one more step in a long history of the appropriation of the resources of the global South for the development of the global North. And how colonialism in its different ramifications is a strategic and emphatic tool of underdeveloping Africa.
I find the book very enjoyable since it was not written in any real esoteric style. It often reads like a fictional account, but is laced with realities and historical facts of…
The classic work of political, economic, and historical analysis, powerfully introduced by Angela Davis In his short life, the Guyanese intellectual Walter Rodney emerged as one of the leading thinkers and activists of the anticolonial revolution, leading movements in North America, South America, the African continent, and the Caribbean. In each locale, Rodney found himself a lightning rod for working class Black Power. His deportation catalyzed 20th century Jamaica's most significant rebellion, the 1968 Rodney riots, and his scholarship trained a generation how to think politics at an international scale. In 1980, shortly after founding of the Working People's Alliance…
Injustice has always motivated my research and activism. I have always been fascinated by nature and by the complexity of cities. For 25 years I have pursued these passions through the lens of sustainability. In 1996, I co-founded the not-for-profit Sustainable Calgary Society. My extensive work and travel in Asia, Africa, and Latin America, have given me a healthy skepticism of the West’s dominant cultural myths of superiority and benevolence and a keen awareness of the injustice of the global economic order. My book selections shed light on these myths and suggest alternative stories of where we come from, who we are, and who we might become.
In these times of Black Lives Matter, emboldened white-supremicists, and with European dominance descendant, Born into Blackness is a revelatory and blunt dose of historical reality. I was not fully aware of the centrality of the slave economy in Europe’s rise to global dominance. Most importantly, I was ignorant of the level of cultural, political, and economic sophistication of the African nations when the Portuguese first explored the west coast of Africa. I had some understanding of the Haitian revolution and its manifestation of the enlightenment ideals, but this book opened my eyes to the historical ripples of the revolution: the Louisiana purchase, ceding much of present-day Southern US from Napoleon’s France; the sale and forced-march of thousands of slaves into the cotton-growing south, fueling an economic take-off that made the US an imperial power.
In a sweeping narrative that traverses 600 years, one that eloquently weaves precise historical detail with poignant personal reportage, Pulitzer Prize finalist Howard W. French retells the story of medieval and emerging Africa, demonstrating how the economic ascendancy of Europe, the anchoring of democracy in America and the fulfillment of so-called Enlightenment ideals all grew out of Europe's dehumanising engagement with the "darkest" continent.
Born in Blackness dramatically retrieves the lives of major African historical figures whose stories have been repeatedly etiolated and erased over centuries, from unimaginably rich medieval African emperors who traded with Asia; to Kongo sovereigns who…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I am a Scottish writer who enjoys travelling and meeting people of different cultures and beliefs. I have always been a fan of adventure stories, particularly those with a strange or supernatural bent. My travels to The Ivory Coast and North Africa, hearing accounts of various witch stories, and encountering strange events and practices firsthand inspired me to write The Witch’s List Trilogy: the first two books published and the third in progress.
This is a story of love and friendship set in 1950s Algeria before and during the Algerian War of Independence. The main character, Younes, is an Arabic Algerian but forms friendships with some European boys and falls in love with Emilie a beautiful European girl. Great descriptions of the environment and the characters’ feelings make for an engrossing and moving read as Younes has to make choices about his loyalties towards his friends and family from the two different cultures.
'Darling, this is Younes. Yesterday he was my nephew, today he is our son'.
Younes' life is changed forever when his poverty-stricken parents surrender him to the care of his more affluent uncle. Re-named Jonas, he grows up in a colourful colonial Algerian town, and forges a unique friendship with a group of boys, an enduring bond that nothing - not even the Algerian Revolt - will shake. He meets Emilie - a beautiful, beguiling girl who captures the hearts of all who see her - and an epic love story is set in motion.
I was an angry girl, railing against the difference between the expectations and restrictions on me and my younger brother. I was also the child of survivors and victims of the Armenian genocide, and I grew up in 1950 when my immigrant family didn’t fit the representations of “Americans” as they were then depicted. And I was white. I wanted to change myself, the world and learn why there was so much injustice in the U.S. I went back to school at UMass, got connected to faculty in the Afro-American Studies Department, and joined the group that was creating the Women’s Studies Program. I am still learning and trying to change the world.
A mere 172 pages, this book examines the brutality of European colonialism in the 19th century, uncovering genocides I had never heard of that were perpetrated by so-called “civilized people” on so-called “primitive people.”
The justification for this barbarism was that they for the benefit of the people annihilated because they could not live in the modern world.
That justification is the same one often used on this side of the ocean for the genocide or “removal” of Indigenous people from their ancient lands and for the enslavement of African people who were “improved” by being around white people.
Part travelogue, part history, part literary analysis – Lindqvist focuses on Joseph Conrad’s novel The Heart of Darkness – the book cannot be easily categorized and when reading it I often wondered what he was doing.
But my understanding of both colonialism and what the Europeans did when they came to…
"Exterminate All the Brutes" is a searching examination of Europe's dark history in Africa and the origins of genocide. Using Joseph Conrad's Heart of Darkness as his point of departure, Sven Lindqvist takes us on a haunting tour through the colonial past, interwoven with a modern-day travelogue. Retracing the steps of European explorers, missionaries, politicians, and historians in Africa from the late eighteenth century onward, the author exposes the roots of genocide in Africa via his own journey through the Saharan desert. As Lindqvist shows, fantasies not merely of white superiority but of actual extermination "cleansing" the earth of the…
I am a veterinarian who has worked extensively with African Wildlife in the heart of the African bush. I have also met African Sangoma’s, witch doctors. I have made a study of African mysticism and Ancestral communications and have participated in African mystic rituals, including the cleansing ritual called smudging or burning of herbs and utilizing the smoke for spiritual cleansing. In my books, I fuse my knowledge of African wildlife, African customs and rituals, and my innate ability to tell a good story and have brought forth the Jamie James series. They are quintessential African Adventures taking place in the heart of the African bush.
The Scramble for Africa: The White Man's Conquest of the African Continent from 1876 to 1912 is a comprehensive history of the colonization of African territory by European powers between 1876 to 1912 known as the Scramble for Africa.
I am an African. I was born and raised in Africa. When I read about the horrors of the colonization of the continent I live on, I simply could not believe what I was reading. It took a lot more reading and research before I fully understood the implications and impact of this colonization. This led me to understand the place of wildlife in the early history of colonization and the evolution of a wildlife ethic.
Colonial powers viewed Africa as their sole domain for domination of its people and exploitation of its resources for the benefit of the colonial power and no benefit at all to the colony. Humans and…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Dr. Onyeka Nubia is a pioneering and internationally recognised historian, writer, and presenter. He is reinventing our perceptions of diversity, the Renaissance, and British history. Onyeka is the leading historian on the status and origins of Africans in pre-colonial England from antiquity to 1603. He has helped academia and the general public to entirely new perspectives on otherness, colonialism, imperialism, and World Wars I and II.
He has written over fifty articles on Englishness, Britishness, and historical method and they have appeared in the most popular UK historical magazines and periodicals including History Today and BBC History Magazine. Onyeka has been a consultant and presenter for several television programmes on BBC.
Northup provocatively challenges our perceptions of the early modern world. By offering a relativist view and investigating the primary sources written by Africans themselves — the Africans of the early modern period. They reveal much about sixteenth and seventeenth-century Europe, as well as African civilizations.
This groundbreaking book examines the full range of African-European encounters from an unfamiliar African perspective rather than from the customary European one. By featuring vivid life stories of individual Africans and drawing upon their many recorded sentiments, David Northrup presents African perspectives that persuasively challenge stereotypes about African-European relations as they unfolded in Africa, Europe, and the Atlantic world between 1450 and 1850. The text features thematically organized chapters that explore first impressions, religion and politics, commerce and culture, imported goods and technology, the Middle Passage, and Africans in Europe. In addition, Northrup offers a thoughtful examination of Africans' relations…