Books like Acid Dreams — picked by fans

At age 15, I was captivated by Ernest Hemingway and his depiction of Paris in the 1920s. This book today reignites the enchantment of those years. Hemingway's profound influence shaped my aspirations as a writer. Through his eyes, I can vividly see Paris's cafés, salons, and vibrant social scenes, which ultimately became the backdrop of my dreams.

This book, rich with lovemaking, drinking, writing, betting at the track, and the bohemian lifestyle of so many young artists in Paris, reawakens my desire to immerse myself in that world. Hemingway's narrative voice and his novels continue to speak to me in a language that feels intimately mine, reminding me of the undying impact of his work on my life and aspirations.

I love the absolutely authentic atmosphere of this book – the clothes, the music, the booze -- and the exploration of the dark side of the 1920s.

I find some of the characters sympathetic, some repellent, and some impossible to understand, just as in real life. Regardless, I feel that I really get to know them by the end of the book, even if I still don’t understand them. I can’t help but make comparisons with that time period and now, a century later. So much has changed, yet so much remains the same.

I’ll be honest that it can be a depressing read, so I have to be in the right mood for it, but when I am, nothing else will satisfy.

More on the wacky side, and far more entertaining, is Terence McKenna’s True Hallucinations: Being an Account of the Author’s Extraordinary Adventures in the Devil’s Paradise. For those who will never try “heroic doses” of psilocybin mushrooms deep in the Colombian jungle, this is a wild, vicarious ride, an amalgam of science, literature, myth, and exotica from an adventurer whose genuine inquisitiveness in things psychedelic goes hand in hand with mythomania—what an exuberant explosion of literary and philosophical high kitsch! If not persuaded, there follows the endorsement from The New York Times: “The polysyllabic sentences he lards with intellectual references are an attempt to lend credibility to the otherwise debunked subject of drugs.” Yes, a hatchet job from The New York Times could not make for a more valuable endorsement.

When I first read the 1975 edition of the 1963 City Lights classic, The Yage Letters, it was an unaccompanied and unabridged dive into two of the best minds of the Beat Generation. There was no contextual introduction, nor appendices, just a perplexing series of epistolatory “letters” exchanged as Burroughs searched for yagé (aka ayahuasca) in the Putumayo region of the Amazon in 1953, and Ginsberg followed suit seven years later (notably the McKenna brothers followed suit ten years after that). This extraordinary little book began with Burroughs writing to Ginsberg from the Hotel Colón on January 15 (“Dear Allen, I stopped off here to have my piles out”), and ended back in Panama with the epilogue “Am I Dying, Meester?” a flickering collage of memories sampled from earlier letters.

A few years later, the expanded 2006 Redux edition was published, featuring an introduction by Oliver Harris which offers an… show more.

Davis’ style is analytical swank and this excavation of the 1970s is his odyssean opus. High Weirdness is a fascinating trip of a book in which the psychedelic epiphanies and freak experiences of Terence McKenna, Robert Anton Wilson, and Philip K. Dick are each explored and compared for their extraordinary contributions to “consciousness culture,” and for their entrees on the radical form of realism Davis calls “weird naturalism.” The book serves as a remarkable introduction to each of the trio upon whom Davis has made extensive study, from the epicenter of the weird that was the 1971 Experiment at La Chorrera, to the origins and impact of the Discordian “mindfuck,” to Dick’s “perturbations in the reality field,” notably the 1974 events he named “2-3-74.” In the literature, philosophy, and practice of each we see “freak bricoleurs cobbling together their own technologies of the self.” Across this extensive freakography, we have… show more.

This indispensable pair of companion volumes created by the Shulgins and known by their acronyms represent a literary and alchemical “gold mine.” Committed to the synthesis and assaying of hundreds of new compounds, chemist Alexander Shulgin dedicated his life to the public dissemination of potential psychotherapeutic aids, most notably MDMA (which he synthesized). A collaboration with his wife, Ann, these books represent Shulgins’ life achievement. They include detailed and precise reports by the Shulgins and the psychonautical group of friend-volunteers who bioassayed newly discovered molecules. PiHKAL ("Phenethylamines I Have Known and Loved”) focuses on psychoactive phenethylamine chemical derivatives, and TiHKAL ("Tryptamines I Have Known and Loved”) focuses on tryptamines. The books are arranged into two parts. The first part of both volumes is fictionalized autobiography. In PiHKAL, the couple shares their accounts of their chemically augmented romance, including thoroughly endearing portraits of their experience with mescaline in Golden Gate… show more.

This is a book that shares intimate glimpses into the lives of a handful of Native Americans living on an Indian Reservation in the late 20th century. The book is full of humor, irony, and wit and was later made into a popular film. There are moments that are amusing and funny, but loneliness and a sense of apathy make their way into the storyline as well, as Victor, the lead character, tries to navigate the unpredictable family life he finds himself in. As a small boy he witnesses the damaging effects of alcoholism and what it does to his father and other family members, much like Sherman Alexie did himself. Victor is deeply resentful of his father’s abandonment when he was a child, and resents his friend Thomas for admiring his father for things like eating 15 pieces of fry bread in one sitting.

Victor struggles to find his… show more.

White Crow is a story that takes place in the early 1800s in California when it was still a territory, a part of Mexico, and before it became a state. The book details the story of a white boy, raised by Indians because his parents were killed. He becomes an Indian warrior whom they call White Crow and accept into their tribe. The book is like a western story, but much more complex. It shares the struggles of the lead character, Isaiah Crow, and how he becomes a part of the tribe. He marries an Indian woman and they have a child. Their son, Jedadiah grows up and carries on many of the traditions and customs he learns from the tribe but in a more modern California. I enjoyed this story because it's such a gripping story and Wood does an outstanding job of character development in this book.… show more.

I find this novel intensely absorbing as it focuses on Timothy Leary's experiments with psychedelics and communal living in the early sixties.

After a prelude depicting the discovery of LSD's properties and power by a Swiss scientist in 1942, the viewpoint switches to a graduate psychology student and his wife as they are drawn into Leary's inner circle through the initial Harvard-approved weekend psilocybin and LSD parties, the summer-long bacchanalian revelries of drugs and sex in Zihuatanejo, Mexico, and the communal social experiment in Millbrook, New York.

I can appreciate how Leary is presented as a charismatic, somewhat deluded guru of a drug cult and how his followers are enthralled, enraptured, and yet ultimately dissatisfied with a lifestyle based on the mind-expanding power of psychedelics.

I treasure this book for the artwork. The rather simple story tells of Albert Hofmann’s creation of LSD 25 on April 19, 1943, in a Sandoz laboratory in Switzerland. That day is known as Bicycle Day because after accidentally ingesting the chemical, Hofmann had a powerful psychedelic experience as he rode his bicycle home.

This trip is vividly depicted in a lengthy series of full- and double-page spreads, which become increasingly bizarre and hallucinatory as they go along. Blomerth’s cartoony but precise style is warm and whimsical, and he adds striking graphic effects to it. The art is presented to its best advantage on matte ivory stock that sets off the intense colors, which include Day-Glo colors.