Here are 12 books that Above the Fire fans have personally recommended if you like
Above the Fire.
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I feel like this book was written for me. Beautiful, funny, heartbreaking, mysterious, puzzling, brilliant -- I'm on my second read right now and it's even better the second time around. It's the kind of book you will need to talk with someone about so make sure you read it with a friend. One of the top 5 books I've ever read.
A parody of a literary biography starring a 10-year-old novelist who is mysteriously dead at 11—from the Pulitzer Prize-winning author of Martin Dressler.
As a memorial, Edwin Mullhouse's best friend, Jeffrey Cartwright, decides that the life of this great American writer must be told. He follows Edwin's development from his preverbal first noises through his love for comic books to the fulfillment of his literary genius in the remarkable novel, Cartoons.
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
The world building of The Naming Song just blew me away. It was pure pleasure to just lost myself in this new world that bordered on familiarity but also was full of adventure, discovery, surprises, beautiful friendships, language, ghosts, and wonder. I haven't cried for awhile while reading a book, but this one did make me cry!
There's nothing more dangerous than an unnamed thing.
When the words went away, the world changed.
All meaning was lost, and every border fell. Monsters slipped from dreams to haunt the waking while ghosts wandered the land in futile reveries. Only with the rise of the committees of the named - Maps, Ghosts, Dreams, and Names - could the people stand against the terrors of the nameless wilds. They built borders around their world and within their minds, shackled ghosts and hunted monsters, and went to war against the unknown.
For one unnamed courier of the Names Committee, the task…
Born to a Tibetan mother and an American father, I was raised in the U.S. As a girl, I wondered why things were always changing: the seasons, people, and places I loved. Growing older, I became fascinated with how to find happiness in a world where nothing lasts forever. After college, I lived in India with my Tibetan grandmother, learning about Buddhist “bardo” perspectives on life’s ephemerality. I realized that though we resist change, accepting impermanence allows us to live happier lives. I publish widely on impermanence and host a Tricycle interview series about bardo, with guests including David Sedaris, Elizabeth Gilbert, Malcolm Gladwell, Ann Patchett, and Dani Shapiro.
This book reminds me that our outer journeys are also journeys through our inner landscape.
Matthiessen tells the moving story of a Himalayan pilgrimage in search of enlightenment after his wife’s death. The quest helps him make peace with his loss, as well as gives him a more profound understanding of the fleeting beauty of life.
The narrative especially resonates for me because it takes place in the Himalayas, a part of the world I’m closely connected to: I lived in Nepal when I was a small girl and have spent a lot of time with my Tibetan family in Darjeeling, India.
'A beautiful book, and worthy of the mountains he is among' Paul Theroux
'A delight' i Paper
This is the account of a journey to the dazzling Tibetan plateau of Dolpo in the high Himalayas. In 1973 Matthiessen made the 250-mile trek to Dolpo, as part of an expedition to study wild blue sheep. It was an arduous, sometimes dangerous, physical endeavour: exertion, blisters, blizzards, endless negotiations with sherpas, quaking cold. But it was also a 'journey of the heart' - amongst the beauty and indifference of the mountains Matthiessen was searching for solace. He was also searching for a…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I first read this book in 1995, almost twenty-five years after its publication date of 1971, making it a generation later. Re-reading it in 2025 made it another generation, a long enough survival for a work of literature to become a classic. And there are elements of reading a classic, such as grammatical constructions that have gone out of fashion and words contemporary authors would choose not to use. It is also longer, slower and more erudite than much contemporary historical fiction, which is not in itself a bad thing.
The novel tells the story of Lyman Ward, a retired professor of history and author of books about the Western frontier, who returns to his ancestral home in the Sierra Nevada. Wheelchair-bound with a crippling bone disease, Ward embarks nonetheless on a search to rediscover his grandmother, no long dead, who made her own journey to Grass Valley nearly a hundred years earlier.
I studied music as an undergraduate and play the cello or the drums most days. Yet when I set out to write Concert Black, I found that there are surprisingly few novels set in the world of the conservatory and the concert hall. To me, these are ideal settings for drama because they are filled with competition, ego, and high art. Novels that pivot on classical music combine two of my great passions and are among my favorite type of book.
Patrick O’Brian’s beloved Aubrey-Maturin novels are as much about music as they are about the navy.
Captain Jack Aubrey and surgeon Stephen Maturin meet at a chamber music concert in the opening pages of this first novel in the series. The scene prefigures the way they will one day play duets at sea on their cello and violin.
I love how the opening scene uses music to establish their contrasting personalities. Jack, who is all enthusiasm, can’t help himself but beat time to Locatelli’s String Quartet in C Major. Stephen insults Jack by telling him he is ruining the concert; if he’s going to beat the measure, he should at least not rush. What could have led to a duel ends in a lifetime of friendship.
This, the first in the splendid series of Jack Aubrey novels, establishes the friendship between Captain Aubrey, R.N., and Stephen Maturin, ship's surgeon and intelligence agent, against a thrilling backdrop of the Napoleonic wars. Details of a life aboard a man-of-war in Nelson's navy are faultlessly rendered: the conversational idiom of the officers in the ward room and the men on the lower deck, the food, the floggings, the mysteries of the wind and the rigging, and the roar of broadsides as the great ships close in battle.
I studied music as an undergraduate and play the cello or the drums most days. Yet when I set out to write Concert Black, I found that there are surprisingly few novels set in the world of the conservatory and the concert hall. To me, these are ideal settings for drama because they are filled with competition, ego, and high art. Novels that pivot on classical music combine two of my great passions and are among my favorite type of book.
Julian Barnes dramatizes the tortured inner life of the Soviet Union’s greatest composer.
Dmitri Shostakovich was by all accounts a nervous wreck: a twitching, blinking, sweating mess. He lived in the glare of Stalin himself as the most prominent Russian composer in the 1930s and ‘40s, during the Great Terror.
What I return to is the way Barnes takes us inside Shostakovich’s mind as he tried to balance writing music with life-or-death politics. Some of the compromises he made, like denouncing Igor Stravinsky’s modern compositions, haunted him. "He had betrayed Stravinsky, and in doing so, he had betrayed music. Later, he told Mravinsky that it had been the worst moment of his life."
A Daily Telegraph / Financial Times / Guardian / Sunday Times / The Times / New Statesman / Observer Book of the Year
'BARNES'S MASTERPIECE.' - OBSERVER
In May 1937 a man in his early thirties waits by the lift of a Leningrad apartment block. He waits all through the night, expecting to be taken away to the Big House. Any celebrity he has known in the previous decade is no use to him now. And few who are taken to the Big House ever return.
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I have been hiking up mountains all my life. From Long’s Peak in Colorado to Mt. Washington in New Hampshire to the Cairngorms in Scotland to the Laugavegur in Iceland, I have always drawn strength and inspiration from thin alpine air. As a midwesterner, when I can’t go to the mountains, I love finding new stories about them, particularly on the page. I wrote Above the Fire in 2020 during the pandemic, when I desperately wanted to leave home and climb something. But quarantine and family responsibilities meant I had to do the next best thing, by setting a novel in the mountains instead!
Caesar of the New Yorker tells the almost unbelievable story of Maurice Wilson, who in 1933 bought a biplane, flew it halfway around the world from England to Nepal, and attempted to climb Mount Everest by himself. Of course, he did not succeed—Sir Edmund Hilary and Tenzing Norgay made the first summit of Everest 20 years later—but Wilson carried out his attempt with rare panache.
I read this book with a mixture of astonishment and joy. So much of mountaineering literature is about over-serious people taking themselves far too seriously. Wilson, by contrast, liked to wear costumes and disguises, and outrun the authorities bent on stopping him in almost caper fashion. Whatever else the mountains are, they ought to be fun.
“An outstanding book.” —The Wall Street Journal * “Gripping at every turn.” —Outside * “A hell of a ride.” —The Times (London)
An extraordinary true story about one man’s attempt to salve the wounds of war and save his own soul through an audacious adventure.
In the 1930s, as official government expeditions set their sights on conquering Mount Everest, a little-known World War I veteran named Maurice Wilson conceives his own crazy, beautiful plan: he will fly a plane from England to Everest, crash-land on its lower slopes, then become the first person to reach its summit—completely alone. Wilson doesn’t…
I studied music as an undergraduate and play the cello or the drums most days. Yet when I set out to write Concert Black, I found that there are surprisingly few novels set in the world of the conservatory and the concert hall. To me, these are ideal settings for drama because they are filled with competition, ego, and high art. Novels that pivot on classical music combine two of my great passions and are among my favorite type of book.
This novel explores what it means to leave music behind.
August Blue follows a concert pianist who walks off the stage, mid-performance, then follows her doppelganger across Europe. As she moves further from her artistic career, music becomes a memory.
I admire the dream-like nature of the story, and the way Deborah Levy manages to capture in prose the idea of a sound heard, remembered, and slowly forgotten, as in this passage: "There were weeks when I played fragments of my score through the night, which is when I felt most in communion with [her]. I projected myself into her and she became music."
The mesmerising new novel from the twice Booker-shortlisted author of Hot Milk and Swimming Home
At the height of her career, concert pianist Elsa M. Anderson - former child prodigy, now in her thirties - walks off the stage in Vienna, mid-performance.
Now she is in Athens, watching as another young woman, a stranger but uncannily familiar - almost her double - purchases a pair of mechanical dancing horses at a flea market. Elsa wants the horses too, but there are no more for sale. She drifts to the ferry port, on the run from her talent and her history.…
I have been hiking up mountains all my life. From Long’s Peak in Colorado to Mt. Washington in New Hampshire to the Cairngorms in Scotland to the Laugavegur in Iceland, I have always drawn strength and inspiration from thin alpine air. As a midwesterner, when I can’t go to the mountains, I love finding new stories about them, particularly on the page. I wrote Above the Fire in 2020 during the pandemic, when I desperately wanted to leave home and climb something. But quarantine and family responsibilities meant I had to do the next best thing, by setting a novel in the mountains instead!
So many stories of the mountains are about bravado, grit, or conquest. Yet I go to the mountains for beauty and connection. Those are values that the Italian writer Paolo Cognetti prizes. His gentle novel uses the mountains as a setting for the relationship between two people.
The book chronicles a lifetime of friendship between a pair of boys who grow apart over the years. For a time, their shared history in the outdoors and love of the alpine is enough to maintain a connection. And then life intervenes. Yet the steady majesty of the Italian Alps remains a constant. I took my novel’s epigraph from this book: “It was impossible to convey what it feels like up there to those who have stayed below.”
*The book that inspired the film The Eight Mountains*
For fans of Elena Ferrante and Paulo Coelho comes a moving and elegant novel about the friendship between two young Italian boys from different backgrounds and how their connection evolves and challenges them throughout their lives.
“Few books have so accurately described the way stony heights can define one's sense of joy and rightness...an exquisite unfolding of the deep way humans may love one another” (Annie Proulx).
Pietro is a lonely boy living in Milan. With his parents becoming more distant each day, the only thing the family shares is their…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I have been hiking up mountains all my life. From Long’s Peak in Colorado to Mt. Washington in New Hampshire to the Cairngorms in Scotland to the Laugavegur in Iceland, I have always drawn strength and inspiration from thin alpine air. As a midwesterner, when I can’t go to the mountains, I love finding new stories about them, particularly on the page. I wrote Above the Fire in 2020 during the pandemic, when I desperately wanted to leave home and climb something. But quarantine and family responsibilities meant I had to do the next best thing, by setting a novel in the mountains instead!
One of the most underrated novels of the twentieth century.
Patrick O’Brian is known first and foremost for his exceptional Aubrey-Maturin series about the British Navy during the age of sail. I love those books as much as any on my shelf. Yet before he found his way to that subject, O’Brian wrote other novels, including this exquisite love story set in a Welsh mountain valley.
Published in 1952, Testimonies is haunting, tragic, and remarkably self-assured. It captures as well as any book the romance of the mountains and their invigorating effect on the spirit: “the vast country opened and strengthened my being in ways that I had never imagined. Many things that had appeared all-important dwindled to trifles, and other values rose.” I return to this book frequently and often give it as a gift.
Delmore Schwartz, the most influential critic in postwar America, wrote of Patrick O'Brian's first novel Testimonies: "A triumph...drawn forward by lyric eloquence and the story's fascination, [the reader] discovers in the end that he has encountered in a new way the sphinx and the riddle of existence itself." Schwartz' imagination was fired by this sinister tale of love and death set in Wales, a timeless story with echoes of Thomas Hardy and Mary Webb.
Joseph Pugh, sick of Oxford and of teaching, decides to take some time off to live in a wild and beautiful Welsh farm valley. There he…