Here are 86 books that A Thousand Notable Things On Various Subjects fans have personally recommended if you like
A Thousand Notable Things On Various Subjects.
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I write as Robert J. Lloyd, but my friends call me Rob. Having studied Fine Art at a BA degree level (starting as a landscape painter but becoming a sculpture/photography/installation/performance generalist), I then moved to writing. During my MA degree in The History of Ideas, I happened to read Robert Hooke’s diary, detailing the life and experiments of this extraordinary and fascinating man. My MA thesis and my Hooke & Hunt series of historical thrillers are all about him. I’m fascinated by early science, which was the initial ‘pull’ into writing these stories, but the political background of the times (The Popish Plot and the Exclusion Crisis, for example) is just as enticing.
This is the only ‘whodunnit’ on my list, but it’s so much more. (As are all the best ‘whodunnits’.)
For a start, it’s told from four different points of view. My own books use the early history of the Royal Society, its science, and various of its actual ‘Fellows,’ and this book was undeniably an influence. Pears details the politics and religious turmoil of the time and the excitement of new scientific discoveries.
The mid-17th century’s rigid social structure and manners are shown starkly, as is the misogyny. I found it dark, layered, and although complex, it’s immediately engaging. A very satisfying book indeed!
'A fictional tour de force which combines erudition with mystery' PD James
Set in Oxford in the 1660s - a time and place of great intellectual, religious, scientific and political ferment - this remarkable novel centres around a young woman, Sarah Blundy, who stands accused of the murder of Robert Grove, a fellow of New College. Four witnesses describe the events surrounding his death: Marco da Cola, a Venetian Catholic intent on claiming credit for the invention of blood transfusion;Jack Prescott, the son of a supposed traitor to the Royalist cause, determined to vindicate his father; John Wallis, chief cryptographer…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I have been fascinated by historical fiction since childhood, when I used to read historical stories for children by such writers as Rosemary Sutcliffe and Henry Treece, moving on to Dickens and Austen in my early teens. Many of the great books about girls growing up were written in the Victorian and Edwardian periods by e.g. Louisa M Alcott, L M Montgomery, and Laura Ingalls Wilder. I devoured all these since they seemed to take me into a different world. I am a fiction writer rather than a historian since it is the great stories offered by history that spark my passion!
This is one novel that I can truly say kept me up all night until I’d finished all 548 pages, despite a headache and sore eyes!
A thrilling tale of deception, betrayal, and ingenuity by one of my all-time favourite writers, Fingersmith tells the story of two women from very different social classes. One is a young thief, the other from an aristocratic family, a secretary to her corrupt uncle.
In the course of the novel, their intertwined history is exposed, along with the conspiracy to steal Maud’s fortune. There are vivid, Dickensian scenes of Victorian London and Gothic elements to the romance, but I especially admire the multiple, breathtaking plot twists. I wish I’d written it!
“Oliver Twist with a twist…Waters spins an absorbing tale that withholds as much as it discloses. A pulsating story.”—The New York Times Book Review
Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.
One day, the most beloved thief of all arrives—Gentleman, an elegant con man,…
The Hew Cullan stories are historical crime fiction set at the university of St Andrews, Scotland, in the late sixteenth century. I was a student at St Andrews in the 1980s and now live nearby in the East Neuk of Fife, where the imprint of the town and its surrounding landscapes have remained unchanged since medieval times. What interests me most in writing of the past is how people thought and felt, lived and died and dreamt, and I have chosen books which capture that sense of the inner life, of a moment that belongs to a single time and place, and make it true and permanent.
The testament of Cresseid, written in Old Scots in the fifteenth century, was framed as a response to Chaucer’s earlier telling of the Troilus story—the ill-fated love between Troilus and Cressida. Henryson imagines what becomes of Cressida where Chaucer’s version ends. I read this poem at school, together with the fables, and loved it straight away. It was a revelation to find a view of Cresseid sympathetically disposed, in language that was vivid and direct; a telling that was startlingly humane. There is humour, heart and feeling in the fables too. It blew away my preconceptions that Scotland in the past was dour and inaccessible, and the language difficult, and replaced them with a fondness and a familiarity lasting to this day.
This is the first serious attempt to produce a critical text for all Henryson's poems. The text is based on all available material. There is a commentary and a glossary, and an introduction discusses Henryson's life and the sources of his poems.
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
The Hew Cullan stories are historical crime fiction set at the university of St Andrews, Scotland, in the late sixteenth century. I was a student at St Andrews in the 1980s and now live nearby in the East Neuk of Fife, where the imprint of the town and its surrounding landscapes have remained unchanged since medieval times. What interests me most in writing of the past is how people thought and felt, lived and died and dreamt, and I have chosen books which capture that sense of the inner life, of a moment that belongs to a single time and place, and make it true and permanent.
I first read They Were Defeated over thirty years ago, and recently reread to see if it had the power to move me still today. It does. Set in 1641, in Devonshire and Cambridge at the very brink of the Civil War, it reads like a love letter to a lost world, where the poets and Platonists are illuminated in already fading light, beautifully and tenderly observed. Rose Macaulay wrote that she had done her best "to make no person in this work use in conversation any word, phrase or idiom" not used at the time. "Ghosts of words," she calls them, after Thomas Browne. An astonishing feat in the pre-digital age. Yet the language of her ghosts is clear and true and natural. And the still moment, at the very heart of her heart-breaking story, transcends the factions that surround it and stays fixed for all time. This is…
THEY WERE DEFEATED begins in 1640 at a harvest festival - but religious persecution is in the air, and the idyllic rural scene is soon darkened by the threat of a witch hunt...Rose Macaulay interweaves the lives of Robert Herrick and other contemporary poets with those of a small group of fictional characters. Their lives, and in particular the life of her heroine Julian, are set vividly before us against a period which was one of the most dramatic and unsetttled in English history. Skilfully intertwining tragedy, comedy and beauty, THEY WERE DEFEATED was Rose Macaulay's only historical novel, and…
I first came across Byzantium when I read Robert Graves' Count Belisarius and studied as much of its history as I could while at King's College London. Later I taught English in Turkey and was able to visit the Byzantine sites of Istanbul, Iznik, and Cappadocia. I now teach medieval and Byzantine history at Royal Holloway, University of London. For those living outside eastern Europe and Russia, Byzantium may appear to be rather remote and exotic: that is part of its appeal! But just because it is strange and different does not mean that we should not try to understand it on its own terms. That is what I have tried to do in my books and teaching.
Basil II, who ruled as emperor from 976 to 1025, is an enigma. On the face of it, his reign was a great success which saw the Byzantine borders extended further than they had been for centuries. Yet no one at the time seems to have celebrated that success and we only know about his reign from accounts written a long time afterward by people who were either too young to remember his reign, like Michael Psellus, or who were not even born. It is this enigma that Holmes grapples with by analysing our most detailed source for Basil’s reign: the historian John Skylitzes who was writing around 1100. Her subtle uncovering of the cultural values that underlie the text reveal Basil not so much as a great conqueror but as a shrewd politician who knew exactly how to get what he wanted as much by persuasion as by force.
This is the first book-length study in English of the Byzantine emperor Basil II. Basil II, later known as 'Bulgar-slayer', is famous for his military conquests and his brutal intimidation of domestic foes. Catherine Holmes considers the problems Basil faced in governing a large, multi-ethnic empire, which stretched from southern Italy to Mesopotamia. Her close focus on the surviving historical narratives, above all the Synopsis Historion of John Skylitzes, reveals a Byzantium governed as much by persuasion as coercion. This book will appeal to those interested in Byzantium before the Crusades, the governance of pre-modern empires, and the methodology of…
I’m not an expert on witchcraft or the Salem Witch Trials. However, I am a historian of women’s history and a writer of historical fiction. I’m particularly drawn to stories that try to explain the inexplicable, and these five books are written by people with a similar fascination. In my opinion, Nathaniel Hawthorne and Greg Houle wrote their stories as a way to understand themselves and their family history. Stacy Schiff looked for a factual explanation of the frenzy. Frances Hill and Lucretia Grindle wove facts into stories. And I think that their differing interpretations of the same events give readers a better understanding of the past.
Award-winning historian Stacy Schiff takes the reader back to 17th-century Salem village and the society that enabled the Salem witchcraft frenzy.
Without overwhelming the reader with facts, Schiff weaves the story of events with empathy. Good history is an accurate story told well, and Schiff’s extensive research and accessible writing style do just that.
This book is written specifically for family or primary care physicians who encounter substance abuse in their daily practice. A Clinical Guide to Drug and Alcohol Problems provides a comprehensive overview to help diagnose and treat these problems. The first five chapters provide basic information on historical and cultural issues, plus the pharmacology of all abused drugs the physician is likely to come into contact with and the epidemiology and etiology of substance abuse problems. The author then addresses the clinical manifestions and course of addiction; diagnostic techniques; principles of clinical management, treatment, and rehabilitation of addictive and other associated…
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
Back in the dark ages, before the internet and cell phones, the most common form of off-duty soldiers’ entertainment was reading. I read pretty much anything I could get my hands on, but I was always most excited to read fantasy and science fiction. If a book has a wild new world, magic, or tech, I’m in and usually can’t get enough. I remain a cross-genre reader to this day, but fantasy and science fiction always feel like home. Bonus points for dragons.
I cheated on this one, no new strange world here. It’s more of an urban fantasy. I was swept up with the main character, though, as she learned she belonged in a secret society of witches. Her struggles are so real, I couldn’t help but bite my nails as I ripped through the pages. And again, treachery abounds. I’m a sucker for needing to overcome a traitor. This being book one of a short series, the ending left me gasping for more.
When a 200-year-old witch attacks her, sixteen-year-old bookworm Lainey Styles is determined to find a logical explanation. Even with the impossible staring her in the face, Lainey refuses to believe it—until she finds a photograph linking the witch to her dead mother.
After consulting a psychic, Lainey discovers that she, like her mother, is a Keeper: a witch with the exclusive ability to unlock and wield the Grimoire, a dangerous but powerful spell book. But there’s a problem. The Grimoire has been stolen by a malevolent warlock who is desperate for a spell locked inside it—a spell that would allow…
I lean toward being a skeptic of all things magic, and so when I wrote my first paranormal series, I wrote it from the point of view of an unbelieving sleuth. Because of this, I am drawn to books that really delve into the idea of a sleuth discovering her magic or abilities and coming to believe in them along with the reader.
I thoroughly enjoyed the start of this new paranormal, cozy mystery series. Arabella has been avoiding her witchy abilities, and as I read, I discovered this was for good reason. It made me care for her, and her complexity made her a truly sympathetic character to follow.
The friendships and setting held my attention through this book, not to mention the French bulldog who steals the show. Her ghostly grandmother kept me laughing throughout, and I loved the outcome of this book, where I got to see Arabella grow in confidence and ability. I look forward to the rest of this series.
Arabella hides an extraordinary secret: she is a witch, known only to the spirit of her late grandmother. Living a simple life as a café worker and vegetable seller, she avoids using her powers, despite her grandmother's encouragement. But her quiet existence is shattered when a stranger publicly accuses her of witchcraft. The next day, this accuser is found dead, and Arabella becomes the prime suspect.With suspicion growing and her grandmother urging her to embrace her magical heritage, Arabella must navigate a labyrinth of past connections and hidden truths. Her only lead? Abusiness card from the victim, revealing ties to…
I am a historian of early modern Europe, with a research focus on Spain and Italy. I first encountered archival documents from the Spanish Inquisition during research for my first book: I was already a fan of religious history but quickly became a fan of studying the law. I am fascinated by the ways in which people between the 1500s and 1700s used the legal systems at their disposal to recapture honor and pursue enemies. I am always on the lookout for ways in which religious prescriptions from centralized authorities did not match what was happening on the ground with ordinary, usually illiterate people.
This book should never go out of print, and for good reason: it is so smart and so very readable.
Briggs persuasively assesses the village contexts that played into witchcraft accusations and confessions in early modern Europe.
He clearly explains the crucial contexts of debt, feuds, and local relationships behind witchcraft allegations, and provides important insights into questions of gender and age. His evidence is compelling.
In his remarkable and compelling interpretation of the course and causes of the fear and persecution of witches that bedeviled Europe for centuries, Briggs draws on the latest research into the local realities underlying the phenomenon. In particular, he employs his own extensive work in the rich archives hidden away in those Franco-German borderlands in which so many cases became known. Briggs reveals how ordinary people diverted ordinary and not-so-ordinary grievances into a complex structure of blaming and scapegoating. Villagers inhabited a harsh and dangerous world, where real and fantastic fears mingled. Through his study of real cases and real…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
From the time I was very young, Witchcraft and the supernatural have always fascinated me. I can remember staying up late to watch horror movies or reading an Edgar Allen Poe book under the sheets with a flashlight when I was supposed to be asleep. I knew this was never a phase or something I would “outgrow”; the spell had been cast and I was forever in its power. I’ve tried to read everything I could on Witchcraft, its history and practice and anything regarding the occult. It was all of this reading and research that really helped me to write Widdershins and everything that came after. Enjoy the list!
Being a fan of history, mythology, and folklore really drew me to this book. It delves into ancient magic, pagan practices, and other traditions that continue to this day. The book was thoroughly researched and opens a window into mankind’s beliefs and superstitions throughout the ages. The book explores the similarities between different cultures’ creation myths and ritualistic practices as well as Christianity’s appropriation of many pagan holidays, rituals, and locations. Anyone interested in mythology or folklore should definitely have this on their reading list.
Published originally in two volumes in 1890, this extraordinary study of primitive myth and magic, collected from sources around the world, led Frazer to identify parallel patterns of ritual, symbols and belief across many centuries and many different cultures. Frazer's learning inspired a whole generation of ethnographers and comparative anthropologists, and had a particularly powerful effect on many other thinkers and writers such as Sigmund Freud, D H Lawrence, Joyce, Yeats and T S Eliot.
