Here are 100 books that A Theatre for Dreamers fans have personally recommended if you like
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In 2018, my wife and I walked the Pacific Crest Trail southbound with our four children—Canada to Mexico, 142 days, 2,650 miles. Aiden was sixteen, Georgie eleven. You cannot walk that far with your kids without thinking hard about what you are handing them, because you are handing it to them in real time, in front of you, all day. The books I keep returning to are the ones that take that seriously: inheritance that isn't money. A father's temper. A father's schemes. A way of staying put, or not. These are five that ask those questions, and the trail sharpened them for me.
House arrest in a hotel, and a man raises a daughter in it.
The Count can give Sofia nothing—no country, no freedom, no future he can guarantee—so he gives her manners, music, attention, and wit, and most of all love. It turns out those are not nothing. They're the inheritance.
I love it for the opposite reason I love McCarthy: same question, no apocalypse, just a man with four walls deciding what to pass on. If you're a parent who feels you have less to give your kids than you'd hoped, this one's a gift.
The mega-bestseller with more than 2 million readers, soon to be a major television series
From the #1 New York Times-bestselling author of The Lincoln Highway and Rules of Civility, a beautifully transporting novel about a man who is ordered to spend the rest of his life inside a luxury hotel
In 1922, Count Alexander Rostov is deemed an unrepentant aristocrat by a Bolshevik tribunal, and is sentenced to house arrest in the Metropol, a grand hotel across the street from the Kremlin. Rostov, an indomitable man of erudition and wit, has never worked a day in his life, and…
When the ground shifts, where is one true thing to be found?
Jane, in her twenties, is left parentless when her father dies suddenly; a second shock follows when his Will reveals the existence of a son no-one knew of. Now Wildings, the family home, must be sold.
The 1930’s have always fascinated me. It was such a historically difficult time for the entire world. The Great Depression, the rise of Nazi Germany, WWII, and the rise of two of the world’s most notable leaders, FDR and Winston Churchill. I have spent years of study on this period and written three novels that take place during the thirties. Does it make me an expert? No! Only one deeply familiar with an exciting decade.
First of all, I loved this book because the historical background Larson writes about benefited my understanding of the early rule of Hitler as Germany’s Chancellor.
This is the period my novel opens in. As Larson’s story unfolds, he does an excellent job of making the historical truth read like a novel. I loved this. However, what disturbed me was Ambassador Dodd’s inability to convince the State Department of the horrors unfolding under Hitler’s rule. While this truth disturbed me, it also gave me insight as to how this information would enhance the reliability of my novel’s historical background.
Please understand what I’m trying to convey here. This was not a work simply to help me write a novel. No. This book is profound in revealing to a reader how Washington didn’t act quickly enough in recognizing Hitler as a world threat. And Larson presents this truth in a page-turning…
It's Berlin, 1933. William E. Dodd, a mild-mannered academic from Chicago, has to his own and everyone else's surprise, become America's first ambassador to Hitler's Germany, in a year that proves to be a turning point in history. Dodd and his family, notably his vivacious daughter, Martha, observe at first-hand the many changes - some subtle, some disturbing, and some horrifically violent - that signal Hitler's consolidation of power. Dodd has little choice but to associate with key figures in the Nazi party, his increasingly concerned cables make little impact on an indifferent U.S. State Department, while Martha is drawn…
Until the millennium, I was a features journalist with an abiding fascination in Sixties counter-culture. Being a friend of Pink Floyd’s David Gilmour, I heard Syd’s story first-hand.
After having my own breakdown and psychiatric treatment, I decided to apply my experience and interests in writing an account of Syd’s short but sweet creative life.
With Gilmour’s tacit blessing, his contemporaries – including Floyd co-founder Roger Waters – gave me access. And through interviewing them, I came to my own understanding of Barrett: by turns a crazy diamond and a dark globe.
George Boneis a sensitive drunk with a touch of psychosis and a modest private income. Leading a rackety life in pre-war Earls Court, he’s in love with a sponger, a failed actress who wants to exploit him for his connections, and he bears her humiliations without complaint. But sometimes, something clicks in his brain and he imagines killing her and her seedy sidekick and going home to Maidenhead and peace. Boarding houses and bottle parties, blow-outs in the West End and Brighton: Hamilton captures a miserable, boozy, coarse and uptight world, and provides an ending to match.
Set in late 1930s London, Hangover Square is the brilliant and disquieting tale of George Harvey Bone, a perpetual drunk. He suffers from 'dark' moods, which click on and off without warning, as if someone has tripped a switch in his head. On his supposedly better days, George whiles away his time nursing a pint or six and obsessing about the attractive but cruel small-time actress Netta. Disgusted by his own helpless devotion and his increasingly erratic behaviour, George is driven to the edge - culminating in Hangover Square's spectacular and haunting climax. Read by Julian Rhind-Tutt, esteemed actor who…
When the ground shifts, where is one true thing to be found?
Jane, in her twenties, is left parentless when her father dies suddenly; a second shock follows when his Will reveals the existence of a son no-one knew of. Now Wildings, the family home, must be sold.
I became a young man near the end of the sixties, and I have always been enthralled by the era's various idiosyncrasies, both good and bad. For instance, I loved the complex yet pleasant rock music and the freewheeling lifestyle. On the downside, the war in Vietnam cast its pall over the times, and I narrowly escaped being drafted and sent off to Southeast Asia. Overall, it was an era in which good and evil were starkly defined, and many people were attempting to create a better, more peaceful world. There is still much we can learn from this time.
I love this book because it sweeps me into the wild, wonderful, free spirit of the 1960s.
Although it is ostensibly nonfiction, Wolfe uses a singular hip, frantic voice to propel readers into the weird world of Ken Kesey and his Merry Pranksters as they cavort with the Grateful Dead at the infamous, hedonic LSD-laced Acid Tests, journey around the country in the psychedelically-painted bus nicknamed Further, and eventually head for Mexico to avoid arrest.
I've read this book multiple times, and on each occasion, it's like time-traveling to one of my favorite eras.
I looked around and people's faces were distorted...lights were flashing everywhere...the screen at the end of the room had three or four different films on it at once, and the strobe light was flashing faster than it had been...the band was playing but I couldn't hear the music...people were dancing...someone came up to me and I shut my eyes and with a machine he projected images on the back of my eye-lids...I sought out a person I trusted and he laughed and told me that the Kool-Aid had been spiked and that I was beginning my first LSD experience...
I’ve always been fascinated by outsiders, people who don’t quite fit into societal expectations and exist on the fringes, just trying to get by or be left alone. I relate deeply to characters who are trapped between their own inner turmoil and the need to navigate a world full of contradictions and absurdities. I suppose one could argue that I’m comparing notes. Despite these books being dark and unsettling, they are also comforting. As a writer of psychological literary fiction, I can say it’s clear that these novels inspire me creatively and resonate deeply with me; they offer a window into the quiet chaos that resides in many of us.
I read this probably when I was in my early twenties. Randle McMurphy was, and still is, to some degree, an inspiring character: a rebellious soul, a flawed genius, a bit of a wrong’un at times, but also a hilariously cocky piss-taker.
There’s something deeply human in the portrayal of this character and his conflict with institutionalised authority, as represented by the frankly terrifying Nurse Ratched. It may be set in a psychiatric hospital, but I find the themes relatable to the wider world, the constant pressure to conform or be crushed. I still feel incensed by it.
Boisterous, ribald, and ultimately shattering, Ken Kesey's 1962 novel has left an indelible mark on the literature of our time. Now in a new deluxe edition with a foreword by Chuck Palahniuk and cover by Joe Sacco, here is the unforgettable story of a mental ward and its inhabitants, especially the tyrannical Big Nurse Ratched and Randle Patrick McMurphy, the brawling, fun-loving new inmate who resolves to oppose her. We see the struggle through the eyes of Chief Bromden, the seemingly mute half-Indian patient who witnesses and understands McMurphy's heroic attempt to do battle with the powers that keep them…
Until the millennium, I was a features journalist with an abiding fascination in Sixties counter-culture. Being a friend of Pink Floyd’s David Gilmour, I heard Syd’s story first-hand.
After having my own breakdown and psychiatric treatment, I decided to apply my experience and interests in writing an account of Syd’s short but sweet creative life.
With Gilmour’s tacit blessing, his contemporaries – including Floyd co-founder Roger Waters – gave me access. And through interviewing them, I came to my own understanding of Barrett: by turns a crazy diamond and a dark globe.
No one captures the self-loathing and paradoxical liberty of the moneyed junkie as well as St Aubyn (except perhaps Anna Cavan). The second novel in his almost-autobiographical Patrick Melrose series, Bad News finds our fucked-up anti-hero on a gargantuan smack binge in New York at the age of 22. How the author – now clean – can reconstruct his frame of mind is remarkable; how he can do it with such precision and wit is mind-blowing.
Bad News is the second of Edward St Aubyn's semi-autobiographical Patrick Melrose novels, adapted for TV for Sky Atlantic and starring Benedict Cumberbatch as aristocratic addict, Patrick.
Twenty-two years old and in the grip of a massive addiction, Patrick Melrose is forced to fly to New York to collect his father's ashes. Over the course of a weekend, Patrick's remorseless search for drugs on the avenues of Manhattan, haunted by old acquaintances and insistent inner voices, sends him into a nightmarish spiral. Alone in his room at the Pierre Hotel, he pushes body and mind to the very edge -…
My mental life has been divided between arguing and imagining. I’m a freelance book critic: when I’m healthy, I read and write about politics and philosophy most of the time and relax with literature and history the rest of the time. When I’m badly depressed, the former activities go by the board: I can’t make or summarize an argument to save my life. Mostly I’m good for nothing but streaming, if even that. But a few times when depressed I’ve laid my hands on books that have allowed me to forget about the crushing pain for a few hours. I wanted to give the same chance to others in that unhappy predicament.
I can’t pick just one, and they’re really all the same. The burly, idiosyncratic title character, an Army veteran, is like a knight-errant, stumbling into colossal evildoings and coolly saving America, the Army, or (occasionally) a pretty woman. The books are popcorn, potato chips, cotton candy – once you pick them up, you’ll rarely read less than a hundred pages. Is it art? Most definitely not. But will it get you through a very bad afternoon? Quite possibly.
The most hotly anticipated thriller of the year follows our hero Jack Reacher on a quest into his father's past, and climaxes in the most blood-curdling ticking time bomb of an adventure yet.
The present can be tense . . .
A young couple trying to get to New York City are stranded at a lonely motel in the middle of nowhere. Before long they're trapped in an ominous game of life and death.
In 2018, my wife and I walked the Pacific Crest Trail southbound with our four children—Canada to Mexico, 142 days, 2,650 miles. Aiden was sixteen, Georgie eleven. You cannot walk that far with your kids without thinking hard about what you are handing them, because you are handing it to them in real time, in front of you, all day. The books I keep returning to are the ones that take that seriously: inheritance that isn't money. A father's temper. A father's schemes. A way of staying put, or not. These are five that ask those questions, and the trail sharpened them for me.
Timshel. Thou mayest. Sin is crouching at the door. Can you deny it entry?
A whole book built on whether a son is condemned to repeat his father, and the answer Steinbeck spends six hundred pages earning is that he isn't—but it will cost him.
I didn't read this book again until recently. I came back to it as a father of four and found it, or I, had changed: Adam Trask's great sin isn't cruelty; it's that he cannot see his sons clearly. That's the one that scares me. He shapes them anyway. A warning and a blessing to fathers.
California's fertile Salinas Valley is home to two families whose destinies are fruitfully, and fatally, intertwined. Over the generations, between the beginning of the twentieth century and the end of the First World War, the Trasks and the Hamiltons will helplessly replay the fall of Adam and Eve and the murderous rivalry of Cain and Abel.
East of Eden was considered by Steinbeck to be his magnum opus, and its epic scope and memorable characters, exploring universal themes of love and identity, ensure it remains one of America's most enduring novels. This edition features a stunning new cover by renowned…
I never wrote anything longer than a 5-minute song before I was forty-five years old! My life has been spent on the road as a performing songwriter, dancing and playing, and (after our own twins were born) teaching kids to do the same. But one night I woke up from a dream I couldn’t wrangle into song length, and by the end of the day, I had written four chapters of The Locke Box. I naturally wrote songs as I wrote the book. I got curious about who else was doing that. So here’s a short list…
The Poop Song is a picture book with downloadable music. Eric Litwin is the master of preschool story structure (think Pete the Cat, I Love My White Shoes, also a musical book). After Eric married his lovely wife, a pediatric gastroenterologist, she convinced him of the need for a good poop song. So there you go. Super, playful illustrations by Claudia Boldt.
A satisfyingly silly picture book sing-along about pooping-a topic kids find hilarious and parents find necessary!
Discover how cats, pelicans, space aliens, and even dinosaurs poop in this rollicking, rhyming verse that's sure to elicit giggles. With plenty of hilarious pictures and a catchy chorus that encourages young children to use the toilet, this laugh-out-loud story is the go-to potty training book that every family needs.
* A playful approach to potty training
* Full of humor that is silly, not disgusting
* From the bestselling author of Pete the Cat: I Love my White Shoes
I never wrote anything longer than a 5-minute song before I was forty-five years old! My life has been spent on the road as a performing songwriter, dancing and playing, and (after our own twins were born) teaching kids to do the same. But one night I woke up from a dream I couldn’t wrangle into song length, and by the end of the day, I had written four chapters of The Locke Box. I naturally wrote songs as I wrote the book. I got curious about who else was doing that. So here’s a short list…
David Berkeley, a singer/songwriter, wrote this book of short stories, each one connected because the minor characters in one story are the major characters in another. David wrote a song for each story from the character’s point of view. The music album is called Cardboard Boat and you can find it on his homepage.
The Free Brontosaurus made this list because Berkeley's creative genius knows no bounds. He has been prolific in words and music for decades while raising a family and traveling the world. This particular work, with its interconnected set of characters, explores beauty and gratitude in unlikely circumstances.
The Free Brontosaurus is a novella comprising ten interweaving stories, complete with an accompanying album of ten songs. All set in the same fictional city, at the same moment in time, minor characters in one story are major characters in another. It is a bit like Olive Kitteridge, if reimagined by Miranda July. These are gently written narratives of isolation, describing characters disconnected from home and community. The book is full of dark humor, sadness, and glimmers of joy. Ultimately, the characters' abilities to find beauty in the bizarre connect and redeem them, offering the characters (and us) hope. The…
