Here are 100 books that A Stranger Among Us fans have personally recommended if you like
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I am a Canadian-American writer of Indian heritage, an award-winning novelist and short fiction writer, playwright, and poet. I grew up in Delhi, hearing stories from my maternal grandparents who were refugees during the 1947 Partition of India. So, as my work reflects, I’m drawn to stories of resilience in the face of cultural conflict, religious upheaval, migration, immigration, and displacement. My MBA is from Marquette University, and my MFA from the University of British Columbia. I am working on another novel.
This Trinidadian writer crosses religious, ethnic, and gender lines to show us the history of slavery in Haiti, Jamaica, Trinidad, Barbados, and Guyana. Adam Avatar reincarnates in different centuries and continents as an Amerindian, a Spanish conquistador, a Portuguese slaver, a Yoruba slave, a female pirate, and a female stick fighter in nineteenth-century Trinidad. To tell his engrossing story, Baldeosingh writes in several historical Englishes, crossing language boundaries, demonstrating how language has changed over time. Along the way, I learned about the different phases of slavery, from the view of the slavers and enslaved. The story invites comparison to indenture, apartheid, and Jim Crow. It was a difficult read, horrific at times. But so was slavery.
This postmodern historical novel addresses power, sex, and the role of the imagination in constructing social realities. Adam Avatar has been, among other incarnations, a Spanish priest, a slave trader, a white indentured servant, and a female pirate. In each incarnation, however, he is killed at age 50 by his nemesis the Shadowman, a fate he hopes to elude in his life as a Caribbean everyman, with the aid of a psychiatrist. The historical periods of his life are vividly portrayed with Joycean grasp of historical voice, examining the wrongs of each period and discovering the malleability of individuals in…
The Guest From Johannesburg is constructed from colorful threads that form a unique tapestry.
Stories of cruelty, resilience, and hope are crafted from incidents that occurred within the span of forty years—from the brutal days leading to the Second World War, to the chaotic mess of Vietnam. They are woven…
I am a Canadian-American writer of Indian heritage, an award-winning novelist and short fiction writer, playwright, and poet. I grew up in Delhi, hearing stories from my maternal grandparents who were refugees during the 1947 Partition of India. So, as my work reflects, I’m drawn to stories of resilience in the face of cultural conflict, religious upheaval, migration, immigration, and displacement. My MBA is from Marquette University, and my MFA from the University of British Columbia. I am working on another novel.
Sujata Massey is Indian and German. She has written a whole series of books set in Japan or featuring Japanese characters. This is her seventh featuring investigator Rei Shimura, and is set in Washington DC's restaurant world. Shimura's task: find a Japanese war bride who disappeared 30 years earlier. I love Rei Shimura’s wry humor and intelligence. My husband founded, and we owned, The Safe House, an espionage-theme restaurant in Milwaukee, so this book resonated with my experience.
The seventh book in Sujata Massey's Agatha and Macavity Award–winning mystery series is a witty, suspenseful story that takes its young sleuth into the Washington DC restaurant world.
A dazzling engagement ring and the promise of a fresh start bring antiques dealer and sometime sleuth Rei Shimura to Washington, DC. But just as she's starting to settle down –catching up with a long–lost cousin and undertaking a lucrative commission furnishing a trendy Japanese restaurant nearby – things begin to go haywire. First, her cousin vanishes from the restaurant's opening–night party, and then Rei is drafted to help find a Japanese…
I am a Canadian-American writer of Indian heritage, an award-winning novelist and short fiction writer, playwright, and poet. I grew up in Delhi, hearing stories from my maternal grandparents who were refugees during the 1947 Partition of India. So, as my work reflects, I’m drawn to stories of resilience in the face of cultural conflict, religious upheaval, migration, immigration, and displacement. My MBA is from Marquette University, and my MFA from the University of British Columbia. I am working on another novel.
In 1984, a 15-year old Indo-Canadian Maya travels with her father to India to consign her mother's ashes to the Ganges. Prime Minister Indira Gandhi is assassinated the very day they arrive and Delhi descends into state-sponsored carnage as Sikh men and women are held collectively responsible. Separated from her father, Maya has to find her way home. This novel in verse is by Canadian writing across ethnic and religious lines. As a Sikh, I am familiar with details of the pogrom. Instead of applying the usual Western label of “senseless violence” Ostlere sensitively explores the impact on two ordinary young people.
It is 1984, and fifteen-year-old Maya is on her way to India with her father. She carries with her the ashes of her mother, who recently committed suicide, and arrives in Delhi on the eve of Prime Minister Indira Gandhi's assassination.
Maya is separated from her father and must rely upon the mysterious, kindhearted Sandeep to safely reunite them. As her love for Sandeep begins to blossom, Maya must face the truth about her painful adolescence...if she's ever to imagine her future.
The Guest From Johannesburg is constructed from colorful threads that form a unique tapestry.
Stories of cruelty, resilience, and hope are crafted from incidents that occurred within the span of forty years—from the brutal days leading to the Second World War, to the chaotic mess of Vietnam. They are woven…
I am a Canadian-American writer of Indian heritage, an award-winning novelist and short fiction writer, playwright, and poet. I grew up in Delhi, hearing stories from my maternal grandparents who were refugees during the 1947 Partition of India. So, as my work reflects, I’m drawn to stories of resilience in the face of cultural conflict, religious upheaval, migration, immigration, and displacement. My MBA is from Marquette University, and my MFA from the University of British Columbia. I am working on another novel.
Bombay-born Indo-American Thrity Umrigar tells the story of Anton, a neglected biracial boy adopted into a white family. Umrigar stretches past boundaries of race, class, and gender to bring us a tale of moral choices made from power, helplessness, or the neighborhood we live in – and the uncomfortable truths that ensue. I am always impressed by Umrigar’s transparent prose that allows her story and characters to shine through, but even more so in this novel where her characters are not brown but black or white.
"Everybody's Son probes directly into the tender spots of race and privilege in America. . . . With assured prose and deep insight into the human heart, Umrigar explores the moral gray zone of what parents, no matter their race, will do for love." - Celeste Ng, author of Everything I Never Told You
The bestselling, critically acclaimed author of The Space Between Us deftly explores issues of race, class, privilege, and power and asks us to consider uncomfortable moral questions in this probing, ambitious, emotionally wrenching novel of two families-one Black, one white.
I always felt that Middle Eastern studies is different from other fields of history. Its ever-presence in our life, the news cycle, religious life, political life, yet, because of language barriers and other filters, there’s a gap in knowledge that is highly conspicuous when forming one’s opinion. When I started my academic training, I felt like I was swimming in this ocean of histories that were completely unknown to me. I studied the Jewish histories of the region only later in my training and found that this gap is even more visible when talking about the history of Jews in the Middle East, because of misconceptions of antisemitism, the Israel-Palestine conflict, political tilt of media outlet, and more. For me, entering this field was a way to understand long-term processes in my own society, and expand the body of scholarship to enrich the public conversation on top of the academic one.
Haggai Ram was one of my Master’s thesis advisors. In this book, he shows how the idea of the Iranian threat was developed, partly as a process of Israeli self-reflection. Iranophobia is indispensable for the reader who would like to know about the roots of animosity between Iran and Israel, the history of the imagination of Iran and Israel vis-à-vis The West, and critical gaze on Zionism and Jewish Statehood in the Middle East. This book exemplifies the importance of looking beyond filters of mythmaking and the political tendencies of history writing and being on the lookout when reading contemporary history for political persuasions and connections between politics and academia.
Israel and Iran invariably are portrayed as sworn enemies, engaged in an unending conflict with potentially apocalyptic implications.Iranophobia offers an innovative and provocative new reading of this conflict. Concerned foremost with how Israelis perceive Iran, the author steps back from all-too-common geopolitical analyses to show that this conflict is as much a product of shared cultural trajectories and entangled histories as it is one of strategic concerns and political differences.
Haggai Ram, an Israeli scholar, explores prevalent Israeli assumptions about Iran to look at how these assumptions have, in turn, reflected and shaped Jewish Israeli identity. Drawing on diverse…
I teach anthropology but find my niche in the blurred zone of history and anthropology. My research interests include South Asian Studies; Historiography; Memory/Forgetting, and Postcolonial Nation, State, and Nationalism. My book Partition as Border-Making draws upon ethnographic details, using oral historical accounts from the Bengal borderland and archival materials. Focusing upon the significance of the mundane in history and its presentness, this research contributes to understanding postcolonial South Asia beyond “indocentrism.” At present, I am co-editing a Bangladesh Reader. In 2021, I jointly conducted a research project on the Partition migrants to Dhaka in partnership with Goethe Institute, Bangladesh.
This book is probably among the first ones written by a Pakistani author on the history of the 1971 war, aka Liberation War of Bangladesh, which thrilled me as a reader. It challenges not only the statist-nationalist accounts of Pakistan but those from India and Bangladesh as well.
Anam, the author, accomplished commendable work by talking to people across the cartographies and bringing up diverse and contradictory perspectives about the pretexts and events of 1971-related politics. While after all these years, both the state and society of Pakistan and Bangladesh remained taboo to each other, such a venture appears to be the silver lining of knowledge sharing between the entities in the two territories.
Unsettling for the conformists, nationalists, and statists, this piece of work is a must-read for everyone interested in the region.
The year 1971 exists everywhere in Bangladesh-on its roads, in sculptures, in its museums and oral history projects, in its curriculum, in people's homes and their stories, and in political discourse. It marks the birth of the nation, its liberation. More than 1000 miles away, in Pakistan too, 1971 marks a watershed moment, its memories sitting uncomfortably in public imagination. It is remembered as the 'Fall of Dacca', the dismemberment of Pakistan or the third Indo-Pak war. In India, 1971 represents something else-the story of humanitarian intervention, of triumph and valour that paved the way for India's rise as a…
My connection to books about Iran goes beyond simple curiosity—it's personal. Reading these stories feels like going back to the streets and memories that shaped my childhood. The books I’ve chosen to highlight here offer powerful and moving portraits of Iranian life. They reflect the struggles and beauty of a country that has played a big role in my own journey, both personally and as a writer. Each one shows a different side of Iran, capturing voices and experiences that are often overlooked or misunderstood. Together, they offer a deeper understanding of what it means to be Iranian.
Lisa Di Vita’s book takes a close look at how the Iranian Revolution changed everyday lives. Through the eyes of people from all walks of life, she shows how quickly everything can fall apart when a country is thrown into political chaos. The characters are deeply real, each one trying to hold on to their identity and dignity while the world around them unravels.
Their stories weave together to paint a larger picture of heartbreak, strength, and survival. With honest and moving writing, Di Vita gives us a powerful story about resilience and what it means to start over when everything has been taken away.
Like 2012's Academy award-winning Best Picture, "Argo," starring Ben Affleck, "Shattered Peacock" chronicles Persia's devastation as a result of Mohammad Reza Shah Pahlavi's fall from the Peacock Throne. As seen through the eyes of the wealthy Sultan family, the reader follows the havoc wreaked on the Shah's supporters, and in particular, upon Soraya Sultan, who faces the challenge of saving her life and the lives of her family, and who learns strength and determination in the face of danger. Along with the story of persecution visited upon its fictional characters, "Shattered Peacock" depicts historical figures set as they lived, inside…
I’ve been fascinated with ancient history since childhood, but really fell in love with the Achaemenids in college while taking classes on Greek history and wondering about the other side’s perspective on familiar stories of the Persian Wars. I was fortunate to get the opportunity to study both Greek and Persian history in graduate school at the University of Chicago, a leading center of scholarship on the Achaemenid world since the Persepolis excavations in the 1930s. Since 2006, I’ve taught in the History department at Christopher Newport University, a liberal arts university in Newport News, Virginia. I’m currently working on my next book, a new history of Persia’s Greek campaigns.
This monumental two-volume collection, published in 2021, contains 110 accessible essays by some of the most prominent scholars of Achaemenid Persian history. It introduces the ancient evidence, including written sources, artistic materials, and archaeological remains, for every major region from the Indus to the Nile and the Aegean, and ably surveys the disciplinary history of the modern study of ancient Iran. Thematic chapters trace numerous aspects of Persia’s imperial world, including geography, languages, gender, religion, court dynamics, administration, communications, war, diplomacy, economics, art, science, and many more. The narrative chapters place the empire’s rise and fall, including but hardly limited to the Persian-Greek wars, into a longer context of Ancient Near Eastern empire formation, setting up valuable insights through comparison with Assyria, Babylonia, and other predecessors.
A comprehensive review of the political, cultural, social, economic and religious history of the Achaemenid Empirem
Often called the first world empire, the Achaemenid Empire is rooted in older Near Eastern traditions. A Companion to the Achaemenid Persian Empire offers a perspective in which the history of the empire is embedded in the preceding and subsequent epochs. In this way, the traditions that shaped the Achaemenid Empire become as visible as the powerful impact it had on further historical development. But the work does not only break new ground in this respect, but…
I spent over two decades on the front lines of counterterrorism and counterinsurgency, working for many organisations and agencies around the globe. Having survived shootings, bombings, double agents, and kidnap attempts, I now prefer to write about such things rather than experience them! I grew up reading spy thrillers from the likes of Gerald Seymour and Frederick Forsyth and retain a passion for the genre. And there’s nothing better than reading a new novel, getting lost in the plot, and appreciating the realism or authenticity the author brings to the story. I hope you enjoy the books I’ve recommended that were written by real-life spies.
Another experienced intelligence officer, M.P. Woodward has created a terrific cast of characters for his series that begins with The Handler.
Once again, there’s a healthy dose of authenticity drawn from Woodward’s background that helps drive the plot forward.
A CIA operative, Meredith Morris-Dale, is assigned to extract an Iranian nuclear scientist with vital intelligence. The scientist, however, will only agree to the extraction if Meredith's ex-husband and former disgraced CIA paramilitary, John, carries out the operation.
Throw in internal CIA politics, Russian and Iranian spies, and the strained relationship of the divorced couple now working together and you have a terrific plot that races along.
A disgraced former CIA operative must go back in the field with only his ex-wife as his handler in this electrifying thriller from a former intelligence officer.
Meredith Morris-Dale is a CIA case officer and a damn good one...even if this last mission did go terribly wrong. Now she has been summoned back to Langley where she expects to be fired. Instead, she is met by the Deputy Director with stunning news.
A single well-placed CIA mole in Iran’s uranium enrichment program has kept the terrorist nation from building a bomb by sabotaging the performance of their covert centrifuge arrays.…
Richard Foltz is a cultural historian specializing in the broader Iranian world. He holds a Ph.D. in Middle Eastern History from Harvard University and has published eleven books and over one hundred articles on topics ranging from animal rights to Zoroastrianism. He is currently Professor in the Department of Religions and Cultures at Concordia University in Montréal, Canada.
Against the backdrop of an unlucky courtship between two young students in today’s Tehran, this entertaining novel uses humour to ridicule the myopic mentality of contemporary Iran’s religious leadership that wishes to see itself as cultured and intellectual.
Truly original, Censoring an Iranian Love Story is an incredibly imaginative yet always charming love story set in contemporary Iran that crackles with wit, verve and social comment: Sara falls in love with Dara through secret messages hidden in code in the pages of books that have been outlawed, but then something quite extraordinary and unexpected happens. Through adeptly handled asides to the reader, as well as anecdotes, codes and metaphors, and cheeky references to the wonderfully rich Iranian literary heritage, the novel builds to offer a revealing yet often playful and hopeful comment on the pressures of writing within…
