100 Books Like A Prince and a Spy

I was born just before the start of World War ll. My father served throughout the war in the RAF but before that he had been a professional singer. I was interested in the idea that the war had sent people along paths that they would never have otherwise explored and I decided to write about four young performing artists and their wartime experiences. The result was the four novels in my Follies series. It meant a lot of research, in the process of which I discovered the work of the Special Operations Executive. This has provided me with material for several more novels, of which Operation Lightning Bolt is the most recent.

I was born just before the start of World War ll. My father served throughout the war in the RAF but before that he had been a professional singer. I was interested in the idea that the war had sent people along paths that they would never have otherwise explored and I decided to write about four young performing artists and their wartime experiences. The result was the four novels in my Follies series. It meant a lot of research, in the process of which I discovered the work of the Special Operations Executive. This has provided me with material for several more novels, of which Operation Lightning Bolt is the most recent.

I was born just before the start of World War ll. My father served throughout the war in the RAF but before that he had been a professional singer. I was interested in the idea that the war had sent people along paths that they would never have otherwise explored and I decided to write about four young performing artists and their wartime experiences. The result was the four novels in my Follies series. It meant a lot of research, in the process of which I discovered the work of the Special Operations Executive. This has provided me with material for several more novels, of which Operation Lightning Bolt is the most recent.

I was born just before the start of World War ll. My father served throughout the war in the RAF but before that he had been a professional singer. I was interested in the idea that the war had sent people along paths that they would never have otherwise explored and I decided to write about four young performing artists and their wartime experiences. The result was the four novels in my Follies series. It meant a lot of research, in the process of which I discovered the work of the Special Operations Executive. This has provided me with material for several more novels, of which Operation Lightning Bolt is the most recent.

My life has been blessed by having British grandparents who lived very long lives. Grandad was in the RAF and Nanny sewed for the War Effort during WWII. They rarely spoke of their experiences until they reached their early 90s. Their memories, other family members, and friends inspired me to research the children who persevered through Operation Pied Piper. I also visited related locations in England gathering more information. The Greatest Generation had a huge impact on who I am as a person and how I treat others. My recommendation list is a sampling of some of my favorite books about perseverance. 

I have written one complete WW2 saga series, Lily Baker, and am currently writing a second series, The Library Girls. I am addicted to reading about the period and can lose hours and hours doing factual research as well. My mother was a Cockney, and I became immersed in her wartime stories, mostly about the fun she had but also about her many struggles. I love stories about strong women overcoming adversity, and during WW2, many showed the world how capable and resilient they were. I have a Master's Degree in Professional Writing and write occasional magazine articles.

In writing The Lost Son, which is loosely based on family history, I immersed myself in the history of World War II and in the world between the wars. It was important to me to understand this period from both sides—from the perspective of Germans who were either forced to flee their homeland or witness its destruction from within by a madman, and from the perspective of Americans with German ties who also fought fascism. The stories of ordinary people during this time are far more nuanced than the epic battles that World War II depicted, as the stories of ordinary people often are. 

I'm a poet and creative mentor, and it’s the intensity of poetic language – its expansiveness and limitations – that shows up in my fiction and in the novels I love. Quinn is an exploration of male violence, incarceration, and radical forgiveness. I’ve spent a decade working with long-term prisoners in Scotland, trying to understand and come to terms with notions of justice and responsibility: does guilt begin and end with the perpetrator of a violent act or are we all in some way culpable? How can literary form dig into this question aslant? Can the unsettled mind be a space for innovative thinking?

Growing up, my mother often shared stories of her evacuation to a small Wiltshire village during World War Two. Far from a warm welcome, the local children viewed the newcomers with suspicion, and they were made to feel unwanted. My mother did, however, form one lifelong friendship that was very important to her. Her tales inspired me to write a novel about an evacuee’s experience for my Creative Writing MA. Living in Dorset at the time, I set my story there. The research was fascinating, allowing me to weave together historical insights with my own memories and experiences of today’s rural life. 

I was born in Germany and came to the US as a small child. My parents spoke only German at home but rarely talked with me about their years in Germany. Years after my father had died, I came across a photograph of him wearing a Hitler Youth uniform. What I learned about his childhood and his family inspired much of my novel The Vanishing Sky. Though my novel is finished, I continue to read about the German experience of WW2 because it resonates for me personally and because the lessons it teaches us are still relevant today.