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A Nation and not a Rabble.
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For centuries, Ireland struggled to gain independence from Britain. Many Irish abroad, in the USA and elsewhere, helped to arm and fund that struggle. My Grandfather Kenny in Dublin was among those who helped Arthur Griffith, founder of the Sinn Féin liberation movement, to promote his ideas in the early twentieth century. Grandfather also sought support for the educational initiatives of Patrick Pearse before the British executed Pearse as a leading rebel in 1916. Between 1905 and 1923, a revolutionary movement in Ireland broke Britain’s resolve. The independent Irish state was founded, comprising all but six of the thirty-two counties of Ireland.
Townshend is a foremost British historian of his country’s rule in Ireland. He and the late Michael Hopkinson (whose books include Green Against Green about the Irish Civil War) are among British academics who have helped to educate the UK public on the impact of imperialism in Ireland.
Townshend astutely argues that the Catholic dimension of Irish republicanism has distinguished it from other forms.
A gripping narrative of the most critical years in modern Ireland's history, from Charles Townshend
The protracted, terrible fight for independence pitted the Irish against the British and the Irish against other Irish. It was both a physical battle of shocking violence against a regime increasingly seen as alien and unacceptable and an intellectual battle for a new sort of country. The damage done, the betrayals and grim compromises put the new nation into a state of trauma for at least a generation, but at a nearly unacceptable cost the struggle ended: a new republic was born.
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
For centuries, Ireland struggled to gain independence from Britain. Many Irish abroad, in the USA and elsewhere, helped to arm and fund that struggle. My Grandfather Kenny in Dublin was among those who helped Arthur Griffith, founder of the Sinn Féin liberation movement, to promote his ideas in the early twentieth century. Grandfather also sought support for the educational initiatives of Patrick Pearse before the British executed Pearse as a leading rebel in 1916. Between 1905 and 1923, a revolutionary movement in Ireland broke Britain’s resolve. The independent Irish state was founded, comprising all but six of the thirty-two counties of Ireland.
I am gripped by this account of the real impact of Ireland’s short but very bitter civil war, which left the new state fractured long after the war ended in 1923.
Aiken is the great-granddaughter of a former “terrorist” who later became foreign minister of the Republic of Ireland. She mines fiction as well as historical records to produce a lively work relevant to any war.
SPIRITUAL WOUNDS challenges the widespread belief that the contentious events of the Irish Civil War (1922–23) were covered in a total blanket of silence. The book uncovers an archive of published testimonies by pro- and anti-treaty men and women, written in both English and Irish. Most of the testimonies discussed were produced in the 1920s and 1930s, and nearly all have been overlooked in historical study to date. Revolutionaries went to great lengths to testify to the ‘spiritual wounds’ of civil war: they adopted fictionalised disguises, located their writings in other places or periods of time, and found shelter behind…
For centuries, Ireland struggled to gain independence from Britain. Many Irish abroad, in the USA and elsewhere, helped to arm and fund that struggle. My Grandfather Kenny in Dublin was among those who helped Arthur Griffith, founder of the Sinn Féin liberation movement, to promote his ideas in the early twentieth century. Grandfather also sought support for the educational initiatives of Patrick Pearse before the British executed Pearse as a leading rebel in 1916. Between 1905 and 1923, a revolutionary movement in Ireland broke Britain’s resolve. The independent Irish state was founded, comprising all but six of the thirty-two counties of Ireland.
This is a gem. It is the story of a discreet legal mechanism by which Britain hoped to check the Irish desire for independence even after the foundation of the Irish state.
Mohr’s close reliance on verifiable sources stands in marked contrast to what has been seen since its publication in 1935 as the standard authority on Anglo-Irish Treaty negotiations (Peace by Ordeal by Frank Pakenham, later Britain’s Lord Longford, a work that I have come to see as deeply unsatisfactory if not deliberately propagandist).
The Judicial Committee of the Privy Council was the final appellate court of the British Empire. In 1935 the Irish Free State was recognized as the first part of the empire to abolish the appeal to the Privy Council. This book examines the controversial Irish appeal to the Privy Council in the wider context of the history of the British Empire in the early 20th century. In particular, it analyses Irish resistance to the imposition of the appeal in 1922 and attempts to abolish it at the Imperial conferences of the 1920s and 1930s. The book also examines the various…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
For centuries, Ireland struggled to gain independence from Britain. Many Irish abroad, in the USA and elsewhere, helped to arm and fund that struggle. My Grandfather Kenny in Dublin was among those who helped Arthur Griffith, founder of the Sinn Féin liberation movement, to promote his ideas in the early twentieth century. Grandfather also sought support for the educational initiatives of Patrick Pearse before the British executed Pearse as a leading rebel in 1916. Between 1905 and 1923, a revolutionary movement in Ireland broke Britain’s resolve. The independent Irish state was founded, comprising all but six of the thirty-two counties of Ireland.
Collections of essays and subject encyclopedias are too often unwieldy and indigestible. But I like the fact that this book makes visible the actual role of women, too often neglected in accounts of revolution and war.
The book goes beyond 1917–1923 to consider the remembrance and forgetting of those who participated in “the Irish Revolution.” Ironically, one reviewer criticized it for itself overlooking the contribution of lesbians.
The narrative of the Irish revolution as a chronology of great men and male militarism, with women presumed to have either played a subsidiary role or no role at all, requires reconsideration. Women and feminists were extremely active in Irish revolutionary causes from 1912 onwards, but ultimately it was the men as revolutionary ‘leaders’ who took all the power, and indeed all the credit, after independence. Women from different backgrounds were activists in significant numbers and women across Ireland were profoundly impacted by the overall violence and tumult of the era, but they were then relegated to the private sphere,…
I was able to read before I went to school and have never been without a book since; frequenly having several novels on the go at one time. I started with adventures and classics, moved on to fantasy and later discovered crime fiction. Having been educated at an all-girls school where we assumed we could do everything, it was a shock to enter the world of science and engineering in the 1970s and find that women were not considered as strong and powerful as men, and certainly not as good. Even though times have changed somewhat, I still love finding books (especially series) where crime solving and sisterhood go hand-in-hand.
This book has so much I love about it: it’s set in Dublin, the home of my father and therefore part of my heritage.
It features a group of feisty women, the youngest of whom is in her fifties (way younger than me), while the rest are old enough to know better. It’s packed full of humour—who wouldn’t laugh at the idea of the older generation behaving worse than the teenagers. And there’s a huge dollop of old Irish magic to add to the mix.
Despite the fact that this wonderful group of women seem to attract dead bodies like magnets, this is definitely in the cosy sub-genre. And I loved every word of this book and the rest of the series.
Artist Eve Caulton is 50, divorced and ready for a new life. She can't believe her luck when she manages to buy Kimberly Cottage, one of a perfect little crescent of cottages on Bramble Lane. She can look forward to peace and quiet, in one of Dublin's most exclusive suburbs. But before she has even unpacked, there is a dead body in her living room and she's a chief suspect! To complicate matters, her mother Niamh calls on her gang of feisty older ladies, who bring wisdom, experience, and very special skills to the case. They might be known as…
I’m an Irish writer and historian. I always enjoyed history, even in school, and I went on to study it at Maynooth University, receiving a BA. I became a history teacher and eventually head of the history department in Méanscoil Iognáid Rís. I began writing local history articles for the Dunlavin arts festival and the parish magazine. I went back to university and got a first-class honours MA from Maynooth, before being awarded a PhD from DCU. I’ve won the Lord Walter Fitzgerald prize and the Irish Chiefs’ Prize, and my students were winners in the Decade of Centenaries competition. Now retired, I continue to write and lecture about history!
I chose this short book because it casts light on a hidden history—that of faction fighting. Contrary to widespread belief, factions were not confined to rural areas in Ireland, nor were they a wholly nineteenth-century phenomenon. Kelly’s book provides a detailed account of the development of factions in eighteenth-century Dublin, from the Kevan Bail to the Ormond and Liberty Boys (and other little-known factions), and vividly describes the periodic disorder associated with them as they tried to establish control in the city. Kelly also outlines how the city’s economic and demographic growth led to the social conditions which nurtured factionalism, and he traces changes in the nature of factionalism as the eighteenth century progressed. An enthralling read about a topic that has often gone under the historiographical radar!
Compared with organised agrarian protest, factional disorder (rural and urban) in eighteenth-century Ireland has escaped close scrutiny. The Ormond and Liberty Boys have achieved a considerable measure of renown but the picture of them available to date is misleading and incomplete. The object of this study is to set the Liberty and Ormond Boys in their contemporary context. The conditions necessary to enable factions to develop and flourish in Dublin were in place by the 1720s, when the city was sufficiently developed physically and demographically to sustain the local and sectoral identities that faction required. Nonetheless, the growth of faction…
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
I’m a bright bubbly person with a dark, sinister imagination. As an Irish journalist turned fiction writer, the thrillers I write reflect some of the challenging crime scenes I’ve reported from. While the whodunnit element in crime-writing is extremely important, equally, I prefer to have my readers fascinated with the whydoneit. I love writing about dark pasts, buried secrets, simmering resentments, and how they shape my characters in such a way that creates delicious unease and urgency. I like to use settings like tiny Irish villages to enhance the often insular nature of locals protecting their own. The picturesque settings in my books create mood and tension and which include the landscape as character.
Stranded on a dark road in the middle of the night, a young woman accepts a lift from a passing stranger.
It’s the nightmare scenario that every girl is warned about, and she knows the dangers all too well – but what other choice does she have? As they drive, she alternates between fear and relief – one moment thinking he is just a good man doing a good thing, the next convinced he’s a monster.
But a monster is exactly what she's looking for. When the driver drops her safely home Lucy’s heart sinks. She will have to try again tomorrow night. She’s made herself the bait, in her bid to find the man who took her sister.
Set in and around Dublin and the Dublin mountains, this gripping read from the author of The Nothing Man and 56 Days will keep you guessing until the very end. But…
Stranded on a dark road in the middle of the night, a young woman accepts a lift from a passing stranger. It's the nightmare scenario that every girl is warned about, and she knows the dangers all too well - but what other choice does she have?
As they drive, she alternates between fear and relief - one moment thinking he is just a good man doing a good thing, the next convinced he's a monster. But when he delivers her safely to her destination, she realizes her fears were unfounded.
I was a teenager when I discovered that my grandfather was an Irish rebel during the War of Independence. As a Canadian, I was astounded by the stories he told me when we were alone during my first visit to Dublin. At 16, I promised him I would write a book about him. Alas, he was long gone when I got started. Researching, I would think of him, whispering anecdotes to me he never told his children. I discovered the stories were much worse than he let on. I could not stop until I got the whole story down on paper. I think he is smiling.
I love this story because it is a time portal that swiftly deposited me in the streets of Dublin just before the Easter Rising. I could see the dirty streets and poverty and feel the hunger for change, for freedom from occupation, that was palpable in the air. I watched the unbelievable and fantastic display of doomed, deadly belligerence against the British.
I love the intensity and rawness of the author’s changing outlook. From a disinterested privileged medical student to a hard-core rebel, abandoning his bright future, he leads men across the wilds of Ireland in tasks he would rather not undertake. I love that he tells this with such a poetic turn of phrase that I can feel the grass underfoot as the men walk and my stomach churning as they take aim.
More than any other book of the period, On Another Man's Wound captures the feel of Ireland―the way people lived, their attitudes and beliefs―and paints brilliant cameo sketches of the great personalities of the Rising and the War. Like many of the Irish, O'Malley was largely indifferent to the attempts to establish an independent Ireland―until the Easter Rising of 1916. As the fight progressed his feelings changed and he joined the Irish Republican Army.
So why have I chosen noir? I’m glad you asked. Ever since I picked up my first Raymond Chandler book—The Lady in the Lake—I have been a fan of the genre, so much so that I write in it almost exclusively.I watch all the old movies on Noir Alley every Saturday night—or whenever I can find one on TV. And while I tend to gravitate to the works of Raymond Chandler, Dashiell Hammet, and Erle Stanley Gardner, I'm always on the hunt for new authors. I also very much enjoy when someone takes the genre in a new direction, which is why I created this list.
When most people think of noir, they think of a cynical fedora-wearing, trenchcoated detective wisecracking his way through a mystery, and while that is part of the genre, it isn’t the whole of it. Noir can be funny, but that humor needs to be dark, and cynicism is a definite component. All of that is included in this book and it’s delivered with an Irish twist. Bruton’s hitman, Patrick Callen, who rides a bike through the streets of Dublin, is a man who likes lists: To-Do List: Kill Henry O’Neil, Meet the Bronze Man, Buy Food, Sleep with Olivia, Bike Shop, Visit Ma. But when he finds a baby on the job, it interrupts both his list and his life. A hitman and a baby—if that doesn’t make you want to read the book, nothing will.
The Lemon Man is Patrick Callen, a bicycle-riding hitman with mild O.C.D. in Dublin, Ireland whose carefully ordered life is totally upended when he becomes the accidental caretaker of a baby boy. Now he’s got to balance his daily to-do list of errands and murders-for-hire with his unexpected domesticity, which impacts him and his work in ways he never expected…and that could get him killed.
Praise for THE LEMON MAN:
A Deadly Pleasures Magazine Top 10 Paperback of 2022: "If you are a fan of quirky characters, you will…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
All of my recommended books feature female protagonists with complex lives. They are layered with friends, families, work, and romantic challenges. They are not superheroes. Yet they are. They all find a way to do the hard thing in difficult circumstances and at great personal peril. And that’s what bravery is. It’s not Captain Marvel coming in to save the world. It’s a woman with responsibilities and problems who digs deep to act with integrity. And she may not get accolades. Her act may be unseen. But she does it. And I love reading about these everyday women with grit.
This book sticks the reader in the middle of a maternity ward in poverty and flu-stricken Dublin circa 1918. I was totally rooting for nurse Julia Powers, an experienced maternity nurse who works long, thankless shifts trying to keep women and their babies alive.
The lack of medicine, staffing, and money is appalling as women enter the hospital to give birth. Yet through empathy, determinism, and quick thinking, Julia, her trainee, and her patients find ways to help each other. It’s a tour de force in female friendship, intelligence, and problem-solving and an indictment of the medical incompetency of male physicians.
It illuminates a cross-section of Dublin citizens struggling with poverty, the Great Flu, and the aftermath of a horrendous war. I found the story moving, gripping, and somehow hopeful.
In Dublin, 1918, a maternity ward at the height of the Great Flu is a small world of work, risk, death, and unlooked-for love, in "Donoghue's best novel since Room" (Kirkus Reviews).
In an Ireland doubly ravaged by war and disease, Nurse Julia Power works at an understaffed hospital in the city center, where expectant mothers who have come down with the terrible new Flu are quarantined together. Into Julia's regimented world step two outsiders—Doctor Kathleen Lynn, a rumoured Rebel on the run from the police, and a young volunteer helper, Bridie Sweeney.
