Here are 100 books that A Man for All Seasons fans have personally recommended if you like
A Man for All Seasons.
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A close college friend lost a child and dear friends to the group's suicide death at the hands of the Rev. Jim Jones at Jonestown, Guyana. As a physician, psychiatrist, and psychoanalyst, I made the decision to use my knowledge, training, and skill in individual, group, and family therapy to explore and try to help others and myself understand and stand up to destructive, controlling gurus of all kinds…from destructive, exploitive religious cults to violent terror group cults like that of Osama bin Laden’s Al Qaeda. It has been a moving and emotional journey.
I am impressed with Stern’s courage and interview skills. She goes to where radical Islamist killers are born and raised—such as Pakistan. Madrassa schools recruit whole families in their promotion of violent jihad as a way of life and commitment. Youths will dedicate their lives, even die, for what they perceive as worthy causes.
Stern exposes the powerful tools by which ordinary people come to kill in God’s name with a sense of quiet conviction.
For four years, Jessica Stern interviewed extremist members of three religions around the world: Christians, Jews, and Muslims. Traveling extensively-to refugee camps in Lebanon, to religious schools in Pakistan, to prisons in Amman, Asqelon, and Pensacola-she discovered that the Islamic jihadi in the mountains of Pakistan and the Christian fundamentalist bomber in Oklahoma have much in common. Based on her vast research, Stern lucidly explains how terrorist organizations are formed by opportunistic leaders who-using religion as both motivation and justification-recruit the disenfranchised. She depicts how moral fervor is transformed into sophisticated organizations that strive for money, power, and attention. Jessica…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Throughout my life, I have been fascinated by religion, initially in struggling with individual belief and later with its place within the social and political world. As a bioethicist, I studied and worked with patients and practitioners as they dealt with religious and moral concerns in healthcare. Then, as an international human rights advocate, educator, and governance development practitioner, I engaged with people of faith and secularists in the struggle to protect human rights and dignity as well as to attempt to promote peacebuilding in the post-conflict areas in which I worked, such as Afghanistan, Iraq, Lebanon, and Cote d’Ivoire.
In trying to exclude religion from the public sphere, most critics argue that religion precludes reasoned discussion: that secular arguments are rational and religious arguments are not.
Ronald Dworkin correctly recognizes that arguments over moral issues ultimately rest upon personal values, whether expressed in secular or religious terms. I love how he brilliantly breaks down arguments over such emotionally and morally controversial issues as abortion and euthanasia and then tries to identify the values relied on by both sides in how they attempt to justify their position.
In doing so, he makes two critical points: first, fundamental secular beliefs ultimately rest upon a religious-like understanding of the world, and second, in engaging with the thoughtful believer and secularist, it is possible to find common values. He uses the idea of the "sacredness of life" as one such meeting point shared by each.
Internationally renowned lawyer and philosopher Ronald Dworkin addresses the crucially related acts of abortion and euthanasia in a brilliantly original book that examines their meaning in a nation that prizes both life and individual liberty. From Roe v. Wade to the legal battle over the death of Nancy Cruzan, no issues have opened greater rifts in American society than those of abortion and euthanasia. At the heart of Life's Dominion is Dworkin's inquest into why abortion and euthanasia provoke such controversy. Do these acts violate some fundamental "right to life"? Or are the objections against them based on the belief…
Throughout my life, I have been fascinated by religion, initially in struggling with individual belief and later with its place within the social and political world. As a bioethicist, I studied and worked with patients and practitioners as they dealt with religious and moral concerns in healthcare. Then, as an international human rights advocate, educator, and governance development practitioner, I engaged with people of faith and secularists in the struggle to protect human rights and dignity as well as to attempt to promote peacebuilding in the post-conflict areas in which I worked, such as Afghanistan, Iraq, Lebanon, and Cote d’Ivoire.
Like President Biden, whenever I want an eloquent, historically grounded analysis of the liberal American project, I turn to Jon Meacham.
In the midst of an ever-growing culture war between extremists who claim the United States was founded as a Christian Nation and those claiming an impermeable wall of separation between all religion and the state, Meacham offers a calmly argued defense of the much more nuanced American approach to religious freedom.
I love the way he teases out the religious influences that helped shape the thinking of American leaders and how they are melded with the guiding principles of liberty, justice, and respect for individual freedom as set forth in the Declaration of Independence.
NEW YORK TIMES BESTSELLER • Pulitzer Prize-winning author Jon Meacham reveals how the Founding Fathers viewed faith—and how they ultimately created a nation in which belief in God is a matter of choice.
At a time when our country seems divided by extremism, American Gospel draws on the past to offer a new perspective. Meacham re-creates the fascinating history of a nation grappling with religion and politics–from John Winthrop’s “city on a hill” sermon to Thomas Jefferson’s Declaration of Independence; from the Revolution to the Civil War; from a proposed nineteenth-century Christian Amendment to the Constitution to Martin Luther King,…
Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
Throughout my life, I have been fascinated by religion, initially in struggling with individual belief and later with its place within the social and political world. As a bioethicist, I studied and worked with patients and practitioners as they dealt with religious and moral concerns in healthcare. Then, as an international human rights advocate, educator, and governance development practitioner, I engaged with people of faith and secularists in the struggle to protect human rights and dignity as well as to attempt to promote peacebuilding in the post-conflict areas in which I worked, such as Afghanistan, Iraq, Lebanon, and Cote d’Ivoire.
In the 1990s, Stephen Carter wrote a trilogy of works on religion and politics. In the first two, he criticizes the idea of a “wall of separation” approach to religious freedom that many have viewed as being hostile toward the discussion of religious beliefs in the public sphere, and he argues that religion supports informed moral debate over issues of public policy.
In this book, Carter returns to “the wall,” but this time, he adopts the thinking of John Winthrop, who viewed the wall of separation as a means of protecting religion from the corrupting influences of politics and power–not protecting the state from religion.
I find this of particular value as it has been absent from most recent conversations on this topic. As with Jon Meacham, Carter’s writing is eloquent, well-argued, engaging, and free of vitriol.
Stephen Carter argues that American politics is unimaginable without America's religious voice. Using contemporary and historical examples, from abolitionist sermons to presidential candidates' confessions, he illustrates ways in which religion and politics do and do not mesh well and ways in which spiritual perspectives might make vital contributions to our national debates. He also warns us of the importance of setting out some sensible limits, so that religious institutions do not allow themselves to be seduced by the lure of temporal power, and offers strong examples of principled and prophetic religious activism for those who choose their God before their…
I am a french writer, I like to write satires and tongue-in-cheek books about society. Work, children, France, social classes... When you find the right angle almost everything can be funny. With my writing I want to entertain, but give the reader something to think about. I hope this list will make you laugh as much I did.
Let’s imagine the English people have decided to abolish the monarchy. We are back in the eighties, and the Windsor family, expelled from Westminster, is relocated to a poor neighborhood of London and is required to work. The ex-Queen tries to cook, Philip is depressed, Diana wonders about her wardrobe and Charles discovers gardening talents...The Queen and I is a book that plays wonderfully on the human and linguistic gap between high society and common people. Funny situations and the satirical tone made me laugh on each page. I recommend it to all the people who are struggling to make a living—they’ll think it could be worse.
In the not-too-distant future, a radical government has come to power in Great Britain and the Royal family has been moved to a housing estate in Leicester. For the first time, the Royals have to live as ordinary people and they find the experience baffling and frightening, but ultimately enriching. A satire on the failings of the welfare state, the pretensions, expectations and personal foibles of the Royal Family - this warm-hearted and affectionate comedy concerning the Royals' attempts to come to terms with their new situation with moments of gentle irony alternating with pure farce - are just some…
I am a Lecturer in English Language and Literature at the University of Oxford, where I specialize in early modern drama (including Shakespeare) and book history. Since my undergraduate degree, I have been fascinated by historical drama, poetry, prose, and the often-porous boundary between ’truth’ and fiction during the sixteenth and seventeenth centuries. Most of my research–including a major project on ‘Wartime Shakespeare’ that produced two books and a public exhibition at The National Army Museum in London–explores the profound impact of the stories we tell about the past and what they reveal about concerns and interests in the present.
I love this book because it spotlights performance contexts and conditions–what it means to stage history during the Elizabethan period–and, through this focus, provides fresh, nuanced interpretations of the plays it considers, including some by Shakespeare and others performed by Queen Elizabeth’s Men.
It is another formative book for me, especially because it negotiates ideas and representations of ‘truth’ in historical drama. Walsh’s book offers a compelling account of the communal construction of history and the interplay between presence and absence, which has also helped me understand my own methods as a critic and historian.
The Elizabethan history play was one of the most prevalent dramatic genres of the 1590s, and so was a major contribution to Elizabethan historical culture. The genre has been well served by critical studies that emphasize politics and ideology; however, there has been less interest in the way history is interrogated as an idea in these plays. Drawing in period-sensitive ways on the field of contemporary performance theory, this book looks at the Shakespearean history play from a fresh angle, by first analyzing the foundational work of the Queen's Men, the playing company that invented the popular history play. Through…
Homeless following the death of his adoptive parents in a car crash and the subsequent loss of their farm tenancy, Seb decides to enrol as a residential student at the Asklepios Foundation, a College of Natural Medicine, boasting a sanctuary modelled on an ancient Greek healing temple. Spending a night…
I’m a Shakespeare scholar with a particular interest in theatre history and the repertories of the London commercial playing companies of the late-sixteenth and early-seventeenth centuries. I’m particularly fascinated by the hundreds of plays written during this period that have not survived, whether as the result of fire, vandalism, censorship, or more mundane causes like a lack of interest in or opportunity for publication. The surviving plays from the period are the distinct minority; yet the plays lost to us were known to Shakespeare and his contemporaries, who often wrote in response to what else was being performed across London.
In the wake of Knutson’s work, a number of seminal studies of individual playing companies from Shakespeare’s London have appeared, but I particularly value Manley and MacLean’s for the prominence they give to the role of lost plays in the repertory of Lord Strange’s Men. This book normalised the understanding that if one is to study a company—its patron, its players, its performance venues (including touring), and its style—then one cannot do so without attending to the plays once performed by the company but which have since been lost.
For a brief period in the late Elizabethan Era an innovative company of players dominated the London stage. A fellowship of dedicated thespians, Lord Strange's Men established their reputation by concentrating on "modern matter" performed in a spectacular style, exploring new modes of impersonation, and deliberately courting controversy. Supported by their equally controversial patron, theater connoisseur and potential claimant to the English throne Ferdinando Stanley, the company included Edward Alleyn, considered the greatest actor of the age, as well as George Bryan, Thomas Pope, Augustine Phillips, William Kemp, and John Hemings, who later joined William Shakespeare and Richard Burbage in…
Growing up in Philadelphia, History was in the air I breathed. Reading about my surroundings led me to want to understand the times and the ways people lived in the past. The Classics inspired a love for the cadence of language (especially 19th C lit). Visiting local museums and historic places added fuel to my passion for Historical Fiction. I believe we learn best from history and the human experience through empathy and putting ourselves in other’s shoes, which Historical Fiction is able to do by introducing us to a fascinating array of characters, places and times—real and imagined.
Beautifully written and masterfully crafted, the story of Anne Askew, the real central character in Prize for the Fire, brings us to the brink of understanding the power of belief and commitment in a medieval world turned up-side-down by politics and religion.
To the brink, but it would be impossible to get closer than that to Anne’s personal core principles she would rather die for than not relinquish. Questions about faith, fidelity, and fealty are woven across Anne’s short life, exposing the chasm between conviction and practice in the world controlled by fear of power and doctrine.
Lincolnshire, 1537. Amid England's religious turmoil, fifteen-year-old Anne Askew is forced to take her dead sister's place in an arranged marriage. The witty, well-educated gentleman's daughter is determined to free herself from her abusive husband, harsh in-laws, and the cruel strictures of her married life. But this is the England of Henry VIII, where religion and politics are dangerously entangled. A young woman of Anne's fierce independence, Reformist faith, uncanny command of plainspoken scripture, and-not least-connections to Queen Katheryn Parr's court cannot long escape official notice, or censure.
In a deft blend of history and imagination, award-winning novelist Rilla Askew…
I am a historian and historic buildings consultant with a longstanding interest in 15th and 16th century England. In addition to my own work on memorials, funerals, and the Howard family, I have worked as a researcher and consultant for television and books, including being a production researcher for the BBC adaptation of Wolf Hall.
Peter Brears takes us ‘below stairs’ at the court of Henry VIII and into the kitchens that fed and waited on up to 1000 people a day. Structured around the different rooms that made up the kitchen, he details the food and drink that was being produced and gives a snapshot of the ordinary people working there. The book is nicely illustrated with sketches of Tudor implements and methods of cooking. For anyone who wants to try eating like a Tudor, the book concludes with a selection of recipes, all of which have been trialed in the kitchens at Hampton Court and adapted for the modern kitchen.
Possibly the first industrial complex to be operated in England, the kitchens at Hampton Court Palace were highly organised and built to feed the whole of King Henry VIII''s household. Brears traces their history & functions in this illustrated volume.'
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
Even in childhood, I was struck by the sheer horror and tragedy of Henry VIII’s wives, women who had a place at the heart of power and managed, some more so than others, to influence the politics of their time, yet were powerless to save themselves when the wind changed. It was a fascinating and turbulent period that saw England rise from a provincial backwater to become an important player in European politics, bringing the social and cultural changes that sewed the seeds of our modern world. Exploring the period through the prism of women’s lives is a major aim of all my six novels.
Part of Sansom’s acclaimed Shardlake series, this novel takes a different look at Henry’s last wife, Katherine Parr. It is a thrilling dive into the plots of Parr’s life and her seditious writings from the perspective of Sansom’s eponymous fictional investigator. Detailed and enthralling we are transported to the streets of Tudor London, to explore the shadowy corners where danger lurks.
Perfect for fans of Hilary Mantel's The Mirror and The Light, Matthew Shardlake is back in the sixth book in the Shardlake series, from number one bestselling author C. J. Sansom.
'When it comes to intriguing Tudor-based narratives, Hilary Mantel has a serious rival' - Sunday Times 'Sansom has the trick of writing an enthralling narrative. Like Hilary Mantel, he produces densely textured historical novels that absorb their readers in another time' - Andrew Taylor, Spectator
England, 1546: King Henry VIII is slowly, painfully dying. His Protestant and Catholic councillors are engaged in a final and decisive power struggle; whoever…
