Books like A Golden Age — picked by fans

This heartwarming, multigenerational drama about the Korean community in Japan swept me into another time and place. Born and raised in a poor fishing village in Japanese-occupied Korea, Sunja makes an impulsive decision in the pursuit of love that transforms the trajectory of her life.

Thoughtful, resilient, and fiercely independent, Sunja was a relatable character whom I desperately wanted to see thrive. I felt her heartache when she left her beloved Korea and shared her indignation at the discrimination she and her family experienced in Japan. Expertly crafted and keenly observed, Pachinko shows us how history and politics shape the lives of ordinary people, often for generations to come. 

This is so much more than a love triangle story that I hesitate to reduce it to merely that. The novel explores interracial relationships, “blackness” in both an African and an African-American context, and the ways in which those worlds collide, etc., etc. At its broadest, the book describes the story of the Nigerian diaspora writ large. But at its core, this is the story of a love triangle—the sort of story I love most.

(I grew up a bit of a mama’s boy, and in our household, we loved love stories…)

As in Ishiguro and Jones, cited above, and in Garcia Marquez, noted next, the characters here submit to pressures and make difficult choices—as thoughtfully as they can, under the circumstances. And those choices have life-changing consequences that the characters eventually come to regret.

Set in Baghdad in 2002, this book introduced me to a part of the world that I knew little about. The novel is written as a braided narrative of three interconnected women—Huda, Rania, and Ally—each harboring their own secrets and lies as they navigate life under Sadaam Hussein’s authoritarian regime.

I found myself holding my breath as the three women’s lives became increasingly entangled and endangered. This compelling and suspenseful novel asks how much we are willing to compromise our values in order to protect the people we love. I enjoyed reading it and learned a lot about Iraq in the process.

I was enchanted by this stunning “stranger comes to town” story set in the fictional village of Gost in central Croatia. Duro Kolak lives as a quasi-recluse, numbing himself with rakija and physical labor as he ruminates over past injustices.

When a naïve but hopeful Englishwoman named Laura hires him to restore the old farmhouse she bought, she sets in motion a chain of events that forces him to reexamine his relationship with the past.

I fell in love with these characters, longing for them to make peace with their troubled memories, especially Duro. I also learned a lot about the region's history, including the Yugoslav wars that haunt so many like Duro.

After a lifetime of dutiful marriage, the newly widowed Lady Slane shocks her family by striking out on her own, moving from London to a suburban cottage where she will live alone and please herself (for once!). Her decision rumbles through her grown children’s lives and inspires one of her great-granddaughters to pursue an independent life herself.

I love that this book focuses on an older woman (Lady Slane is 88 years old), proving that it’s never too late to live life on your own terms. And in Deborah, her great-granddaughter, we get a glimpse of the new sort of woman who was really making her presence felt in this period: young women exploring their independence and living very different lives from their parents and grandparents.

Siblings tend to circle the wagon around one another. Sure, we squabble amongst ourselves, but when the outside world comes at one of us, it might as well have come for all of us. At least that’s been my experience. But honestly, this constant rescuing can be tiresome and perhaps it asks too much of us—especially if we’re dealing with our own unresolved heartache. This novel is so honest in its portrayal of three sisters, frantic to save a sister and finally forced to share in the grief and blame. I also loved that the main character, a former college professor, turns to literature to help her find her moral way. 

There can be no question greater than “Is there life outside the Earth?”. Sara Seager places her own search for planets outside the Earth - almost 5000 planets in other solar systems have been discovered in the past three decades, including Earth-like bodies - against her own life story and struggles as a scientist weathering the unexpected loss of a spouse and the raising of her two young sons. Astronomers estimate there are billions of undiscovered planets just in our Galaxy. Seager paints our very own Earth as a bright point of community and connection in the vastness of space as she gives a first-person account of the technical challenges of seeking other planets and life elsewhere.

With this piece of historical fiction, we are back to “Who is Shakespeare,” and did he write all those plays? We are asked to consider parts of Shakespeare’s life where there is no historical record at all. In this novel, he did pen his plays and poems, but he had a lot of help from a smart, learned woman. Yes, another great woman behind the man story. And yet, we are allowed into not only Will’s and Katherine’s collaborative writing process but into their love story. Thus we end this list as we started with Shakespeare in love.

The frame-tale—also known as a “story within a story”—is one of my favorite fictional devices, and Margaret Atwood’s deft handling of three separate storylines makes this book a truly astonishing read.

Though her characters are fictional, their story is set against a backdrop of major Canadian historical events of the 1930s and 1940s. The exterior tale carries Iris Chase, an unhappily married upper-class woman, from childhood to death, while the real author of the interior story—a novel about a pair of illicit lovers that contains an embedded science fiction tale (the eponymous Blind Assassin)—is one of the story’s biggest mysteries.

This novel is ambitious, engaging, and wholly surprising. 

I loved the portrait of late 14th-century feudal England in this story of a master illuminator and his forbidden English translation of the Bible.

There are not many books set in this period, and it really immersed me in the time. Lady Kathryn of Blackingham Manor is a character that is both strong and vulnerable, and I was really rooting for her and for her relationship with Finn, the craftsman, to work out. The monastic life is excellently described, as is the craft of illumination.

This is a book that stayed with me for a long time with its rich portrayal of the past.