Here are 100 books that A Dream about Lightning Bugs fans have personally recommended if you like
A Dream about Lightning Bugs.
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A recovering newspaper journalist, I’ve lived and worked in Raleigh, North Carolina, since 1991, after growing up in Texas and Colorado. Professionally, I spent 28 years at Raleigh’s daily paper the News & Observer, primarily as a music critic, before taking my leave of the newspaper industry in 2019. Since then, I have gotten by as a freelancer writing for magazines, arts councils, alumni publications, and such. I also host a podcast – Carolina Calling, about North Carolina’s music history – while writing the occasional book. I’m also a member of the University of Colorado’s Trivia Bowl Hall Of Fame.
In its ambition and sweep across time and political upheavals as well as musical styles, this book may have been the closest thing I had to a model for my book.
Part musical memoir and part capsule history of the American South’s era of integration, Dixie Lullaby was written by longtime music journalist Mark Kemp – a man who grew up in Asheboro, North Carolina in the 1960s and ’70s and has the Lynyrd Skynyrd and Allman Brothers records to prove it.
In ""Dixie Lullaby"", a veteran music journalist ponders the transformative effects of rock and roll on the generation of white southerners who came of age in the 1970s - the heyday of disco, Jimmy Carter, and Saturday Night Live. Growing up in North Carolina, Mark Kemp burned with shame and anger at the attitudes of many white southerners - some in his own family - toward the recently won victories of the civil rights movement. ""I loved the land that surrounded me but hated the history that haunted that land,"" he writes. Then the down-home, bluesy rock of the Deep…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
A recovering newspaper journalist, I’ve lived and worked in Raleigh, North Carolina, since 1991, after growing up in Texas and Colorado. Professionally, I spent 28 years at Raleigh’s daily paper the News & Observer, primarily as a music critic, before taking my leave of the newspaper industry in 2019. Since then, I have gotten by as a freelancer writing for magazines, arts councils, alumni publications, and such. I also host a podcast – Carolina Calling, about North Carolina’s music history – while writing the occasional book. I’m also a member of the University of Colorado’s Trivia Bowl Hall Of Fame.
While I got to watch a lot of North Carolina music history unfold in real time, a great deal of it happened before I was born.
Fortunately, when it came to Piedmont blues, I had the work of English folklorist Bruce Bastin to draw on. With Cryin’ for the Carolinas and its 1986 companion volume Red River Blues: The Blues Tradition in the Southeast, Bastin gives an essential portrait of the 1930s vintage scene in Durham, North Carolina.
A large cast of iconic blues musicians, many of them disabled, got by busking in and around the city’s tobacco warehouses back then, legends like Sonny Terry, Brownie McGhee, Rev. Gary Davis, and Blind Boy Fuller – who wrote the song that became my book title.
A recovering newspaper journalist, I’ve lived and worked in Raleigh, North Carolina, since 1991, after growing up in Texas and Colorado. Professionally, I spent 28 years at Raleigh’s daily paper the News & Observer, primarily as a music critic, before taking my leave of the newspaper industry in 2019. Since then, I have gotten by as a freelancer writing for magazines, arts councils, alumni publications, and such. I also host a podcast – Carolina Calling, about North Carolina’s music history – while writing the occasional book. I’m also a member of the University of Colorado’s Trivia Bowl Hall Of Fame.
One of the throughline themes of my book is the ongoing resourcefulness of the state’s musicians as they battle day jobs as well as an unfriendly music industry.
As portrayed in this highly engaging oral history, North Carolina institutions don’t get much more resourceful than Merge Records, a Chapel Hill-based independent label founded by members of the local band Superchunk.
Over the years, Merge went from putting out indie-rock seven-inch singles to topping the Billboard charts, and even winning an album-of-the-year Grammy Award.
More than one-third of a century later, both Merge and Superchunk are still at it.
Merge Records defies everything you’ve heard about the music business. Started by two twenty-year-old musicians, Merge is a lesson in how to make and market great music on a human scale. The fact that the company is prospering in a failing industry is something of a miracle. Yet two of their bands made the Billboard Top 10 list; more than 1 million copies of Arcade Fire's Neon Bible have been sold; Spoon has appeared on Saturday Night Live and The Tonight Show; and the Magnetic Fields' 69 Love Songs is a contemporary classic.
In celebration of their twentieth anniversary, founders…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
A recovering newspaper journalist, I’ve lived and worked in Raleigh, North Carolina, since 1991, after growing up in Texas and Colorado. Professionally, I spent 28 years at Raleigh’s daily paper the News & Observer, primarily as a music critic, before taking my leave of the newspaper industry in 2019. Since then, I have gotten by as a freelancer writing for magazines, arts councils, alumni publications, and such. I also host a podcast – Carolina Calling, about North Carolina’s music history – while writing the occasional book. I’m also a member of the University of Colorado’s Trivia Bowl Hall Of Fame.
Like me, John Darnielle of the band Mountain Goats (a Merge Records act, as it happens) was not born in North Carolina, but fully embraced it upon moving here.
After much acclaim for the twisted freak-folk of his band, Darnielle launched a parallel career as a fiction writer with this novella in Continuum Books’ 33-1/3 series.
Nominally about the 1971 Black Sabbath album of the title, Master of Reality is actually a personality sketch of obsessed and troubled super-fans of the sort Darnielle has in abundance in his hometown of Durham and elsewhere.
He has followed it up with more literary greatness, especially his revelatory 2014 novel Wolf in White Van.
John Darnielle describes Master of Reality through a fictional character, a fifteen-year-old boy being held in an adolescent psychiatric centre in southern California in 1985.John Darnielle describes "Master of Reality" in the voice of a fifteen-year-old boy being held in an adolescent psychiatric centre in southern California in 1985. Adolescents in treatment are often required to keep a journal, and they write letters by the dozens: to their parents, to their friends on the outside, to the nurses who confiscate their belongings, to the teachers back at school who've offered them an outlet for their creativity. Our narrator has arrived…
I’m Irish, writing since 2001. I’m fascinated by the impulses that propel us towards or away from another person, the ways we are hurt or charmed or offended or beguiled by another, and how we react to all of the above. I’m not married or in a relationship myself; somewhere along the way I realised that I’m happier alone, and I think it puts me in a good position to observe the behaviours of friends and family, and sometimes strangers (yes, I’m that person sitting nearby on the train or at the airport or in the cafe, tapping furiously into her laptop as you converse with your partner).
This book has one of the most interesting characters I’ve ever come across in fiction. Evie Decker is an introverted and slightly eccentric teen living in small-town America whose ordinary life takes a completely different turn when she hears a young musician, Drumsticks Casey, being interviewed on the radio. Anne Tyler can be depended on to create fascinatingly quirky characters – I’ve long been a big fan of her writing – but I think she outdid herself with Evie. The story is unexpected and moving and funny and sad – really, it provides all the feels. The evolving relationship between Evie and Casey, with its ups and downs and twists, is perfectly told, and the dialogue sparkles with authenticity.
In a small Southern town, shy teenager Evie Decker becomes obsessed with local rock singer Bertram 'Drumstrings' Casey, and decides to take her life into her own hands. When she manages to meet him, she bursts out of her lonely shell and their two lives become unforgettably entwined.
**ANNE TYLER HAS SOLD OVER 1 MILLION BOOKS WORLDWIDE**
I am a journalist, author, guitarist, singer, and songwriter who has spent my career spreading the gospel of the music I love, notably the Allman Brothers Band and the blues masters. I’ve been a Guitar World writer and editor since 1991, profiled countless musicians for The Wall Street Journal, and lived in Beijing for four years, forming a blues band with three Chinese musicians that toured the country, recorded an album, and won awards. That experience has informed everything I’ve done since, including forming Friends of the Brothers, the premier celebration of the music of the Allman Brothers Band.
I think that this book unveils Jerry Garcia’s essential, elusive personality better than anything I’ve read, even given the excellent work of David Browne, Blair Jackson, Dennis McNally, and other terrific Grateful Dead biographers.
I learned a lot about how seemingly secondary characters are often particularly honest and illuminating. Robert Greenfield also collaborated with promoter Bill Graham on Bill Graham Presents, the excellent autobiography in oral history format.
For more than thirty years, Jerry Garcia was the musical and spiritual center of the Grateful Dead, one of the most popular rock bands of all time. In Dark Star, the first biography of Garcia published after his death, Garcia is remembered by those who knew him best. Together the voices in this oral biography explore his remarkable life: his childhood in San Francisco; the formation of his musical identity; the Dead's road to rock stardom; and his final, crushing addiction to heroin. Interviews with Jerry's former wives, lovers, family members, close friends, musical partners, and cultural cohorts create a…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I’ve been fascinated by musicians almost my entire life, but I always wanted more than the slick on-screen video, profile on the Lifestyles of the Rich and Famous, or interview. I wanted to know the whys and hows: why they wrote a certain way, what made them want to be a musician first, and where the inspiration and determination came from. What are they like when they’re hanging out at home, not in the spotlight? This research led me to the music and musicians of Laurel Canyon in particular and how one small area of Los Angeles has managed to create music still influential today.
I love this book for its deep dive into the music and time period of the 1960s and 1970s. It’s a wonderful discovery of the bands that made this era of music so wonderful and how Laurel Canyon was in the center of it.
There are great behind-the-scenes stories and interviews with the people who were there, in the industry and making the music. It’s a great glimpse into the vision, values, and freedom of the time and how it all got funneled into that fantastic music I so love.
Michael Walker’s Laurel Canyon presents the inside story of the once hottest rock and roll neighborhood in LA.
In the late sixties and early seventies, an impromptu collection of musicians colonized a eucalyptus-scented canyon deep in the Hollywood Hills of Los Angeles and melded folk, rock, and savvy American pop into a sound that conquered the world as thoroughly as the songs of the Beatles and the Rolling Stones had before them. Thirty years later, the music made in Laurel Canyon continues to pour from radios, iPods, and concert stages around the world. During the canyon's golden era, the musicians…
I grew up blocks from Hollywood Boulevard in the late ‘60s and early ‘70s and had something like a front-row seat to the greatest pop culture five-car pile-up in American history. At the Canteen on Hollywood and Vine, where my aunt would take me on summer weekdays for the “Extras for Extras Smorgasbord,” you’d rub shoulders with aging starlets, cowpokes, starry-eyed young hopefuls, and “leading men” in five-and-dime ascots who never had a leading role. Even Billy Barty, always of good cheer, would make the scene—he was so nice to me, and I had no idea he played my hero, Sigmund the Sea Monster!
Wanna know what happens when you don’t pay off the mobbed-up indie record promo guys, fellas like Joe Isgro and Fred DiSipio? I’ll tell you what—your record doesn’t get played on the radio, shmuck.
This killer history of the mavens and crooks who made the record business spin is enlightening, chilling, and hilarious at turns. Some radio programmers, once paid off, will take a record they have never heard, shake it by their ears, and say, “Sounds good; I like it!”
Copiously researched and documented, Hit Men is the highly controversial portrait of the pop music industry in all its wild, ruthless glory: the insatiable greed and ambition; the enormous egos; the fierce struggles for profits and power; the vendettas, rivalries, shakedowns, and payoffs. Chronicling the evolution of America's largest music labels from the Tin Pan Alley days to the present day, Fredric Dannen examines in depth the often venal, sometimes illegal dealings among the assorted hustlers and kingpins who rule over this multi-billion-dollar business.
I have a passion for music. My earliest memories are of my childhood being soundtracked by Dad’s love of Elvis, Queen, and Steve Miller. And then the eighties came, and I was mesmerised on two fronts – rock music and pop music. The former led to me picking up a guitar, forming a band, and seeing scores of rock bands perform, which in turn led three decades later to me writing about this amazing time in I Was A Teenage Rock Fan. The latter led to even more bands, a series of DJing opportunities, and eventually writing my recently published Gary Numan biography. I hope you enjoy the books.
If I gave you a script of Stephen Pearcy’s younger days as a potential movie of the week you’d laugh me out of the room for it being too far-fetched.
Pearcy caught the wannabe rock star bug early like I did, and being based in LA it was almost a given that he’d follow his heroes Van Halen to stardom. Then his mum moved them to San Diego, he discovered drugs, and he was hit by a car, ending up in a hospital bed for months. Game over, no? No.
His drive, ambition, determination and, yes, passion to become a rock star led to his full recovery and the formation of Ratt, who sold approximately eight million more records than I did in my attempt at stardom. Fascinating reading.
In the mid-1980s, Ratt, alongside Motley Crue, Poison, and Quiet Riot, were laying down the riffs and unleashing the scissor kicks that would herald the arrival of music's most flamboyantly debauched era. Now with Sex, Drugs, Ratt & Roll, Ratt frontman and chief rabble-rouser Stephen Pearcy divulges all the dirty details of the era when big-haired bands ruled the world.
Stephen was primed for a life of excess from an early age-his father died of a heroin overdose when he was twelve, and by the age of fifteen, Stephen was himself a drug addict. When Stephen met the thrill-seeking Robbin…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I was born in 1954, the same year as rock and roll. I am a product of the era that spawned me. I was that kid at school who would rather read his music mags than his school books. Over a rich and varied career, I have turned those passions into my profession. I have been a singer in a band, a music journalist, a broadcaster with the BBC national radio network, and have had several music related books published by major publishers. I have also been an academic specialist in my field and have managed to turn all those lifelong interests into a Ph.D. and an M.Phil.
I grew up with the Beatles. I went from 8 to 16 in the time it took the band to go from Love Me Do to Let It Be. I measure my own growth from infancy to adolescence during their lifespan.
The Beatles were more than a band to anyone of my age. They were a planet we all lived on. There have been hundreds of books about them, but few are more insightful than this one by their suave and urbane press officer.
Derek started off his career as a hard-bitten newspaper hack of the old school. Working with the Beatles changed his life. I can relate to that. The Fab Four changed all our lives.
'The sharpest memoir written by one of the Beatles' inner circle.' Observer
Derek Taylor's iconic memoir is a rare opportunity to be immersed in one of the most whirlwind music sensations in history: Beatlemania. As Time Goes By tells the remarkable story of Taylor's trajectory from humble provincial journalist to loved confidant right at the centre of the Beatles' magic circle. In charming, conversational prose, Taylor shares anecdotes and reminiscences so vivid and immediate that you find yourself plunged into the beating heart of 1960s counterculture. Whether watching the debut performance of 'Hey Jude' in a country pub or hearing…