Here are 100 books that A Daughter's Kaddish fans have personally recommended if you like
A Daughter's Kaddish.
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I am a speaker, grief investigator, filmmaker, and voracious reader! Since the death of my eldest son, Harry, 23 years ago, I have become passionate about changing the landscape for people who have to face life and work when they are living with grief. Books on grief helped me enormously right from the start with Harry’s diagnosis when I was going through ‘living’ or ‘anticipatory grief’ and even more after Harry’s death. They could be fiction or factual; it didn’t matter. They offered me a translation, a guide for what I was going through, and gave me the courage to go forward as these authors were demonstrating.
It is rare to find a book by a therapist that is written so viscerally and openly about their own personal experience. In writing about the sudden and unexpected death of her husband, Bill, Sasha has her professional and personal hat on.
I could almost feel her grief coming in waves through the pages, but rather than that being depressing, the therapist in her writes with wise observations on what is happening, what she is going through, and what helped at any given time; and just as importantly, what didn’t.
I have recommended this book to so many people going through grief and also to those who support them. It is a must-read!
'This is the most startlingly honest book about grief I have ever read. Its immediacy hits you on the first page and takes you on an unforgettable journey. No one has set out so clearly the stages we go through as we try to come to terms with facing the enormity of death.' - Dame Penelope Wilton, DBE
'Sasha writes exquisitely and honestly, the sheer rawness of what she has gone through and is still going through, sitting in balance with the calm and clear-sighted objectivity of the therapist, who is also her.' - Hugh Bonneville
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
My mom handed me one of those little girl diaries with a lock and key when I was in third grade. I wrote my heart into those diaries until I needed more space and shifted to regular-sized notebooks. Writing is my way to know myself and make sense of my life. The journal I kept in the last months of my husband’s life helped me reassemble the trauma-blurred memories of his dying, and then, it supported my emotional rebirth during the year of intense grieving. It is with surprise and delight that I hear from readers who say I articulate their innermost emotions related to love and loss.
As I entered the strange new territory of grief and a solitary life after 37 years of an unconventional marriage, I found myself looking for solace from authors who could show me the way forward. Martha Cooley’s retreat to a small, medieval Italian village brought the first tentative smiles to my early months of grieving. My husband and I shared a love of Europe and stayed in our own medieval village in Tuscany just a few years before he died. Cooley used her retreat to deal consciously but gently with the many deaths she’d faced over a traumatic ten years, as well as the impending death of her mother. Her reflections related to mortality and carrying on after the loss of loved ones were a comfort as I began to confront the uncomfortable challenge of stepping into a new life without my husband and best friend.
"[A] splendid and subtle memoir in essays" —The New York Times Book Review
Having lost eight friends in ten years, Cooley retreats to a tiny medieval village in Italy with her husband. There, in a rural paradise where bumblebees nest in the ancient cemetery and stray cats curl up on her bed, she examines a question both easily evaded and unavoidable: mortality. How do we grieve? How do we go on drinking our morning coffee, loving our life partners, stumbling through a world of such confusing, exquisite beauty?
Linking the essays is Cooley’s escalating understanding of another loss on the…
I was twenty-three when my beloved dad died. I didn’t know anyone else who’d lost a father. The experience was incredibly lonely. When I first tried to write about it, the story felt big and unwieldy, and I wasn’t sure I’d survive. I needed companions. I found them in beautiful memoirs that didn’t paint grief as anything other than big and unwieldy. Those writers gave me permission to tell my story and modeled the artistry of doing so. I’m drawn to authentic stories of what it’s like to lose beloved ones. Books by daughters writing about losing their fathers have particular resonance for me. These are a few of my favorites.
I found a kindred spirit in Laura Carney when I first read her memoir about her inspired six-year quest to complete her father’s bucket list, thirteen years after he was killed by a distracted driver. Her story echoed a main reason I set out to write mine: “I want my dad’s life to matter.”
I loved how Carney, in detailing her many adventures, leaned into writing about the expansiveness of her grief while also celebrating the largeness of who her father was. Her honesty about confronting her fears and mental health challenges, uncovering family secrets, and finding her own resilience along the way struck a powerful chord in me. This book continues to teach me how who I am and what I do can be instrumental in fulfilling my father’s legacy.
On the cusp of middle age, a newlywed journalist discovers and finishes the bucket list of her late free-spirited father.
Fifty-four adventures in six years. That's what thirty-eight-year-old journalist Laura Carney embarked on when she discovered her late father Mick's bucket list.
Killed in a car crash when Laura was twenty-five, Mick seemed lost forever. My Father's List is the story of how one woman-with the help of family, friends, and even strangers-found the courage to go after her own dreams after realising those of a beloved yet mysterious man. This is a story about secrets-and the freedom we feel…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Loads of people want to be writers and the dream can come true! It did for me. So, I want to tell people about the books that have helped to turn me into a novelist. Initially, I wrote journalistic pieces about bizarre leisure activities for various British newspapers and magazines: I lay on a bed of nails, walked on red hot coals, met people who collect bricks as a hobby...and even lost my underpants while performing on the flying trapeze! (No kidding!) But my ultimate goal was always to become a novelist. Then, one day, I discovered the subject I just had to turn into a novel. And the result was...Death and Mr. Pickwick.
This book made me realise that a great novel could be largely plotless. The Tree of Man simply describes the lives of a husband and wife in Australia—a sort of echo of the Garden of Eden set in the Outback. I can’t claim that I remember many details about it now—I read it years and years ago, but I do know that it made me feel that I too could write a plotless book, based on simple, everyday human experiences.
Stan Parker, with only a horse and a dog for company journeys to a remote patch of land he has inherited in the Australian hills. Once the land is cleared and a rudimentary house built, he brings his wife Amy to the wilderness. Together they face lives of joy and sorrow as they struggle against the environment.
In the wake of her father’s death, Katharine Smyth turned to her favorite novel, Virginia Woolf’s To the Lighthouse, as a way of wrestling with his memory and understanding her own grief. Her book about the experience, All the Lives We Ever Lived: Seeking Solace in Virginia Woolf, was published by Crown in 2019 and named a New York Times Book Review Editors’ Choice. Smyth’s work has appeared in The Atlantic, The Paris Review, Elle, The New York Times, Literary Hub, Poets & Writers, and The Point.
“About seven years ago,” Rachel Cohen writes at the beginning of Austen Years, “not too long before our daughter was born, and a year before my father died, Jane Austen became my only author.” Weaving together memoir, biography, history, and literary criticism, Cohen draws upon five of Austen’s novels to make sense of her own life and work as she raises young children, moves across the country, and grapples with her father’s death. The result is a brilliant and beautiful reflection upon family and loss, isolation and transcendence, and reading and rereading.
I’m a children’s book author who typically centers humor at the heart of my books but who dipped into heartache to tell this specific story. As a former educator with four kiddos of my own, I’ve been able to witness the myriad ways kids cope with grief, everything from hiding out in blanket forts to holding a backyard funeral service for a beloved pet roly-poly. I hope my book, Where is Poppy? offers kids comfort, peace, and preparation for their own unique journeys with loss. I studied creative writing and political science at Stanford University and hold an MFA in Writing for Children and Young Adults from Vermont College of Fine Arts.
Oof. This book. It’s an absolute treasure. It’s so rare to find a story told from the perspective of a child navigating the day of a funeral that includes the often angry resistance to all that is happening, as well as the deep redemptive power of memory.
I fall straight into the rich, kid-centered illustrations, in part because of the sparse and exactly right prose that allows the images to speak for themselves. Once I pieced together where the titular cape came from and how the child narrator uses it in the story, it was like the best kind of gut punch.
2
authors picked
Cape
as one of their favorite books, and they share
why you should read it.
This book is for kids age
4,
5,
6, and
7.
What is this book about?
When a child loses the person in his life that he loves more than anything, he uses his cape as protection from his grief. On the day of the funeral, he uses it to block out the pictures and stories people share, refusing to acknowledge the memories that keep bubbling up. He won't think about them. He doesn't want to.
He avoids the memories, until he no longer can.
He remembers then. Their laugh, their smile, the moment they gave him the cape. The cape transforms, becoming a source of comfort and strength as the child navigates the sadness and…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I'm the author of the best-selling books How to Tell Depression to Piss Off: 40 Ways to Get Your Life Back, How to Tell Anxiety to Sod Off: 40 Ways to Get Your Life Back, The Recovery Letters, and What I Do to Get Through. My sixth book will be, How to Smash Stress: 40 Ways to Manage the Unmanageable.
He describes the death of his partner from alcoholism and the events leading up to it in an unflinchingly honest and moving way. It's raw and personal but that's what grief is. It's beautiful and respectful and shows how grief is both a shared experience and so completely individual at the same time.
'Immensely moving and disarmingly witty' Nigella Lawson 'Such a moving, tough, funny, raw, honest read' Matt Haig 'Beautifully written, moving and gut-wrenching, but also at times very funny' Ian Rankin 'Captures brilliantly, beautifully, bravely the comedy as well as the tragedy of bereavement' The Times 'Will strike a chord with anyone who has grieved' Independent
Whether it is pastoral care for the bereaved, discussions about the afterlife, or being called out to perform the last rites, death is part of the Reverend Richard Coles's life and work. But when his partner the Reverend David Coles died,…
The first memoir I ever read—Road Song by Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.
“In an earlier life,” Miller writes, “I was a baker, in a bakery on a cobblestoned street.” It takes Miller just one single paragraph to tell this whole tale—how she proofed yeast, how she scraped her spoon, how she made loaves for children: “It was my only kindness.” In every successive chapter—most all of them short, many of them formally inventive—Miller deconstructs her life and soul—the roots of her unease, the startling incidents of loss, her learning to sleep, and her learning to live with the person she becomes. Miller is a stellar choreographer, knowing just where to place which expertly fashioned scene and knowing, always, what to leave out.
How many lives do we create in one lifetime? In her latest collection of innovative, shape-shifting essays, Brenda Miller evolves through childhood, adolescence, and young adulthood to enter the wry maturity of middle age. Whether traveling from synagogue to sweat lodge, from the Arizona desert to a communal hot springs in California, she navigates the expectations placed on young girls and women at every turn. She finds guidance in her four major creeds (Judaism, Home Improvement, the Grateful Dead, and Rescue Dogs), while charting a course toward an authentic life. Each stage demands its own form, its own story, sometimes…
I love reading stories that are a good mix of reality and fantasy, just as much as I like to write them myself. And I guess that comes from my background as a journalist. But perhaps not so, as the first stories I wrote in my teens that were published in a Dutch women’s magazine were retellings of Biblical stories. I recounted those from the point of view of women: the (future) wives of Joseph (with the ten brothers) and of Moses. I was a writer long before I became a journalist, a profession I needed to gather the knowledge I could then use to write my books, so it seems.
I loved the way the writer used the real story of a Jewish family that got saved by the inhabitants of a small Greek island from the Germans during World War II.
There are different elements I love, too, like the fact the book is situated on an island off the coast of Crete, which I love. And how the main character is caught between two cultures, that’s also a theme I like to read about. And yes, there were moments when the story made me cry.
On a beautiful Greek island, myths, magic, and a colorful cast of characters come together in When the Cypress Whispers, Yvette Manessis Corporon's lushly atmospheric story about past and present, family and fate, love and dreams that poignantly captures the deep bond between an American woman and her Greek grandmother. The daughter of Greek immigrants, Daphne aspires to the American Dream, yet feels as if she's been sleepwalking through life. Caught between her family's old-world traditions and the demands of a modern career, she cannot seem to find her place. Only her beloved grandmother on Erikousa, a magical island off…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’ve sat in many grief circles and listened to fellow grievers share their pain at being abandoned or misunderstood by their friends and families as they grieve. Often we suffer the secondary loss of community because our culture has not taught us how to grieve or how to be a friend to those in grief. My wife and I found some invaluable tools that helped us communicate our needs to our community, and keep them close on our grief journey. One of those tools is grief books. I’ve read dozens of them, and while everyone responds to grief books differently, I think these five books are the very best.
Devine does a wonderful job of validating our feelings and our needs as we grieve.
It is filled with many wonderful pieces of wisdom about grief. The most helpful insight she offered me was the distinction she drew between the healthy pain of grief versus the unnecessary and unhelpful suffering that so often accompanies grief.
She provides practical advice on how to be kind to ourselves as we grieve. We can’t “fix” our grief and loss, but we can be kind to ourselves on this difficult journey.
As seen in THE NEW YORK TIMES * READER'S DIGEST * SPIRITUALITY & HEALTH * HUFFPOST
Featured on NPR's RADIO TIMES and WISCONSIN PUBLIC RADIO
When a painful loss or life-shattering event upends your world, here is the first thing to know: there is nothing wrong with grief. "Grief is simply love in its most wild and painful form," says Megan Devine. "It is a natural and sane response to loss."
So, why does our culture treat grief like a disease to be cured as quickly as possible?
In It's OK That You're Not OK, Megan Devine offers a profound…
