Books like A Conquering Spirit — picked by fans

I have spent a large part of my career researching and writing about the pivotal era in which these conflicts occurred, and continue to be intrigued by these cataclysmic events and their repercussions. Many conflicts in this nation’s history compete for the title of most unknown war, but the Creek War of 1813-1814 and the related southern campaigns of the War of 1812 have perhaps the best claim on that notoriety. Yet these conflicts nonetheless dramatically altered the United States’ history. They led to the forced removal of native tribes, ushered in the era of slave-based cotton agriculture in the Old Southwest, secured large portions of the Gulf South against European powers, and launched the career of one of America’s most influential military and political leaders. 

I’m an award-winning author and professor of history at Wayne State College in Nebraska. Called “the dean of 1812 scholarship” by the New Yorker, I’ve written eleven books and more than a hundred articles, mostly on the War of 1812 and its causes. I didn’t become interested in this battle until well into my academic career, when I decided to turn the series of articles on the War of 1812 that I had written into my first book. I quickly became fascinated by the cast of characters, headed by tough-as-nails Andrew Jackson; Baratarian pirate Jean Laffite; and the British commander, Sir Edward Pakenham, who was the Duke of Wellington’s brother-in-law. No less intriguing was the magnitude of the U.S. victory and the British defeat, the profound and lasting legacy of the battle, and the many popular misconceptions about what actually happened in the battle or what might have happened had the British won.

I have spent a large part of my career researching and writing about the pivotal era in which these conflicts occurred, and continue to be intrigued by these cataclysmic events and their repercussions. Many conflicts in this nation’s history compete for the title of most unknown war, but the Creek War of 1813-1814 and the related southern campaigns of the War of 1812 have perhaps the best claim on that notoriety. Yet these conflicts nonetheless dramatically altered the United States’ history. They led to the forced removal of native tribes, ushered in the era of slave-based cotton agriculture in the Old Southwest, secured large portions of the Gulf South against European powers, and launched the career of one of America’s most influential military and political leaders. 

I have spent a large part of my career researching and writing about the pivotal era in which these conflicts occurred, and continue to be intrigued by these cataclysmic events and their repercussions. Many conflicts in this nation’s history compete for the title of most unknown war, but the Creek War of 1813-1814 and the related southern campaigns of the War of 1812 have perhaps the best claim on that notoriety. Yet these conflicts nonetheless dramatically altered the United States’ history. They led to the forced removal of native tribes, ushered in the era of slave-based cotton agriculture in the Old Southwest, secured large portions of the Gulf South against European powers, and launched the career of one of America’s most influential military and political leaders. 

I have always loved reading biographies: we only get one life, but through stories of others’ lives we get to absorb into our own imagination their experiences and what they learned, or didn’t, from them. Having written poetry since childhood, I have long been an observer of myself and those around me, with a great curiosity about how people live and what motivates them. I’ve come to see that, no matter what genre I’m writing in, I’m driven to understand the connection between identity and place–for me, in particular, women in the southern U.S., and how each of us makes meaning out of the materials at hand.

I first saw the quilts of Gee’s Bend at the Whitney Museum in New York. I was wowed! I viewed the quilts as works of art and included some in a book I was doing, Art Against the Odds: From Slave Quilts to Prison Paintings. But I wanted to show and tell more about the quilters. Who were these women who dreamed up incredible designs and made art out of scraps despite their poverty and hard lives? Since I never quilted I had to find out how they did it, and realized that quilting not only produced covers for their families, but expressed individual creativity, and brought women together.

I am a history professor at Ohio State, where I have taught for most of my career. I have always been fascinated by how people in different regions define their own identities, how other Americans perceive them, and how these ideas change over time. Having lived through several wars (as a civilian), I have observed that social and political conflicts on the homefront can be intense in their own right and that non-military events and military events are often connected. In my work, I have published on gender, race, slavery, family, material culture, legal history, and environmental history, from the Revolution through the Civil War. 

Family history has always fascinated me. I didn’t want mine to be buried with my loved ones. So, out of curiosity, I asked relatives lots of questions. If unsatisfied, I sought answers elsewhere. I traveled as far as Celle San Vito, Italy, where my grandfather was born, to solve a one-hundred-year-old mystery, and I filmed it for others to enjoy. I’ve memorialized momentous family events in poems, handmade greeting cards, memory books, screenplays, a documentary, and now, in my memoir A Cup of Tea on the Commode. The books on my list are about “family.” I’ve been moved by each, and I hope they move you as well.

I’m a lifelong New Jerseyan married to a man whose family comes from Georgia. It gave me an opportunity to observe the white, Southern, upper-class weltanschauung, up close. To hear them talk, you’d think the Civil War had ended just a few days earlier, and if the Yankees had only respected states’ rights, none of that mess would have happened. My book is about a dysfunctional Georgia family who has far too much money than is good for them. Hijinks ensue.

And though each of us has our own individual stories to tell, a true adventure emerges when we bring them all together as one. That line from Epcot's fireworks show, Illuminations, is my guiding light. As someone who has struggled to identify and express emotion, reading stories that do that with vulnerability and authenticity has supplied me with a path forward. It's what I aim to do with my writing. To inspire, evoke a kaleidoscope of emotions, and connect. Some read to escape reality. I do so to navigate it. As the prelude to Illuminations eloquently states, there's magic when we share our stories and bring them together as one.