Here are 76 books that A Beginner's Guide to Breaking and Entering fans have personally recommended if you like
A Beginner's Guide to Breaking and Entering.
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Most stories about murder in the Victorian era are set in London. Not all the best mysteries, however, take place there as I have discovered as a long-time reviewer for City Book Review. Some are; some are not. In my own writing, the setting must complement and even amplify the murderous doings being depicted. With this in mind, let me take you on a deadly country-wide tour of mystery, with each of our five stops brightened or darkened by one of my favorite murder stories. Each of them engaged me, mystified me, and, above all, entertained me.
This last tale brings the tour back to London, albeit with side trips to Yorkshire. I was attracted to this enthralling mystery not only by the twisty plot but also by the way the author cleverly sets scenes with just a few words. It was enough for me to know time and place while leaving room for my imagination to have its say.
I easily pictured the library or drawing room of Somerville Hall; Harrogate’s rat-infested police station; the derelict building housing Russell’s Book Shop; Verrey’s Restaurant, Regent Street; the London General Mourning Warehouse; and the list continues. I was drawn into every scene with the story’s heroine.
Lucy Lawrence stared down at her husband, his once handsome face now a twisted mask of death. She shivered and pulled her shawl tighter around her shoulders. His life had held so many secrets, and now his sins were hers to bear…England, 1886. In the flickering gaslights of Victorian London, 28-year-old Lucy Lawrence's future hangs in the balance. Her husband's murder has left her reputation in tatters, and the theft of her mother's priceless heirloom pearls has only added to her woes. But when the handsome investigator Phineas Stone enters her life, Lucy finds herself drawn into a web of…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
In 1990, I introduced the idea of emotional intelligence with my colleague Peter Salovey. This was followed, in 2008, with the introduction of the theory of personal intelligence. Emotional, personal, and social intelligence form a group I labeled the “people-centered intelligences,” which are partly distinct from intelligences focused on things such as objects in space and mathematical symbols.
One quality the diverse books I recommend here share in common is that they help us reason about who we are—a key element of personal intelligence.
This unusual book deserves to be included in some list or another; to that end, I have included it here.
It views cities, from their urban high rises to McDonald’s roadside eateries, from the standpoint of a burglar (with an architect’s eye), examining how to break in, steal, and make a clean getaway. Although I’ve never broken into a home (other than my own after locking myself out), I found the book eye-opening.
Don’t put it down until you get to the description of the movie Die Hard, which rethinks the skyscraper as one of the key characters of the movie. Okay, I admit it may not be central to who we are, but it is different!
At the heart of Geoff Manaugh's A Burglar's Guide to the City is an unexpected and thrilling insight: the city as seen through the eyes of robbers. From experts on both sides of the law, readers learn to understand the city as an arena of possible tunnels and picked locks and architecture itself as an obstacle to be outwitted and second-guessed. From how to pick locks (and the tools required) to how to case a bank on the edge of town, readers will learn to detect the vulnerabilities, blind spots, and unseen openings that surround us all the time. This…
Who can really claim that they know everything about the human heart, the mind, the soul? The infinite mysteries and complexities of what makes someone who we can call “human.” I'm betting no one. Certainly not me. But what's important is the passion to keep exploring, to keep digging through the mind in an effort to understand myself. That effort, along with what I discover, is one of the most tangible things that not only enriches my living life, but also gives me comfort facing the inevitable end. These books were passionate companions, inspiring me, for however long, to further my efforts in self-discovery.
I love this book because it resonates with my sense of self-discovery and how society often muddles it.
It took me a lifetime of questioning who I was to finally discover the motivations behind why I was behaving in certain ways, or why I was getting involved with certain people and certain activities.
While none of what I have done in life was illegal, the sense of identity confusion remains, and reading about Malcolm finding who he is was most gratifying and inspiring.
Malcolm Braly spent the better part of his life behind bars. Arrested for a botched teenage burglary, he made one mistake after another, always returning to the institution that turned a sensitive young man into a hardened con. This is his story, an indictment of both his own failings and those of a system that seeks to reform those weaknesses, but instead only reinforces them. From foster child to delinquent to armed robber to escaped convict, we follow Braly as he chases after his freedom—continually confronted by his own self-destructive actions—before turning to the outlet of writing that allowed him…
Those People Behind Us is set in the summer of 2017, post-Trump election and pre-pandemic. The story takes place in the fictional city of Wellington Beach, California, a suburban coastal town increasingly divided by politics, protests, and escalating housing prices. These divisions change the lives of five neighbors--a real estate…
I’ve found kids to be interested in difficult topics - like stealing, racism, inequality, environmental catastrophe to name a few! But I don’t want to lecture or frighten them about their future. I believe picture books can tell a story about things going awry but coming right again through a good idea, or act of kindness or a magic wand or the intervention of fate. When the story unfolds in the comfort and security of a carer’s lap or a safe classroom and there are accompanying pictures of absorbing detail that communicate the artist’s emotion and humor I think you provide universal foundation blocks for a good life.
This is another great story about stealing—and in this book it’s about what the burglar accidentally acquires. It’s very funny and unexpected when Bill the burglar picks up a baby without realizing and becomes preoccupied with its needs. Luckily another lovely burglar turns up and helps out. I’ve never read this book to kids as I found it after mine had grown up but we all enjoyed Ahlberg’s work for many years. I love the detail in the pictures, which show chaotic houses and unexpected items. There are lots of words too which is not so usual in picture books now, but I think kids really enjoy being lulled by a reading voice while they dream about the pictures.
Burglar Bill is an entertaining picture book by the iconic British husband and wife picture book team Janet and Allan Ahlberg, creators of Peepo!
Who's that creeping down the street? Who's that climbing up the wall? Who's that coming through the window? Who's that? ... It's Burglar Bill.
Burglar Bill lives all by himself in a tall house full of stolen property. Every night (after eating his stolen fish and chips) he goes out to work... stealing things.
But one day, Burglar Bill steals something very unexpected indeed!
The Janet and Allan Ahlberg classic is the perfect bedtime story for…
I usually write queer fiction with an urban fantasy or magic realism bent, although I’ve dabbled in dystopian novels and a couple of romance novellas. I have an interest in bringing to light modern queer works that aren’t rooted in erotica or romance because I know firsthand the misconceptions that are placed on writers of gay fiction. And too often I’ve had to find tactful ways to explain what I write when people assume I’m limited by genre.
This is deliciously dark. It’s a tale about Eric, a twisted teenager who has tied up a home invader and is keeping him downstairs while his mother has left him alone. She’s busy trying to seek fame overseas. Eric keeps his teachers and his classmates unsettled while paying his daily expenses by entertaining older clients in Sydney’s richer suburbs.There is nothing charming about this story, yet its cast of disturbing eccentric characters makes this a real page turner.
A school in turmoil over its senior play, a sly career as a teenage gigolo, an unpredictable girlfriend with damage of her own, and a dangerous housebreaker tied up downstairs. Any of these would make a great plot for budding filmmaker Eric's first movie. Unfortunately, they're his real life. When Julien, a handsome wannabe actor, transfers to Eric's class, he's a distraction, a rival, and one complication too many. Yet Eric can't stop thinking about him. Helped by Eric's girlfriend, Mary, they embark on a project that dangerously crosses the line between filmmaking and reality. As the boys become close,…
I was born in a dormitory town in Kent that serves London, but was brought up in the Midland city of Birmingham. I was an avid reader from my early days and much enjoyed espionage novels of that period, as depicted by Geoffrey Household and Eric Ambler. I was in the insurance industry for 35 years, and have woven stories around insurance investigators who became involved in situations by virtue of a routine investigation that inadvertently uncovered criminal or international activities.
I love this book because it encapsulates a theme that I very much enjoy reading and writing about.
A man discovers knowledge, in this case by accident, regarding a matter affecting the nominal head of government of his state (in this case, the USA), and the security organisation of the government (CIA) is desperate to track him down and eliminate him.
I like the aspect of will they or won’t they unmask and silence him.
When burglar Luther Whitney breaks into a Virginia mansion, he witnesses a brutal crime involving the president -- a man who believes he can get away with anything -- and now, Luther may be the only one who can stop him in this #1 New York Times bestselling thriller.
In a heavily guarded mansion in the Virginia countryside, professional burglar and break-in artist Luther Whitney is trapped behind a two-way mirror. What he witnesses destroys his faith not only in justice, but in all he holds dear.
What follows is an unthinkable abuse of power and criminal conspiracy, as a…
The Blade in the Angel's Shadow delivers a compelling fusion of dark magic, espionage, and philosophical tension between chaos and order.
A heretic swordswoman, cosmic entities using humans as pawns, Elizabethan occultism, time travel, and the apocalyptic ambitions of the Angels? It’s bold, unsettling, and fiercely imaginative.
I write crime fiction set in the north of England. It’s where I was born and grew up, although for the last 20 years I’ve lived in Spain. I really love novels with a local or regional flavour. The kind of writing that takes you to a specific place, and draws on that place in the action itself. The writers that I chose for this list all do this extremely well. And although their books are set in different locations, they share the sense of the setting almost becoming a character in the story.
Dominic wrote two very good crime books in a short series before publishing Vine Street.
I am including Vine Street on my list because, although it’s set in London and is therefore not ‘regional’, it was one of the great crime novels of 2021-22 and deserves to become a classic. I read this book before it was published, and I knew, like everyone else, that it was something special.
The story spans almost a century, from the seedy streets of London’s Soho in the 1930s, until the present day. There are some really well-researched and vividly depicted descriptions of police investigations in the 30s, and just for that it’s worth a read. But there’s also a twisting, mesmerizing plot that takes us all the way to the present.
What really distinguishes Vine Street, though, is the writing itself, which seems to echo the rhythms of the 1930s jazz clubs, and…
***BEST CRIME BOOKS OF 2021 - THE TIMES/SUNDAY TIMES*** ***CRIME BOOK OF THE MONTH - THE TIMES***
'Brings the obsessional dread of James Ellroy to 1940s London.' IAN RANKIN
'Extraordinary...a career-defining performance.' THE SUNDAY TIMES
'This is crime writing of the highest quality' DAILY MAIL
SOHO, 1935. SERGEANT LEON GEATS' PATCH.
A snarling, skull-cracking misanthrope, Geats marshals the grimy rabble according to his own elastic moral code.
The narrow alleys are brimming with jazz bars, bookies, blackshirts, ponces and tarts so when a body is found above the Windmill Club, detectives are content to dismiss the case as just another…
As someone who’s never been allowed to drive, but gets motion-sick reading in a bus or car, I’ve been a lover of audiobooks since I had my Walkman and a backpack full of audiobook cassettes. As a queer man, I’m always looking for more immersive stories about people like me. Finding queer voices and queer narratives is so important to me as a way to offset how queer people don’t have an inherited continuance of our culture as most marginalized people do; books are a way to fill that gap. I do own a rescued husky, and there’s nothing like an engrossing audiobook to get me through those minus-forty Canadian winter walks with a dog.
Visiting London at its most coal-caked and financially stratified, The Affair of the Porcelain Dog was Holmes-like in its execution, and pulled me into its mystery from the opening so steeped in the time and place and culture, and then never let go. Ira Adler is so charminga character that even when he was being selfish or spoiled I was smitten. An orphan, street thief, pickpocket, and former rent boy now living in luxury at the beck and call of a crime lord, Ira ends up tasked to recover the titular “dog” statue, which contains a secret that could ruin everything, and bring Ira's comfortable new life to an end. Philip Battley’s narration was so completely immersive, and had me there with Ira, hoping he’d somehow pull it off.
For Ira Adler, former rent-boy and present plaything of crime lord Cain Goddard, stealing back the statue from Goddard's blackmailer should have been a doddle. But inside the statue is evidence that could put Goddard away for a long time under the sodomy laws, and everyone's after it, including Ira's bitter ex, Dr. Timothy Lazarus. No sooner does Ira have the porcelain dog in his hot little hands, than he loses it to a nimble-fingered prostitute.
As Ira’s search for the dog drags him back to the mean East End streets where he grew up, he discovers secrets…
Back in the dark ages, before the internet and cell phones, the most common form of off-duty soldiers’ entertainment was reading. I read pretty much anything I could get my hands on, but I was always most excited to read fantasy and science fiction. If a book has a wild new world, magic, or tech, I’m in and usually can’t get enough. I remain a cross-genre reader to this day, but fantasy and science fiction always feel like home. Bonus points for dragons.
Listed as a ‘gas lamp’ fantasy, and me being a pre-Victorian/Victorian era London fan, I had to grab this one. It had a fresh twist on the mad scientist’s experiment went wrong, creating a superhero and a supervillain. I found that exciting. I loved how the main character (the hero) struggled to learn his abilities and limitations, all the while not knowing who the villain was or what he was up to. I enjoyed this master class on how to put your main character through the wringer. And the twist ending surprised me. Great stuff.
In this heroic gaslamp fantasy, superhuman abilities bring an adventurous new dimension to 1820 London, where an outlaw speedster and a master of illusion do battle to decide who will own the city.
Think being a superhero is hard? Try being the first one.
Will’s life is a proper muddle—and all because he was “accidentally” inflicted with the ability to run faster and leap higher than any human ever. One minute he’s a blacksmith’s apprentice trying to save his master from debtor’s prison. The next he’s accused of murder and hunted as a black-hearted highwayman.
The Birthright of Sons is a collection of stories centered around the experiences of marginalized people, namely Black and LGBTQ+ men. Although the stories borrow elements from various genres (horror, suspense, romance, magical realism, etc.), they are linked by an exploration of identity and the ways personhood is shaped through…
I grew up down the road from the little graveyard where my grandfather was buried. By accident, I discovered the glorious Victorian-era Highgate Cemetery in 1991. A friend sent me to explore Paris’s Pere Lachaise Cemetery – and I was hooked. I’ve gone from stopping by cemeteries when I travel to building vacations around cemeteries I want to see. I’ve gone out of my way to visit cemeteries in the Czech Republic, Greece, Italy, Japan, Spain, Singapore, and across the United States. At the moment, I’m editing Death’s Garden Revisited, in which 40 contributors answer the question: “Why is it important to visit cemeteries?”
London is basically built over layer upon layer of graves. I was thoroughly fascinated by the Bronze Age tumulus on Parliament Hill, which Arnold calls one of the oldest burial grounds in the city, predating Highgate Cemetery by over 4000 years.
The book really grabbed me when it explored the plague pits of the Middle Ages. I could have read much more about those centuries, although so little seems to be left above ground to mark them. The Tudor chapters were equally fascinating.
Once the book moves into the exquisite Victorian-era graveyards, Arnold hits her stride. If you are new to the study of all things dead in London, this is crucial material.
From Roman burial rites to the horrors of the plague, from the founding of the great Victorian cemeteries to the development of cremation and the current approach of metropolitan society towards death and bereavement -- including more recent trends to displays of collective grief and the cult of mourning, such as that surrounding the death of Diana, Princess of Wales -- NECROPOLIS: LONDON AND ITS DEAD offers a vivid historical narrative of this great city's attitude to going the way of all flesh. As layer upon layer of London soil reveals burials from pre-historic and medieval times, the city is…
