19 books like Wolf Hunt

Growing up, I commonly read a sci-fi or fantasy novel a day. I craved freshly innovative stories, not megastar copycats. Innovation lacking, I stopped reading. I loved Salvatore’s invention of the Drow and favored groundbreaking stories where authors build on a predecessor’s shoulders rather than writing formulaic remakes for easy sales. Devastatingly, when I began writing, publishers, agents, and literary voices unitedly screamed at authors to “stay in their genre.” Write sci-fi or fantasy, never both. That wasn’t me, so I wrote about what happens when technology clashes with magic. The result? Mosaic Digest recently dubbed me “one of speculative fiction’s most inventive voices.”

Although I’m from New Zealand, Europe has been home for a lot of my adult life, and that has included a lot of time in North Yorkshire. It always seems to me that there’s potential for magic around every corner, in the deep sinkholes and high fells of the Dales, or the cobbled charm of the York Shambles and the loom of the Abbey over Whitby harbour. So I do feel that the fact so many stories are set in London is a waste of so many delightfully different settings, and I make a point of hunting out as many alternatives as I can. I hope you enjoy this selection!

We've been writing together for over ten years now. A theme that we’ve come back to lots of times is the horrible workplace with its bosses from hell. Feedback from readers tells us that the ways in which we’re made miserable at work are universal and it can be fun to examine them in fiction. We doubled down on the theme in the Oddjobs series of books. We both love to read and write horror, and we spend time with lots of horror authors, so this list came together very easily.

I’ve always been intrigued by the way night transforms familiar landscapes, creates a sense of loosened boundaries, and seems to be rich with almost magical potential. One of my most beloved books as a kid was The BFG, partly because of its magnificent passage about the witching hour, “the special moment…when all the dark things came out from hiding and had the world to themselves.” Later, I discovered Hamlet’s take on it and was equally charmed. It’s no surprise that many of the key moments in my debut collection, Here in the Night, take place after dark. Here are my five favorite books that capture the beguiling power of nighttime. 

I was six years old when I found myself getting up for a drink of water and watching a brutal dismemberment in a Sam Rami classic starring Bruce Cambell. I was transfixed. I saw The Terminator at five, most of Fulcci’s work before I could pee alone and worshiped Craven and Carpenter long before I could appreciate that I was their target audience. Horror is to me what oxygen is to every other mammal on the planet. Without it, I wither and die.

I was six years old when I found myself getting up for a drink of water and watching a brutal dismemberment in a Sam Rami classic starring Bruce Cambell. I was transfixed. I saw The Terminator at five, most of Fulcci’s work before I could pee alone and worshiped Craven and Carpenter long before I could appreciate that I was their target audience. Horror is to me what oxygen is to every other mammal on the planet. Without it, I wither and die.

I was six years old when I found myself getting up for a drink of water and watching a brutal dismemberment in a Sam Rami classic starring Bruce Cambell. I was transfixed. I saw The Terminator at five, most of Fulcci’s work before I could pee alone and worshiped Craven and Carpenter long before I could appreciate that I was their target audience. Horror is to me what oxygen is to every other mammal on the planet. Without it, I wither and die.

I was six years old when I found myself getting up for a drink of water and watching a brutal dismemberment in a Sam Rami classic starring Bruce Cambell. I was transfixed. I saw The Terminator at five, most of Fulcci’s work before I could pee alone and worshiped Craven and Carpenter long before I could appreciate that I was their target audience. Horror is to me what oxygen is to every other mammal on the planet. Without it, I wither and die.

My writer’s journey has been circuitous. Originally, I’d intended to become a screenwriter, until I was bitten by the acting bug. Appearing often in film, television, and on Broadway, I found myself drawn to audiobook narration. After so much exposure to so many genres from so many authors, I decided to return to writing. Zombie Bigfoot is a novelization of a screenplay of mine, inspired by SkyMall magazine I read during a scuba diving trip. One page had a Bigfoot garden statue… the adjacent page had a garden flagstone with a zombie coming up out of the ground. I looked at those two images and thought: “How has nobody done this?”

My writer’s journey has been circuitous. Originally, I’d intended to become a screenwriter, until I was bitten by the acting bug. Appearing often in film, television, and on Broadway, I found myself drawn to audiobook narration. After so much exposure to so many genres from so many authors, I decided to return to writing. Zombie Bigfoot is a novelization of a screenplay of mine, inspired by SkyMall magazine I read during a scuba diving trip. One page had a Bigfoot garden statue… the adjacent page had a garden flagstone with a zombie coming up out of the ground. I looked at those two images and thought: “How has nobody done this?”