Here are 4 books that Within The Fog fans have personally recommended once you finish the Within The Fog series.
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I have always been enamored with myth and the fantastic, even as a child. They offer an escape from the mundane, but also deliver a fine method to guide our moral compasses, learn about other cultures, and assign meaning to those things that vex us. I studied literature and history in college and found myself delving more and more into theology and mythology as I went because literature is filled with their essence. My exploits have guided me to the desk as a language arts and special education teacher, but my heart always whisks me back to the bookshelf or the desk to visit these fantastic worlds of the supernatural.
This history of myths, folklore, and legend is a must-own for any reader who fancies themselves a fan of the supernatural genre. Written in the form of a field guide to help travelers traversing the landscape pocked with these entities, A Field Guide is a phenomenal read and lends insights into the myths and religious entities of various cultures. Equipped with a section for how to ward off each, this guide may prove to be more useful to the reader than just a bit of reference material.
“Scouring the face of the earth, Carol and Dinah Mack have come up with an array of the most dreaded demons mythology has to offer.” —Robert L. Carniero, former Curator of South American Ethnology, American Museum of Natural History
If you met a werewolf on the eve of a full moon, would you know how to tell what he really was? Could you resist the dark charms of a vampire or the lure of a fallen angel? Did you know the Mbulu of South Africa has a razor-sharp tail with a mind of its own? Or that the Kuru-Pira of…
I have always been enamored with myth and the fantastic, even as a child. They offer an escape from the mundane, but also deliver a fine method to guide our moral compasses, learn about other cultures, and assign meaning to those things that vex us. I studied literature and history in college and found myself delving more and more into theology and mythology as I went because literature is filled with their essence. My exploits have guided me to the desk as a language arts and special education teacher, but my heart always whisks me back to the bookshelf or the desk to visit these fantastic worlds of the supernatural.
The pretense for modern fantasy and supernatural suspense is rooted in the concept of folklore and fairytale. Harkening back to those days, Byatt weaves an intricate world of wonder and spirits the reader away to become enveloped within it. Byatt stands on the shoulder of the giants who came before to tell these five songs and expertly uses imagery and allegory to make the reader think about the deeper meaning of these stories.
A stunning collection of fairy tales for grown-ups from the Booker Prize-winning author of Possession, a "storyteller who could keep a sultan on the edge of his throne for a thousand and one nights" (The New York Times Book Review).
Includes the story “The Djinn in the Nightingale's Eye”—the basis for the George Miller film Three Thousand Years of Longing starring Idris Elba and Tilda Swinton
A.S. Byatt portrays the strange relationship between an intelligent heroine—a world-renowned scholar of the art of storytelling—and the marvelous being that lives in a bottle, found in a dusty shop in an Istanbul bazaar.…
I’ve loved weird horror from a young age, and that passion only grew as the years went on. It all started when I was ten, and I got an anthology of classic horror for my birthday. Inside I read The White People by Machen, Cast the Runes by MR James, and The Colour Out of Space by Lovecraft, and I was hooked. Ever since then I chased that same thrill of the horror that is so out there and strange it just breaks your brain and changes you inside out. I have a feeling I’ll be chasing that obsession until the end of my days.
Another fun bit of psychedelic folk horror, combined with a really cool history of the experimental films of Canada.
The narrator is compelling, and the whole time you feel the pull of her obsession to the film she’s looking into, even if it unsettles her and terrifies her at the same time. Love that pull of danger, wanting to look, to see, but knowing that doing so will probably kill you…
The award-winning author of the Hexslinger Series "explores the world of film and horror in a way that will leave you reeling" (Jeff VanderMeer, author of the Southern Reach Trilogy).
Former film teacher Lois Cairns is struggling to raise her autistic son while freelancing as a critic when, at a screening, she happens upon a sampled piece of silver nitrate silent footage. She is able to connect it to the early work of Mrs. Iris Dunlopp Whitcomb, the spiritualist and collector of fairy tales who mysteriously disappeared from a train compartment in 1918.
Maurice Sendak said, "Children do live in fantasy and reality, they move back and forth very easily in a way we no longer remember how to do." In other words, children do the impossible. Growing up, stories where the real and imagined collided were like fresh air when I felt like I couldn't breathe. They've always been important to me, and for many reasons, hold a special place in our literature. Now, as a full-time teacher, writer, and daddy, I get to be on the other side of that joy equation, guiding new readers and writers as they become travelers of the fantastic.
I love this book because it really erases the line between the real and the fantastic. I’ve been a Neil Gaiman fan since Sandman. This is a middle-grade book written for me. The path I took through this book led me back to my childhood and reminded me of Where the Wild Things Are, with its nearly seamless transition between the “real” world and the imagined.
Neil’s done this before with Caroline and the Graveyard. But Ocean is different. Here, I never lose touch with the real world. The turn to fantasy just makes the real world more dangerous. I think that’s an important change. When I was a child, when I daydreamed or pondered the things and people and dark corners that I didn’t understand, when I added the additional layer of the fantastic, it wasn’t really an escape.
'Neil Gaiman's entire body of work is a feat of elegant sorcery. He writes with such assurance and originality that the reader has no choice but to surrender to a waking dream' ARMISTEAD MAUPIN
'Some books just swallow you up, heart and soul' JOANNE HARRIS
'Summons both the powerlessness and wonder of childhood, and the complicated landscape of memory and forgetting' GUARDIAN
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'My favourite response to this book is when people say, 'My childhood was nothing like that - and it was as if…
