Here are 100 books that Triffids fans have personally recommended once you finish the Triffids series.
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It’s Saturday, 5 p.m. If you could peer back in time to the late ’60s, you’d find me plunked in front of our new colour RCA Victor, a Swanson TV dinner steaming before me, and the theme…da-da-DAAA-da-da-da-da-DAAAA, announcing my favourite show: Star Trek. I absorbed the logic of Mr. Spock, the passion of Dr. McCoy, and the fantastical world of Klingons, wormholes, and warp drives. Add to that a degree in history and English, and it set the stage for my passion to read and write in genres of science fiction and magical realism. I hope you find these books as stimulating and thought-provoking as I did.
The Chrysalids – my inaugural dive into science fiction in the late sixties – hooked me from the first paragraph.
Wyndham creates a dystopian world of post-nuclear destruction where genetic mutations abound, and if discovered, culled from a civilization steeped in a stark biblical ideology. The Chrysalids track protagonist David Strorm as he safeguards his six-toed friend, Sophie, and ultimately connects with a band of telepaths offering new world hope.
I loved this book because of its adolescent hero and his defiance against a society that was morally corrupt.
In the community of Waknut it is believed mutants are the products of the Devil and must be stamped out. When David befriends a girl with a slight abnormality, he begins to understand the nature of fear and oppression. When he develops his own deviation, he must learn to conceal his secret.
As a UK registered lawyer, I have spent most of the past 35 years writing about my work. But what has always excited me, from my childhood, is the science fiction worlds which state a truth which is yet to happen, The worlds of H.G Wells; Huxley; Aldous; Orwell; Bradbury; and Atwell. An individual's struggle against overwhelming odds. Not always somewhere where you would want to go. But from which you will always take something away.
I'd heard about this famous book many years before I actually got around to reading it. What I loved about this book was its originality.
I am always reminded about Orwell's book whenever I hear phrases like ‘ thought police’ or ‘big brother’, which have become part of our everyday language. Probably one of the most influential books ever written. For me, the message of Orwell’s book is that the State will always win.
1984 is the year in which it happens. The world is divided into three superstates. In Oceania, the Party's power is absolute. Every action, word, gesture and thought is monitored under the watchful eye of Big Brother and the Thought Police. In the Ministry of Truth, the Party's department for propaganda, Winston Smith's job is to edit the past. Over time, the impulse to escape the machine and live independently takes hold of him and he embarks on a secret and forbidden love affair. As he writes the words 'DOWN WITH BIG…
I’ve always been drawn to the small-town milieu, which might seem strange given I’m a product of suburbia. But as a professional travel writer, I’ve visited scores (maybe hundreds) of country towns, so I know what makes them tick—and they come prepackaged with all the ingredients needed to create an unnerving horror experience. The author simply dreams up a charming little village with humble and lovable residents, then either peels back the bucolic veneer to expose the corruption beneath or introduces a hostile outside force. Voilà! An effective horror novel. I love reading those sorts of stories, and I love writing them.
Science fiction and horror go together like a gourmet meal and vintage wine. No one combined them better than the English writer John Wyndham. I was introduced to his fiction in a high school English class, and this was the first prescribed text I gobbled up rather than plodded through.
Horror doesn’t work unless you care about the protagonists, and Wyndham creates an idyllic village populated with relatable characters before introducing the book’s alien interlopers. Also, ‘pregnancy gone wrong’ is one of my favourite tropes and usually it involves body horror, but this is pretty much bloodless—pure, paranoid terror.
A genre-defining tale of first contact by one of the twentieth century’s most brilliant—and neglected—science fiction and horror writers, whom Stephen King called “the best writer of science fiction that England has ever produced.”
“In my opinion, [John] Wyndham’s chef d’oeuvre . . . a graphic metaphor for the fear of unwanted pregnancies . . . I myself had a dream about a highly intelligent nonhuman baby after reading this book.”—Margaret Atwood, Slate
What if the women of a sleepy English village all became simultaneously pregnant, and the children, once born, possessed supernatural—and possibly alien—powers?
I’ve loved reading alternative visions of Britain since I read a Strontium Dog saga in ‘2000AD’ as a boy. What was science fiction then has become closer to reality now. The idea of one event, such as a meteor shower in Triffids or a virus in ‘Grass,’ causing havoc worldwide is gripping. I prefer the British stories because they are closer to home. Many of these were written close to the Second World War, and their authors describe deprivation in unflinching detail. Recent political events have turned my mind to how human actions can cause dystopian futures, as in Orwell’s 1984.
This is no cosy dystopia. I was shocked by the violence and ruthlessness of the protagonists. This is a prescient novel, written 64 years before COVID-19, about a virus that emerges from China and ravages the world. Instead of infecting humans, the virus kills all grass. Brutal decisions are made, and any sense of law and order disappears. We were a gnat’s whisker from this happening in the UK, and I was impressed with Priest’s vision. The book cracks along at a good pace, too.
A thought experiment in future-shock survivalism' Robert MacFarlane
'Gripping ... of all science fiction's apocalypses, this is one of the most haunting' Financial Times
WITH AN INTRODUCTION BY ROBERT MACFARLANE
A post-apocalyptic vision of the world pushed to the brink by famine, John Christopher's science fiction masterpiece The Death of Grass includes an introduction by Robert MacFarlane in Penguin Modern Classics.
At first the virus wiping out grass and crops is of little concern to John Custance. It has decimated Asia, causing mass starvation and riots, but Europe is safe and a counter-virus is expected any day. Except, it turns…
I have traveled almost my entire life as a US Navy Sailor and civilian, and I still am. The cities, countries, and locations are composites of places I have visited. I have been a Correctional Counselor and a Criminal Investigator in addition to other positions. My extensive travel and background provide me with a unique view of the world that I try to reflect in my stories.
This isn’t a typical murder story, but it has it all: personal dilemmas, paranormal lines, and killings wrapped around a dystopian world where good and evil are on a collision course. This is, perhaps my favorite book.
It was King’s gold standard for decades. The traveling east to west, the sages met, the people killed. Those turned against their friends. Twists galore. It is a long read, a bit over 1,100 pages. Don’t let that scare you, it is a page turner from start to finish.
Stephen King's apocalyptic vision of a world blasted by virus and tangled in an elemental struggle between good and evil remains as riveting and eerily plausible as when it was first published.
Soon to be a television series.
'THE STAND is a masterpiece' (Guardian). Set in a virus-decimated US, King's thrilling American fantasy epic, is a Classic.
First come the days of the virus. Then come the dreams.
Dark dreams that warn of the coming of the dark man. The apostate of death, his worn-down boot heels tramping the night roads. The warlord of the charnel house and Prince of…
I’ve loved reading alternative visions of Britain since I read a Strontium Dog saga in ‘2000AD’ as a boy. What was science fiction then has become closer to reality now. The idea of one event, such as a meteor shower in Triffids or a virus in ‘Grass,’ causing havoc worldwide is gripping. I prefer the British stories because they are closer to home. Many of these were written close to the Second World War, and their authors describe deprivation in unflinching detail. Recent political events have turned my mind to how human actions can cause dystopian futures, as in Orwell’s 1984.
I loved the detailed characterization of the main protagonists (including a cat) in this novel set in Gloucester. Comptom’s prose is a delight to read; it is clear, descriptive, and unobtrusive. It is rare to read about a homeless person and their struggles, especially from that time and the obvious mental illness that he suffers from. His dealings with the vending machine and the cat are humorous and touching. The novel reminded me of the Beatles song ‘Eleanor Rigby,’ with a Father Mackenzie-type vicar and a lonely female journalist. It is sad, touching, real, and a good story. I read it in a couple of sittings.
In the near future, the super-modern city of Gloucester has been transformed - completely redesigned and rebuilt to the principles of 'scientific city planning'. This gleaming city is threatened with extinction by a mysterious spore from space that brings mankind's proud structures crashing to the ground . . .
I’ve been fascinated by horror since childhood–when Scooby-Doo: Where Are You! and Doctor Who were my favorite TV shows. I specifically remember watching the Doctor Who serial, The Seeds of Doom, and the 1962 film Day of the Triffids–both about killer plants! As I finished graduate school and then took jobs in higher education, I gravitated back to horror and the gothic, which I am now fortunate enough to teach and research. I’ve written academically about all kinds of horror (most recently folk horror)–and in 2015, myself and two others founded a website, Horror Homeroom, where I write about horror for more popular audiences.
Marder’s book is a brilliant exploration of plants in a philosophical (not a botanical) sense. It’s one of the most eye-opening (and accessible) philosophy books I’ve ever read, illuminating a swathe of life on Earth I honestly had never thought much about before.
Marder writes clearly and cogently about how we’ve thought about plants and how we’ve been wrong: we’ve been blind to plants; we’ve shaped them as our absolute opposite; we’ve treated them only instrumentally, exploiting them for what they can do for us. And then he makes a real effort to think through what plants are–what vegetal being actually is. One of the most mind-blowing things, he argues, in my view, is that we are much closer to plants than we think–we have our own buried “vegetal being.”
Marder’s elaboration of plant life–and how we’ve misunderstood and abused it–is literally the theoretical scaffold of all fiction and film…
The margins of philosophy are populated by non-human, non-animal living beings, including plants. While contemporary philosophers tend to refrain from raising ontological and ethical concerns with vegetal life, Michael Marder puts this life at the forefront of the current deconstruction of metaphysics. He identifies the existential features of plant behavior and the vegetal heritage of human thought so as to affirm the potential of vegetation to resist the logic of totalization and to exceed the narrow confines of instrumentality. Reconstructing the life of plants "after metaphysics," Marder focuses on their unique temporality, freedom, and material knowledge or wisdom. In his…
As a teenager I loved the post-apocalyptic genre, especially John Wyndham and H G Wells, and as a scientist I’ve become increasingly aware of the threats to society, especially from climate change and pandemics. But it seems to me that any collapse will be gradual: yes, the weather will worsen, and the seas will rise; but those won’t happen overnight. We’re unlikely to see a pandemic that kills everyone, but we could well see a train of smaller ones. This is the world of Truth Sister: it’s changed, but we’ve had time to adapt. The books in my list have different takes on how a post-civilisation world might look. Enjoy!
This early-21st-century novel takes rising sea levels as its starting point, and tracks young Mara as she leaves her home island and heads south, towards supposed safety.
I liked that not only does Mara encounter the starving people of the Netherworld, but also the privileged elite who live in “sky cities”. The growing gap between rich and poor, powerful and powerless, has resonances for our own societies today.
The fifteenth anniversary edition of Exodus, a startling, thrilling novel set in a dystopian future ravaged by global warming
It is 2099 - and the world is gradually drowning, as mighty Arctic ice floes melt, the seas rise and land disappears forever beneath storm-tossed waves. For fifteen-year-old Mara, her family and community, huddled on the fast-disappearing island of Wing, the new century brings flight. Packed into tiny boats, a terrifying journey begins to a bizarre city that rises into the sky, built on the drowned remains of the ancient city of Glasgow. But even here there is no safety and,…
As a teenager I loved the post-apocalyptic genre, especially John Wyndham and H G Wells, and as a scientist I’ve become increasingly aware of the threats to society, especially from climate change and pandemics. But it seems to me that any collapse will be gradual: yes, the weather will worsen, and the seas will rise; but those won’t happen overnight. We’re unlikely to see a pandemic that kills everyone, but we could well see a train of smaller ones. This is the world of Truth Sister: it’s changed, but we’ve had time to adapt. The books in my list have different takes on how a post-civilisation world might look. Enjoy!
Itäranta is a Finnish author now living in the UK, and Memory of Water was nominated for several SF prizes.
This time, climate change has produced a serious scarcity of water, and the book, about how a young tea master's apprentice becomes possessed of important knowledge, touches on how people’s behaviour can become more primitive, against a backdrop of increasing military suppression. Again, its strength is its believability.
With the lyricism of Ishiguro's Never Let Me Go, and the world building brilliance of Atwood, Emmi Itaranta's effortless and poignant debut novel is a coming of age story full of emotional drama and wonderment. 'Where itaranta shines is in her understated but compelling characters' Red star review, Publishers Weekly. Some secrets demand betrayal. 'You're seventeen, and of age now, and therefore old enough to understand what I'm going to tell you,' my father said. 'This place doesn't exist.' 'I'll remember,' I told him, but didn't realise until later what kind of promise I had made. When Noria Kaitio reaches…
Alien invasion is just another form of apocalypse. The terrible truth is, our civilization and our world can end in many different ways. I think of myself as being on a life-long quest to read as many variations as possible. No matter how things end, I’m always interested in how authors portray human survival. Even when we inflict harm on ourselves, humanity always seems to be capable of bouncing back. It’s a form of optimism that I just can’t resist. I try to include some of that hope in everything I write.
This is the first collection of short stories I’ve encountered that deals specifically with the aftermath of an Earth-shattering alien invasion, dwelling mostly on what humans do in the ruins after the aliens have packed up and gone home. I hadn’t really thought about that part of an invasion story before. As difficult as rebuilding would be, I was heartened to read about the satisfaction the survivors got from reclaiming what they had lost. Now that I’ve read this, it’s an aspect of the post-apocalyptic genre that I’d like to see more of.
Humanity was unprepared for the Xanite invasion of Earth. After decades of world-wide destruction, global infrastructure crumbled and cities fell into ruin.
As the calamity unfolded, a new generation of heroes confronted an uncertain future. They came from all walks of life – some wearing camouflage, while others were garbed in food service whites. These men and women worked courageously to stem the collapse of human civilization.
It would take new thinking and new beliefs to bring about a better future and deal with the alien menace. These are some of their stories of bravery and determination.…
