Here are 50 books that Trickster's Duet fans have personally recommended once you finish the Trickster's Duet series.
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I’m passionate about strong female protagonists in YA and middle grade lit because through example, societies can change. Power dynamics can shift as young women are shown fictional ones whose strength and voice alter their lives and others. Being born in a heavily patriarchal home, I found courage and freedom through the lives of female protagonists in books, especially in series where the journey was long. Today, there are many novels working to right the scale, but here are a few of the first that captured my heart and gave me hope. One note, these works are of a specific time, and the content will reflect that period.
This book was one of my first reads where a woman disguised herself as a man to perform a traditionally male role.
Her strength and bravery were an inspiration to me as she traded places with her brother Thom. Her secret and success as a knight were aspirational. From making allies to dealing with enemies, I could revel in her battles and victories. I felt empowered to enter my own fray and fight for justice.
From Tamora Pierce, the first book in the Song of the Lioness Quartet, honored with the Margaret A. Edwards Award.
“From now on I’m Alan of Trebond, the younger twin. I’ll be a knight.”
In a time when girls are forbidden to be warriors, Alanna of Trebond wants nothing more than to be a knight of the realm of Tortall. So she finds a way to switch places with her twin brother, Thom. Disguised as a boy, Alanna begins her training as a page at the palace of King Roald. But the road to knighthood, as she discovers, is…
Hi, I’m E.C. Glynn. I love writing stories that tackle the messiness of religious societies and belief systems through a fantasy lens. What qualifies me for such an endeavour? Well, with a Master's in International Relations, a decade as a Recovering Catholic, a career as an Officer in the Army, and an unhealthy fascination with cults, I think that’s not a bad place to start for developing a nuanced and interesting perspective on the topic. I am a very picky reader and need to read books that have beautiful prose, interesting worlds, complex and convoluted concepts, and believable dialogue to enjoy my reading experience.
This book introduced me to the forced proximity/enemies-to-lovers tropes and has haunted me ever since.
The pervading mystery of the story, punctuated by strong characters and a love that has a lot of yearning behind it, made this totally unputdownable.
The world-building is incredibly creative – focusing on a benevolent dictator with authoritative and intolerant rule for anything around magic or religion. It creates a fascinating landscape for the ensuing mystery, political intrigue, and romance that follows.
In the territory of Ixia the government maintains control through the Code of Behaviour, forbidding the practice of magic, but danger lurks in mysterious places...
Imprisoned for murder Yelena Zaltana's punishment is death, until she is reprieved - for a price.
As the Commander of Ixia's food taster she will risk assassination from poison daily, a position she would be a fool to refuse... In a world where magic equals death and freedom is for the lucky few, survival is all Yelena has and the battle for her life has just…
I’ve loved epic fantasy ever since discovering The Hobbit and David Eddings as a teenager. I’ve also always loved a good old-fashioned slow burn and/or antagonistic romance. As I’ve grown (much) older, I’ve come to understand that the sweet spot for me is a perfect blend of world-building and a complex romance that makes sense in the context of that world.
The plot, intrigue, and world-building in this series opener are pitch-perfect, but I'd be lying if I didn't say it was Katsa and Po's relationship that hooked me.
I loved their individual strengths and the way they strengthen each other. I love that their relationship is unorthodox and the way it's built on equality and respect. And I love that when Bitterblue comes into their lives, it brings a new dimension to all three characters.
Discover the Graceling Realm in this unforgettable, award-winning novel from bestselling author Kristin Cashore.
A New York Times bestseller ALA Best Book for Young Adults Mythopoeic Fantasy Award for Children's Literature Winner Publishers Weekly, School Library Journal,Booklist, and BCCB Best Book of the Year
"Rageful, exhilarating, wistful in turns" (The New York Times Book Review) with "a knee weakening romance" (LA Times). Graceling is a thrilling, action-packed fantasy adventure that will resonate deeply with anyone trying to find their way in the world.
Graceling tells the story of the vulnerable-yet-strong Katsa, who is smart and beautiful and lives in the…
I’ve always been drawn to badass female protagonists in fantasy, but the femme fatale has a special place in my heart, and none more so than spies and assassins. Their weapons are a mix of daggers and subterfuge, poison, and seduction. They often straddle the line between cold-hearted villainess and righteous freedom fighter, and that complex morality can make for intriguing internal struggles that coincide nicely with their goal of dismantling corruption, which is not always black and white. Additionally, the aforementioned seduction means that they get to be unapologetically sexual (but only on their terms!). All of this went into Lily’s character.
Tess learns that she is not actually a princess but a decoy, and that the king and queen, who raised her as their child, have hidden the real princess away in a convent for her protection. It would explain why the chancellor taught her the arts of diplomacy, politics, self-defense, and subterfuge and had her build up a tolerance to poison. Despite feeling betrayed by her parents, after they are murdered by a usurper, she has to use all of her skills learned since childhood to reclaim the throne for the actual princess. While Tess is a bit bratty in the beginning (not surprising since she thinks she’s a princess), she develops into a mature (but still snarky) spy. The sequel, Princess at Sea, continues her adventure after restoring her “sister” to the throne.
The Princess Contessa of Constenopolie has just learned of her true identity-that of an orphan adopted and raised as a decoy to protect the real princess. That doesn't make Contessa less of a royal target.
As an author and a lifelong lover of books, I read all genres. My favorites are set in fantastical worlds with unique settings. The mash-up of history and fantasy is endlessly compelling to me, and I always want to see a romantic subplot (or main plot!) in the books I read. I want a happily-ever-after even when the strange world and its villains are conspiring against the main characters.
Set in the mid-1400s in France, this series starter contains action, court intrigue, romance, and assassin nuns! I read it years ago and it remains a favorite, not only for the beautiful language, but for the strong heroine, Ismae, and her journey from following the rules and doing as she’s been told, to learning how to discern right from wrong and follow the guidance of her own moral compass. This is a book I would loveto watch as a movie, not only for the action, but the costumes.
Seventeen-year-old Ismae escapes from the brutality of an arranged marriage into the sanctuary of the convent of St. Mortain, where the sisters still serve the gods of old. Here she learns that the god of Death Himself has blessed her with dangerous gifts—and a violent destiny. If she chooses to stay at the convent, she will be trained as an assassin and serve as a handmaiden to Death. To claim her new life, she must destroy the lives of others. Ismae’s most important assignment takes her straight into the high…
Both as a writer and reader, I adore stories of fantasy and magic. The thing is, these stories have what I call a “price of admission,” which is the time and effort it takes to learn the world of the story in order to immerse yourself in it. That's one reason I am passionate about reading series books: they welcome me back to a world I already love and understand. Speaking as a writer, multiple volumes allow me to make the world I've created richer and deeper with each new book. A new book in a beloved series feels like catching up with an old friend, whether you're reading or writing.
Despite my love for fantasy, I had grown tired of stories set in a generic Europe of the Middle Ages. So when I discovered this book, I was delighted to find that it drew on something entirely different: a re-imagined “crossroads of the world” based on the Byzantine Empire.
It felt entirely fresh to be immersed in this fertile place and time that had such an impact on world history but that had been largely ignored in most modern fantasy. I was further intrigued by the intricate forms of magic Pierce developed for her four mages-in-training–distinct and carefully designed things such as thread magic and plant magic that were unlike any I had read before.
I’m passionate about strong female protagonists in YA and middle grade lit because through example, societies can change. Power dynamics can shift as young women are shown fictional ones whose strength and voice alter their lives and others. Being born in a heavily patriarchal home, I found courage and freedom through the lives of female protagonists in books, especially in series where the journey was long. Today, there are many novels working to right the scale, but here are a few of the first that captured my heart and gave me hope. One note, these works are of a specific time, and the content will reflect that period.
Patricia Wrede’s Dealing With Dragons empowered me to subvert societal roles which are not to my preference.
The fact Princess Cimorene could eschew her given position and become a dragon’s princess, rather than princess to a prince, was incredibly novel. At the time, it was as surprising as the future reveal, eleven years later, of Fiona to Shrek.
Cimorene’s characteristics of being immensely capable and clever, with a refusal to suffer fools, are qualities I continue to admire and aim to cultivate within myself.
Meet Princess Cimorene-a princess who refuses to be proper. She is everything a princess is not supposed to be: headstrong, tomboyish, smart . . . and bored. So bored that she runs away to live with a dragon. And not just any dragon, but Kazul-one of the most powerful and dangerous dragons around. With a new look and new introduction from the author, this story is sure to acquire a new generation of fans. AGES: 10-13 AUTHOR: Patricia C. Wrede has written many novels, including all four books in the Enchanted Forest Chronicles as well as 'Sorcery and Cecilia', 'The…
I write and read fantasy that doesn’t play safe—where magic is messy, divine, rotten, or reborn in mud. I’m obsessed with stories that walk barefoot through forgotten folklore, eerie townships, and mythic detours. The Fallow Swallow grew from this exact craving: for fantasy that’s personal, poetic, and just a little unwell. I gravitate toward tales that embrace magical realism, morally grey characters, and dark humour—and these books helped shape my voice as a writer.
This was one of the first books that showed me fantasy could be bold and heretical.
The world was so rich—daemons, armored bears, oppressive religions—and Lyra felt like a character who’d been waiting to burst off the page for centuries. It’s a coming-of-age tale wrapped in cosmic questions and rebellion, and it sparked something in me that’s never gone out.
Philip Pullman invites you into a dazzling world where souls walk beside their humans as animal companions and powerful forces clash over the nature of the universe.
When fearless young Lyra uncovers a sinister plot involving kidnapped children and a mysterious substance called Dust, she sets out on a daring quest from Oxford to the frozen Arctic. With armored bears, witch queens, and a truth-telling compass as her allies, Lyra must face choices that will shape not just her destiny—but that of countless worlds. A thrilling blend of adventure, philosophy, and wonder, perfect for curious minds.
I grew up on fairy tales and folklore in the Appalachian Mountains. Stories of adventure and dusty fairy tale books in my grandmother’s attic were my entertainment. The library trips we took “into town” added to my reading. I discovered that the step from fairy tales to classics wasn’t as wide as folks argue. Years later, when I went off to college, I became an English major, then a graduate student, and then started teaching literature at college. From childhood to adulthood, magic and fiction were my life... which led to selling a book of my own. Over the last 17 years, I’ve been writing fantasy.
Childhood me, adult me, mommy me, writer me, all version of me wanted adventure—and swords. Her books were treasured enough in my home that my (now-adult) daughter and I bothhad to buy replacement copies over the years.
I read Tammy Pierce’s books with my daughter in the years before I was published, never knowing that years later, I’d be teaching sword fighting and chatting with Tammy herself about swords and books.
This recommendation is listing the one book, but it’s part of a whole set of connected series books.
This was our entry into a world of strong adventurous women, and honestly, I’m not sure I’d have ended up a writer if not for her writing.
Kel will not allow this first test to be her last. Her adventure begins in the New York Times bestselling series from the fantasy author who is a legend herself: TAMORA PIERCE.
Keladry of Mindelan is the first girl who dares to take advantage of a new rule in Tortall—one that allows females to train for knighthood. After years in the Yamani Islands, she knows that women can be warriors, and now that she’s returned home, Kel is determined to achieve her goal. She believes she is ready for the traditional hazing and grueling schedule of a page. But…
I’m passionate about strong female protagonists in YA and middle grade lit because through example, societies can change. Power dynamics can shift as young women are shown fictional ones whose strength and voice alter their lives and others. Being born in a heavily patriarchal home, I found courage and freedom through the lives of female protagonists in books, especially in series where the journey was long. Today, there are many novels working to right the scale, but here are a few of the first that captured my heart and gave me hope. One note, these works are of a specific time, and the content will reflect that period.
The Pit Dragon Chronicles have haunted me since they were first written by Jane Yolen.
Her arid setting of Austar IV was so unfamiliar to my lived experience. Now, when I travel through deserts, her characters and dragons are easy to imagine in the hot sands. I can envision the quests of Akki and Jakkin to free the oppressed and communicate with dragons.
That drive to connect with a creature has made my own life rich, whether with a cat, a dog, or a bird. I’m sure the series’ early example of friendship working to alter societal systems encouraged my own current attempts in protesting, voting, and writing for change.
