Here are 31 books that The Thunder and Lightning fans have personally recommended once you finish the The Thunder and Lightning series.
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Ever since high school, I've been passionate about societies, communities, and institutions that allow true prosperity to emerge—in one fashion or another. This thread runs through all my writing—both fiction and nonfiction. And what I’ve found is that a sense of well-being can wear many social guises.
I built this list because portraying worlds worth living in appeals to me endlessly more than immersing in bleak ones.
I felt awe-struck stepping into Gaea’s hollow world—where zeppelin-sized blimps glide through a sky inside the giant, planet-like being, and forests and rivers hang overhead. Gaea feels both grand and intimate: cathedral-scale biology paired with tavern-table camaraderie.
And then there are the titanides. Their society feels hand-tooled—full of music and unpretentious sensuality. No posturing, no greed, just beings who live in balance. The centaur-like titanides dwell beneath a colossal tree hung with lanterns… and it all feels alien and warm and cozy and wonderful.
After watching the moon landings as a child, I've long wondered when humans would visit a world beyond the moon and what that would be like. This led me to explore novels that imagine space travel. What's more, I pursued a career in astronomy so I could do my part to explore worlds beyond the Earth. Exploring the solar system and worlds beyond our solar system raises many questions. Some are practical, like how do we get there? Some involve what we'll learn and how the experience of visiting these worlds will change us. The books I recommend explore these themes from several different perspectives.
Verne's novel about a journey to the moon appeared in 1867, over a century before the first real moon shot. Despite that, Verne gets many details about a trip the moon right, such as the first ship to the moon having a three-man crew, the ship would be built out of aluminum, and the need to launch from a site between 28 degrees north and south latitude. More to the point, he explains why these aspects are important. Verne also knew the limitations of his knowledge. He didn't know how to accomplish a moon launch, but he took advantage of that lapse to satirize America and its love of guns. Verne's novel still stands up as a book ahead of its time.
Unabridged version translated by Louis Mercier with 80 black and white illustrations and the original cover. Includes the sequel A Trip Round It
A beautiful edition with 80 images from the 1874 English edition. Use Amazon's Lookinside feature to compare this edition with others. You'll be impressed by the differences. Don't be fooled by other versions that have no illustrations or contain very small print. Reading our edition will make you feel that you are traveling to the moon yourself. If you like our book, be sure to leave a review!
Growing up, books weren’t just something I read—they were portals to futures filled with wonder, adventure, and possibility. There was something captivating about science fiction in particular: it was more than just space battles and shiny gadgets. It was about what the future could be—our potential, our challenges, and how we might navigate the unknown. Looking back, a few books and authors had a lasting impact on me, not just as a reader but as a writer. I’ll walk you through five that really stood out and shaped the way I see the world and, ultimately, likely inspired my series.
I love this book for its poetic, dreamlike quality. Bradbury’s writing pulled me in and didn’t let go, painting a picture of Mars that was both beautiful and tragic. As a pre-teen and a teen, in my imagination, I had red dust stuck to my feet, and I was there with the characters. What captivated me was the way the stories felt timeless—each one was like a snapshot of a moment layered with meaning.
I felt like I wasn’t just reading a book about colonizing Mars; I was exploring humanity’s deepest fears, hopes, and regrets. We have companies only today working on getting to Mars, I feel so upset that I know I will likely never set foot on those dusty red shores, but I am thrilled to know it may still happen for others.
Bradbury’s work made me think about the consequences of exploration—how, in our quest to conquer…
The Martian Chronicles, a seminal work in Ray Bradbury's career, whose extraordinary power and imagination remain undimmed by time's passage, is available from Simon & Schuster for the first time.
In The Martian Chronicles, Ray Bradbury, America’s preeminent storyteller, imagines a place of hope, dreams, and metaphor— of crystal pillars and fossil seas—where a fine dust settles on the great empty cities of a vanished, devastated civilization. Earthmen conquer Mars and then are conquered by it, lulled by dangerous lies of comfort and familiarity, and enchanted by the lingering glamour of an ancient, mysterious native race. In this classic work…
As a graduate in computer science and electronics, I have had a successful career in the tech sector. I am interested in writing about the pattern of evolution that manifests in both humanity and machines. My books are based on science and contemplate the long history of human spirituality and how the two must someday converge.
The classic of classics, 2001: A Space Odyssey, offers a setting that could well be a reality in just a few years. The story begins long ago when alien intelligence leaves a marker for the apes that inhabit the Earth. The only problem is this marker is on the moon. But when humans are finally smart enough to discover it, it sends a signal to Jupiter. One of the inferences in the sequels to 2001 is that the alien intelligence itself is artificial—the product of a race that has delegated control and development of the galaxy to machines.
To pursue man's destiny, the mission to Jupiter must be placed in the care of the HAL 9000 computer. HAL is presented as the perfect mimic of human emotions and the ideal caretaker of its human cargo. But to carry out its mission, HAL must do something it can't. It must…
Written when landing on the moon was still a dream, and made into one of the most influential films of all time, 2001: A SPACE ODYSSEY remains a classic work of science fiction fifty years after its original publication.
The discovery of a black monolith on the moon leads to a manned expedition deep into the solar system, in the hope of establishing contact with an alien intelligence. Yet long before the crew can reach their destination, the voyage descends into disaster . . .
Brilliant, compulsive and prophetic, Arthur C. Clarke's timeless novel tackles the enduring theme of mankind's…
Since childhood, I have been obsessed with understanding everything — science and the universe. Now, in this age of the JWST and a burgeoning space industry, I do sub-quantum mechanics research at an international physics think-tank, The Quantum Bicycle Society. My own hard sci-fi novel is intended to help publicize these scientific advances, as well as the behavioral psychology concepts that are the subject of my next nonfiction book, The Animal In The Mirror. The books on this list represent the foundation of inspiration that propelled my formative sci-fi journey, stories that also shine the light of insight onto our shared, instinctive nature.
This is my favorite hard sci-fi classic. I love the beautiful mix of real science (wormholes excepted), compelling story, and characters, and it touches on both first contact and the way in which human nature might cause us to react to it. That is the power combo, in my opinion!
The movie of the book was very good — Robert Zemeckis is a brilliant director — although it left out some fantastic details that, as a math and science fan, I really loved! (I won’t spoil it here; it’s too good.)
Ever since high school, I've been passionate about societies, communities, and institutions that allow true prosperity to emerge—in one fashion or another. This thread runs through all my writing—both fiction and nonfiction. And what I’ve found is that a sense of well-being can wear many social guises.
I built this list because portraying worlds worth living in appeals to me endlessly more than immersing in bleak ones.
The medieval Polish backwoods community feels startlingly alive—crude, superstitious, and the rest of it.
The Okoits, and later Conrad’s people, are rough villagers who drink, farm, and then get up the next day and do it again. At the same time, their sense of being part of a genuine community is unmistakable.
Frankowski doesn’t just portray a functional medieval society in an alternate timeline; his engineer protagonist builds one, bolt by bolt. There’s this no-nonsense optimism coursing through the story: the conviction that one can literally make a better world equipped with nothing but grit, crudely smelted iron, and the guts to try.
What stuck with me is how this villager society absorbs innovation in a matter-of-fact manner. It’s messy, uneven, and wildly productive. You don’t have to co-sign every norm of its community to be impressed by how solidly it holds together.
Accidentally plunged back in time to Poland in the year 1231, Conrad Schwartz is determined to build up the country before the Mongol invasion that will come ten years later
Ever since high school, I've been passionate about societies, communities, and institutions that allow true prosperity to emerge—in one fashion or another. This thread runs through all my writing—both fiction and nonfiction. And what I’ve found is that a sense of well-being can wear many social guises.
I built this list because portraying worlds worth living in appeals to me endlessly more than immersing in bleak ones.
Mammoths grazing outside the protagonist’s dwelling—yeah, that was love at first sight.
And the lived-in environment? Homes carved into colossal, cultivated trees, and people served by public, stackable electric vehicles—yes, please. The land thrives, and no species has been driven to oblivion.
Sawyer’s parallel-Earth Neanderthals truly appealed to me: the emotional restraint, the honesty, the structural elegance of their culture. Even their norms around maintaining a sustainable population are handled with startling clarity—seasonal, communal parenting.
No prisons, no poverty, no religion weaponized into hierarchy. Life runs on calm confidence, as if evolution took a gentler branch, and society—as it’d scaled up—managed to keep its soul.
Robert J. Sawyer, the award-winning and bestselling writer, hits the peak of his powers in Humans, the second book of The Neanderthal Parallax, his trilogy about our world and parallel one in which it was the Homo sapiens who died out and the Neanderthals who became the dominant intelligent species. This powerful idea allows Sawyer to examine some of the deeply rooted assumptions of contemporary human civilization dramatically, by confronting us with another civilization, just as morally valid, that has made other choices. In Humans, Neanderthal physicist Ponter Boddit, a character you will never forget, returns to our world and…
In the summer of 1999, the second book in JK Rowling’s Harry Potter series (The Chamber of Secrets) was published. It seemed that everyone was reading it–kids, young adults and grownups. More than that though, kids were getting excited about reading, maybe for the first time. Parents were reading it with their kids. The excitement they shared was inspiring. I thought Rowling had achieved something remarkable–something worthwhile–for a writer of fiction. It compelled me to change the story I was working on–a rather violent, edgy tale–into a book for young adults.
I love a book that makes me laugh. But if I immediately feel guilty or disturbed for laughing, if the story makes me re-examine my values page after page, that is a home run.
This – the first of the Dancers at the End of Time series of books and short stories – had me pondering the boundaries of scientific reality as well as right versus wrong while also being galactically entertained.
The (objectively awful) main characters are time- and space-hopping immortals. Virtually all-powerful, they can change their own appearance and environment at will. When one of them decides to experiment with the concept of Love…everything, and nothing, starts to change.
A vicious, delicious satire of unchecked indulgence that tests the bounds of good taste.
Reading was my one true refuge in a childhood marked by uncertainty and chaos, which was also my gateway to writing; I wanted to create the kinds of stories that also saved me, and I found the novel to be my form. Fortunately, I grew up a feral GenXer in Northern California in the 70s and 80s, before computers and video games were handheld, with plenty of time to dream. I was drawn to fierce and outspoken characters, girls and women standing up against powerful forces, and parallel or alternate realities where bad guys are beaten. I hope you’ll find power and inspiration in the badass protagonist of these books!
I guess we have a theme because this second book is also a story in which a woman discovers unusual powers and must use them to outsmart a cunning man who seeks to dominate her. It’s hard not to be taken by protagonist Anyanwu, who learns to navigate her shapeshifting and mindreading abilities, not for ill intent.
Yet, like many stories of powerful women, she ultimately must use her wiles and intelligence to play the long game against her foe. It’s full of gripping plot, harrowing scenarios, beautiful writing, and a powerful protagonist you won’t ever forget.
I took an introduction to philosophy class in college and the professor showed us how to think about thinking. Can you know something if it’s actually untrue? Can people in a universe with an omniscient god who knows what they’re going to do have free will? Are there universal principles of justice, or is justice based on circumstances? The class changed my taste in reading. I’d read science fiction and fantasy since I was a child, but after this class, I looked for fiction that made my brain hurt but also told a wonderful story. I try hard to meet this standard in my own fiction.
I actually got to read this book before it was published because Jessica Freely was in my writer's group.
I fell in love with the characters and was thrilled whenever we got a new chapter. The plot twists and turns, and the finale is nail-biting suspense with mind-altering twists along the way.
It’s a book I wish I had written. Jessica passed away last year, but this novel is a powerful legacy.
It sucks being the son of a super villain. At home, Harry spends half of his time getting medical treatments and the other half tied up in his father's underwater lair. It was different when his mother was alive, but she disappeared when Harry was six. He can't seem to stay out of trouble at school, and his new roommate, Antonin, thinks he's a spaz, but somehow Harry has to find a way to stop his father's evil plans. Antonin Karganilla wants to become a comic book artist, but other than that, being gay is the most normal thing about…
