Here are 4 books that The Secret War Trilogy fans have personally recommended once you finish the The Secret War Trilogy series.
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Looking at photographs after my father died, when still living in Spain, I reflected on what life had been like for young men of the WWII generation. This sparked the start of my Peter Cotton series. Living abroad for so long, having more than one language and culture, gives people dual perspective, a shifting identity, which is something that fascinates me—and makes Cotton ideal prey for recruiting as an intelligence agent. I also wanted to explore the complex factors in the shifting allegiances after WW2, when your allies were often your worst enemy. All these are themes that recur in the books chosen here.
I read Eric Amber when I was young, and again when I was invited to take part in Andrew Marr’s BBC4 documentary Sleuths, Spies and Sorcerers.
Ambler’s books have no heroes or jingoism. He revolutionized spy fiction by injecting realism. He portrays the chaos of Europe in the 1930s, with people trying to survive without papers. In Epitaph for a Spy, Josef Vadassy, a Hungarian refugee, has become stateless after the Treaty of Trianon. In France, he is arrested for spying because of a mix-up with camera film. He is told to find the real spy or be deported, which could mean death. He is left with no choice but to become a spy.
Ambler said that he wanted to write “credible and literate spy fiction.” He amply succeeded in this.
Josef Vadassy, a Hungarian refugee and language teacher living in France, is enjoying his first break for years in a small hotel on the Riviera. But when he takes his holiday photographs to be developed at a local chemists, he suddenly finds himself mistaken for a Gestapo agent and a charge of espionage is levelled at him. To prove himself innocent to the French police, he must discover which one of his fellow guests at his pension is the real spy. As he desperately tries to uncover the true culprit's identity, Vadassy must risk his job, his safety and everything…
While a graduate student and then an army interpreter in Germany, I listened to reminiscences from both Third Reich military veterans and former French resistance fighters. Their tales picked up where my father's stories of pre-war European life always ended, and my fascination with this history knew no bounds. On occasion I would conceal my American identity and mentally play the spy as I traversed Europe solo.A dozen years later upon the death of my father, I learned from my mother his great secret: he had concealed his wartime life as an American spy inside the Reich. His private journals telling of bravery and intrigue inspire each of my novels.
As the first in his series of novels on the 1930sin Europe, Alan Furst's Night Soldiertends to earn the most critical praise, but Dark Starremains my personal favorite. Furst masters the noir ambiance and moral ambiguity of Europe as war approaches, where everyday people are drawn into the world of espionage and intrigue. His settings often lie outside the main urban centers of Paris and Berlin in the remote reaches of Eastern Europe. Furst's novels are impeccably researched for accurate detail-one of my must-haves in historical fiction-and each book will draw you to read the next in his series.
Andre Szara, survivor of the Polish pogroms and the Russian civil wars, is a journalist working for Pravda in 1937. War in Europe is already underway and Szara is co-opted to join the NKVD, the Soviet secret intelligence agency. He does his best to survive the tango of pre-war politics by calmly obeying orders and keeping his nose clean. But when he is sent to retrieve a battered briefcase the plot thickens and is drawn into even more complex intrigues.
Szara becomes a full-time spymaster and as deputy director of a Paris network, he finds his own star rising when…
I believe many writers suspect they are Strangers in a Strange Land. How ironic that I, a confirmed atheist, should use a biblical quote to describe the mindset of authors. Some discover where they belong through their writing. My book recommendations have a strong sense of place, whether it be the Old West, wartime Berlin, or modern-day Scotland. I was born into a 300-year-old N. Ireland Protestant Plantation family, yet many people saw us as interlopers: we weren’t quite Irish, and we weren’t quite British, yet we held dual passports. It was not until I left Ireland that I realized my Irish Heritage exerted a stronger pull than my British.
One of the best explanations I’ve read of the rise of Fascism in Hitler’s Germany. I agree that ignoring the lessons of history means we’ll be forced to endure repetition. And Kerr paints such a chilling scenario no one in their right mind would wish the maxim to come true. His prose applies color and form like an artist at the top of their game.
At times I found him reminiscent of Chandler in the way he portrays the Nazis as the worst gangsters in the game. This is the first book of the Bernard Gunther series, and I was so enthralled that I raced through the others in just a few days. His storyline is filled with horror, passion, fear, and pathos—a tour de force of emotions.
Discover the first crime novel in the late Philip Kerr's Bernie Gunther series - Berlin Noir - set in Hitler's Germany during the 1930s . . .
Winter, 1936. A man and his wife shot dead in their bed, their home burned. The woman's father, a millionaire industrialist, wants justice - and the priceless diamonds that disappeared along with his daughter's life. He turns to Bernhard Gunther, a private eye and former cop.
As Bernie follows the trail into the very heart of Nazi Germany, he's forced to confront a horrifying conspiracy. A trail that ends in the hell that…
You’ve got to root for the underdog, right? And there’s no bigger underdog than fictional villains. While real-life criminals are doing very nicely, thank you very much, in fiction, the bad guy is screwed from the start. What could be more relatable than knowing on a bone-deep, existential level that you’ve already lost? And what could be more heroic than stepping out onto the field of play knowing that no matter how hard you play, you’re still going down? Keep your flawed anti-heroes; they’re just too chicken to go over to the losing side. I’ll cheer for the doomed bad guy every single time.
Everyone loves a bastard, and Pinkie, the hero of Brighton Rock, is such an awful bastard. He doesn’t like his friends, hates his girlfriend, and is driven by a pathetically brittle ego that can never be satisfied. But it’s the fact he’s so hopelessly trapped in the prison of his own angry, petty horizons that makes me love him. I love a doomed character.
When an author can make you know, it’s all going to end badly and still make you hope it won’t? That’s magic. I love it when I’m reading books that I can feel playing with my emotions but I’m enjoying it so much I don’t care. Pinkie is a bastard, and he sort of knows it, when it comes to the crunch, and he goes out like a coward, I can’t help but wish he’d managed to pull it off.
Pinkie Brown, a neurotic teenage gangster wielding a razor blade and a bottle of sulfuric acid, commits a brutal murder - but it does not go unnoticed. Rose, a naive young waitress at a rundown cafe, has the unwitting power to destroy his crucial alibi, and Ida Arnold, a woman bursting with easy certainties about what is right and wrong, has made it her mission to bring about justice and redemption.
Set among the seaside amusements and dilapidated boarding houses of Brighton's pre-war underworld, Brighton Rock by Graham Greene is both a gritty thriller and a study of a soul…
