Here are 41 books that The Roman Britain Trilogy fans have personally recommended once you finish the The Roman Britain Trilogy series.
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Ever since spending a year on a Fulbright teaching grant on the island of Cyprus, where Aphrodite arose from the seafoam, I’ve been enticed by the Greek mythic world, a fascination that began much earlier with reading Edith Hamilton’s Mythology. Subsequent trips to Greek islands, museums, and archeological sites enhanced those ancient resonances, as did Mother Goddess studies and Ovid’s Metamorphoses. Recent writing residencies at Cyprus College of Art and on Evia island immersed me in the Greek atmosphere and mythos as I edited Serpent Visions. My career was spent as a community college teacher, where my courses included ‘World Literature, Homer to Dante,’ and Shakespeare, another keen interest.
Although this is not Mary Renault’s first novel set in Bronze Age Greece, it’s a classic.
She retells the story of Theseus in his own words, but not as a simple hero tale. Set long before the Trojan War, much takes place in Minoan Crete where Theseus performs his first heroic act.
Renault depicts the advanced Minoan culture and Mother Goddess religion intriguingly and gives fresh interpretations, from the character of Theseus himself to the Minotaur in the Labyrinth and what follows.
First read while I was a college student (not for a class), this book inspired me to one day create my own mythic retelling.
Theseus is the grandson of the King of Troizen, but his paternity is shrouded in mystery - can he really be the son of the god Poseidon? When he discovers his father's sword beneath a rock, his mother must reveal his true identity: Theseus is the son of Aegeus, King of Athens, and is his only heir. So begins Theseus's perilous journey to his father's palace to claim his birth right, escaping bandits and ritual king sacrifice in Eleusis, to slaying the Minotaur in Crete. Renault reimagines the Theseus myth, creating an original, exciting story.
I’m fascinated by stories from the past. I worked for many years in museums and heritage, telling Scotland’s stories through exhibitions and nonfiction publications, but I was always drawn to the question best answered through historical fiction – what did that feel like? Well-researched historical fiction can take us right into the lives of people who lived through the dramatic events we read about in academic books. I found that each of the novels on my list transported me to a different time and place, and I hope you enjoy them, too.
I picked up this book from the shelf of a holiday cottage and was hooked immediately. I love books which interweave personal human stories with big events.
The ordinary loves and lives of the people of Pompeii are unfolding as the mountain above them begins to behave strangely. Of course, we, the readers, know the disaster that is about to occur, which only adds to the suspense. Unputdownable.
'A stunning novel . . . the subtlety and power of its construction holds our attention to the end' The Times
During a sweltering week in late August, as Rome's richest citizens relax in their villas around Pompeii and Herculaneum, there are ominous warnings that something is going wrong. Wells and springs are failing, a man has disappeared, and now the greatest aqueduct in the world - the mighty Aqua Augusta - has suddenly ceased to flow . . .
Through the eyes of four characters - a young engineer, an adolescent girl, a corrupt…
I have read adventure, crime, and thriller books all my life. Reading is a huge relaxation for me and a good novel will transport me from the stresses and strains of daily life into another place in my head. A place where I feel involved with the characters and the environment, a place where I can imagine I could be. A good storyteller is different from a crime writer. They take the reader on a journey that might be through history or different continents. A journey that the reader wants to travel as well. I try to emulate this in my writing.
This trilogy by Robert Harris includes his bestselling novels Imperium, Lustrum, and Dictator and takes the reader through the life and times of Rome and the Roman statesman, lawyer, and scholar—Marcus Cicero.
I found these books to give a fascinating view into the period of the history of late BC. I think they provide a spellbinding insight into a history that most have only read about in textbooks—brought alive in Richard Harris’s inimitable style.
Cicero is shown as the brilliant politician that modern-day imitators would be proud of.
When Tiro, the confidential secretary of a Roman senator, opens the door to a terrified stranger on a cold November morning, he sets in motion a chain of events which will eventually propel his master into one of the most famous courtroom dramas in history.
The stranger is a Sicilian, a victim of the island's corrupt Roman governor, Verres. The senator is Cicero, a brilliant young lawyer and spellbinding orator, determined to attain imperium - supreme power in the state.
This is the starting-point of Robert Harris's most accomplished novel to date. Compellingly written in Tiro's voice, it takes us…
I’ve always been fascinated by history, and when I dreamed of being an author, imagined I’d write historical fiction. However, it took many writing detours to arrive there. (Nim’s Island, by the way, has no basis in historical fact!). When I first imagined the story that led to the Minoan Wings trilogy, I fell in love with researching this era, which is particularly intriguing because there are virtually no written records. Visiting the ruins of a four-thousand-year-old town on Crete under the guidance of an archaeologist who had not only excavated there but had become passionately involved with my imaginary characters, was an absolute highlight of my life.
I fell in love with the irrepressible Pagan as soon as I read this book. It’s difficult to imagine that life with the Knights Templar at the time of the Crusades was highly amusing – but despite the wealth of knowledge and detail that informs this book, it is wry and sometimes laugh-out-loud funny. Who wouldn’t love Pagan’s favorite curse: "Christ in a cream cheese sauce’?"
Wham! So here I am, standing in a sea of dirt, with a big mad Templar lobbing rocks at my head. Wham! Like some kind of martyr. Wham! He throws like a catapult.'All right, Pagan, that's enough.' (I should damn well think so.) 'Do you see what your problem is?'Wait - don't tell me. You are.It's twelfth-century Jerusalem, the time of the Crusades. Shrewd and scrappy Pagan has been plucked from the streets to work for Lord Roland, a Templar knight. Set against a background of mounting tension as Saladin's infidels close in on the Holy City, Pagan's Crusade is…
I’ve always been fascinated by history, and when I dreamed of being an author, imagined I’d write historical fiction. However, it took many writing detours to arrive there. (Nim’s Island, by the way, has no basis in historical fact!). When I first imagined the story that led to the Minoan Wings trilogy, I fell in love with researching this era, which is particularly intriguing because there are virtually no written records. Visiting the ruins of a four-thousand-year-old town on Crete under the guidance of an archaeologist who had not only excavated there but had become passionately involved with my imaginary characters, was an absolute highlight of my life.
This is a picture book, but not for very young children. The quiet, almost understated text and art add to the power of the story: a small boy’s experience of coal mining in Nova Scotia in the 1950s. (Though it wasn’t written till 2017). Reading it as an adult, and despite having lived in Nova Scotia as a teenager, I was completely rocked and almost disorientated as I began to grasp the reality of it. I’m not sure which aspect I found more disturbing – imagining the men in the long dark tunnels under the sea, or the boy’s complete acceptance that he would follow this way of life in his turn.
While a young boy enjoys a summer's day, his thoughts constantly return to his father, who is digging for coal deep under the sea.
"An atmospheric, haunting story" - The Bookseller
Stunning illustrations by Sydney Smith, the award-winning illustrator of Footpath Flowers, show the striking contrast between a sparkling seaside day and the darkness underground where the miners dig. This beautifully understated and haunting story brings a piece of mining history to life. The ever-present ocean and inevitable pattern of life in a mining town will enthral children and move adult readers, as a young boy wakes up to the…
I’ve always been fascinated by history, and when I dreamed of being an author, imagined I’d write historical fiction. However, it took many writing detours to arrive there. (Nim’s Island, by the way, has no basis in historical fact!). When I first imagined the story that led to the Minoan Wings trilogy, I fell in love with researching this era, which is particularly intriguing because there are virtually no written records. Visiting the ruins of a four-thousand-year-old town on Crete under the guidance of an archaeologist who had not only excavated there but had become passionately involved with my imaginary characters, was an absolute highlight of my life.
I still smile when I think of all the Little House on the Prairie books, though this was my favorite. The dramas may be small, but they feel real, and the wealth of small, skillfully woven details brings the characters and their world to life so that we can still relate to them, no matter how different our present-day world may be.
Classic tales by Laura Ingalls Wilder about life on the frontier and America's best-loved pioneer family.
After all their travelling, from the Big Woods and the Prairie, the Ingalls family have found a place to settle Plum Creek. Now Mary and Laura can go to school as there's a town close by. But how will they settle in such a busy place after the wild lands in which they've grown up?
The timeless stories that inspired a TV series can now be read by a new generation of children. Readers who loved Anne of Green Gables, Little Women, and Heidi…
I’m an Australian author passionate about history. Alas, not Australian history. That would make my life so much easier. As a child, I loved tales of ancient Greece. That love took me in two directions—Ancient Egypt and Ancient Rome—Ancient Rome introduced me to Roman Britain, and the Roman Britain novels of Rosemary Sutcliff. My love of history probably explains why a childhood friend gave me a child’s book of English history for my tenth birthday. One of the book’s chapters told the story of Elizabeth I. As she wont to do in her own times, Elizabeth hooked me, keeping me captured ever since, and enslaved to writing and learning more about Tudors.
Sutcliff’s characters and stories are always believable—and show her amazing gift to always make her research invisible to the reader. All her works feed from actual history. She weaves a fragment or story from the past into a rich tapestry of the human experience and makes history live again. This tale shows her skills perfectly. Sutcliff uses as her source Y Gododdin, a period poem, to frame the construction of this coming-of-age story. Sutcliff takes the torch of the poem’s attempt to keep alive the memory of men who fought and died in a sixth-century British battle, comparable to that of the Battle of Thermopylae, to relight it through the eyes of Prosper, Sutcliff imagined British shield bearer. A witness to and one of the few to survive this unwinnable battle, Prosper sings a tale of The Shining Company who sacrificed their lives so others could live.
'I saw riders with black eyesockets in glimmering mail where their faces should have been, grey wolfskins catching a bloom of light from the mist and the moon; a shining company indeed, not quite mortal-seeming.' Many years after King Arthur defeated the Saxons, the tribes of Britain are again threatened by invaders. Prosper and his loyal bondsman, Conn, answer the call of King Mynydogg to join a highly skilled army - the Shining Company. Led by the gallant Prince Gorthyrn, the company embark on a perilous but glorious campaign. An epic tale of battles and bravery from the acclaimed historical…
I’m an Australian author passionate about history. Alas, not Australian history. That would make my life so much easier. As a child, I loved tales of ancient Greece. That love took me in two directions—Ancient Egypt and Ancient Rome—Ancient Rome introduced me to Roman Britain, and the Roman Britain novels of Rosemary Sutcliff. My love of history probably explains why a childhood friend gave me a child’s book of English history for my tenth birthday. One of the book’s chapters told the story of Elizabeth I. As she wont to do in her own times, Elizabeth hooked me, keeping me captured ever since, and enslaved to writing and learning more about Tudors.
From her earliest years, Sutcliff knew firsthand what it was to live with and surmount painful disability. She understood what it was to be ‘the other’—to be looking from the outside on those able to live ‘normal’ lives. It is not surprising then that many of her stories include main characters who powerfully prove you do not need to be able-bodied to triumph over life. Set in the British Bronze age, this novel is one of those stories. Dem wants to take his place as a warrior of his tribe but must kill a wolf single-handedly to claim his warrior’s scarlet cloak. How can kill his wolf when he was born with a withered arm? With great sensitivity, skill, and prose often close to poetry, Sutcliff brings the Bronze age and its people alive in this wonderfully told story.
Drem longs for the day he will win his Warrior Scarlet. But with a withered spear arm, how will he take part in the ritual Wolf Slaying which will prove his worth as a man of the tribe?
With over forty books to her credit, Rosemary Sutcliff is now universally considered one of the finest writers of historical novels for children. Winer of the Carnegie Medal and many other honours, Rosemary was awarded a CBE in 1992 for services to children's literature.
I’m an Australian author passionate about history. Alas, not Australian history. That would make my life so much easier. As a child, I loved tales of ancient Greece. That love took me in two directions—Ancient Egypt and Ancient Rome—Ancient Rome introduced me to Roman Britain, and the Roman Britain novels of Rosemary Sutcliff. My love of history probably explains why a childhood friend gave me a child’s book of English history for my tenth birthday. One of the book’s chapters told the story of Elizabeth I. As she wont to do in her own times, Elizabeth hooked me, keeping me captured ever since, and enslaved to writing and learning more about Tudors.
This novel reminds the reader that humans have carried certain truths from the dawn of time. It tells the story of Phaedrus, a slave from birth. When he gains his wooden-foil of freedom in the gladiatorial arena, he finds his life suddenly empty, and without purpose. This results in him agreeing to assume another’s identity. Not simply ‘another’s identity’ but to become a ‘king’ of the Dal Riada people of Scotland. Phaedrus, to his surprise, discovers leadership gives his life true purpose, friendship, and love. But the time comes when he must show himself worthy of the Mark of the Horse Lord. Beautifully told, the novel speaks of how sacredness and self-sacrifice intertwine for those who truly rule.
'Take my place, Phaedrus, and with it, take my vengeance . . .'
Phaedrus the gladiator wins his freedom after years of bloody battles in the arena. Soon he finds himself riding north towards the wilds of Caledonia on a strange mission. He is to assume the identity of Midir, Lord of the Horse People, to seek vengeance against the treacherous Liadhan, who has usurped the throne.
Ahead of him lies more adventure and more danger than he had ever known in the arena . . .
When I was very young, in our tiny hamlet on the Canadian prairies, I recall riding with other children in the Dominion Day parade. Each child was given a little flag to wave, but even then I noticed that while half were given the old dominion flag, the other half were waving the Union Jack. I couldn’t put it into words then, naturally, but later I recognized it as a feeling of being part of something grand – something far larger than myself or even my own country. Those were the dying days of the Empire and the world has moved on, but a fascination for our history lingers to this day.
Forester is the perfect author for a young reader of Historical Fiction, pertaining to the Royal Navy during the Napoleonic Wars in particular. The action is so riveting you’ll swear you can hear the crash of the broadsides, and the defiant growls of the salty tars as they weigh into the enemy with cold steel. However, his real gift is his knowledge of those stately old square-riggers in which Horatio Hornblower sailed. Indeed, I was so engrossed, that by the time I finished the series, I felt that I had a working knowledge of them from stem to stern.
Called "as gripping and realistic a sea tale as you are likely to run across" by the New York Times, C. S. Forester's Beat to Quarters finds Hornblower faced with a near-impossible mission off the coast of Nicaragua. June 1808, somewhere west of Nicaragua -- a site suitable for spectacular sea battles. The Admiralty has ordered Captain Horatio Hornblower, now in command of the thirty-six-gun HMS Lydia, to form an alliance against the Spanish colonial government with an insane Spanish landowner; to find a water route across the Central American isthmus; and "to take, sink, burn or destroy" the fifty-gun…
