9 books like The List

The cover drew me in but I loved the worldbuilding in this book, both in the premise of what happened to our world (toxic oceans, anyone?) but also how characters now need to live and survive. And with great rising tension and twists, this was a book that left me reading much later in the night than I should have! 

I was drawn in by the 4 main characters – even when I wanted to slap them, I still wanted to know what was going to happen to them. And the way the society was set up really tore at my sense of ethics – a great thing to have in a dystopian book, I think…how does the new society sit with you?

I’m a sucker for a good opening and this book intrigued me from the beginning. Kelly does a great job in building the tension and setting her world up in the seemingly normal reactions of her characters and it was this that kept me reading. Even though the main character is only 14, and it’s targeted at young adults, I still enjoyed it as an adult. It does some great cli-fi storytelling without being preachy, which is great! 

Set in a world where there’s water everywhere from the rising sea levels, but fresh water is a much-needed commodity, I loved that this story was about family. There’s a lovely mix of characters who are still kind – still human – and those that are out for survival and control, which kept me wanting to read to see if the main character, Baz, would find his family again. And I loved that there were places I recognised – it’s always nice to have those ‘I’ve been there!’ moments. 

Talk about crazy experiments! Maze Runner is an epic quest combined with a nod to those who love solving puzzles on steroids. This is truly an end-of-the-world scenario, or I surely hope it is. While I can see some mad scientists excited about such an experiment today, it is still frowned upon. Thank goodness. But Maze Runner explores “science” gone rogue.

Indifference again plays a central role in the plot as those outside the experiment use a variety of psychological warfare techniques to keep the participants engaged in the game. The reader feels sorry for them having to overcome everything that’s thrown at them or die. I loved how the group of teens had to work together to figure out what was going on and then face the difficulty of extracting themselves from the maze. Ultimately, I loved that friendship and working together triumphed at the end of the day.

Fellow musician Rhiannon Giddens is the author of Build a House, a tender story about a banjo-playing little girl and her musical and resilient family.

As the descendent of formerly enslaved Afro-Carolinian banjo and fiddle-playing musicians, Giddens gives readers a unique glimpse into the history of North Carolina and lots of inspiration for the future! Did I mention she's also a Grammy winner and MacArthur Genius Grant recipient?

Patricia Forde is one of the stars of Irish writing, and this magical book was always meant to inspire a song. It’s the story of Fia, who longs to visit the mythical island of Hy Brasil, and finally reaches it by walking across a moonbeam. Her adventures with creatures, real and legendary, are realised in glowing illustrations by Nicola Bernardelli. The book was commissioned by Galway 2020 European Capital of Culture with versions in Irish and in English. Local composer Anna Mullarkey wrote a song to accompany it. Story, song, and pictures combine to show how a child’s imagination becomes part of the enchantment of a special place: “Fia felt the pull of magic in the air / and the pull of her own strong heart.”

Galway-based writer Kate Thompson heard the Scottish folk song "Annan Water" in her local pub. It tells of a doomed rider who crosses a flooded river to meet his Annie. Thompson fills out the sparse narrative into a modern setting, and makes the ballad a character in her story when Michael is haunted by the words: "And woe betide you, Annan Water / By night you are a gloomy river." She harnesses its resonance, harness being apt as the story centres around Michael's horse-dealing family as well as his attraction to another Annie. There is tragedy in the story, as in the ballad—Thompson believes children should not be protected from death. Certainly children brought up on ballads, as I was, face sisters killing sisters, hangings, and, of course, drownings.

“Wise old man, can you help me please? My house is a squash and a squeeze!” Julia Donaldson is a songwriter turned picture-book writer who acknowledges that her song skills have been key to her successful books. She’s an inspiration to slow starters everywhere: this, her first book, was published in 1993, 18 years after she wrote the song for a BBC children’s programme! It’s a boisterous retelling of an eastern European folktale, where an old woman, who complains that her house is too small, is advised to take in some animals. When she lets them all out again, the house feels huge! Donaldson has recorded many of her songs on CDs such as The Gruffalo Song and Other Songs. But her first “song” book is my favourite! 

In 1961, American illustrator Peter Spier won a Caldecott Honor for his version of this ancient song, and in 2014 he revisited his book, turning the black and white illustrations into glorious colour. As a scholar of ballads, I’m thrilled by their persistent popularity. The first evidence of “The Fox” is in a manuscript in the British Library from the second half of the fifteenth century, with its chorus—“Pax vobis, quoth the fox, for I am going to the town.” It’s clearly the same song, just missing the ‘o’ after town. What’s the attraction? Besides Spier’s shimmering double spreads of Americana, there’s tight storytelling with great visual details, a tune, a chorus, and a hero’s journey with a happy ending—for Fox and his family, at least!