Here are 4 books that The Lena Szarka Mysteries fans have personally recommended once you finish the The Lena Szarka Mysteries series.
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I’m a writer of cosy crimes and unapologetic in my love for the genre! There’s nothing better, in my opinion than a well-thumbed Agatha Christie or a foxed, old copy of Dorothy L Sayers. And it’s the role of the amateur sleuth that I love the best; that happy accident that brings a person with a sharp mind and perhaps a particular skill set together with a murderous villain, and we, the lucky reader, get to ride alongside them and work out the mystery for ourselves. Pour that tea, snuggle up and settle in with these five brilliant examples of amateur sleuths with just something a little different to offer…
I have to admit I saw the cover of this book and was smitten… then I discovered what makes this crime novel and its amateur sleuth a little bit different. Josephine Tey revisits the scene of a death at Charleston Farmhouse in 1915, and now, twenty years later, she realises that it might have been more sinister than ‘just’ an accident—and she, who was there at the time, might be implicated in the murder herself. Josephine Tey, as well as being the book’s protagonist, was also the real-life pen name of Elizabeth MacKintosh, who wrote eight murder mysteries as Tey. That Upson has so cleverly fictionalised the real-life Tey is what makes this book, and the others in the series, so different—brilliantly so, in my opinion.
** Longlisted for the CWA Sapere Books Historial Dagger 2020 **
'Haunting . . . Superlative.' Sunday Times Crime Book of the Month
'A terrific novel.' A. N. Wilson
Summer, 1915: a young woman falls to her death at Charleston Farmhouse on the Sussex Downs. But was it an accident?
Twenty years later, Josephine Tey is faced with the accusation that it was murder, and that she was complicit in the crime. Can she clear her name and uncover the truth, exposing the darkest secrets of that apparently idyllic summer?
My fascination with crime fiction has come from reading about it. I have no idea how many novels I have read focused on baddies and the catching of them, but it’s numbering now in the many hundreds. I think the fact that a crime novel can incorporate elements of all other genres – horror, history, romance, the supernatural, etc. are what make them so appealing and add to the joy of writing them. Untangling the threads that make up a crime novel is very satisfying. Maybe in another reality, I would be a detective – I love that idea, but for now, in this bit of the multiverse, I’ll just carry on making them up.
Another series. I really enjoy getting to know characters and look forward to watching them develop over the time that I read about them. Bryant and May are so very unusual. Quirky, and a little bit mad, it has to be said, as are the whole of the Peculiar Crime Unit. The back stories are expertly woven into the narrative and the detail and relating of little-known facts about London are absolutely fascinating. Again I have read the whole series, though as these two elderly detectives grow older and more frail I found them harder to read, but this book – the first in the series was a delight.
When a bomb devastates the office of London's most unusual police unit and claims the life of its oldest detective, Arthur Bryant, his surviving partner John May searches for clues to the bomber's identity. His search takes him back to the day the detectives first met as young men in 1940.
In Blitz-ravaged London, a beautiful dancer rehearsing for a sexy, sinister production of 'Orpheus In The Underworld' is found without her feet. Bryant & May's investigation plunges them into a bizarre gothic mystery, where a faceless man stalks terrified actors and death strikes in darkness. Tracking their quarry through…
I was born in Coatbridge, in the West of Scotland, more years ago than I care to remember. I recently took the big step of moving east to Edinburgh, by way of Birmingham, London, Lagos, Nigeria, Chicago, Pittsburgh, and New York: a necessary detour because traffic on the direct route is really, really bad. I’m a graduate of Birmingham University and Harvard Law School, and work in the field of counter-terrorist financing, which sounds way cooler than it is. Basically, I write emails, fill in forms, and use spreadsheets to help choke off the money supply that builds weapons of mass destruction, narcotics empires, and human trafficking networks. And sometimes I write murder mysteries.
Agatha Christie meets Groundhog Day meets Rashomon in this country house murder mystery where the narrator is as much a puzzle as the murder itself. The narrator lurches into the novel as a witness to a killing so dreadful they’ve lost their memory. Then awakes the next morning to live the same day again as a different character with a different viewpoint: a bizarre twist that repeats itself until we have, as the title suggests, seven different versions of what happened, and enough information, finally, to get to the “truth.” Come for the strange, mind-bending trip, leave with a beautifully constructed conclusion.
WINNER OF THE COSTA FIRST NOVEL AWARD WINNER OF THE BOOKS ARE MY BAG NOVEL AWARD A WATERSTONES THRILLER OF THE MONTH SHORTLISTED FOR THE SPECSAVERS NATIONAL BOOK AWARDS SHORTLISTED FOR THE BRITISH BOOK AWARDS DEBUT OF THE YEAR LONGLISTED FOR THE THEAKSTON OLD PECULIER CRIME NOVEL OF THE YEAR
Gosford Park meets Groundhog Day by way of Agatha Christie and Black Mirror - the most inventive story you'll read
Tonight, Evelyn Hardcastle will be killed ... Again
It is meant to be a celebration but it ends in tragedy. As fireworks…
Of course, every mystery needs a perfect crime, but what about the perfect setting? I’m fascinated by how authors manipulate time and place to add to the heightened emotions of their murders, thefts, blackmail, and frauds. It’s the juxtaposition of truth and fantasy—what we believe times were like and how they actually were—that makes setting such an essential detail of every whodunnit. Doing research on my own novel, I wrenched apart the facts and fictions of Post-War America, and grew even more ravenous for mysteries that leveraged their settings for the utmost entertainment.
Try as I might, I can’t get into Marple. But T.E. Kinsey’s Lady Hardcastle series, beginning with the debut A Quiet Life in The Country turns the cozy genre on its head. In this case, the dithering, older busybody is Lady Emily Hardcastle, with her trusty ladies’ maid, Florence Armstrong. As the book and series progress, we find that neither woman is quite the helpless Edwardian female the neighbors believe. Come for the murder mystery and stay for the… knife throwing?
Lady Emily Hardcastle is an eccentric widow with a secret past. Florence Armstrong, her maid and confidante, is an expert in martial arts. The year is 1908 and they've just moved from London to the country, hoping for a quiet life.
But it is not long before Lady Hardcastle is forced out of her self-imposed retirement. There's a dead body in the woods, and the police are on the wrong scent. Lady Hardcastle makes some enquiries of her own, and it seems she knows a surprising amount about crime investigation...
As Lady Hardcastle and Flo delve deeper into rural rivalries…
