Here are 9 books that The Innocents Mystery Series fans have personally recommended once you finish the The Innocents Mystery Series series.
Book DNA is a community of authors and super-readers sharing their favorite books with the world.
I’ve been a lover of historical mysteries ever since I realized it’s possible to read mystery fiction and learn history at the same time. Every time I pick up a mystery set in the past, whether it’s the ancient past, the more recent past, or somewhere in between, I know I’m going to be intrigued and challenged by a great story and come away with a greater understanding of the people, culture, customs, and events of that time period. It’s a win-win. I write historical mysteries because I want to share with readers what I’ve learned about a particular time or place in a way that’s compelling and engaging.
I picked up this book because I loved the cover (who says we don’t choose books by their covers?) and shortly thereafter found myself completely immersed in a 17th-century English Restoration mystery. I would visit that era in my time machine provided it’s fully stocked with soap and hand sanitizer (this time period being the one during which the Great Plague took place).
Main character Lucy Campion is a chambermaid in the home of a London magistrate. Her days are filled with the drudgery of servant duties—that is, until a murder claims the life of a servant in the household and someone Lucy holds dear is accused of the crime. Knowing that person can’t possibly be the killer, Lucy sets out to find out whodunit. I don’t want to give away any spoilers, so I’ll stop there.
I learned more about 1660s England reading this book than I ever did…
In Susanna Calkins's atmospheric debut novel, a chambermaid must uncover a murderer in seventeenth-century plague-ridden LondonFor Lucy Campion, a seventeenth-century English chambermaid serving in the household of the local magistrate, life is an endless repetition of polishing pewter, emptying chamber pots, and dealing with other household chores until a fellow servant is ruthlessly killed, and someone she loves is wrongly arrested for the crime. In a time where the accused are presumed guilty until proven innocent, lawyers aren't permitted to defend their clients, and--if the plague doesn't kill them first--public executions draw a large crowd of spectators, Lucy knows she…
I’ve been a lover of historical mysteries ever since I realized it’s possible to read mystery fiction and learn history at the same time. Every time I pick up a mystery set in the past, whether it’s the ancient past, the more recent past, or somewhere in between, I know I’m going to be intrigued and challenged by a great story and come away with a greater understanding of the people, culture, customs, and events of that time period. It’s a win-win. I write historical mysteries because I want to share with readers what I’ve learned about a particular time or place in a way that’s compelling and engaging.
I tell anyone who will listen that I am not a fan of anything paranormal, but this series has me hooked. I think Summoning the Winds is the first book I ever read about witches (Hamletdoesn't count), and I loved it. In a nutshell, the series takes the notion of witch trials and turns it on its head with tales of real witches in colonial Connecticut of the 1660s (where, in my time machine, I would view the events in this story from a safe distance).
Yarrow Pickering, the main character and an eighteen-year-old orphan, is spunky and smart. She’s also a witch. She uses her abilities for good and, like her mother, is skilled at creating herbal remedies for illnesses and injuries suffered by the people in the village of Milthorpe. When she attempts to help a young girl who has become ill, the girl’s father becomes…
Witches have been hunted, tried, and executed for centuries. The Colonies are not immune to the fear of sorcery. In the Spring of 1660, the small Connecticut village of Milthorpe abruptly finds itself in the throes of a witch scare. Yarrow Pickering, the village herbal woman and proprietor of the Lanthorne Ordinary struggles to prove an accused woman is innocent but becomes ensnared in the witch hunt. Yarrow can't be sure if her relationship with the Magistrate’s son will harm or help her against her most strident opponents. The trials are beginning...but this time, what will happen when one of…
Most stories about murder in the Victorian era are set in London. Not all the best mysteries, however, take place there as I have discovered as a long-time reviewer for City Book Review. Some are; some are not. In my own writing, the setting must complement and even amplify the murderous doings being depicted. With this in mind, let me take you on a deadly country-wide tour of mystery, with each of our five stops brightened or darkened by one of my favorite murder stories. Each of them engaged me, mystified me, and, above all, entertained me.
Our next stop is Essex for a classic English village mystery. I knew from the moment I read the opening scene—the grisly discovery of a young man entombed in the crypt of the usually murder-free parish church—that I was going to love the story. And I did.
I was delighted to see how the tranquility of the pastoral scenes—the thatched-roof cottages, the earthy smell of horses in the stable, the square, Norman-style church tower overlooking the village green—carried through the story and beautifully counterpointed the skullduggery at the heart of the mystery.
The quaint village atmosphere heightens the tension in this well-constructed first installment of what promises to be an exciting new mystery series.
When the body of a young man is found stuffed into the tomb of a medieval knight, Parish Constable Daniel Haze is tasked with investigating his first solo murder case. Suspicion instantly falls on the only stranger to arrive in the village of Birch Hill just before the crime took place, but the American captain proves to be an unexpected asset. A former soldier and a skilled surgeon, Jason Redmond is not only willing to assist Haze with the investigation but will risk his own safety to apprehend the killer.With no suspects, no motive, and few leads to follow, Redmond…
I’ve always been drawn to stories where women defy expectations and carve out power in a world that seeks to silence them. As a writer of historical mysteries, I love exploring unconventional heroines—women who take risks, uncover secrets, and refuse to conform. The best mysteries blend atmosphere, intelligence, and a touch of rebellion, and I seek out books that do just that. Whether it’s a detective disguising her true identity or a woman outwitting society’s constraints, these stories inspire me. My book was born from this passion, and I hope readers who love fiercely independent heroines and richly layered mysteries will enjoy this list as much as I do.
This book is everything I love—an atmospheric setting, a fiercely independent heroine, and a slow-burning partnership filled with tension and intrigue. Charlotte Sloane’s sharp wit and refusal to conform had me hooked from the start.
I devoured this book in a single weekend, completely absorbed in the richly drawn world of Regency London and the dark secrets lurking beneath its surface. I love mysteries that blend history, strong characters, and intricate plotting, and this one delivered all of that and more.
In Regency London, an unconventional scientist and a fearless female artist form an unlikely alliance to expose a cold-hearted killer . . .
The Earl of Wrexford possesses a brilliant scientific mind, but boredom and pride lead him to reckless behavior. So when pompous, pious Reverend Josiah Holworthy publicly condemns him for debauchery, Wrexford unsheathes his rapier-sharp wit and strikes back. As their war of words escalates, London’s most popular satirical cartoonist, A.J. Quill, skewers them both. But then the clergyman is found slain in a church—his face burned by chemicals, his throat slashed ear to ear—and Wrexford finds himself…
I write historical mysteries, and developed an interest in early forensics when I was a police officer. I have worked in private industry, as a civilian police worker, and in a department connected to the Home Office. Historical mysteries particularly appeal to me as they present a different, and very specific, challenge. There’s no lab to process evidence, and everything needs to be double-checked for anachronisms, even down to the colour of light from gas lamps in different areas. Extensive research acted as the foundation for developing the characters in The Innocents Mystery Series. I like my mysteries twisty, complex, and intricate; through a fog of history and a touch of light humour.
This is exactly the kind of book I find fascinating, with real-life historical mysteries being explored and researched using cutting-edge scientific methodologies. It covers so many aspects of forensics, from facial reconstruction to DNA. If you are the kind of person who loves seeing famous people from history analysed for poisons, seeing mummies facing the same medical problems as we do, and wonder if a skull found in an attic belongs to a king, then this is the book for you.
Did Richard the Lionheart really die from just a crossbow wound, or was there foul play? Who are the two infant children buried in Tutankhamen's tomb? Could a skull found in a tax collector's attic be the long-lost head of Henri IV? In When Science Sheds Light on History, Philippe Charlier, the "Indiana Jones of the graveyards," travels the globe with his forensics team to unravel these and other historic mysteries. To get answers, Charlier looks for clues in medical records, death masks, fingerprints, and bloodstains. He even enlists the help of perfume experts to smell and identify embalming materials.…
I write historical mysteries, and developed an interest in early forensics when I was a police officer. I have worked in private industry, as a civilian police worker, and in a department connected to the Home Office. Historical mysteries particularly appeal to me as they present a different, and very specific, challenge. There’s no lab to process evidence, and everything needs to be double-checked for anachronisms, even down to the colour of light from gas lamps in different areas. Extensive research acted as the foundation for developing the characters in The Innocents Mystery Series. I like my mysteries twisty, complex, and intricate; through a fog of history and a touch of light humour.
Anyone who has been involved in the investigation of crime will tell you that establishing the time of the offence is vital. It’s always been surprisingly hard in the case of murder. This well-written book takes the reader through the advances and pitfalls in estimating the time of death accurately. It’s a superb work, full of scientific detail, and fascinating details which make this book a must for every crime writer.
When detectives come upon a murder victim, there's one thing they want to know above all else: When did the victim die? The answer can narrow a group of suspects, make or break an alibi, even assign a name to an unidentified body. But outside the fictional world of murder mysteries, time-of-death determinations have remained infamously elusive, bedeviling criminal investigators throughout history. Armed with an array of high-tech devices and tests, the world's best forensic pathologists are doing their best to shift the balance, but as Jessica Snyder Sachs demonstrates so eloquently in Corpse, this is a case in which…
I was frustrated by stories of gilded-age women who floundered around and were pitied because of the limitations society put on them. I thought the heroine of House of Mirth was not heroine but a loser. It seemed to me there must be other women out there who weren’t just sitting around bemoaning their predicament. Since I’m a mystery writer I was especially pleased to find some women who were out there doing things, even in criminology. Finding Frances Glessner Lee was the icing on the cake when I learned that she is known as the Mother of Forensic Science. Had to be great stories there.
The Nutshell Studies are now located in Maryland at the medical examiner’s office.
Goldfarb worked there and his book provides information on how Frances Glessner Lee became involved in the work of her brother’s old friend Dr. George Meredith Magrath who was medical examiner in Boston (Suffolk County).
His work demonstrated the need for a technically proficient medical examiner system to replace the old coroner system and for police detectives to be trained to deal with a crime scene. Called Legal Medicine at the time, this was the beginning of forensics as we know it now.
It’s fascinating how one woman used her money and influence to establish training for law enforcement officials even after her mentor Dr. Magrath died.
A captivating blend of history, women in science, and true crime, 18 Tiny Deaths tells the story of how one woman changed the face of forensics forever.
Frances Glessner Lee, born a socialite to a wealthy and influential Chicago family in the 1870s, was never meant to have a career, let alone one steeped in death and depravity.
Yet she developed a fascination with the investigation of violent crimes, and made it her life's work. Best known for creating the Nutshell Studies of Unexplained Death, a series of dollhouses that appear charming―until you notice the macabre little details: an overturned…
I write historical mysteries, and developed an interest in early forensics when I was a police officer. I have worked in private industry, as a civilian police worker, and in a department connected to the Home Office. Historical mysteries particularly appeal to me as they present a different, and very specific, challenge. There’s no lab to process evidence, and everything needs to be double-checked for anachronisms, even down to the colour of light from gas lamps in different areas. Extensive research acted as the foundation for developing the characters in The Innocents Mystery Series. I like my mysteries twisty, complex, and intricate; through a fog of history and a touch of light humour.
For any fans of vintage murder mysteries this book is a must-read. This is a thorough examination of the poisons used by Agatha Christie, giving details of the availability, interactions with the human body, how toxins can be detected now, and at the time the books were written. As a reader or a writer, this book will make murder by poison less of a mystery, and more of a trail of clues.
Shortlisted for the BMA Book Awards and Macavity Awards 2016
Fourteen novels. Fourteen poisons. Just because it's fiction doesn't mean it's all made-up ...
Agatha Christie revelled in the use of poison to kill off unfortunate victims in her books; indeed, she employed it more than any other murder method, with the poison itself often being a central part of the novel. Her choice of deadly substances was far from random - the characteristics of each often provide vital clues to the discovery of the murderer. With gunshots or stabbings the cause of death is obvious, but this is not…
I write historical mysteries, and developed an interest in early forensics when I was a police officer. I have worked in private industry, as a civilian police worker, and in a department connected to the Home Office. Historical mysteries particularly appeal to me as they present a different, and very specific, challenge. There’s no lab to process evidence, and everything needs to be double-checked for anachronisms, even down to the colour of light from gas lamps in different areas. Extensive research acted as the foundation for developing the characters in The Innocents Mystery Series. I like my mysteries twisty, complex, and intricate; through a fog of history and a touch of light humour.
Europe was at the forefront of the revolution in forensic science in the 19th century. Way ahead of the UK, and decades ahead of the USA. While most of the pioneers were doctors, Gross was a lawyer. He made the language of the law more accessible. Written over a hundred-and-fifty years ago as a textbook, the style will appeal more to the academic reader and researcher of historical forensics. The Kindle version hasn’t been transcribed well, but is a fascinating window on the past nevertheless.
This Indian and Colonial edition, while omitting some portions of the original which would be of no use to the practical worker, for example, the slang words of Bohemian gipsies, thus contains much new and interesting matter, the better to adapt the book for India and the Colonies, and also to bring the last German edition of 1904 thoroughly up to date. These new passages, derived from the writings of specialists, the latest criminal intelligence, and the somewhat extensive experience of the adap tors as criminal lawyers, are interwoven with the text.
