Here are 34 books that The Harwood Spellbook fans have personally recommended once you finish the The Harwood Spellbook series.
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I love reading and writing and I have always loved science fiction and myths and legends. I read my first fantasy when I was around 23, Stephen Donaldson’s Lord Foul’s Bane. I know some people hate that series, but to me, the world he created was so real, so full of interesting things. At that time, I had not read Lord of the Rings so I didn’t realise how closely the world building was to Tolkien. I need to bond with my characters and feel their journey, cry at the end if it is sad, and think about them well after I have finished the story.
A great voice, an interesting take on fantasy, a non-white hero and heroine, rich mix of traditional fable and myth, and lots of Austeneque language. This story also takes on colonialism. I loved this book so much. It was a delight from start to finish and I’ve gone on to read other books by this author and I went to a coffee talk at the World SF Convention in Dublin. I was so thrilled to meet her.
One of NPR's 50 Favorite Sci-Fi and Fantasy Books of the Past Decade
Magic and mayhem clash with the British elite in this whimsical and sparkling debut.
The Royal Society of Unnatural Philosophers maintains the magic within His Majesty’s lands. But lately, the once proper institute has fallen into disgrace, naming an altogether unsuitable gentleman as their Sorcerer Royal and allowing England’s stores of magic to bleed dry. At least they haven’t stooped so low as to allow women to practice what is obviously a man’s profession…
At his wit’s end, Zacharias Wythe, Sorcerer Royal of the Unnatural Philosophers, ventures…
I write romantic fantasy set in twisted versions of the United States because half of me wishes magic were real. (The wiser half thinks that would be a disaster.) Typical contents of my books: banter, antagonist love interests, dramatically billowing coats, twisty plots, and oppressive systems in need of taking down... by bantering antagonists in magnificent coats. I consume books like they’re as necessary as food—and aren’t they, really?
What if a society blessed one form of magic use while all but criminalizing the other? Marnie Becker was born a witch in this world, which puts her forever at the margins. She tries to stay (mostly) out of trouble—until it finds her in a big way.
I absolutely love that magic here has a scent, from a hint of maple syrup to a reek of burnt meat. And that her love interest, Bran, declares, “You are never more beautiful to me than when you fix my math.” And that Marnie starts to believe she could help change her country for the better.
A Recipe for Disaster: Malicious Magic, Shifting Political Powers, and a Forbidden Love
Marnie is a gifted witch—but magic has a mind of its own. Left unrestrained, it will always misbehave. When a demonic curse threatens Lord Bran, a man she’s loved since childhood, Marnie uses her abilities to save him.
After years of suppressing their feelings—knowing the relationship is prohibited by the Church of the Cloth—the two succumb to their passion. Her growing power triggers a dangerous political war—and their relationship is doomed before it begins.
Now the couple must decide whether to keep their love a secret or…
I’m a Black woman who writes stories about Black girls who aren’t all that nice. And, to me, that means writing stories where Black girls are at the forefront of their stories and given the space to be whoever they are, wholly and without minimizing their character to make them fit into neat boxes next to others. I do this because being able to take up space as you are is, oftentimes, a privilege. And I want to make sure the stories I write offer that space to every reader who picks up one of my books.
This book is the reason I write fantasy. It shaped me in integral ways by showing me a Black woman who was both magic and loved, who altered the course of an entire kingdom—an entire world.
The writing is incredible, the story has so many layers to it, and from start to finish it’s an incredible story. It’s one of the few books I wish could read for the first time again.
Orphaned and alone, Jasminda lives in a land where cold whispers of invasion and war linger on the wind. Jasminda herself is an outcast in her homeland of Elsira, where her gift of Earthsong is feared. When ruthless soldiers seek refuge in her isolated cabin, they bring with them a captive - an injured spy who threatens to steal her heart.
Jack's mission behind enemy lines to prove that the Mantle between Elsira and Lagamiri is about to fall nearly cost him his life, but he is saved by the healing Song of a mysterious young woman. Now he must…
I’ve been reading fantasy since before I could read (thanks, Mom and Dad!). I certainly never outgrew my love of fairy tales. But over the years, I discovered I also love historical romance. Then, I stumbled across books that combined the two. They were the best of both worlds. The comfort of a well-fitted waistcoat with the whimsy of an enchanted jewel. Naturally, I gravitated to writing what I loved: books full of magic and manners, castles and balls, romance and intrigue.
I fell in love with the world-building in this series. Perhaps because the main setting itself is a character. Having an estate with a mind of its own (or at least a consciousness that doesn’t understand human propriety) makes for extra fun.
The slow-burn romance in the series kept me addicted because of how it highlighted the deliciousness of mixing magic and manners—in this case, the conflict between the fae making their presence known and human society trying to cope. Oh, and did I mention how many times I laughed while reading?
The Lord of Stariel is dead. Long live the Lord of Stariel. Whoever that is.
Everyone knows who the magical estate will choose for its next ruler. Or do they?
Will it be the lord’s eldest son, who he despised?
His favourite nephew, with the strongest magical land-sense?
His scandalous daughter, who ran away from home years ago to study illusion?
Hetta knows it won’t be her, and she’s glad of it. Returning home for her father’s funeral, all Hetta has to do is survive the family drama and avoid entanglements with irritatingly attractive local men until the Choosing. Then…
I have always loved fantasy worlds and romantic stories, but in recent years I’ve found it harder to read stories with extreme violence or trauma. When I started writing fiction, I planned to write a fantasy romance with a kingdom and a battle, but I couldn’t do it—my characters organized a nonviolent revolution and formed a democratic system of governance instead. I reconsidered and decided to write what I call cozy fantasy romances. So many types of romance novels could be set in a fantasy world, such as an office romance or road trip comedy. I’ve been searching for these types of romance novels—fun, lighthearted romances set in a fantasy world—and am slowly finding them.
This series is set in a magical land that’s hidden and protected from the rest of the world. It’s filled with delightful villages that have festivals and games, where the locals work at their craft and then drink beer at the tavern in the evening—basically, the exact place I would design to live in.
In Brewed in Magic, Lilia is a brewer who travels the countryside with her mobile tavern. On the way to a festival, she camps out with another traveler and they hit it off—until he disappears in the morning. Turns out he has rushed to beat her to the festival and steal her spot with his own mobile tavern. They continue to spar but must team up when all the beer disappears.
That’s right: the level of conflict in this story is “if we can’t find the beer, the festival will be ruined.”
Lilia has always had a wanderer's heart. She spends her days on the road with her famous Traveling Tavern and only a dragon to keep her company. Despite longing for a deeper connection, she knows she's destined to wander the world alone.
When she meets a handsome stranger on her journey to the winter festival, she finally feels she's found a kindred spirit...until he vanishes in the early morning without so much as a goodbye.
Turns out, he rushed ahead to reach the festival first with his own traveling tavern. One he never mentioned. Now her would-be companion is her…
I have always loved fantasy worlds and romantic stories, but in recent years I’ve found it harder to read stories with extreme violence or trauma. When I started writing fiction, I planned to write a fantasy romance with a kingdom and a battle, but I couldn’t do it—my characters organized a nonviolent revolution and formed a democratic system of governance instead. I reconsidered and decided to write what I call cozy fantasy romances. So many types of romance novels could be set in a fantasy world, such as an office romance or road trip comedy. I’ve been searching for these types of romance novels—fun, lighthearted romances set in a fantasy world—and am slowly finding them.
This is an adorable love story between a nerdy queen with magical powers who wants to be left alone in her laboratory to work on spells to protect her people, and a passive archduke who’s been used as a pawn by his in-laws.
The queen hides behind a persona of being evil, such that even the archduke’s in-laws won’t mess with her. When the archduke finally escapes his home, he decides to go to her castle and beg for help—only she mistakes him for the dark wizard she advertised for and hires him to organize her library.
Most of the book is a comforting time spent in the castle as the couple try to keep their secrets and prepare for a final showdown. The story has enough action to be interesting without any stress.
Wooing the Witch Queen by Stephanie Burgis is the start of a delightful, funny and seductive romantasy trilogy, set in a gaslamp-lit world where hags and ogres lurk in thick pine forests and genteel court intrigues can turn deadly . . .
'This is a warm and lovely story with a big heart' - Sangu Mandanna, bestselling author of The Very Secret Society of Irregular Witches
Queen Saskia is the wicked sorceress everyone fears. After successfully wrestling the throne from her evil uncle, she only wants one thing: to keep her people safe from the empire next door. For that,…
I grew up an avid reader of children’s and YA fantasy, which is how I discovered the subgenre of Regency fantasy. When I stumbled across Wrede and Stevermer’s work in libraries and used bookstores, I absolutely loved it. As an adult, I enjoyed exploring the Regency romances of older authors like Georgette Heyer and Marion Chesney as well as more recent Regency writers. But when I began writing romance myself, I went back to the fantasies that were my first introduction to the Regency era. My Regency novels are primarily romance, with just a pinch of magic, but I hope both romantasy fans and historical romance readers can enjoy them.
Alexis Hall is the most well-known author on this list, and this sapphic Regency fantasy will not disappoint readers who like a Byronic love interest.
I loved the way the novel is narrated by the very opinionated Robin Goodfellow (aka “Puck”), who has been kicked out of the fairy court. Robin describes how Maelys Mitchelmore’s social life becomes complicated when an unknown ill-wisher curses her.
A chance encounter introduces her to the dark, brooding, and attractive Lady Georgianna Landrake, who helps Maelys discover and defeat her adversary. But Lady Georgianna suffers from her own family curse, and magical forces nearly tear the two lovers apart.
It takes courage, wisdom, and the help of Maelys’ friends to free Lady Georgianna and allow love to triumph.
'A lovely, pitch-perfect romance, with an alternate Regency setting that is well developed and has tremendous charm... Part historical, part fantasy, all top-notch queer romance' KIRKUS REVIEWS (starred review)
'A fresh and delightful addition to the queer romance canon... All the interpersonal drama of Jane Austen meets all the complex treachery of Greek mythology' PUBLISHERS WEEKLY (starred review)
'Whimsically wonderful, witty writing that evokes Jane Austen and Oscar Wilde... An effervescent, genre-blurring romantic confection' BOOKLIST
It is the year 1814 and Miss Maelys Mitchelmore finds her entry into the highest society of Bath hindered by an irritating curse. It begins…
I grew up an avid reader of children’s and YA fantasy, which is how I discovered the subgenre of Regency fantasy. When I stumbled across Wrede and Stevermer’s work in libraries and used bookstores, I absolutely loved it. As an adult, I enjoyed exploring the Regency romances of older authors like Georgette Heyer and Marion Chesney as well as more recent Regency writers. But when I began writing romance myself, I went back to the fantasies that were my first introduction to the Regency era. My Regency novels are primarily romance, with just a pinch of magic, but I hope both romantasy fans and historical romance readers can enjoy them.
Fans of monster romance should check out this low-heat novella, which begins when protagonist Mary Clegg runs away from home to escape an unwanted marriage.
A detour through the forest gets her thoroughly lost, but not to worry: she conveniently encounters a handsome young centaur. He’s supposed to be surveying the land, but he’s just as lost as Mary, and the forest seems to be working magic of some sort to keep them together overnight. In addition to the forced proximity trope, there’s a bit of class difference at play, because centaurs are not considered genteel.
Quenby Olson’s gift for a witty turn-of-phrase is on point here, and I loved that the book was short enough to enjoy in a single setting.
No, correction: Miss Mary Clegg does not want to marry someone who lacks such important features as wit, intelligence, and a fine jawline. So what other option is there for her but to run away from home?
It's a simple enough plan, to begin with. But a shortcut through a magic forest (well, she didn't know it was magic at the time) and a chance meeting with an exasperating centaur provide a plethora of complications.
And what about love? Well, that might be the most challenging complication of all.
I grew up an avid reader of children’s and YA fantasy, which is how I discovered the subgenre of Regency fantasy. When I stumbled across Wrede and Stevermer’s work in libraries and used bookstores, I absolutely loved it. As an adult, I enjoyed exploring the Regency romances of older authors like Georgette Heyer and Marion Chesney as well as more recent Regency writers. But when I began writing romance myself, I went back to the fantasies that were my first introduction to the Regency era. My Regency novels are primarily romance, with just a pinch of magic, but I hope both romantasy fans and historical romance readers can enjoy them.
This is the second of Stephanie Burgis’s Regency Dragons books, but in my opinion, it can stand on its own.
The protagonist and viewpoint character, Rose Tregarth, is slowly emerging out of a fog of depression caused by the loss of her parents. She now lives with loving and somewhat eccentric cousins in Wales. Part of the charm of the book comes from the diverse cast of secondary characters, which includes a sapphic couple, a young girl with an anxiety disorder, and a young woman of color.
As an autistic reader, I very much appreciate that Rose’s love interest, a renowned dragon scholar, is coded as autistic, because it’s difficult to find good autistic representation in historical romance. Dragon fans take note: the book abounds with adorable miniature dragons with magical powers!
A madcap Regency-era romantic comedy involving a most determined heroine, a baffled scholarly hero, and a surprising number of dragons.
Rose Tregarth may have been invited into her uncle's remote home in the heart of Wales as an act of kindness to a poor relation, but it doesn't take her long to realise that her newly-met family members are in need of all the help they can get. Between mysteriously appearing little dragons and a threatening new neighbour, Rose is soon up to her ears in plots and schemes to save the people and beasts she's come to love...with the…
I have always loved writing, receiving, and reading letters—slips of paper that hold one person’s thoughts in order to transfer them to another person. One of my prized possessions is a short stack of letters I wrote to my parents from summer camp when I was 10 years old. Each one relays some catastrophe—a fall from a horse, a motorcycle crash, a waterskiing incident—with the relish of a wartime correspondent. Epistolary novels, diaries, and journal entries will always fascinate me. I love their immediacy. I begin reading and am immediately captivated by words that are ostensibly written for someone else but which speak directly to me.
I love the verve and charm of this story, told through a series of letters between two young Regency women who are best friends. Though the magical elements add mystery and keep the plot moving, I especially enjoyed experiencing the narrative through their correspondence with each other.
The letters add nuance to the characters, making me imagine that I am involved in the events of their lives—even though it takes days for the post to carry the letters to their destination. A side note that makes me love the book even more is the story of how it came to be: a fan met an author, and they collaborated to create this project.
A great deal is happening in London this season. For starters, there's the witch who tried to poison Kate at Sir Hilary's induction into the Royal College of Wizards. (Since when does hot chocolate burn a hole straight through one's dress?!) Then there's Dorothea. Is it a spell that's made her the toast of the town--or could it possibly have something to do with the charm-bag under Oliver's bed? And speaking of Oliver, just how long can Cecelia and Kate make excuses for him? Ever since he was turned into a tree, he hasn't bothered to tell anyone where he…
