Here are 4 books that The Half-Made World fans have personally recommended once you finish the The Half-Made World series.
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I love fantasies that dream up totally new worlds! Some people condemn the fantasy genre as formulaic, and sometimes they’re right—but it shouldn’t be so! Fantasies can explore worlds as wide and wild and wonderful as the human imagination itself! Anything’s possible! But I also love a fantasy world that’s as real, coherent, and consistent as our own real world. I think that’s the ultimate challenge for any author: to create it all from the grassroots up. And for any reader, the trip of a lifetime! My personal preference is for worlds a bit on the dark side—just so long as they blow my mind!
It was a toss-up here between this book and The Scar, set in a different part of the same world. One of Miéville’s acknowledged influences is the wonderful Mervyn Peake, and like Peake, he’s never in a hurry to get a story underway.
I’d have probably tossed Perdido Street Station aside after 100-200 pages except for a friend’s fervent recommendation—and I’d have missed out big time if I had! Because the story as it develops is truly grand, truly epic. Like Peake, Miéville has a gift for raising action to a mythical status. I love, love, love a novel that builds up to a long, rolling, thunderous climax!
Winner of the August Derleth award and the Arthur C. Clarke Award, Perdido Street Station is an imaginative urban fantasy thriller, and the first of China Mieville's novels set in the world of Bas-Lag.
The metropolis of New Crobuzon sprawls at the centre of its own bewildering world. Humans and mutants and arcane races throng the gloom beneath its chimneys, where the rivers are sluggish with unnatural effluent, and factories and foundries pound into the night. For more than a thousand years, the parliament and its brutal militia have ruled over a vast array of workers and artists, spies, magicians,…
I think there are two great mysteries in our lives: the mystery of the world and the mystery of how we live in it. The branches of literature that explore these conundrums magnificently are science fiction for the world and murder mysteries for how we live. So, it is no wonder that the subgenre that most excites me has to be the science fiction murder mystery, in which, as a reader, I get to explore a strange new world and find out how people live (and die!) in it. This is why I read and, it turns out, what I write.
I love the hooky concept at this book’s heart: Mahit Dzmare is the new Lsel ambassador sent to the heart of the enormous Teixcalaanli galactic empire to maintain her tiny space station’s independence; but on arrival, she discovers her predecessor was murdered.
Now, she must not only act the diplomat, but she must also solve the murder without offending the very empire that at any moment could swallow her people whole.
The intricate-but-lightly-done world-building further helps bring this book to stunning life as Mahit walks a wobbly tightrope between asking difficult questions and preventing her very dangerous hosts from taking offence even as the politics take a dark turn, which threatens her life and everything she holds dear.
This incredible opening to the duology recalls the best of John le Carre, Iain M. Banks's Culture novels and Ann Leckie's Imperial Radch trilogy.
In a war of lies she seeks the truth . . .
Ambassador Mahit Dzmare travels to the Teixcalaanli Empire's interstellar capital, eager to take up her new post. Yet when she arrives, she discovers her predecessor was murdered. But no one will admit his death wasn't accidental - and she might be next.
Now Mahit must navigate the capital's enticing yet deadly halls of power, to discover dangerous truths. And while she hunts for the…
I was sick as a child and bedridden for several months. This was before 24/7 TV and computers. I began to read A LOT. I read everything and anything that I could find, but my favorite topics were animals and nature. I also read science fiction and fantasy. It’s not a surprise that those topics merged into my writing and life. I currently live on five acres that I’ve left mostly for the wildlife. My nephew calls me his aunt who lives in the forest with reindeer. That is way cooler than my real life, so I’m good with that. All my books have nature and friendship as main themes.
This entire series was amazing. Okay, a few of the books were a bit slow, but overall, it was great. The new worlds, the political intrigue, everything about this story was great. There were histories that drove the characters that were only hinted at or mentioned in passing, but they brought life to them. Just like we are all shaped by our past, our countries, and our places in society, so are all the characters in this book.
My favorite character wasn’t Paul, though; it was Duncan Idaho. I was so sad when he was killed, but I was fascinated when they brought him back from the dead in the second book and others because Herbert made it so interesting. The bodyguard programmed, created even, to kill the one he once died to protect. Now, that’s some drama right there. 😊
The twists, turns, and world-building were amazing. I learned…
Before The Matrix, before Star Wars, before Ender's Game and Neuromancer, there was Dune: winner of the prestigious Hugo and Nebula awards, and widely considered one of the greatest science fiction novels ever written.
Melange, or 'spice', is the most valuable - and rarest - element in the universe; a drug that does everything from increasing a person's lifespan to making interstellar travel possible. And it can only be found on a single planet: the inhospitable desert world of Arrakis.
Whoever controls Arrakis controls the spice. And whoever controls the spice controls the universe.
I used to love dystopian books, but recently, I’ve become increasingly interested in hopeful narratives. I’ve been a climate activist in a couple of movements, and I care deeply about the world, but with all the challenges and negativity we are facing, it’s easy to fall into despair. That’s why I think stories that show cooperation, community, respect for nature and each other, working for a better world, and making it happen are so important. We need those stories to get inspired to act instead of thinking that we’re all doomed anyway. They are also healing—a refuge for a tormented mind.
The book offers an in-depth exploration of how an anarchist, anti-capitalist society without money or government would work and juxtaposes it against a more familiar, wasteful, capitalist world. It's thought-provoking and can be a great tool for self-exploration because this world isn’t easy to live in and has its own challenges. Even though it took me a long time to get into the story, once I did, I was fascinated by all the details. It's unlike other stories. It offers ideas that don't often get explored in speculative fiction, and it left me with a lot to think about.
One of the very best must-read novels of all time - with a new introduction by Roddy Doyle
'A well told tale signifying a good deal; one to be read again and again' THE TIMES
'The book I wish I had written ... It's so far away from my own imagination, I'd love to sit at my desk one day and discover that I could think and write like Ursula Le Guin' Roddy Doyle
'Le Guin is a writer of phenomenal power' OBSERVER
The Principle of Simultaneity is a scientific breakthrough which will revolutionize interstellar civilization by making possible instantaneous…