Here are 17 books that The Greatcoats fans have personally recommended once you finish the The Greatcoats series.
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Tolkien ignited my love for fantasy, but after a decade of publishing failure, I quit writing altogether. When I returned to the typewriter more than ten years later it was to create something that “I wanted to read” rather than a book that I “thought could get published,” Ironically, those were the stories that made my career: one that has spanned sixteen years, twenty published books, and multiple New York Times bestsellers. In retrospect, I realize that my books and my recommendations share many of the same elements: bonds of unbreakable friendship, humor, and a grand adventure. So, if that sounds like something you’d enjoy, please check out my recommendations.
While Terry Pratchett is the king of satirical fantasy, for my money, J. Zachary Pike is doing a great job carrying that banner. Like Kings of the Wyld, this book’s strong suit is its humor and a darn fine cast of eclectic characters. But what shines brightly is its originality. Finding a truly unique fantasy isn’t easy, but Orconomics is. In this book, heroes are essentially corporate employees, and quests are commodified through an adventuring system that prioritizes lucrative returns over noble deeds.
When it comes to the bromance aspect, you can’t beat Gorm Ingerson (a disgraced dwarven hero whose glory days are past) and Brahm (the undocumented goblin who Gorm stands up for). The two make a great pair that easily places them on my favorites list.
Book 1 of The Dark Profit Saga Professional heroes kill and loot deadly monsters every day, but Gorm Ingerson's quest will be anything but business as usual. Blending biting humor and epic storytelling, Orconomics skewers corporate culture using the best fantasy traditions.
I’ve been an avid fantasy reader since childhood, and have been writing fantasy since a teen. I fenced at the collegiate level, have a background in martial arts, and have had a mild obsession with ancient weapons and warfare since I was a child. I used to specifically go back and reread the fight scenes of my favorite books. Writing an edge-of-your-seat fight scene is one of my favorite things in writing.
I loved the fight scenes in this series because the main character, Merle Corey, is both an expert swordsman and a powerful wizard—and he’s forced to use both abilities, often in tandem, to defeat his opponents and stay alive as he tries to uncover what or who is behind the multiple attempts on his life.
I loved that Zelazny gives Merle’s magic abilities just enough limitations that he isn’t able to use it to overpower everyone. The writing keeps things fast-paced during the sword fights, while still describing a lot of detail in the tactics and mechanics of what’s happening in the fight. Zelazny also throws in some classical fencing terms, which was a lot of fun to read as a fencer myself.
In the continuation of the Amber chronicles, Corwin, Prince of Amber, exiled to Earth because of an ancient feud with his brothers, must battle his way back to the perfect world of Amber, the center of reality
Tolkien ignited my love for fantasy, but after a decade of publishing failure, I quit writing altogether. When I returned to the typewriter more than ten years later it was to create something that “I wanted to read” rather than a book that I “thought could get published,” Ironically, those were the stories that made my career: one that has spanned sixteen years, twenty published books, and multiple New York Times bestsellers. In retrospect, I realize that my books and my recommendations share many of the same elements: bonds of unbreakable friendship, humor, and a grand adventure. So, if that sounds like something you’d enjoy, please check out my recommendations.
I first discovered Rachel Aaron, when one of my fans recommended her. After reading her first book, I could see why. Eli is a charming roguish thief who can communicate with spirts, and Niko is a no-nonsense ghost. Their contrasting personalities makes for great reading.
Like all of my prior recommendations, humor plays an important part in this tale. But what I like the most is that the pair’s relationship isn’t just about camaraderie during adventures—it’s about mutual growth and understanding as they both learn from one another. This book isn’t as widely read as some of Rachel’s more recent stories, but it’s well worth checking out, and a great example of a bromance done well.
Eli Monpress is talented. He's charming. And he's a thief.
But not just any thief. He's the greatest thief of the age -- and he's also a wizard. And with the help of his partners -- a swordsman with the most powerful magic sword in the world but no magical ability of his own, and a demonseed who can step through shadows and punch through walls -- he's going to put his plan into effect.
The first step is to increase the size of the bounty on his head, so he'll need to steal some big things. But he'll start…
Like many people of my generation, I first discovered fantasy worlds through morning cartoons. Then came comics, but The Lord of the Rings changed everything for me, followed by Dragonlance, Forgotten Realms, and many more. I was an introverted child, often bored with ordinary life, and these worlds gave me somewhere to escape. Most importantly, I loved journeys that transformed characters, because they gave me hope that people could change too. I created fantasy realms in my head for years, but it took reaching my 40s to finally start putting them on paper. Today, I write and publish my own stories, including Chronicles of Ankhara, through AltWorld Comics.
In my opinion the hardest thing to do in life is changing into a person you weren't born to be.
Drizzt was born in darkness and chose to be a hero of light. I was impressed with the way Drizzt fought his way to be good, although the whole world told him he couldn’t. Even today, his story still gives me courage when I decide something isn’t expected from me.
Also, the idea of having a companion panther, like Guenhwyvar, is still something I consider the coolest. This is the reason I played Hunter in my first WoW days.
Strange and exotic Menzoberranzan is the vast city of the Drow. This is a world of dark elves, where families battle families and fantastic monsters rise up from the lightless depths. From the author of the "Icewind Dale Trilogy".
As a stage combat choreographer myself, fight sequences are always important to me: they have to be believable but exciting, they have to keep up the pace so the reader is experiencing the action at the same speed as the characters—but most importantly, they have to tell a story. Action just for the sake of action always feels empty, but great fight scenes that are both exhilarating and bound to the forward momentum of the plot and emotion will stay with me for a long time. Here’s some that I still remember long after I finished the book.
The Chronicles of Ghadid follows a family of assassins in a fantastical desert world—but rather than play it safe by following stealthy assassination quests, Doore throws her assassins into the fray against undead armies and unkillable spirits. The result is a truly unique setting with haunting action sequences, bound together by the close ties of family and budding romances. Also, necromancers and undead camels, how could you go wrong?
Thana has a huge reputation to live up to as daughter of the Serpent, who rules over Ghadid's secret clan of assassins. Opportunity to prove herself arrives when Thana accepts her first contract on Heru, a dangerous foreign diplomat with the ability to bind a person's soul under his control.
She may be in over her head, especially when Heru is targeted by a rival sorcerer who sends hordes of the undead to attack them both. When Heru flees, Thana has no choice than to pursue him across the sands to the Empire that intends to capture Ghadid inside its…
As an engineer for multiple space projects (including the ISS, Gateway, and commercial space), it seems like I should be a strict sci-fi person. But I love sci-fi and fantasy equally, and I love books that break through the wall between them. Especially in space opera, you can play with how much technology and how much magic shaped a world and a culture. Zooming in, that will greatly influence the characters. Some make it esoteric and exclusive, where others make it more common.All of them transport readers to magical, expansive universes.
The great thing about this one is how closely related the magic and technology are—the magic is really used to manipulate technology. For example, Mechanists can tap into the inner workings of machines, while Datamancers can comb through data even better than AI. The book features fantastic action sequences at a breakneck pace, and a lovable rag-tag team thrown-in together to defeat a terrifying villain named Mother.
Furious and fun, the first book in this bold, new science fiction adventure series follows a crew of outcasts as they try to find a legendary ship that just might be the key to savings themselves-and the universe.
Boots Elsworth was a famous treasure hunter in another life, but now she's washed up. She makes her meager living faking salvage legends and selling them to the highest bidder, but this time she got something real--the story of the Harrow, a famous warship, capable of untold destruction.
Nilah Brio is the top driver in the Pan Galactic Racing Federation and the…
I’ve been an avid fantasy reader since childhood, and have been writing fantasy since a teen. I fenced at the collegiate level, have a background in martial arts, and have had a mild obsession with ancient weapons and warfare since I was a child. I used to specifically go back and reread the fight scenes of my favorite books. Writing an edge-of-your-seat fight scene is one of my favorite things in writing.
What I loved about the battles and fight scenes in this series was seeing how magic, ordinary weapons, and dragons combined together on the battlefield and created really interesting dynamics and strategy.
Think about what it would be like to face soldiers who’ve been enchanted to feel no pain or to move superhumanly fast. Or think about having to fight armored soldiers while magicians are trying to break into your mind with mental magic. Imagine two dragons dueling in the skies, while their riders fight each other with magic and swords.
That’s the feel of this series, and it’s awesome. I also loved that Paolini dives into the tactical details of a swordfight or skirmish, making it feel visceral, real, and like you’re right there with the characters.
When poor farm boy Eragon finds a polished stone in the forest, he thinks it's a lucky discovery. Perhaps, he will be able to buy his family food for the winter.
But, when a baby dragon hatches out of the stone, Eragon realises he's stumbled upon a legacy nearly as old as the Empire itself.
His simple life is shattered, and he's thrust into a perilous new world of destiny, magic and power. To navigate this dark terrain, and survive his cruel king's evil ways, he must take up the mantle of the…
As a stage combat choreographer myself, fight sequences are always important to me: they have to be believable but exciting, they have to keep up the pace so the reader is experiencing the action at the same speed as the characters—but most importantly, they have to tell a story. Action just for the sake of action always feels empty, but great fight scenes that are both exhilarating and bound to the forward momentum of the plot and emotion will stay with me for a long time. Here’s some that I still remember long after I finished the book.
This lesser-known gem was my favorite book of 2019. You take a World War II-style submarine war but throw in horrifying new supernatural powers, and then pitch it against Cthulu-style interdimensional monsters and you start to have an idea of the gloriously-insane trajectory of this book. That may sound over-the-top at a glance, but I promise this is a grounded read that’s flush with complex interweaving relationships, and an unrelenting pace that constantly throws new, bigger dangers at the characters before they’ve had a chance to catch their breath. This book is far better than it has any right to be.
Naval officer Mila Blackwood is determined to keep her country's most powerful secret - shrouding, the ability to traverse their planet in seconds through an alternate realm - out of enemy hands. But spies are everywhere: her submarine has been infiltrated by a Dhavnak agent, and her teenage brother has been seduced by an enemy soldier. When Blackwood's submarine is attacked by a monster, she and fellow sailor, Holland, are marked with special abilities, whose manifestations could end the war - but in whose favor? Forced to submit to military scientists in her paranoid and war-torn home, Blackwood soon learns…
I’m Sarah J. Sover, and I adore smashing genres together, especially when there’s magic involved. My first book, Double-Crossing the Bridge, is a comedic fantasy about drunk trolls pulling a suicidal heist, and my new release, Fairy Godmurder is like Jessica Jones with sparkle. The novels are wildly different from each other, but they both exist in the crime-fantasy sphere, where I can delve deep into character motivations, explore wrongs in the world through a fantastical lens, and play with well-loved tropes, inverting and subverting in unexpected ways. I love that this is a growing genre, and I hope I get an influx of suggestions added to my own TBR tower because of this list!
Carter is your typical noir detective—cynical and staring down a rocks glass. But Titanshade is far from a standard city. It’s gritty and brimming with all kinds of characters from those you think you know to new species whose spilled guts smell like cinnamon. I’m particularly fond of the blood magic readings. And when Carter is backed into a corner, this hardboiled dick may surprise you.
This noir fantasy thriller from a debut author introduces the gritty town of Titanshade, where danger lurks around every corner.
"Take a little Mickey Spillane, some Dashiell Hammet, a bit of Raymond Chandler, and mix it with Phillip K. Dick's Blade Runner; add a taste of CJ Box, and Craig Johnson, and you've got a masterpiece of a first novel." —W. Michael Gear, New York Times bestselling author
Carter's a homicide cop in Titanshade, an oil boomtown where 8-tracks are state of the art, disco rules the radio, and all the best sorcerers wear designer labels. It's also a metropolis…
Tolkien ignited my love for fantasy, but after a decade of publishing failure, I quit writing altogether. When I returned to the typewriter more than ten years later it was to create something that “I wanted to read” rather than a book that I “thought could get published,” Ironically, those were the stories that made my career: one that has spanned sixteen years, twenty published books, and multiple New York Times bestsellers. In retrospect, I realize that my books and my recommendations share many of the same elements: bonds of unbreakable friendship, humor, and a grand adventure. So, if that sounds like something you’d enjoy, please check out my recommendations.
So, first off, this is one of the best audiobooks of all time. While Scott did an amazing job spinning the tale, Michael Page elevated this work to a whole new level. There was a time around 2010 when fantasy became overly serious and dark. And I was rescued by the Gentlemen Bastards which was fast paced, fun, and fabulous. The absolute best part of this book is its humor, something that is sorely missing in fantasy these days.
Of course the stars of the show are Locke and Jean. Locke is a charismatic, cunning cutthroat and Jean is his loyal right-hand man. Together they make a great pair. Their deep, brotherly friendship and unwavering loyalty to each other is fantastic, and the reason they made my list.
'One of my top ten books ever. Maybe top five. If you haven't read it, you should' Patrick Rothfuss, New York Times bestselling author of The Name of the Wind
'Fresh, original and engrossing' George R.R. Martin, the phenomenon behind A Game of Thrones
They say that the Thorn of Camorr can beat anyone in a fight. They say he steals from the rich and gives to the poor. They say he's part man, part myth, and mostly street-corner rumor. And they are wrong on every count.
Only averagely tall, slender, and god-awful with a sword, Locke Lamora is the…
