Here are 20 books that The Grampian Quartet fans have personally recommended once you finish the The Grampian Quartet series.
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Judith Jones became an important mentor and mother figure to me in my twenties, in the wake of my parents’ deaths. Her personal wisdom and guidance, which I received both in knowing her personally and from the incredible archive she left behind, have been invaluable to me during a particularly tumultuous and transformative decade in my own life. I wrote The Editor as I was coming into my full adulthood, and the books on this list helped shape my thinking along the way at times when I felt stagnant or stuck or needed to rethink both how to write Judith’s life and why her story is so vital to tell.
At a moment when I was stuck in the long process of writing my book–newly divorced, overwhelmed by solo parenting young twins, and exhausted by pandemic shutdowns–this book reinvigorated me as a writer and mother. Phillips artfully demonstrates not only that motherhood and creative lives aren’t mutually exclusive, as the common trope would suggest, but that there are infinite paths to combining the two.
What does it mean to create, not in "a room of one's own" but in a domestic space? Do children and genius rule each other out? In The Baby on the Fire Escape, award-winning biographer Julie Phillips traverses the shifting terrain where motherhood and creativity converge.
With fierce empathy and vivid prose, Phillips evokes the intimate struggles of brilliant artists and writers, including Doris Lessing, who had to choose between her motherhood and herself; Ursula K. Le Guin, who found productive stability in family life; Audre Lorde, whose queer, polyamorous union allowed her to raise children on her own terms…
I’ve always been a child of the woods. I preferred to leave my home and wade a creek or explore a hillside. Nothing compared to the sight of a black snake or the feel of a mud puppy. School was a torture until an English teacher introduced me to Richard Brautigan and then read my first serious story to the class. Since then, this dyslexic nature lover has become a dream fisher and history miner with a Ph.D. in English Literature and Cultural Studies. Retired from forty-one years of teaching, I now write and publish cultural fiction.
I’ve heard Gary Snyder speak three times. He can be tersely observational, deadly serious, puckishly whimsical, or well-deep mythic, sometimes all at once. All of this is true of Mountains and Rivers Without End, a volume of poems where Snyder does in poetry what Japanese artists did in their landscapes.
Here you will find a series of varied Zen-inspired meditations and Native-American-inspired folktales that draw from his Beat friends, his “Dharma teachers,” and “hosts of poets and writers, scientists, scholars, craftspersons, river-and-mountains people, fields-and-orchards people, and streets-and-buildings people.”
If you care about imagination and nature and freedom, then this book is a must read, one I return to periodically.
In simple, striking verse, legendary poet Gary Snyder weaves an epic discourse on the topics of geology, prehistory, and mythology. First published in 1996, this landmark work encompasses Asian artistic traditions, as well as Native American storytelling and Zen Buddhist philosophy, and celebrates the disparate elements of the Earth sky, rock, water while exploring the human connection to nature with stunning wisdom. Winner of the Bollingen Poetry Prize, the Robert Kirsch Lifetime Achievement Award, and the Orion Society's John Hay Award, among others, Gary Snyder finds his quiet brilliance celebrated in this new edition of one of his…
Judith Jones became an important mentor and mother figure to me in my twenties, in the wake of my parents’ deaths. Her personal wisdom and guidance, which I received both in knowing her personally and from the incredible archive she left behind, have been invaluable to me during a particularly tumultuous and transformative decade in my own life. I wrote The Editor as I was coming into my full adulthood, and the books on this list helped shape my thinking along the way at times when I felt stagnant or stuck or needed to rethink both how to write Judith’s life and why her story is so vital to tell.
This book fundamentally reshaped my notion of how biography–especially biographies of women–can be written. Shapland felt intimately connected to McCullers as a person and as a writer and also had an inkling there was more to her personhood than previous biographical treatments suggest.
By inhabiting McCullers’s spaces and putting herself in proximity to the writer’s material past, Shapland demonstrates the ways in which convention has limited both the stories we tell and, thus, the possibilities we can envision for our lives as women.
Winner of the Publishing Triangle Judy Grahn Award for Lesbian Nonfiction, Phi Beta Kappa Christian Gauss Award, and a Lambda Literary Award
Finalist for the National Book Award
Longlisted for the Andrew Carnegie Medal for Excellence in Nonfiction
How do you tell the real story of someone misremembered—an icon and idol—alongside your own? Jenn Shapland’s celebrated debut is both question and answer: an immersive, surprising exploration of one of America’s most beloved writers, alongside a genre-defying examination of identity, queerness, memory, obsession, and love.
Shapland is a graduate student when she first uncovers letters written to Carson McCullers by a…
As a travel writer, author, broadcaster, speaker, and producer, I’ve reported from over 100 countries on 7 continents for major print and digital publications worldwide and networks like National Geographic and Travel Channel. I kicked off my career with a solo, 12-month round-the-world backpacking adventure, largely inspired by the formative books I read below. Embracing the world with insatiable curiosity, an open heart, an open mind, a sense of humour, and enthusiasm to share my stories clearly resonated. Here I am, two decades later, author of a half-dozen bestselling books that focus on my own eclectic travels, which will hopefully inspire others as these books inspired me.
Nobody writes like Tom Robbins, although admittedly, his wild wit, metaphorical overkill, and commitment to not taking anything too seriously might not appeal to everyone.
Put me on a long train ride or a slow ship with a worn paperback copy of any of his books, and I can happily lose myself in his zany, funny, thought-provoking, and sexy world. Exotic locations are baked into most of his books, and you can burn your retinas on each page’s creative flair.
Put down this book, and you’ll never look at beets, immortality, or life in quite the same way again. Tom Robbins inspired me to read more, write more, and, most importantly, live more.
Jitterbug Perfume is an epic. Which is to say, it begins in the forests of ancient Bohemia and doesn't conclude until nine o'clock tonight [Paris time]. It is a saga, as well. A saga must have a hero, and the hero of this one is a janitor with a missing bottle. The bottle is blue, very, very old, and embossed with the image of a goat-horned god. If the liquid in the bottle is actually the secret essence of the universe, as some folks seem to think, it had better be discovered soon because it is leaking and there is…
I did a master's in Environmental Policy, and at the end of that year, I thought, "this is all very well, but there’s no point designing these policies if no one wants them." My response to the environmental crisis is to try to open people’s eyes to the beauty and wonder of Nature. If you pay close attention, you start to develop an expansive sense of the ordinary: Creation is stranger, more mysterious, and more wonderful than we can imagine. This in turn helps us to love the world more deeply, and we tend to look after things that we love.
This book was given to me by an Anglican priest in Valparaiso, and it’s probably been the single biggest influence on my thought of anything I have ever read. It is a series of letters from Mayne to his grandchildren, explaining his view of the world. It’s a bit quieter than Annie Dillard’s exuberant sense of enchantment, but no less filled with wonder. It’s packed full of quotations from other authors, gleaned from a lifetime’s reading. The title is a quote from GK Chesterton, "At the back of our brains, there is a forgotten blaze or burst of astonishment at our own existence. The object of the artistic and spiritual life is to dig for this sunrise of wonder."
Parson's Porch Books is excited to announce the publication of the new American edition of Michael Mayne's This Sunrise of Wonder. This Anglican classic will captivate readers with its warm humanity and endearing and pulsating spirituality. Michael Mayne, one of the greatest Anglican priest-writers, was Head of Religious Programmes, BBC Radio; Vicar of Great St. Mary's (the University Church), Cambridge; and Dean of Westminster Abbey. His last book, The Enduring Melody, was published a few days before his death in October 2006. He was also the author of A Year Lost and Found, Learning to Dance, and Pray, Love, Remember.
I did a master's in Environmental Policy, and at the end of that year, I thought, "this is all very well, but there’s no point designing these policies if no one wants them." My response to the environmental crisis is to try to open people’s eyes to the beauty and wonder of Nature. If you pay close attention, you start to develop an expansive sense of the ordinary: Creation is stranger, more mysterious, and more wonderful than we can imagine. This in turn helps us to love the world more deeply, and we tend to look after things that we love.
This was the book that made me look again at trees, seeing them for the incredible organisms that they are. Deakin goes on an amazing adventure from Suffolk to Kazakhstan, Australia, and beyond, trying to get to the heart of why wood and trees have such profound meaning for us. If you like Wildwood, you could also try Waterlog, in which he wild-swims his way through the British Isles. He’s the perfect companion for the armchair adventurer, and a very genial writer.
Here, published for the first time in the United States, is the last book by Roger Deakin, famed British nature writer and icon of the environmentalist movement. In Deakin's glorious meditation on wood, the "fifth element" -- as it exists in nature, in our culture, and in our souls -- the reader accompanies Deakin through the woods of Britain, Europe, Kazakhstan, and Australia in search of what lies behind man's profound and enduring connection with trees.
Deakin lives in forest shacks, goes "coppicing" in Suffolk, swims beneath the walnut trees of the Haut-Languedoc, and hunts bushplums with Aboriginal women in…
Nature has been a source of play, exploration, community, and solace for me since I was very young – as an adult, I find myself fascinated and alarmed by our species’ relations with the living world. Nature writing gives me a way of bringing my attention to this relationship and exploring it in a very close way. I often think of that well-worn phrase: We cannot protect what we do not love; we cannot love what we do not know. Literature, it seems to me, offers one route to better knowing and loving the world.
This book charts a series of journeys along ancient tracks, holloways, and drove-roads. I found it a hugely immersive, surprisingly exhilarating read – I loved how Macfarlane brought a very detailed, lucid, and embodied mode of narration to travels that were often unexpected and strange.
As he walks, we hear stories of ghosts, pilgrims, songs, and their singers – it’s a book about people as much as places, and as I read, I gained a powerful sense of how, as humans, we’re shaped, made, and remade, by the landscapes we move through.
The acclaimed author of The Wild Places and Underland examines the subtle ways we are shaped by the landscapes through which we move
Chosen by Slate as one of the 50 best nonfiction books of the past 25 years
In this exquisitely written book, which folds together natural history, cartography, geology, and literature, Robert Macfarlane sets off to follow the ancient routes that crisscross both the landscape of the British Isles and its waters and territories beyond. The result is an immersive, enthralling exploration of the voices that haunt old paths and the stories our tracks tell. Macfarlane's journeys take…
I’ve always been a child of the woods. I preferred to leave my home and wade a creek or explore a hillside. Nothing compared to the sight of a black snake or the feel of a mud puppy. School was a torture until an English teacher introduced me to Richard Brautigan and then read my first serious story to the class. Since then, this dyslexic nature lover has become a dream fisher and history miner with a Ph.D. in English Literature and Cultural Studies. Retired from forty-one years of teaching, I now write and publish cultural fiction.
I love Richard Brautigan, and In Watermelon Sugar was my first Brautigan book.
I was in the ninth grade and ready to be transported to a land that was hippie without trying to be so. A living room with trees and a stream. A sun that shines a different color every day, especially on Thursday when the sun shines black and there is no sound.
Written three years before the summer of love, the seeds of the hippie dream-turned-nightmare are already sown. Too much whiskey. And yet, this book lit the way for a life of creativity. Still does.
'A charming and original work... The parable itself is extremely relevant' The Times
iDEATH is a place where the sun shines a different colour every day and where people travel to the length of their dreams. Rejecting the violence and hate of the old gang at the Forgotten Works, they lead gentle lives in watermelon sugar. In this book, Richard Brautigan discovers and expresses the mood of the counterculture generation.
'Delicate, fantastic and very funny... A highly individual style, a fertile, active inventiveness... It's cool, joyous, lucid and pleasant to read' Malcolm Bradbury
My interest in healing and nature stems from a very particular source—my own search for answers in the wake of my wife’s premature death in 2007. I’d read somewhere that loss often either engulfs someone or propels them forward, and I didn’t want to end up in the former category, particularly as I had a young daughter to look after. So this list represents an urgent personal quest that started years ago and still continues to this day. The books have been a touchstone, a vital support, and a revelation—pieces in the jigsaw of a recovery still incomplete. I hope they help others as they’ve helped me.
I love the grittiness of this—an account of a walk along the South West Coast path, when terminal illness and poverty haunt the walkers and everything is in a state of flux.
It doesn’t glamorize the walk; it’s often uncomfortable with lots of biting wind and pouring rain. At times, there are even threats from others they come across who are sleeping rough. Overall, it’s a description of nature at its most raw and authentic.
Although we glimpse moments of inspiration and beauty, I like the fact, as well, that it doesn’t have a big, blowsy Hollywood ending—at the close, the future appears uncertain, although there is a definite sense that a new energy has been discovered.
It ends on a simple, perfect moment as the author describes her and her husband as “lightly salted blackberries hanging in the summer sun” and adds significantly that’s “all that is…
"Polished, poignant... an inspiring story of true love."-Entertainment Weekly
A BEST BOOK OF 2019, NPR's Book Concierge SHORTLISTED FOR THE COSTA BOOK AWARD OVER 400,000 COPIES SOLD WORLDWIDE
The true story of a couple who lost everything and embarked on a transformative journey walking the South West Coast Path in England
Just days after Raynor Winn learns that Moth, her husband of thirty-two years, is terminally ill, their house and farm are taken away, along with their livelihood. With nothing left and little time, they make the brave and impulsive decision to walk the 630 miles of the sea-swept South…
I was a happy child until I went to school. When my teacher turned her back, I ran home. My mom sent me back. The umbilical cord broken, I held a grudge. That enmity remained until my ninth-grade English teacher read us Richard Brautigan’s post-apocalyptic, proto-hippie fantasy In Watermelon Sugar. There was much to imagine: a multicolored sun, an infinite garbage dump, and mathematical, parent-eating tigers. Like the narrator, I wanted to live in a shack, not have a regular name, and hook up with a proto-hippie, hot cake-making artist girlfriend who made “a long and slow love” possible. Since then, I have devoured fiction, poetry, art, film, you name it.
I saw my first raven near Mount Rainier. The bird looked me in the eye, hopped to the left, sized me up, and continued his business. The advancing Russian army drove Bernd Heinrich and his family into the forest near Hahnheide, Germany, where they lived in a small hut for five years.
There, he began his lifelong quest to connect with insects (especially bees), owls, trees, antelope (he runs ultramarathons), geese...and ravens. The mind of the Raven is a deep, scientific meditation on the intersection between being human and raven. It concludes that “ultimately [our differences are] less a matter of consciousness than of culture” (342).
I wonder how culture has dulled my imagination, a struggle Heinrich clearly has fought more successfully than I have.
Heinrich involves us in his quest to get inside the mind of the raven. But as animals can only be spied on by getting quite close, Heinrich adopts ravens, thereby becoming a "raven father," as well as observing them in their natural habitat. He studies their daily routines, and in the process, paints a vivid picture of the ravens' world. At the heart of this book are Heinrich's love and respect for these complex and engaging creatures, and through his keen observation and analysis, we become their intimates too.
Heinrich's passion for ravens has led him around the world in…
