Here are 61 books that The Drive-In fans have personally recommended once you finish the The Drive-In series.
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Growing up in New England, my mother had a set of books that she kept in the living room, more for display than anything else. It was The Works of Edgar Allen Poe. I read them and instantly became hooked on horror. In the seventh grade, I entertained my friends at a sleepover by telling them the mysterious clanking noise (created by the baseboard heater) was the ghost of a woman who had once lived in the farmhouse, forced to cannibalize her ten children during a particularly bad winter. And I’ve been enjoying scaring people ever since.
Alright, so a theme seems to be developing here, but in this case, ‘Don’t mess with nature’ gets a Canadian island treatment (those poor Boy Scouts). And, of course, a storm is coming. And, of course, the communications go out. I was gripped and frankly grossed out by this Stephen King-esque tale.
There are also shades of Frankenstein and Lord of the Flies, and I love a horror novel that asks the question of which monsters are worse—the ones we create or the ones that lurk inside.
'THE TROOP scared the hell out of me, and I couldn't put it down. Not for the faint-hearted' STEPHEN KING
He felt something touch his hand. Which is when he looked down.
For the scouts of Troop 52, three days of camping, hiking and survival lessons on Falstaff Island is as close as they'll get to a proper holiday.
Which was when he saw it.
But when an emaciated figure stumbles into their camp asking for food, the trip takes a horrifying turn. The man is not just hungry, he's sick. Sick in a way they have never seen before.…
It wasn’t until high school when I read Stephen King’s Night Shift that illuminated the genre for me—horror. My first short story was The Dark Shadow, and it fit me like a glove. My writing is inspired by the books I like to read, as I’m sure it is with all writers, and I write characters that I know and in settings I am familiar with for authenticity. The years of experience have honed my craft, and my books are a culmination of my favorite things—supernatural horror, suspense, heart, drama, westerns, and action.
When this book caused me to pull over, park, and listen to the last hour, making me late to my work appointment, I knew I was reading (listening) to the most intense, suspenseful, tightly written novel.
As much as I love horror and the supernatural, none of it thrills me unless it is accompanied by suspense, and no one cranks them out better than Koontz.
If you delight in the suspense of Stephen King and Harlan Coben, you'll love Intensity - a classic thriller by Sunday Times and New York Times bestselling author Dean Koontz.
Edgler Vess is a sociopath intent on murder. He lives for one purpose only: to satisfy all appetites as they arise, seeking ever more outrageous experience. To live with intensity.
When he attacks her friend, Laura, Chyna Shepherd is saved by the instincts developed during a dark and turbulent childhood. Not knowing Laura is already dead, Chyna follows, hoping to save her friend, as Vess carries her body to his…
It wasn’t until high school when I read Stephen King’s Night Shift that illuminated the genre for me—horror. My first short story was The Dark Shadow, and it fit me like a glove. My writing is inspired by the books I like to read, as I’m sure it is with all writers, and I write characters that I know and in settings I am familiar with for authenticity. The years of experience have honed my craft, and my books are a culmination of my favorite things—supernatural horror, suspense, heart, drama, westerns, and action.
This book had me at the main character hiring a private eye to follow him because he is waking up in a different location each morning with no memory of how he got there but his pockets are filled with diamonds.
This story delved into the madness of psychos while also plummeting me into other worlds and satisfying my hunger for supernatural elements. I couldn’t love this book more.
Frank Pollard awakens in an alley, knowing nothing but his name and that he is in danger. Over the next few days he develops a fear of sleep because when he wakes he finds blood on his hands and bizarre and terrifying objects in his pockets. Distraught and desperate, Frank begs husband-and wife detective team Bobby and Julie Dakota to get to the bottom of his mysterious, amnesiac fugues. It seems a simple job, but they are drawn into ever-darkening realms where they encounter the nightmare, hate-filled figure stalking Frank. And their lives are threatened, as is that of Julie's…
I’ve been a fan of horror and dark fantasy for as long as I can remember. There’s something irresistible about slipping into stories that could happen, however unlikely. The closer a tale inches toward reality, the more thrilling it becomes. As a writer in this genre, my appreciation has only deepened. I’ve learned how delicate the balance is walking that fine line between realism and fantasy, all while keeping the darkness close enough to unsettle, but not so overwhelming that it drives the reader away. These books walk that line better than any I’ve read.
This book messed with my head in all the right ways. I expected scares, but I didn’t expect the emotional gut-punch.
It’s not just about death; it’s about grief, denial, and how far someone will go to outrun the pain.
You feel the characters trying to escape what’s coming, running from fear, from loss, from truth, but it always catches up. The horror creeps in slowly, then hits like a truck, literally. Once the line between life and death is crossed, there’s no turning back.
It’s one of the few books that left me genuinely unsettled because I understood the choices, even when they led straight into darkness.
Now a major motion picture! Stephen King’s #1 New York Times bestseller is a “wild, powerful, disturbing” (The Washington Post Book World) classic about evil that exists far beyond the grave—among King’s most iconic and frightening novels.
When Dr. Louis Creed takes a new job and moves his family to the idyllic rural town of Ludlow, Maine, this new beginning seems too good to be true. Despite Ludlow’s tranquility, an undercurrent of danger exists here. Those trucks on the road outside the Creed’s beautiful old home travel by just a little too quickly, for one thing…as is evidenced by the…
I've been a lawyer for 30 years, 20 of them as an elected district attorney, and writing relieves stress for me. Real crime is messy and irrational; crime fiction restores order. But literary fiction is too slow—a novel must compel the reader to turn the page. Good thrillers tackle major issues, revealing themes that deepen our understanding of humanity. I've witnessed courage during grief and stress, but I'd never betray that trust by writing nonfiction accounts. I deliberately jumbled character traits and real events and combined them with my understanding of modern police techniques like geofencing and DNA.
This book, by Joe R. Lansdale, tells a coming-of-age story. A world where evil prevails, testing the hero’s Christian faith. His morals are inconsistent with the norms of society.
It presents more of a moral forest far more than the real Big Thicket described in greater detail in my novel.
In The Thicket, award-winning novelist Joe R. Lansdale lets loose like never before, in a rip-roaring adventure set at the dark dawn of the East Texas oil boom, the perfect introduction to an acclaimed writer whose work has been called "as funny and frightening as anything that could have been dreamed up by the Brothers Grimm -- or Mark Twain" (New York Times Book Review)
Jack Parker thought he'd already seen his fair share of tragedy. His grandmother was killed in a farm accident when he was barely five years old. His parents have just succumbed to the smallpox epidemic…
I am a writer and novelist who comes to storytelling via several curious paths. I am a historian trained in archival research and the collection of oral histories. I also come from a long line of ghost magnets–all of the women in my family have been for generations. And while I am living in blissful exile on the West Coast, my heart remains bound to my childhood home, the Great State of Texas.
I have always loved gritty mysteries and Joe. R. Lansdale’s book did not disappoint. I was first pulled in by the curious and clipped cadence of the voice of the narrator, an older Harry Collins recalling a brutal murder from his youth. You could almost hear Harry’s voice jump off the page.
I was also particularly drawn to the finely crafted setting on the rugged Texas frontier, dripping with eerie foreboding. The land is as rotten as the characters who inhabit the narrative. Add in an East Texas setting and the bleak and desperate themes of racism at the turn of the 20th century, and you have a compelling read that is hard to put down.
The Great Depression, East Texas. The woods are thick, the rivers wild, the weather ripe with tornadoes, and the Crane family, like most families in that neck of the woods, are eking out a thin living. When young Harry Crane discovers a mutilated body bound to a tree with barbed wire in the river bottoms, the underbelly of East Texas is exposed. Whites fear a renegade Negro. Blacks fear a vengeful massacre, or, if the killer is white, that the law will let him slip through their fingers. Harry believes the murderer is the Goat Man, an East Texas monster…
I am a writer and novelist who comes to storytelling via several curious paths. I am a historian trained in archival research and the collection of oral histories. I also come from a long line of ghost magnets–all of the women in my family have been for generations. And while I am living in blissful exile on the West Coast, my heart remains bound to my childhood home, the Great State of Texas.
This remains one of the most haunting novels I have ever read. I cannot shake the character of Judge Holden, a formidable man both physically and intellectually, who deploys his insidious intellect to justify acts of abject violence seemingly only for the sake of violence itself. I was mesmerized by a world where “all covenants were brittle.” This was no straight-up Western as I had expected. It was something more.
McCarthy pushed the boundaries of the classic Western by challenging the notion that good will ultimately overcome evil and the hero will save the day. There was no hero here, and the day was truly lost to forces beyond the characters’ control, hallmarks of the Southern Gothic tradition. I was hooked on this curious blend of genres!
Blood Meridian by Cormac McCarthy is an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, it traces the fortunes of the Kid, a fourteen-year-old Tennessean who stumbles into a nightmarish world where Indians are being murdered and the market for their scalps is thriving.
I am a writer and novelist who comes to storytelling via several curious paths. I am a historian trained in archival research and the collection of oral histories. I also come from a long line of ghost magnets–all of the women in my family have been for generations. And while I am living in blissful exile on the West Coast, my heart remains bound to my childhood home, the Great State of Texas.
I could not wipe the smile from my face for the entirety of Joel and Ethan Cohen’s collection of short stories, where the hard-scrabbled western frontier meets the supernatural meets Vaudeville.
The images of the bank robber who is hung twice and the miner who thinks he is digging for gold but soon discovers he has dug his own grave are but two examples of how the collection explores the myth of the American frontier and uncovers the darker and occasionally absurd aspects of human nature–hallmarks of the Western and Southern Gothic genres, respectively.
Death is always the issue-in life, and in the Western. Joel and Ethan Coen's The Ballad of Buster Scruggs is a movie of six Western stories. In each, our common destination is approached by a different road. Through each, diverse characters hurry for their final appointment: Oregon Trail-travelers, a gold prospector, a motley crew of stagecoach passengers, a high-plains drifting bank robber, even a singing cowboy. These six stories escort them with a care that either respects, or mocks, the dignity of all. The film stars Tom Waits, James Franco, Liam Neeson, Tim Bake Nelson and Zoe Kazan and is…
I’m of the opinion that good writers draw from life experience. Here are the broad strokes: a Boy Scout reporter at the 1964 national Jamboree, a drummer in country, rock, and jazz bands, a SCUBA instructor, a commercial real estate developer, a drug addict, and an inmate in the penal system. I’ve been reading and writing almost from day one. Most of my early work is crap. I’ve learned the hard way what makes a story worth telling and how best to tell it. Read my recommendations and decide for yourself. After all, it’s your opinion that counts.
I love things that go punch in the dark. This book is another fine example of breaking the mold. Some would label it a “crime novel,” some “noir,” others “thriller,” and others still “hardboiled.” Bottomline, this is one kickass novel.
I had to put down one of King's long-winded tales and a Koontz self-absorbed Oddity because I didn't want to stop reading this book. I'll get back to those guys later. This pick is a fast dirt bike in a sandstorm—way more fun.
Mr. Swierczynski (try to type that 3 times fast) crafts one hell of a novel. His bizarre twists are the stuff of nose bleeds, all done with gritty characters in a fast-paced style that grabs you by the eyeballs and won't let go. He initially reminded me of one of my all-time dark writing faves, Charlie Huston. Unique beyond comparison, The Wheelman checks all the boxes for…
Meet Lennon, a mute Irish getaway driver who has fallen in with the wrong heist team on the wrong day at the wrong bank. Betrayed, his money stolen and his battered carcass left for dead, Lennon is on a one-way mission to find out who is responsible--and to get back his loot. But the robbery has sent a violent ripple effect through the streets of Philadelphia. And now a dirty cop, the Russian and Italian mobs, the mayor's hired gun, and a keyboard player in a college rock band maneuver for position as this adrenaline-fueled novel twists and turns its…
I’m of the opinion that good writers draw from life experience. Here are the broad strokes: a Boy Scout reporter at the 1964 national Jamboree, a drummer in country, rock, and jazz bands, a SCUBA instructor, a commercial real estate developer, a drug addict, and an inmate in the penal system. I’ve been reading and writing almost from day one. Most of my early work is crap. I’ve learned the hard way what makes a story worth telling and how best to tell it. Read my recommendations and decide for yourself. After all, it’s your opinion that counts.
I’m a huge fan of realism in fiction, particularly in character-driven tales of the dark side. This book reads like a modern-day chronicle of Earth—gritty realism, cynical truth—only set on the ghetto planet of Lagarto. Is it sci-fi or hardboiled crime noir? Who cares? It is a great read.
The derelict Kop lives and breathes among the pages, vacillating between blind brutality and a deep desire to make a difference. Kop shoulders its way through the crowd of sci-fi neo-noir pretenders. Read it; it’s worth the ride.
Juno is a dirty cop with a difficult past and an uncertain future. When his family and thousands of others emigrated to the colony world of Lagarto, they were promised a bright future on a planet with a booming economy. But before the colonists arrived, everything changed. An opportunistic Earth-based company developed a way to produce a cheaper version of Lagarto's main export, thus effectively impoverishing the planet and all its inhabitants. Growing up on post-boom Lagarto, Juno is but one of the many who live in despair. Once he was a young cop in the police department of the…
