Here are 14 books that Tess Monaghan fans have personally recommended once you finish the Tess Monaghan series.
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I came to Montgomery, Alabama, in 1988 to serve as a law clerk for a prominent federal judge (played by Martin Sheen in the movie Selma). I was convinced that the death penalty could be justly administered, and seeing Ted Bundy’s final appeal did little to change my mind. Subsequent cases, however, slowly worked a change in my attitude as I saw an execution’s effect on everyone involved in the process. My passion comes from this behind-the-scenes look at capital punishment in America.
I really appreciated reading a book where the character on death row is not himself an innocent victim. As a former federal law clerk who worked on death cases, I eventually came to oppose capital punishment, but Lippman presents a character who seems to deserve death.
I liked being confronted once again with the fundamental question of what constitutes justice for the worst among us.
“Laura Lippman is among the select group of novelists who have invigorated the crime fiction arena with smart, innovative, and exciting work.” —George Pelecanos
“Lippman’s taut, mesmerizing, and exceptionally smart drama of predator and prey is at once unusually sensitive and utterly compelling. —Booklist
Laura Lippman, New York Times bestselling author of What the Dead Know, Life Sentences, and the acclaimed Tess Monaghan p.i. series, delivers a stunning stand-alone novel that explores the lasting effects on lives touched by crime. With I’d Know You Anywhere, Lippman—master of mystery and psychological suspense, winner of every major literary prize given for crime…
I’ve always been drawn to complex female characters in both reading and writing. Even in the 21st century, there are so many expectations placed on girls and women to conform to society’s narrow concepts of femininity. As a queer woman who grew up under the UK’s Section 28, I’ve always struggled to fit myself into these pre-assigned boxes, which is why I’m fascinated by those who step so firmly out of them. I teach as well as write and one of the most satisfying things about both is the time I get to spend examining character. I hope you’re as captivated by these difficult women as I am!
I read this gripping psychological noir about a woman escaping her past and falling into a steamy, lethal affair a few years ago, but it’s still vividly seared into my mind.
I found the writing utterly captivating, and I think Lippman is an absolute genius when it comes to plot. This twisty story of love, lies, betrayal, and revenge kept me guessing right until the very end–not to mention reading through the middle of the night!
WINNER OF THE eDUNNIT AWARD FOR BEST CRIME NOVEL NOMINATED FOR THE CWA GOLD DAGGER
'Dark, gleaming. Read it.' GILLIAN FYNN 'Note perfect . . . Not to be missed.' MEGAN ABBOTT
Over the course of a punishing summer, Polly and Adam abandon themselves to a steamy, inexorable affair. Still, each holds something back from the other - dangerous, even lethal secrets.
Then someone dies. Was it an accident or part of a plan? By now Adam and Polly are so ensnared in each other's lives and lies that neither one knows how to get away - or even if…
I came to Montgomery, Alabama, in 1988 to serve as a law clerk for a prominent federal judge (played by Martin Sheen in the movie Selma). I was convinced that the death penalty could be justly administered, and seeing Ted Bundy’s final appeal did little to change my mind. Subsequent cases, however, slowly worked a change in my attitude as I saw an execution’s effect on everyone involved in the process. My passion comes from this behind-the-scenes look at capital punishment in America.
I loved this beautifully written book for its depiction of how the death penalty worked in the Jim Crow South. I loved the compassion shown by the characters, both black and white, and the attempt by Gaines to reveal the complexity of crime and punishment in an era that may not be so different from our own.
As a law clerk in the 1980s in the Deep South, I witnessed the legacy of the system that Gaines describes.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A deep and compassionate novel about a young man who returns to 1940s Cajun country to visit a Black youth on death row for a crime he didn't commit. Together they come to understand the heroism of resisting.
"An instant classic." —Chicago Tribune
A “majestic, moving novel...an instant classic, a book that will be read, discussed and taught beyond the rest of our lives" (Chicago Tribune), from the critically acclaimed author of A Gathering of Old Men and The Autobiography of Miss Jane Pittman.
"A Lesson Before Dying reconfirms Ernest J. Gaines's position…
I came to Montgomery, Alabama, in 1988 to serve as a law clerk for a prominent federal judge (played by Martin Sheen in the movie Selma). I was convinced that the death penalty could be justly administered, and seeing Ted Bundy’s final appeal did little to change my mind. Subsequent cases, however, slowly worked a change in my attitude as I saw an execution’s effect on everyone involved in the process. My passion comes from this behind-the-scenes look at capital punishment in America.
I love this book for confronting head-on the question of whether a reformed killer on death row should escape the death penalty. As a lawyer, I was frustrated by how the law sometimes stands in the way of justice, as seen by the protagonist’s desperate efforts on behalf of his client.
I also enjoyed the ongoing mystery of who else was guilty of the bombing at the heart of the novel.
#1 NEW YORK TIMES BEST SELLER • "A dark and thoughtful tale... Grisham is at his best." —People
In the corridors of Chicago's top law firm: Twenty -six-year-old Adam Hall stands on the brink of a brilliant legal career. Now he is risking it all for a death-row killer and an impossible case.
Maximum Security Unit, Mississippi State Prison: Sam Cayhall is a former Klansman and unrepentant racist now facing the death penalty for a fatal bombing in 1967. He has run out of chances -- except for one: the young, liberal Chicago lawyer who just happens to be his…
I’m the author of the novel The Good Ones, published by Harper Books earlier this year. I grew up in a beautiful and somewhat isolated part of the country, the Blue Ridge Mountains of Virginia, and it’s still my favorite place to set my fiction. When I began writing crime fiction, I knew I wanted to balance telling compelling stories with creating a sense of place and interesting characters to inhabit it, and I’ve learned so much from these writers about how to do that.
If I’d written this list a year ago, I probably couldn’t have found a way to include Megan Abbott, even though she’s one of my favorite writers.
Though setting is important to her work, it’s rarely given the place-based specificity we find in her newest novel, Beware the Woman, set in the wilderness of Michigan’s Upper Peninsula. I’ve vacationed in the UP and it truly is a wild place, the perfect background for this story of a pregnant woman spending an increasingly creepy week with the husband and father-in-law she’s not sure she can trust.
The woods that crowd around the family’s remote home seem threatening at first, but then come to offer the promise of escape from a domestic environment with its own set of perils. As in all these novels, setting is more than a scenic backdrop. It’s the world the reader lives in, and a crucial element…
By the "master of thinly veiled secrets often kept by women who rage underneath their delicate exteriors" (Kirkus Reviews), Beware the Woman is Megan Abbott at the height of her game.
Honey, I just want you to have everything you ever wanted. That’s what Jacy’s mom always told her. And Jacy felt like she finally did. Newly married and with a baby on the way, Jacy and her new husband, Jed, embark on their first road trip together to visit his father, Dr. Ash, in Michigan’s far-flung Upper Peninsula. The moment they arrive at the cottage snug within the lush…
I’m the author of the novel The Good Ones, published by Harper Books earlier this year. I grew up in a beautiful and somewhat isolated part of the country, the Blue Ridge Mountains of Virginia, and it’s still my favorite place to set my fiction. When I began writing crime fiction, I knew I wanted to balance telling compelling stories with creating a sense of place and interesting characters to inhabit it, and I’ve learned so much from these writers about how to do that.
I love all of Rebecca Makkai’s work, but this novel, published earlier this year, absolutely blew me away.
Makkai is adept at keeping the pages turning, but it wasn’t just the story of podcaster Bodie Kane and the murder of her high school classmate that drew me in as much as the atmosphere. The novel is set in a New England winter, and Makkai does a fantastic job of using the darkness and isolation of the season to create thematic resonance.
I’ve only been to New England a few times and don’t know it well at all, but this novel makes me feel like I’ve been there.
**A MOST ANTICIPATED BOOK FOR OPRAH DAILY, TIME, NPR, USA TODAY, BUSTLE, STAR TRIBUNE, GOOD HOUSEKEEPING AND MORE**
'Whip-smart and uncompromising' NEW YORK TIMES BOOK REVIEW
'Quietly riveting' IRISH TIMES
'It's the perfect crime' NEW YORKER
'Impressive and complex' GUARDIAN
'Addictive' OPRAH DAILY
The riveting new novel from the author of The Great Believers, finalist for the Pulitzer Prize and the National Book Award
A successful film professor and podcaster, Bodie Kane is content to forget her past: the family tragedy that marred her adolescence, her four largely miserable years at a New Hampshire boarding school, and the 1995 murder…
I’ve always been drawn to complex female characters in both reading and writing. Even in the 21st century, there are so many expectations placed on girls and women to conform to society’s narrow concepts of femininity. As a queer woman who grew up under the UK’s Section 28, I’ve always struggled to fit myself into these pre-assigned boxes, which is why I’m fascinated by those who step so firmly out of them. I teach as well as write and one of the most satisfying things about both is the time I get to spend examining character. I hope you’re as captivated by these difficult women as I am!
I love how clever this book is! It seems like a simple premise, but the Sliding Doors-style structure, allowing us to follow Joanna into two different versions of the future, prompted me to think of all the similar moments of fear I’ve experienced and how they, too, could have ended in an ‘impossible decision.’
I was thrilled, angered, and gripped by both storylines individually, but it’s the way they knotted unexpectedly together that made me ask: What would I have done in this situation?
I’ve always been drawn to complex female characters in both reading and writing. Even in the 21st century, there are so many expectations placed on girls and women to conform to society’s narrow concepts of femininity. As a queer woman who grew up under the UK’s Section 28, I’ve always struggled to fit myself into these pre-assigned boxes, which is why I’m fascinated by those who step so firmly out of them. I teach as well as write and one of the most satisfying things about both is the time I get to spend examining character. I hope you’re as captivated by these difficult women as I am!
I found this novel incredibly chilling and scarily relevant to today, given its 1965 setting. Inspired by true events, Flint’s spare prose totally transported me to the blistering New York heatwave in which her character, Ruth, is accused of murdering her own children.
I love how complicated Ruth is, how her story asked me to question what makes a ‘good’ mother, and how deeply Flint left me thinking about how women, in general, are judged by the police, the press, and the public.
Haunting, intoxicating and heart-poundingly suspenseful, Little Deaths is a gripping novel about love, morality and obsession, exploring the capacity for good and evil within us all.
It's the summer of 1965, and the streets of Queens, New York shimmer in a heatwave. One July morning, Ruth Malone wakes to find a bedroom window wide open and her two young children missing. After a desperate search, the police make a horrifying discovery.
Noting Ruth's perfectly made-up face and provocative clothing, the empty liquor bottles and love letters that litter her apartment, the detectives leap to convenient conclusions, fuelled by neighbourhood gossip…
Let’s face it—we spend a lot of time at work. Work is a big part of our lives, but sometimes it’s terrible and feels like there is no winning against institutionalized sexism and capitalism. And you really want to win! I love reading about women who are finding ways to overcome massive obstacles at work no matter what gets in their way, whether it’s by destroying an industry with a spreadsheet, breaking a curse, ditching a bad boss, or just finding a way to survive. Because sometimes that’s all you can do—survive it. Stories of women working feel endlessly relatable because we have so many shared experiences, and that’s why what happens at work shows up in my reading and my writing.
I had to read this when it came out because it felt ripped from the headlines. Sarah Lai has left behind her Hollywood dreams of filmmaking for a quieter, simpler life. But a journalist reaches out and drags her past to the forefront by asking questions about Sarah’s experiences working with a celebrated producer. There have been… complaints. From women. A lot of women.
Sound familiar? This is a wholly fictional take on past events, but it also forces the reader to examine the ways in which we might be complicit in holding up systems, and what we can do to break bad patterns.
Engaging, timely, and I couldn’t put it down. Again, women find their voices and stand up for other women around them. That’s a narrative I can’t miss.
Growing up in theatre, I was completely immersed in plays, which tend to be deep dives of the human psyche, and I latched on to those examinations like a dog with a bone. I’ve always loved the complexities of the human mind, specifically how we so desperately want to believe that anything beautiful, expensive, or exclusive must mean that the person, place, or thing is of more value. But if we pull back the curtain, and really take a raw look, we see that nothing is exempt from smudges of ugliness. It’s the ugliness, especially in regard to human character, that I find most fascinating.
I’ve read this book no less than five times, and it remains one of my all-time favorite books. Tartt’s literary style of writing is not only beautiful in its own right but becomes a tool to enrich the story that surrounds all things literary.
The idea of an exclusive New England college where you have the luxury of unabashedly studying the classics and taking school breaks in Italy is my ultimate idea of luxury. Where do I sign up?! Taking it a step further, the fact that these academic outcasts are stone-cold murderers hits my sweet spot.
This juxtaposition of elevation and depravation pulls me in every single time. When I went to college, I initially wanted to study criminal psychology, and this book is a perfect example of why.
'Everything, somehow, fit together; some sly and benevolent Providence was revealing itself by degrees and I felt myself trembling on the brink of a fabulous discovery, as though any morning it was all going to come together---my future, my past, the whole of my life---and I was going to sit up in bed like a thunderbolt and say oh! oh! oh!'
Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries.…
