Here are 100 books that Terry McCaleb fans have personally recommended once you finish the Terry McCaleb series.
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When I was a boy, my father filled our house with books. From an early age, I immersed myself in whatever he was reading, especially spy thrillers (John LeCarre was his favorite) and crime fiction (the first I recall reading was Joseph Wambaugh’s The Onion Field). I loved those books. What captivated me most were stories that provided clues but made me piece them together to draw my own conclusions. I strive to deliver this same experience to the readers of my novels by providing entertaining tales with unexpected, yet plausible endings.
This book introduced me to the gritty world of Los Angeles police detective Harry Bosch. I love Bosch’s smarts and toughness, yet beneath his hard exterior lurks a sensitive heart. He is fond of saying, “Everybody counts, or nobody counts,” and he means it.
Whether the victim is a rich businessman or an impoverished drug addict, Bosch pursues justice with the tenacity of a bulldog. Not only that, he makes tough choices with an ironclad sense of right and wrong. After reading it, I devoured everything Michael Connelly has written. I’m that fan who pre-orders his next book as soon as the announcement hits my inbox.
An LAPD homicide detective must choose between justice and vengeance as he teams up with the FBI in this "thrilling" novel filled with mystery and adventure (New York Times Book Review). For maverick LAPD homicide detective Harry Bosch, the body in the drainpipe at Mulholland Dam is more than another anonymous statistic. This one is personal . . . because the murdered man was a fellow Vietnam "tunnel rat" who had fought side by side with him in a hellish underground war. Now Bosch is about to relive the horror of Nam. From a dangerous maze of blind alleys…
I am an author, attorney, artist, and entrepreneur. My experience as a litigator for over forty years, as well as my experience as a painter and an investor, has inspired and influenced me to write the Chance Cormac legal thrillers series.
Connelly is the GOAT of the legal thriller genre. He is the creator of Mickey Haller and Hieronymus Bosch.
The Lincoln Lawyer introduces Mickey Haller, the LA lawyer whose office is his Lincoln Town Car. A criminal defense lawyer, Haller agrees to defend a prominent real estate agent who claims he is being framed for assault and attempted murder.
In Connelly’s novels, things are never what they seem. Connelly understands the challenges facing attorneys in investigating and trying difficult cases for difficult clients.
They're called Lincoln Lawyers: the bottom of the legal food chain, the criminal defence attorneys who operate out of the back of a Lincoln car, travelling between the courthouses of Los Angeles county to take whatever cases the system throws in their path.
Mickey Haller has been in the business a long time, and he knows just how to work it, how to grease the right wheels and palms, to keep the engine of justice working in his favour. When a Beverly Hills rich boy is arrested for brutally beating a woman, Haller has his first high-paying client in years.…
I like fiction which makes a character confront what the poet Thom Gunn called ‘the blackmail of his circumstances’: where you are born, the expectations of you. I like to think I am very much a self-created individual, but I can never escape what I was born into; the self is a prison that the will is trying to break out of. I like literature which reflects that challenge.
I could have chosen any Raymond Chandler novel for this list; he is such a brilliant stylist, one of the best in the language.
His lugubrious, heavy-drinking, first-person detective Philip Marlowe is my kind of fictional hero, a genre-defining character, perpetually alone though he yearns for the glamorous women he meets.
Raymond Chandler's first three novels, published here in one volume, established his reputation as an unsurpassed master of hard-boiled detective fiction.
The Big Sleep, Chandler's first novel, introduces Philip Marlowe, a private detective inhabiting the seamy side of Los Angeles in the 1930s, as he takes on a case involving a paralysed California millionaire, two psychotic daughters, blackmail and murder.
In Farewell, My Lovely, Marlowe deals with the gambling circuit, a murder he stumbles upon, and three very beautiful but potentially deadly women.
In The High Window, Marlowe searches the California underworld for a priceless gold coin and finds himself…
I remember carrying home tall stacks of library books in the summertime and spending entire days immersed in my heroes’ latest adventures as a kid. This continued as I grew up, as I learned that I ought to be a hero, too, by confronting evil both within and without. So I took steps to face my fears, and now when I write about good guys fighting bad guys in my own action fiction, it’s with a real passion for doing what’s right, for making this world better, even if it’s in my own way and only just a little.
As I indicated earlier, I am a Lee Child superfan. I’ve read all his original books. A thick (and expensive) biography. A long essay he wrote on heroism. All his short stories. You get the idea. So it was fun to re-read this book, his first.
It wasn’t what I remembered, that’s for sure! Yes, the action scenes are vivid and instructive (Child writes about the utility of a headbutt versus the risk of breaking your hand with a punch), and the action is what I remember most. But there’s more to this book than fights: there’s a major romance, which the author writes with gusto and in detail, heavy on feelings, not on private parts; the prose is better than solid, with imagery that really makes it come alive; and the story is plausible and tightly woven, with plenty of surprises.
Ex-military policeman Jack Reacher is a drifter. He's just passing through Margrave, Georgia, and in less than an hour, he's arrested for murder. Not much of a welcome. All Reacher knows is that he didn't kill anybody. At least not here. Not lately. But he doesn't stand a chance of convincing anyone. Not in Margrave, Georgia. Not a chance in hell.
I have always loved reading fiction novels with a fast-paced plot and an unexpected ending that surprises me. In my own Dr. Kyle Chandler Thriller Series, I try to use this same thought-provoking pattern that also includes quick dialogue with an underlying sexual tension between the male and female protagonists to keep the readers’ interest. Using this, I feel I am conveying my passion for the characters and plot to the reader. I believe that this theme of fast-paced, twisting plots matched with surprise endings is shown with clarity in all five of the books I have recommended in this list.
Known for his Lincoln Lawyer and Harry Bosch crime/mystery series, this novel is the first one about Connelly’s investigative reporter Jack McAvoy.
I really enjoyed the immersion of the protagonist into the journalism newsroom world as he tries to link his brother’s unexpected murder to a series of nationwide murders.
With all odds against him, I liked the way Jack kept fighting the upstream battle to arrive at an astonishing conclusion to the case.
When Jack begins to investigate the phenomenon of police suicides, a disturbing pattern emerges and he soon suspects that a serial killer is at work, one who sets up his victims and leaves "suicide" notes drawn from the dark poems of Edgar Allan Poe.
I love to read about strong, independent, imperfect women who are capable of getting themselves out of their own messes. That's why my female protagonists are strong, independent, imperfect women who don't need a man to save them.
Detective Renée Ballard is a woman I hate to love. She sleeps during the day in a tent on the beach–who needs a solid roof over your head when you’re working graveyard for the L.A.P.D.–and occasionally shags the lifeguard. She is a loner, super smart, super tough, touchy, relentlessly driven, bitchy. What’s not to like?
This book got pretty scary. I like to be scared, and there are three more in the series.
In this first installment of the Renée Ballard series, #1 bestselling author Michael Connelly introduces a "complicated and driven" young detective fighting to prove herself on the LAPD's toughest beat (The New York Times). Renée Ballard works the midnight shift in Hollywood, beginning many investigations but finishing few, as each morning she turns everything over to the daytime units. It's a frustrating job for a once up-and-coming detective, but it's no accident. She's been given this beat as punishment after filing a sexual harassment complaint against a supervisor. But one night Ballard catches two assignments she doesn't want to part…
I knew I wanted to be a writer of fiction when I was 10 years old, being raised by my father. He thoughtfully gave me a typewriter, and plenty of other encouragement too. As a youngster, I couldn’t read enough about what youngsters read about: animals, sports, cowboys, child detectives. Soon, I came to love books that probed human conflict through characters who reached deeply into my soul. Not simplistic “good versus evil” driven principally by plot, but gut-pulling interpersonal struggle coming to life (and sometimes death) in characters facing moral and legal dilemma, and facing it with wit, humor, and human frailty.
I was blown away by the authentic voices of the characters, the quick pacing, and the theme of justice confronting racial hatred in a courthouse and a community. Something tells me that Grisham himself might be most proud of this first novel, even over his many fine ones that followed it. Recently, I went back to read some of this book.
I wanted to remember how Grisham wrote about place and atmosphere. I found myself sweating as I took in his words describing the hot southern town. I re-read the entire novel.
______________________________ THE MULTI-MILLION COPY BESTSELLER
John Grisham's first and most shocking novel, adapted as a film starring Samuel L. Jackson and Matthew McConaughey
When Carl Lee Hailey guns down the violent racists who raped his ten-year-old daughter, the people of the small town of Clanton, Mississippi see it as justice done, and call for his acquittal.
But when extremists outside Clanton - including the KKK - hear that a black man has killed two white men, they invade the town, determined to destroy anything and anyone that opposes their sense of justice. A national media circus descends on Clanton.
I love a story filled with interesting characters and a plot that reels me in. I know how challenging it is to construct a plotline and create breadcrumbs (not too many, so the solution isn’t obvious)–all driven by intriguing characters. I am also a sucker for the “good guys” winning but with no guarantees. The characters must have depth, and I want to learn something new about a situation I am unfamiliar with or how a great story is told.
As a reader of mysteries and thrillers, I always look for intriguing characters, a great storyline, and something special. Not all books in the genre have these. This one does. The secret element is that it’s extremely charming. I love the relationship between the protagonist, Myron, and his best friend, the wealthy Win. For instance, they are both TV trivia nuts of classic TV shows from the ‘60s and forward.
Additionally, Win is very much not what he seems. This other side is intriguing and adds depth to the character. In Coban’s book, I rooted for Myron (I didn’t always agree with his choices) but was on his side the whole time.
The truth can get you killed... A stunning thriller from the SUNDAY TIMES bestselling author of SIX YEARS.
Investigator and sports agent Myron Bolitar is poised on the edge of the big-time. So is Christian Steele, a rookie quarterback and Myron's prized client. But when Christian gets a phone call from a former girlfriend, a woman who everyone, including the police, believes is dead, the deal starts to go sour.
Suddenly Myron is plunged into a baffling mystery of sex and blackmail. Trying to unravel the truth about a family's tragedy, a woman's secret and a man's lies, Myron is…
Around age thirteen I discovered Perry Mason and put Nancy Drew on a back shelf. By the time I discovered Raymond Chandler’s mean streets, I was hooked. A vastly over-protected child, I longed to explore places that would make my mother faint. To paraphrase Chandler, I wanted to read about the best woman of her world and a good enough woman for any world. The kind of woman (or yes, a man) who would never ever need to be rescued. And when I sat down to write, I wanted to write about men and women who could handle themselves on those mean streets without turning mean themselves.
I fell in love with Sue Grafton’s Kinsey Milhone in the first paragraph of this book. She’s learned to protect her heart from significant damage, and she’s got a toughness that makes her equal to any drug lord or cold-blooded killer in the streets of L.A. or anywhere else.
She’s hired by a woman who was convicted of killing her husband. She swears she didn’t do it. Of course, right? Kinsey is tasked with finding out who actually did it, and yes, she takes it with the proverbial grain of salt—until the bodies start piling up. Her investigation ranges from Beverly Hills to Las Vegas. Who says rich streets aren’t mean? Trust me, the lady can handle herself while keeping her ethics intact.
`My name is Kinsey Millhone. I'm a private investigator, licensed by the state of California. I'm thirty-two years old, twice divorced, no kids. The day before yesterday I killed someone and the fact weighs heavily on my mind . . .'
When Laurence Fife was murdered, few cared. A slick divorce attorney with a reputation for ruthlessness, Fife was also rumoured to be a slippery ladies' man. Plenty of people in the picturesque Southern California town of Santa Teresa had reason to want him dead. Including, thought the cops, his young and beautiful wife, Nikki. With motive, access and opportunity,…
Like most people I know, I have always been fascinated with serial killers, and more importantly why they do what they do. What makes one man murder multiple victims while another with a similar upbringing sells white goods and wouldn’t attract a traffic ticket. In my books, I am as interested in showing my readers why a killer kills, as I am in the hunt to catch him. My goal is to not so much get the reader to ‘like’ the antagonist but to understand, and dare I say even feel sorry for him. We are all products of our environment and upbringing, yet some of us murder others for fun.
Trust me when I say that any book by Michael Robotham will not disappoint, but this one is something special. Shatter features psychologist Joe who has his own problems and aids the police in tracking down a serial killer who can destroy his victims by getting them to kill themselves. Never have I read a book that has taken me on such an emotional roller-coaster.
A naked woman in red high-heeled shoes is perched on the edge of Clifton Suspension Bridge with her back pressed to the safety fence, weeping into a mobile phone. Clinical psychologist Joseph O'Loughlin is only feet away, desperately trying to talk her down. She whispers, 'you don't understand,' and jumps.
Later, Joe has a visitor - the woman's teenage daughter, a runaway from boarding school. She refuses to believe that her mother would have jumped off the bridge - not only would she not commit suicide, she is terrified of heights.
