Here are 5 books that Sorcery Ascendant Origins fans have personally recommended once you finish the Sorcery Ascendant Origins series.
Book DNA is a community of authors and super-readers sharing their favorite books with the world.
I came of age in the early 80s, in Milwaukee, Wisconsin, not very far from where Gary Gygax and others invented Dungeons and Dragons. I grew up playing role-playing games. When other kids were running around, we were gathered around huge tables, rolling dice, and having fun. But that wasn’t enough. I went on to invent my own games, and build my own worlds. Over the decades, we wove rich tapestries of adventures together into intricate stories that beg to be told. So, seeing no other option, I became an author.
This was the first fantasy series I read, and it changed my life. Elric of Melniboné is a glorious blend of Grimdark and Sword and Sorcery, that starts a satisfying series, which, in and of itself, is the cornerstone of a larger collection of fantasy works.
So many works have borrowed from Elric, you really owe it to yourself to read the original. The books are short, and read quite quickly. There is incredible pathos within the story arc, and a deep, dark creativity to the worldbuilding.
From World Fantasy Lifetime Achievement Award winner Michael Moorcock comes the first book in his famous Elric of Melniboné series, brought to vivid new life with stunning illustrations.
In one of the most well-known and well-loved fantasy epics of the 20th century, Elric is the brooding, albino emperor of the dying Kingdom of Melnibone. With Melnibone’s years of grandeur and decadence long since passed, Elric’s amoral cousin Yrkoon sets his eyes on the throne. Elric, realizing he is his country’s best hope, must face his nefarious cousin in an epic battle for the right to rule.
I’m the author of more than twenty fantasy novels, including the acclaimed Annals of the Nameless Dwarf series, and the hauntingly dark Sorcerers’ Isle duology. In my capacity as a developmental editor, I’ve worked on almost a hundred books for both traditionally published and independent authors. I was brought up reading classic fantasy and Sword and Sorcery, then spent more time than I perhaps should have playing D&D throughout the late 70s and the 80s. I confess to being an unashamed fan of Thongor. I’m an Englishman abroad, pining for the Sussex Downs and warm beer beside an open fire in a medieval pub I was once wont to visit.
The concept is what initially sold me on this one: the child of a “dark lord” figure. Ultimately, Incursion, the first of five books in The Necromancer’s Key series, is a concatenation of unmaskings as the reader tries to work out who the heir of the Necromancer Queen is—and, be warned, there are some big red herrings.
The protagonist, Anskar DeVantte, is a young man preparing to become a holy knight, yet as he works his way through the trials of initiation, buried powers and a past deliberately hidden from him by his superiors begin to manifest. He becomes involved (against the Order’s rules) with another trainee knight, a woman taken from among the subjugated local population and forced to adopt the ways of her people’s oppressors. They both begin to demonstrate phenomenal sorcerous powers, which draw the attention of the Order’s superiors, as well as that of the…
An immersive and ambitious new series from the Aurealis Award winning author of A Crucible of Souls.
A corrupted power stirs from beyond the grave. A sacred order of knights sworn to protect the world from evil. The Necromancer Queen will rise again.
Seventeen years have passed since the Necromancer Queen Talia was overthrown and slain, and her capital city destroyed by the Knights of the Order of Eternal Vigilance.
Anskar DeVantte, raised in the sacred disciplines of the Order, is now ready to face the brutal initiation trials to become a consecrated knight-sorcerer.
I have always been intrigued by fantastical world-building that is complex, detailed, forensically credible, and immeasurably encyclopedic in scope. It should propel you to a world that feels almost as real as the world you leave behind but with intricate magic systems and razor-shape lore. Ironically, some of my choices took a while to love, but once they “sunk in,” everything changed. Whenever life gets too much, it has been cathartic, essential even, to transport to another universe and find solace in prose dedicated to survival, soul, and renewal.
Thomas Covernant is a leper shunned by society but finds himself in the Land where some herald him as the one who’ll save them from an evil sorcerer, Lord Foul. He is not always a sympathetic character, but being on society’s edge where all and sundry openly shun him can do that to anyone.
What I loved the most was the captivating Land with its many peoples and inhabitants, such as the sentient woods and the Forestals that ward them, the Elohim, a benign people with special powers, the Giants and the evil Viles, Waynhim, and ur-viles.
Outside being exotic, the world feels credible and immersive, especially the “wild magic” Covernant begins to wield. I ended up caring passionately about what happened to the Land and wanting Covernant to acknowledge his worth.
'Comparable to Tolkien at his best' WASHINGTON POST
Instantly recognised as a modern fantasy classic, Stephen Donaldson's uniquely imaginative and complex THE CHRONICLES OF THOMAS COVENANT, THE UNBELIEVER became a bestselling literary phenomenon that transformed the genre.
Lying unconscious after an accident, writer Thomas Covenant awakes in the Land - a strange, beautiful world locked in constant conflict between good and evil.
But Covenant, too, has been transformed: weak, angry, and alone in our world, he now holds powers beyond imagining and is greeted as a saviour. Can this man truly become the hero the Land requires?
For me, one of the most exciting things about a great book is discovering the world in which the story takes place. I absolutely love it when I find a story with a rich tapestry into which the characters are woven and which brings the story to life. If the world created by an author tantalizes the senses and feels believable (no matter how fantastical), it makes the characters and story feel real. This makes it feel like the stakes and the consequences of the character’s actions matter in the context of the world and brings us along on the journey and all the possibilities that await the reader.
I do not think any list relating to fantasy books would be complete without an entry from David Gemmell, a true gold standard of the genre. Legend is another book I first fell in love with as a teenager. I loved the simple enough premise: countless enemies at the gates of a fortress, and if the fortress falls, the Drenai Empire falls.
The story also introduces what I believe to be one of the most iconic heroes in heroic fantasy, the Deathwalker—Druss The Legend. While there were battles like nothing I had ever read before it was the interaction between the characters and the fellowship of the embattled defenders which brought me into this world fully as I read. The expert craft of the story made me really care about each of the characters and their fate.
There is an expertly realised villain in Ulric, the leader of the enemy,…
“David Gemmell tells a tale of very real adventure, the stuff of true epic fantasy.”—R. A. Salvatore
Druss, Captain of the Ax, is the stuff of legends. Tales of his battles are told throughout the land, and the stories expand with each telling. But Druss himself grows older, until finally, the warrior turns his back on glory and retreats to his mountain lair. There he awaits his old enemy: death.
But far below, the barbarian Nadir hordes are on the march. All that stands between them and the Drenai people is a mighty six-walled fortress, Dros Delnoch—a great citadel that…
I received the Dungeons and Dragons Basic Red Box as a kid, and I have been hooked on all things fantasy fiction since. It has become a part of my life so much that each character takes on a special importance for me. Some characters exist in worlds full of swords and magic, while others live in realms that are dirty, bleak, and on the brink of utter ruin. As a writer, I enjoy seeing the different perspectives these characters bring to fantasy settings. It makes them unique, each in their own way. Some want to right the wrongs of the worlds they reside in, while others don’t care if it all burns down around them.
I never thought I’d cheer for a crippled torturer, but somehow Abercrombie makes me do it.
The characters in The Blade Itself feel raw and jagged, like real people rather than fantasy archetypes. What I loved most was how no one is truly heroic—everyone’s broken, desperate, or scheming, yet still magnetic. The dialogue crackles with wit, and the shifting perspectives kept me hooked.
It’s grimdark, yes, but never bleak for the sake of it. Instead, it reveals how ugly and fascinating people can be when survival and ambition collide.
Inquisitor Glokta, a crippled and increasingly bitter relic of the last war, former fencing champion turned torturer extraordinaire, is trapped in a twisted and broken body - not that he allows it to distract him from his daily routine of torturing smugglers.
Nobleman, dashing officer and would-be fencing champion Captain Jezal dan Luthar is living a life of ease by cheating his friends at cards. Vain, shallow, selfish and self-obsessed, the biggest blot on his horizon is having to get out of bed in the morning to train with obsessive and boring old men.
