Here are 27 books that Shantaram fans have personally recommended once you finish the Shantaram series.
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The first time I left home, at 21, I ran out of money after three months, but I was so dead set on staying abroad that I pushed on. I ended up being gone for 18 months and traveled through 40 countries. Before I turned 30, I completed 10 six-month trips abroad, each with a long overland journey built-in, and hit close to 100 countries. Most of my travel was in the last decade before cell phones and the internet. I’ve been a member of The Explorers Club for twenty+ years and chair its Southwest Chapter.
Maybe the best way to feel the road is through the eyes of someone deprived of his/her freedom. I’ve never been in a foreign prison, but I have sat in a few jails, and the prospects of long-term confinement always terrified me.
In the early 1930s, Henri Charriere was sentenced to life imprisonment in the brutal penal colony of French Guiana for a crime he didn’t commit.
In this memoir, I yearned for blue skies and open roads as I followed Henri’s desperate escape attempts and refusal to accept confinement. I’ve never wanted someone to get away so badly.
An immediate sensation upon its publication in 1969, Papillon is a vivid memoir of brutal penal colonies, daring prison breaks and heroic adventure on shark-infested seas.
Condemned for a murder he did not commit, Henri Charriere, nicknamed Papillon, was sent to the penal colony of French Guiana. Forty-two days after his arrival he made his first break for freedom, travelling a thousand gruelling miles in an open boat. He was recaptured and put into solitary confinement but his spirit remained untamed: over thirteen years he made nine incredible escapes, including from the notorious penal colony on Devil's Island.
In elementary school, I was told I had an overactive imagination, an insatiable curiosity, and an adventurous spirit. Fortunate to live across the street from the school, the school’s tiny, nondescript library became a sacred place, a sanctuary, a peaceful and magical space where I could escape into worlds far beyond the limits of a small southern town in the 1950s. I incorporate all of these characteristics, plus my love of travel, into my books. My goal is to write thrilling multicultural fiction novels that depict the blended relationships and experiences of African Americans and people within the communities that make up the global African diaspora.
I love books set in the exotic Middle East, and Morocco is by far my favorite country to visit, so I was immediately attracted to this book. It is a mind-bending psychological thriller that wound me up until my head spun, trying to unravel a plot filled with obsession, identity, and power.
A longtime friend visits Alice in Tangier, but is she a friend or a frenemy? Is Alice the fly and her friend the spider? The batteries in my ear-pods died several times as I became lost in the crowds and noise in the bustling medina while trying to keep track of Alice’s confused perceptions of reality.
The first time I left home, at 21, I ran out of money after three months, but I was so dead set on staying abroad that I pushed on. I ended up being gone for 18 months and traveled through 40 countries. Before I turned 30, I completed 10 six-month trips abroad, each with a long overland journey built-in, and hit close to 100 countries. Most of my travel was in the last decade before cell phones and the internet. I’ve been a member of The Explorers Club for twenty+ years and chair its Southwest Chapter.
As a lifelong reader of travel literature, this collection of essays was a real eye-opener.
Each chapter features a different writer, whether it’s about how Thoreau truly felt about living in the wilderness or Summerset Maugham’s traveling companion, Theroux delves deep into what made these people tick—what drove them to travel as much as why they wrote.
The collection made their work more understandable and made the writers seem more human.
The Sunday Times bestseller Paul Theroux collects a rich feast of his writing and essays - from travel to personal memoir - published all together here for the first time
Drawing together a fascinating body of writing from over 14 years of work, Figures in a Landscape ranges from profiles of cultural icons (Oliver Sacks, Elizabeth Taylor, Robin Williams) to intimate personal remembrances; from thrilling adventures in Africa to literary writings from Theroux's rich and expansive personal reading. Collectively these pieces offer a fascinating portrait of the author himself, his extraordinary life, restless and ever-curious mind.
The first time I left home, at 21, I ran out of money after three months, but I was so dead set on staying abroad that I pushed on. I ended up being gone for 18 months and traveled through 40 countries. Before I turned 30, I completed 10 six-month trips abroad, each with a long overland journey built-in, and hit close to 100 countries. Most of my travel was in the last decade before cell phones and the internet. I’ve been a member of The Explorers Club for twenty+ years and chair its Southwest Chapter.
Even after I became a traveler, I found myself pulled into Bruce Chatwin's writings because of his ability to make you feel more than just a location.
His stories about nomadic people and exotic places blend fact with fiction to give a fuller picture. I’ve read all of his work, but this book made me feel he was a kindred spirit.
One story in particular, Milk, captured the raw yearning to dive head-first into a foreign culture and made me a lifelong fan.
It is commonly supposed that Bruce Chatwin was an ingenuous latecomer to the profession of letters, a misapprehension given apparent credence by that now famous passage in his lyrical, autobiographical "I Always Wanted to Go to Patagonia," in which we are told that this indefatigable traveler's literary career began in midstride, almost on a whim, with a telegram announcing his departure for the farthest-flung corner of the globe: "Have gone to Patagonia." Such a view overlooks the fact that from the late 1960s onward Chatwin was already fashioning the tools of his future trade in the columns of a variety…
In elementary school, I was told I had an overactive imagination, an insatiable curiosity, and an adventurous spirit. Fortunate to live across the street from the school, the school’s tiny, nondescript library became a sacred place, a sanctuary, a peaceful and magical space where I could escape into worlds far beyond the limits of a small southern town in the 1950s. I incorporate all of these characteristics, plus my love of travel, into my books. My goal is to write thrilling multicultural fiction novels that depict the blended relationships and experiences of African Americans and people within the communities that make up the global African diaspora.
I find it hard to resist stories about female gangsters. Heather Webb scoured the pages of history to tell the story of a gang of kick-ass bad girls called the Forty Elephants led by the infamous ‘Diamond Annie’ in London in 1925.
What I loved about the story was that while Annie was fighting for respect in London’s male-dominated crime world, the first female detective at Scotland Yard assigned to bring them to justice was fighting for respect in the law enforcement profession.
Intelligent, unapologetic, and fearless women are my kind of girls, and Annie and her gang demonstrate true sisterhood as they rise to become Britain’s first female crime syndicate.
"A rollicking ride through the criminal underbelly of post-WWI London. Gritty at times and tender at others, Queens of London unmasks the most lawless—and likeable—gang of women you've never heard of." —Sarah Penner, New York Times bestselling author of The Lost Apothecary
Maybe women can have it all, as long as they're willing to steal it.
1925. London. When Alice Diamond, AKA "Diamond Annie," is elected the Queen of the Forty Elephants, she's determined to take the all-girl gang to new heights. She's ambitious, tough as nails, and a brilliant mastermind, with a plan to create a dynasty the likes…
Born into an atheist family and a psychiatrist by background, I identified as a Christian in mid-life then became an interfaith minister. I believe everyone has a birthright to discover their own personal nature and purpose and although religion can help, it’s probably only a phase through which a properly evolved consciousness passes. You can read all the non-fiction and sacred texts you like, but I find spiritual fiction to be the best medium to explore and share fundamentals like this.
A complete classic from 1923, it contains so much wisdom that I almost use it as a reference book. There’s no plot as such, the central character forming a mouthpiece for short bursts of poetic prose that cover many of life’s biggest issues.
I adore the beauty of the metaphors and the whimsical nature of the advice, and I’ve quoted it in both formal and informal moments more times than I can remember.
One of the most beloved classics of our time—a collection of poetic essays that are philosophical, spiritual, and, above all, inspirational. Published in 1923, Gibran's masterpiece has been translated into more than twenty languages.
Gibran’s musings are divided into twenty-eight chapters covering such sprawling topics as love, marriage, children, giving, eating and drinking, work, joy and sorrow, housing, clothes, buying and selling, crime and punishment, laws, freedom, reason and passion, pain, self-knowledge, teaching, friendship, talking, time, good and evil, prayer, pleasure, beauty, religion, and death.
Each essay reveals deep insights into the impulses of the human heart and mind. The…
I was imprisoned for murder as an 18-year-old. I was a high school dropout who was addicted to drugs and didn’t have any hope for the future. Each of the books recommended contributed to my own journey of transformation. I read them all while I was in prison. Some of them while I was in maximum security or solitary confinement. Each recommendation helped me escape that life and its horrors.
This is a novel about the savagery of convict life in the Australian penal colony.
It made me realize that the idea of escape is often better than the reality. That sometimes you are better off with the misery you have than the consequences of trying to escape it. This was particularly relevant to me as I was planning a prison escape around this time. Had I followed through with that escape my life would not be what it is today.
For the Term of His Natural Life (1874) is a novel by Marcus Clarke. Inspired by a journey taken by the author to the penal colony of Port Arthur, Tasmania, the novel was originally serialized in The Australian Journal between 1870 and 1872. For its depictions of the brutality and inhumanity of Australia's penal colonies, the novel has been recognized as a powerful realist novel and one of the first works of Tasmanian Gothic literature. In the year 1827, a young British aristocrat is implicated in the murder and robbery of Lord Bellasis, his birth father. Sent to Van Diemen's…
My father hails from India, where my first book became a national bestseller when I was 17. My co-author Thomas Locke has written over a dozen thrillers and even more adventure novels. We are both fascinated by India as a land of endless contrasts. From its cuisine and customs to the diverse people and landscape, India can be overwhelming, but never boring. The ancient backdrop of beautiful buildings and interwoven histories whisper secrets and beckon for adventure. Both of us have visited over 40 countries and enjoy reading and writing about multicultural characters. Especially when they want to conquer or save the world!
I love a Sherlock and Watson kind of relationship, and this one fit the early days of the British Raj perfectly. Two Brits in the employ of the East India Trading company who could not be more different. Avery is very much part of the system and eager to please. His mysterious guide, Jeremiah Blake, is critical of the Company and gets on far better with the wide cast of locals. I soaked up the historical setting, and the growing intrigue tided me over to the last third, which delivers everything you’d want in a historical thriller.
Set in the untamed wilds of nineteenth-century colonial India, this dazzling historical thriller introduces Blake and Avery—an unforgettable investigative pair.
India, 1837: William Avery is a young soldier with few prospects except rotting away in campaigns in India; Jeremiah Blake is a secret political agent gone native, a genius at languages and disguises, disenchanted with the whole ethos of British rule, but who cannot resist the challenge of an unresolved mystery. What starts as a wild goose chase for this unlikely pair—trying to track down a missing writer who lifts the lid on Calcutta society—becomes very much more sinister as…
I am a professor of French Literature and Creative Writing at The Ohio State University. A Franco-American writer, I am the author of books and essays published in both France and the United States, including Posthumous America, The Paradoxes of Posterity, American Pandemonium, and Sentinel Island. My work encompasses various genres (novel, short story, essay, and critical study) to explore recurring themes: exile and the representation of otherness; disinformation and the social impact of new technologies; nostalgia and the experience of mourning; the legacy of the Enlightenment and the Age of Great Discoveries; and America’s history and its troubled present.
Set in the rugged and remote regions of Afghanistan and the Himalayas, this Rudyard Kipling book follows two British adventurers who seek to carve out their own kingdom among the native tribes. Their audacious quest for power and wealth in forbidden lands leads to a tragic unraveling of their ambitions.
Through vivid storytelling and rich symbolism, Kipling delves into themes of imperialism, cultural arrogance, and the clash between civilizations. The forbidden territories they seek to conquer serve as a backdrop for exploring the darker aspects of human ambition and colonialism, making it a seminal work in literature.
This book–and its extraordinary film adaptation by John Huston, starring Sean Connery and Michael Caine–is a recurring source of inspiration in my work.
Literature’s most famous adventure story, this stirring tale of two happy-go-lucky British ne’re-do-wells trying to carve out their own kingdom in the remote mountains of Afghanistan has also proved over time to be a work of penetrating and lasting political insight—amidst its raucous humor and swashbuckling bravado is a devastatingly astute dissection of imperialism and its heroic pretensions.
I am a classicist (Greek and Latin) and a serious student of history. Modernity has obsessed me for the last 10 years, how it unfolds, what its implications are, whether it generates more gains than losses, whether it’s changing us profoundly and whether we can dodge it or not. Because of this interest (which I lecture on often) I am fascinated to see modernity’s gleanings in earlier times and always curious to see what other critics make of it. Because its effects will only grow down the road, the task of understanding its mechanisms and outcomes is one of extreme urgency, as these books illustrate in different ways.
Just when I thought the future was bright and sunny (in part due to Kurzweil), I learn from James Barrat that ASI (Artificial Super Intelligence) might well mark the end of our species (and the start of an ever-expanding artificial replacement).
I was fascinated by the people Barrat introduces us to like an expert on the psychology of ASI, and his description of a perfect machine and its runaway implications. I realized this is modernity at its best and worst: we push forward to improve the world but are always at the risk of creating new, unseen problems.
The most troubling question of all (to my way of thinking) is that our idea of perfected humanity (both a modern and a pre-modern aim) ends in the vision of machines like Watson playing endless games of Jeopardy among themselves.
Elon Musk named Our Final Invention one of 5 books everyone should read about the future
A Huffington Post Definitive Tech Book of 2013
Artificial Intelligence helps choose what books you buy, what movies you see, and even who you date. It puts the "smart" in your smartphone and soon it will drive your car. It makes most of the trades on Wall Street, and controls vital energy, water, and transportation infrastructure. But Artificial Intelligence can also threaten our existence.
In as little as a decade, AI could match and then surpass human intelligence. Corporations and government agencies are pouring…
