51 books like Riftwar Cycle: The Empire Trilogy

I was always on the lookout for new fantasy books when I was younger, and found this in the library one day. So glad I did!

I know it’s a familiar theme to have a young person coming of age and being super powerful, but it’s a good theme, and done brilliantly in Magician.

I appreciate it when authors don’t waffle too much, keep things to the point, and let their characters breathe in an interesting world. Krondor is certainly an interesting world, and I ended up loving quite a few of the books in this series. 

I listened to the audiobook edition of this story and was completely blown away.

The narration is superb, with the reader performing songs and really making the story come alive, but the prose was just wonderful. Seriously, I would hear lines and think, “Oh my God, I wish I could write like that!”

I haven’t read much fantasy that was written in the past 20 years, but I can see why this is regarded as a modern classic. I loved it and wish he would finally complete the trilogy! 

I’ve always had a fascination with prophecies and the ubiquitous role they play in works of fantasy—it’s a tried-and-true literary device, and I don’t think there is another series that embodies the principle of fate better than Eddings’ Belgariad series.

The title of this first book sets that up most perfectly. From the first few pages, I was instantly drawn into this world, which takes the concept of uniquely varied traveling companions to a whole other level.

Not only are the characters all well fleshed out with personalities and motivations that kept me invested the whole way, but the book (and series) was also replete with another thing I love so much about fantasy novels—going on a grand, action-filled journey through numerous, fascinating locations.

The medieval Polish backwoods community feels startlingly alive—crude, superstitious, and the rest of it.

The Okoits, and later Conrad’s people, are rough villagers who drink, farm, and then get up the next day and do it again. At the same time, their sense of being part of a genuine community is unmistakable. 

Frankowski doesn’t just portray a functional medieval society in an alternate timeline; his engineer protagonist builds one, bolt by bolt. There’s this no-nonsense optimism coursing through the story: the conviction that one can literally make a better world equipped with nothing but grit, crudely smelted iron, and the guts to try.

What stuck with me is how this villager society absorbs innovation in a matter-of-fact manner. It’s messy, uneven, and wildly productive. You don’t have to co-sign every norm of its community to be impressed by how solidly it holds together. 

Mammoths grazing outside the protagonist’s dwelling—yeah, that was love at first sight.

And the lived-in environment? Homes carved into colossal, cultivated trees, and people served by public, stackable electric vehicles—yes, please. The land thrives, and no species has been driven to oblivion.   

Sawyer’s parallel-Earth Neanderthals truly appealed to me: the emotional restraint, the honesty, the structural elegance of their culture. Even their norms around maintaining a sustainable population are handled with startling clarity—seasonal, communal parenting. 

No prisons, no poverty, no religion weaponized into hierarchy. Life runs on calm confidence, as if evolution took a gentler branch, and society—as it’d scaled up—managed to keep its soul. 

I felt awe-struck stepping into Gaea’s hollow world—where zeppelin-sized blimps glide through a sky inside the giant, planet-like being, and forests and rivers hang overhead. Gaea feels both grand and intimate: cathedral-scale biology paired with tavern-table camaraderie. 

And then there are the titanides. Their society feels hand-tooled—full of music and unpretentious sensuality. No posturing, no greed, just beings who live in balance. The centaur-like titanides dwell beneath a colossal tree hung with lanterns… and it all feels alien and warm and cozy and wonderful. 

This is a short story featuring Conan, and one of, if not, my favourite (it has tough competition from Red Nails and Wolves Beyond the Border). Simple, straight-up, sword and sorcery action. Howard’s Conan was the first real fantasy I fell in love with (before discovering Lord of the Rings). Epic character, but straightforward stories. The opposite of the sprawling epic. One of my books is a collection of sword and sorcery stories, and the first story is heavily influenced by The Tower of the Elephant. The otherworldly aspect, magic, (but not all-encompassing magic), a quest, and ultimately a choice between good and evil. I can’t not recommend a Conan story when talking about fantasy.

A simple explanation of this book is Althalas is a thief and lives his life looking for the next heist he can pull off, until the Goddess Dweia hires him to save the world from the desolations of her evil brother Daeva and his henchman Ghend. The telling of this tale is anything but simple. The authors have drawn on past civilisations that can be easily recognised to the reader, such as the Roman and Viking, adding their own lore and history to it. It is richly described and draws the reader to become invested in Althalas’s troubles and successes, along with all of his personable and flawed companions. It is an enjoyable read, and I dare you not to fall in love with Emmy.

So, first off, this is one of the best audiobooks of all time. While Scott did an amazing job spinning the tale, Michael Page elevated this work to a whole new level. There was a time around 2010 when fantasy became overly serious and dark. And I was rescued by the Gentlemen Bastards which was fast paced, fun, and fabulous. The absolute best part of this book is its humor, something that is sorely missing in fantasy these days.

Of course the stars of the show are Locke and Jean. Locke is a charismatic, cunning cutthroat and Jean is his loyal right-hand man. Together they make a great pair. Their deep, brotherly friendship and unwavering loyalty to each other is fantastic, and the reason they made my list.

I want to acknowledge right at the start that some troubling accusations have come to light about Neil Gaiman. I completely respect someone’s decision to avoid his books if that seems right to them. I struggle with the alleged actions of the author and find that I still love this novel.

For younger readers (and those who love books for younger readers), this novel introduces us to the tender side of the uncanny. A community of ghosts who raise an orphaned boy. A vampire and a werewolf who become his mentors and guardians. Once again, we are invited to see death as a natural part of life.

And, oh my gosh, is this novel funny! And charming, and lyrical, and beautiful.