Here are 48 books that Riftwar Cycle: The Empire Trilogy fans have personally recommended once you finish the Riftwar Cycle: The Empire Trilogy series.
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I have been a huge fan of fantasy since I was a child, starting off with high fantasy before trying out urban. The genre helps me escape from the real world for a while and fires my imagination. I write fantasy books because there is no limit on what you can do with characters and storyline. I write for pleasure and I hope others get enjoyment out of my work. I read a lot, not to get ideas, but just for the pure pleasure of reading. There is just something about the feeling of turning the pages of a printed book you can’t get anywhere else.
This is the first book in a series that goes on and on, following the life of a couple of characters as the world changes around them. Spanning two different worlds, this first book builds up a number of characters you want to keep reading about. As the series continues through time, new threats to the two worlds introduce new characters. What I like most about this series is it keeps moving the worlds forward instead of stagnating.
In the westernmost province of the Kingdom of the Isles, upon the world of Midkemia, an orphan kitchen boy named Pug was made apprentice to the magician Kulgan.
Here starts an adventure that will span lifetimes and worlds. Discover where the story begins.
The world had changed even before I discovered the foreign ship wrecked on the shore below Crydee Castle, but it was the harbinger of the chaos and death that was coming to our door.
War had come to the Kingdom of the Isles, and in the years that followed it would scatter my friends across the world.…
Children have vivid imaginations, and while mine was initially drawn to science fiction, I discovered my true passion for fantasy upon reading The Hobbit as a teenager. Since that day, escaping into fantasy worlds—whether it be through books, movies, TV, roleplaying, and video games—became my passion and hobby, leading me down many roads, including writing game reviews, a short story, a novel, and an extensive collection of fantasy-related replicas and statues. Ultimately, that endless feeling of wonder and exploration, adventure and danger is what convinced me to become an author; these five books sitting at the top of a long list that inspired me to reach that goal.
I’ve always had a fascination with prophecies and the ubiquitous role they play in works of fantasy—it’s a tried-and-true literary device, and I don’t think there is another series that embodies the principle of fate better than Eddings’ Belgariad series.
The title of this first book sets that up most perfectly. From the first few pages, I was instantly drawn into this world, which takes the concept of uniquely varied traveling companions to a whole other level.
Not only are the characters all well fleshed out with personalities and motivations that kept me invested the whole way, but the book (and series) was also replete with another thing I love so much about fantasy novels—going on a grand, action-filled journey through numerous, fascinating locations.
The first part of a saga set against a history of 7000 years of struggles of gods and kings and men. Long ago, the evil god Torak sought dominion and drove men and gods to war. Belgarath the Sorcerer led a quest to reclaim the Orb of Aldur - but so long as it lay at Riva, men would be safe.
Ever since high school, I've been passionate about societies, communities, and institutions that allow true prosperity to emerge—in one fashion or another. This thread runs through all my writing—both fiction and nonfiction. And what I’ve found is that a sense of well-being can wear many social guises.
I built this list because portraying worlds worth living in appeals to me endlessly more than immersing in bleak ones.
The medieval Polish backwoods community feels startlingly alive—crude, superstitious, and the rest of it.
The Okoits, and later Conrad’s people, are rough villagers who drink, farm, and then get up the next day and do it again. At the same time, their sense of being part of a genuine community is unmistakable.
Frankowski doesn’t just portray a functional medieval society in an alternate timeline; his engineer protagonist builds one, bolt by bolt. There’s this no-nonsense optimism coursing through the story: the conviction that one can literally make a better world equipped with nothing but grit, crudely smelted iron, and the guts to try.
What stuck with me is how this villager society absorbs innovation in a matter-of-fact manner. It’s messy, uneven, and wildly productive. You don’t have to co-sign every norm of its community to be impressed by how solidly it holds together.
Accidentally plunged back in time to Poland in the year 1231, Conrad Schwartz is determined to build up the country before the Mongol invasion that will come ten years later
Ever since high school, I've been passionate about societies, communities, and institutions that allow true prosperity to emerge—in one fashion or another. This thread runs through all my writing—both fiction and nonfiction. And what I’ve found is that a sense of well-being can wear many social guises.
I built this list because portraying worlds worth living in appeals to me endlessly more than immersing in bleak ones.
Mammoths grazing outside the protagonist’s dwelling—yeah, that was love at first sight.
And the lived-in environment? Homes carved into colossal, cultivated trees, and people served by public, stackable electric vehicles—yes, please. The land thrives, and no species has been driven to oblivion.
Sawyer’s parallel-Earth Neanderthals truly appealed to me: the emotional restraint, the honesty, the structural elegance of their culture. Even their norms around maintaining a sustainable population are handled with startling clarity—seasonal, communal parenting.
No prisons, no poverty, no religion weaponized into hierarchy. Life runs on calm confidence, as if evolution took a gentler branch, and society—as it’d scaled up—managed to keep its soul.
Robert J. Sawyer, the award-winning and bestselling writer, hits the peak of his powers in Humans, the second book of The Neanderthal Parallax, his trilogy about our world and parallel one in which it was the Homo sapiens who died out and the Neanderthals who became the dominant intelligent species. This powerful idea allows Sawyer to examine some of the deeply rooted assumptions of contemporary human civilization dramatically, by confronting us with another civilization, just as morally valid, that has made other choices. In Humans, Neanderthal physicist Ponter Boddit, a character you will never forget, returns to our world and…
Ever since high school, I've been passionate about societies, communities, and institutions that allow true prosperity to emerge—in one fashion or another. This thread runs through all my writing—both fiction and nonfiction. And what I’ve found is that a sense of well-being can wear many social guises.
I built this list because portraying worlds worth living in appeals to me endlessly more than immersing in bleak ones.
I felt awe-struck stepping into Gaea’s hollow world—where zeppelin-sized blimps glide through a sky inside the giant, planet-like being, and forests and rivers hang overhead. Gaea feels both grand and intimate: cathedral-scale biology paired with tavern-table camaraderie.
And then there are the titanides. Their society feels hand-tooled—full of music and unpretentious sensuality. No posturing, no greed, just beings who live in balance. The centaur-like titanides dwell beneath a colossal tree hung with lanterns… and it all feels alien and warm and cozy and wonderful.
I was 12 when I first played Dungeons and Dragons. I’d always been interested in swords, armour, the fight between good and evil (thank Star Wars for that) but I’d never read fantasy. D&D introduced me to it, and I fell in love with the genre. Conan was my first reading foray into fantasy, and then The Hobbit and I was hooked. I still go to the Royal Ontario Museum and stare at armour and weapons, and love visiting medieval castles. I can’t walk in the woods without picking up a stick and it becoming a sword to fight the orcs waiting for me around the next bend.
This is a short story featuring Conan, and one of, if not, my favourite (it has tough competition from Red Nails and Wolves Beyond the Border). Simple, straight-up, sword and sorcery action. Howard’s Conan was the first real fantasy I fell in love with (before discovering Lord of the Rings). Epic character, but straightforward stories. The opposite of the sprawling epic. One of my books is a collection of sword and sorcery stories, and the first story is heavily influenced by The Tower of the Elephant. The otherworldly aspect, magic, (but not all-encompassing magic), a quest, and ultimately a choice between good and evil. I can’t not recommend a Conan story when talking about fantasy.
t is set in the pseudo-historical Hyborian Age and concerns Conan infiltrating a perilous tower in order to steal a fabled gem from an evil sorcerer named Yara. Due to its unique insights into the Hyborian world and atypical science fiction elements, the story is considered a classic of Conan lore and is often cited by Howard scholars as one of his best tales.
I have loved escaping into different worlds for most of my life and all of these authors have inspired me to delve into worlds that don’t exist. They have taught me how to craft and expand my own made-up fantasy worlds. Not only inspiring my writing, but also giving me moments where I can escape from the world for a time and let my imagination run riot. I wanted to give readers the same chance to do just that in my latest book Realm of Dragons, Fight for the Crown, and I have these tales to thank for that. Truly great fantasy writers give us the chance to escape.
A simple explanation of this book is Althalas is a thief and lives his life looking for the next heist he can pull off, until the Goddess Dweia hires him to save the world from the desolations of her evil brother Daeva and his henchman Ghend. The telling of this tale is anything but simple. The authors have drawn on past civilisations that can be easily recognised to the reader, such as the Roman and Viking, adding their own lore and history to it. It is richly described and draws the reader to become invested in Althalas’s troubles and successes, along with all of his personable and flawed companions. It is an enjoyable read, and I dare you not to fall in love with Emmy.
A fabulous brand new Eddings standalone fantasy, set in an entirely new magical world.
Burglar, armed robber and sometime murderer, our hero Althalus is commissioned to steal a book from the House at the End of the World by a mysterious cloaked stranger named Ghend. At the House at the End of the World, he finds a talking cat... in the same room as the book Ghend described. What he can't find once he's in the house is the door by which he entered. Only 2467 years and an ice age later does Althalus re-emerge with the cat, Emmy. He's…
Tolkien ignited my love for fantasy, but after a decade of publishing failure, I quit writing altogether. When I returned to the typewriter more than ten years later it was to create something that “I wanted to read” rather than a book that I “thought could get published,” Ironically, those were the stories that made my career: one that has spanned sixteen years, twenty published books, and multiple New York Times bestsellers. In retrospect, I realize that my books and my recommendations share many of the same elements: bonds of unbreakable friendship, humor, and a grand adventure. So, if that sounds like something you’d enjoy, please check out my recommendations.
So, first off, this is one of the best audiobooks of all time. While Scott did an amazing job spinning the tale, Michael Page elevated this work to a whole new level. There was a time around 2010 when fantasy became overly serious and dark. And I was rescued by the Gentlemen Bastards which was fast paced, fun, and fabulous. The absolute best part of this book is its humor, something that is sorely missing in fantasy these days.
Of course the stars of the show are Locke and Jean. Locke is a charismatic, cunning cutthroat and Jean is his loyal right-hand man. Together they make a great pair. Their deep, brotherly friendship and unwavering loyalty to each other is fantastic, and the reason they made my list.
'One of my top ten books ever. Maybe top five. If you haven't read it, you should' Patrick Rothfuss, New York Times bestselling author of The Name of the Wind
'Fresh, original and engrossing' George R.R. Martin, the phenomenon behind A Game of Thrones
They say that the Thorn of Camorr can beat anyone in a fight. They say he steals from the rich and gives to the poor. They say he's part man, part myth, and mostly street-corner rumor. And they are wrong on every count.
Only averagely tall, slender, and god-awful with a sword, Locke Lamora is the…
Why do I love books set in cemeteries? Maybe it’s because I grew up living right next to one and still do. I spent hours as a child wandering around and even playing hide and seek among the tombstones. It’s a place where the living and dead meet, a place of mourning, memories, and peace. Cemeteries have so many superstitions and lore surrounding them. The stories written about them can be spooky, mysterious, sad, heartfelt, and any number of things, so the ideas are endless.
I loved this book from the first page. There’s something both eerie and comforting about a boy raised by ghosts in a graveyard. I was enamored by the atmosphere, soft fog, ancient tombstones, and strange creatures lurking just out of sight.
Gaiman has a gift for writing stories that feel like old folktales, but are still fresh and full of heart. I didn’t want it to end because I fell in love with the idea of this unconventional “family” protecting a boy as he grows up surrounded by the dead. It’s dark, magical, and unexpectedly warm.
When a baby escapes a murderer intent on killing his entire family, who would have thought it would find safety and security in the local graveyard? Brought up by the resident ghosts, ghouls and spectres, Bod has an eccentric childhood learning about life from the dead. But for Bod there is also the danger of the murderer still looking for him - after all, he is the last remaining member of the family. A stunningly original novel deftly constructed over eight chapters, featuring every second year of Bod's life, from babyhood to adolescence. Will Bod survive to be a man?
My psychotherapist has always described me as a black and white thinker. Good and evil. Happy or sad. Up or down. I struggle with shades of gray in my day-to-day life. Which is maybe the reason I am drawn to literature that explores morally ambiguous characters and settings. Not only does every book on this list have no clear hero or villain, but each story forces the reader to question what they think they know about right and wrong. I may be a black and white thinker in every practical sense, but I read and write about people and situations that occupy that very human space of in-between.
Want to laugh out loud? Then read The Princess Bride. I’m sure you’ve seen the classic movie version, but you owe it to yourself to go back to the source material by William Goldman. I never knew a book could be so funny!
The narrative stretches the boundaries of storytelling, taking the reader down a path that is touching, scary, and hilarious in turns. I loved the absurdist characters. I loved even more Goldman’s clear, comic voice throughout.
William Goldman’s beloved story of Buttercup, Westley, and their fellow adventurers.
This tale of true love, high adventure, pirates, princesses, giants, miracles, fencing, and a frightening assortment of wild beasts was unforgettably depicted in the 1987 film directed by Rob Reiner and starring Fred Savage, Robin Wright, and others. But, rich in character and satire, the novel boasts even more layers of ingenious storytelling. Set in 1941 and framed cleverly as an “abridged” retelling of a centuries-old tale set in the fabled country of Florin, home to “Beasts of all natures and descriptions. Pain. Death. Brave men. Coward men. Strongest…
