Here are 5 books that Remnants fans have personally recommended once you finish the Remnants series.
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I’ve devoured historical fiction ever since that first Johnny Tremain paperback, but I started writing historical fiction after a Master’s in International Economics helped me to better understand world events. What gives those historical events relevance today are the stories we tell about the negotiation of power. I am all for revisiting the power dynamic to win better quality of life for those most marginalized. I’ve been digging into labor history for my latest work in progress and it is fascinating and inspiring. I may write about 19th-century Scottish peasants and Chicago printers, but I also want today’s marginalized populations to see their struggles similarly celebrated.
Pre-revolution America is not usually my era for historical fiction but when I tell you that this novel grabs you with visceral detail, I mean it. Smells, textures, glares—everything is so vividly told! The resistance in this novel is really simple survival, as the whole New England village seems to have it in for our heroine Ruth. But she stubbornly holds out, trying to forge a path forward for herself. We get treated to some local politics, some ship lore, run-ins with Indigenous Nations (some good, some bad) and local brigands, and always anchored in Ruth’s evolving notions of right and wrong. The ending was also delicious. Think Last of the Mohicansmeets Cold Mountain, but with a surprise for our heroine.
Out Front the Following Sea is a historical epic of one woman’s survival in a time when the wilderness is still wild, heresy is publicly punishable, and being independent is worse than scorned—it is a death sentence. At the onset of King William’s War between French and English settlers in 1689 New England, Ruth Miner is accused of witchcraft for the murder of her parents and must flee the brutality of her town. She stows away on the ship of the only other person who knows her innocence: an audacious sailor—Owen—bound to her by years of attraction, friendship, and shared…
As a teenager, I began to question the myths my parents told about our family, but when saying so caused trouble, I confided my stories to paper instead. That’s how I became a writer. My first love has always been fiction, but I broke into print writing history—about quirky subjects in which I find deep meaning, like the potato’s revolutionary influence on the Western world, or how the invasion and occupation of Belgium in 1914 foretold Nazi Europe. My fascination with subversion shapes my novels too—my quiet, lonely protagonists would never storm the barricades yet appear radical because of how they live, a circumstance I know well.
I have a soft spot for characters who find strength by dint of superhuman effort, and the way this fifteen-year-old takes charge after the 1906 earthquake—haltingly, uncertainly, as is only plausible—makes me wish I’d met her.
Her path is steeper than the San Francisco hills, yet her refusal to ask for pity wins me over. I also admire how Edgarian uses her protagonist’s coming of age to represent San Francisco’s, a parallel delivered with a light touch.
But above all, the novel explores the fraught relation between women and power; and how Vera walks that tightrope makes compelling fiction.
New York Times bestselling author Carol Edgarian delivers “an all-encompassing and enthralling” (Oprah Daily) novel featuring an unforgettable heroine coming of age in the aftermath of catastrophe, and her quest for love and reinvention.
Meet Vera Johnson, fifteen-year-old illegitimate daughter of Rose, notorious proprietor of San Francisco’s most legendary bordello. Vera has grown up straddling two worlds—the madam’s alluring sphere, replete with tickets to the opera, surly henchmen, and scant morality, and the quiet domestic life of the family paid to raise her.
On the morning of the great quake, Vera’s worlds collide. As the city burns and looters vie…
I’ve devoured historical fiction ever since that first Johnny Tremain paperback, but I started writing historical fiction after a Master’s in International Economics helped me to better understand world events. What gives those historical events relevance today are the stories we tell about the negotiation of power. I am all for revisiting the power dynamic to win better quality of life for those most marginalized. I’ve been digging into labor history for my latest work in progress and it is fascinating and inspiring. I may write about 19th-century Scottish peasants and Chicago printers, but I also want today’s marginalized populations to see their struggles similarly celebrated.
This is a historical mystery, but so much more than a whodunit. It’s fourth in the series, but can be read alone if you don’t mind spoiling the earlier books a bit. It’s a stand-out to me because it’s about raising one’s voice against inhumanity, even when it seems commonplace, or necessary.
Maisie is an intuitive detective and as such, has to fight against conventional police interference, client skepticism, and male smugness. But what she’s fighting for is the right outcome for everyone concerned, including the victim of the crime. This novel focuses on an artist ex-soldier of WWI who was using his voice to criticize the powers within government. I just love how Maisie deliberately wields her compassion in order to see the full picture of a case.
London, 1931. Nick Bassington-Hope, veteran of the Great War and controversial artist, is suddenly found dead. His death from a fall, the night before a much-anticipated exhibition of his work, is recorded as 'accidental'. But his sister is not convinced.
Despite overwhelming evidence to the contrary, Georgina Bassington-Hope believes her brother was murdered, and she turns to Maisie Dobbs for help. Maisie's investigation takes her from the desolate beaches of Kent to the dark underbelly of London's art world. Still fragile after her war-related breakdown, Maisie's immersion in her work could lead her to lose more than she bargained for,…
In 2015, I moved to Michigan’s Upper Peninsula, a world all its own. I live only four blocks from Lake Superior, and I can’t imagine living anywhere without that lake. I pay much more attention to the weather—those waves really crash during Winter storms—and I’ve become more interested in things like geology and local history since moving to such a unique place. Everything I notice eventually enters my poetry, which has become filled with water, shorelines, copper, and white deer. And best of all, our long winters give me a lot of time to read.
After I moved to the Upper Peninsula, I kept hearing about an event referred to as the Italian Hall Disaster in Calumet, Michigan, when over 70 people were killed, most of them children, in 1913.
This book features that event as part of its plot, but it really drew me in because I felt so sympathetic to its main character, Annie Clements. She cares about people, and she cares about justice, and I admired her from the start. I wanted her to succeed even as I sensed she probably would not. She’s one of the few characters I actually grieved for when I finished the book.
From the bestselling and award-winning author of The Sparrow comes “historical fiction that feels uncomfortably relevant today” (Kirkus Reviews) about “America’s Joan of Arc”—the courageous woman who started a rebellion by leading a strike against the largest copper mining company in the world.
In July 1913, twenty-five-year-old Annie Clements has seen enough of the world to know that it’s unfair. She’s spent her whole life in the mining town of Calumet, Michigan, where men risk their lives for meager salaries—and have barely enough to put food on the table for their families. The women labor in the houses of the…
I am a long-time journalist and have been passionate about understanding history ever since taking a wonderful AP course in European history in high school. I have read many historical books, both fiction and nonfiction, so it makes sense that my first novel, Rebecca of Ivanhoe, is historical fiction. To be a good journalist and citizen, you have to know and understand history to inform your reporting and try to prevent the bad moments of history from repeating themselves.
This book is the fascinating story of a Sephardic Jewish emigrant in London who, in the 1660s, was permitted to scribe for a blind rabbi even though she was a woman. The narration flips between Esther Velasquez’s remarkable story and an ailing historian in the 21st century who is trying to determine the identity of the mysterious scribe known to scholars only as “aleph.”
I liked this story because it revealed a fascinating window on how women, and particularly Jewish women, were treated in 17th-century Europe.
WINNER OF A NATIONAL JEWISH BOOK AWARD A USA TODAY BESTSELLER "A gifted writer, astonishingly adept at nuance, narration, and the politics of passion."-Toni Morrison Set in London of the 1660s and of the early twenty-first century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city; and Helen Watt, an ailing historian with a love of Jewish history. As the novel opens, Helen has been summoned by a former student to view a…
