Here are 13 books that Raven fans have personally recommended once you finish the Raven series.
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History was one of my majors in college and it’s something that I’ve always gravitated back to despite venturing off into various non-history-related careers. When I chose to become an author, it was only natural that I would find myself writing in the military historical fiction genre. I found these works not only inspiring, but both time and money well spent. While they range widely outside of modern conflicts, they shine a light on the grim times and places of long ago. I believe my award-winning Northern Wolf Series will do the same for you as its cavalry-focused novels bring to life lesser-known engagements of the American Civil War.
Warriors of God is an up-close and very personal deep dive with two legendary players during the Third Crusade, Richard the Lionheart and Saladin as they battle for the Holy Land. We dive headfirst into each ruler’s accession to power and how they clashed over the sands of the Levant. The novel is as gripping as it is profound, and I would highly recommend it to anyone seeking to further their knowledge and understanding of the crusades and their impact on our world today. However, it should be noted that while “history” tends to cross the line into fiction at times. Warriors of God is the only non-fiction history novel on this list. I feel that the narrative and story are strong enough to be read for knowledge and entertainment.
The story of the Third Crusade, and the two men who dictated its outcome: Saladin, hero of the Islamic world and Richard the Lionheart. Richard and the King of France led a European army of several hundred thousand warriors, but Saladin's manoeuvres resulted in the crusaders retreat and the demise of the Third Crusade,
I’m Scott Drakeford, engineer, former corporate person, long-time reader of fantasy fiction, and current author of epic fantasy books that heavily feature a fight against an unjust empire. I’m also the co-host of the Publishing Rodeo podcast, which explores the business side of traditional publishing. I approve this message.
Speaking of books, I love The Saxon Tales, or as you TV plebs will know it, The Last Kingdom, which is absurdly good. I love the TV show (on Netflix), but the books are next-level.
Uhtred, son of Uhtred, raised by Danes but Saxon by blood fights to regain his blood right and the home that was stolen from him. Cornwell writes the best battle scenes in all of literature, and these books are full of them. I loved them so much that I styled the fighting in my own books after Cornwell’s battle scenes in this series.
The first book in the epic and bestselling series that has gripped millions.
A hero will be forged from this broken land.
As seen on Netflix and BBC around the world.
In a land torn apart by conflict, an orphan boy has come of age. Raised by the Vikings, deadly enemies of his own Saxon people, Uhtred is a fierce and skilled warrior who kneels to no-one.
Alfred - Saxon, king, man of god - fights to hold the throne of the only land still resisting the pagan northerners.
Uhtred and Alfred's fates are tangled, soaked in blood and blackened…
I’m pretty well qualified to provide you with a list of five great books about men at war because, frankly, I’ve spent half my life reading them and the other half trying to write them (you be the judge!). My degree in Military Studies was focused on the question of what makes men endure the lunacy of war (whether they be ‘goodies’ or ‘baddies’), and it was in fiction that I found some of the clearest answers–clue: it’s often less about country and duty and more about the love of the men alongside the soldier. In learning how to write, I also learned how to recognize great–enjoy!
This has to be one of–if not the–greatest single book I’ve ever read about war in the ancient world. I read the first ten pages, and I was interested; then I read the next forty, and I was utterly hooked. As a description of an elite military force holding out against overwhelming odds it fascinated me, but as a human story of the way Spartan society worked to produce those warriors, imbued with heroism, honour and humour in equal amounts I was simply blown away.
It’s fair to say that this book has been my greatest influence all the way through my writing career. I dare anyone with an interest in the genre to read this and then deny that they were informed, entertained, and (perhaps darkly) amused by the story and its payoff. This is God-tier writing, plain and simple, and, not for no reason, the closest thing the…
In the Sunday Times bestseller Gates of Fire, Steven Pressfield tells the breathtaking story of the legendary Spartans: the men and women who helped shaped our history and have themselves become as immortal as their gods.
'Breathtakingly brilliant . . . this is a work of rare genius. Savour it!' DAVID GEMMELL
'A tale worthy of Homer, a timeless epic of man and war, exquisitely researched and boldy written. Pressfield has created a new classic' STEPHEN COONTS
'A really impressive book - imaginatively framed, historically detailed and a really gripping narrative' ***** Reader review
I’ve loved both history and fantasy since I was a child. The first book I can remember reading at all was The Hobbit. The first historical novel I fell in love with was The Killer Angels. I visited the battlefield of Gettysburg with my family, and currently teach the movie every year to my high school film class. (I’ve never visited Middle Earth, but plan to visit New Zealand as soon as possible). I’ve been reading both genres ever since—and quite by accident my first novel contains a mix of both genres.
This one isn’t fantasy at all. In fact, it’s probably the most accurate fictional retelling of the battle of Gettysburg out there. But I love it so much I had to list it here.
Furthermore, the characters involved—such as Lee, Longstreet, and Chamberlain—are deeply spiritual men, meaning that many pages meditate on the meaning of all this blood and loss. These meditations evoke a sense fantasy often can: that the visible world contains a mystery deeper than our limited minds can grasp.
Yet the text remains deeply human. The Civil War pits brother against brother, friend against friend. In it, there is a great speech by Col. Chamberlain addressing his men which captures a theme of the book.
“This is a different kind of army,” he says. “If you look back through history you will see men fighting for pay, for women, for some other kind of loot. They fight…
“My favorite historical novel . . . a superb re-creation of the Battle of Gettysburg, but its real importance is its insight into what the war was about, and what it meant.”—James M. McPherson
In the four most bloody and courageous days of our nation’s history, two armies fought for two conflicting dreams. One dreamed of freedom, the other of a way of life. Far more than rifles and bullets were carried into battle. There were memories. There were promises. There was love. And far more than men fell on those Pennsylvania fields. Bright futures, untested innocence, and pristine beauty…
I fell in love with historical fiction when I was a child. Adventurous tales—especially if they had swordplay in them! And I was fascinated by young people having to choose whether to stand up for what they believed in or run away. Ordinary folk are forced by circumstances—and villains—to do the extraordinary. I empathized and felt like I could be one of them. So when I came to write, I wanted to tell those kinds of stories. I eventually realized what I wrote was 'the intimate epic'—showing how the minor historical players can have a major effect.
Of course, the characters in this book are the stuff of legend: King Arthur, Guinevere, and the narrator of this tale, Lancelot.
But I think what is great about Mr. Kristian's approach is that he makes them all completely and recognizably human, with all the frailties and failings of ordinary people who are forced, by world events, to rise to the extraordinary.
Men who will be myths are, at heart, only men. A beautifully realized setting, a credible and incredible world for one of the great stories to play out against.
Conn Iggulden called it 'a masterpiece' while The Times hailed it 'a gorgeous, rich retelling of the Arthurian tale' . . . ________________
In Britain, Rome's legions are but a distant memory.
And Uther Pendragon is dying.
Enemies stalk the land.
Into this uncertain world a boy is cast - an outsider, plagued by memories of those he's lost.
Under the watchful eye of Merlin, the boy begins his journey to manhood. He meets another outcast, Guinevere - wild, proud and beautiful. And he is dazzled by Arthur - a warrior who carries the hopes of the people like…
I fell in love with historical fiction when I was a child. Adventurous tales—especially if they had swordplay in them! And I was fascinated by young people having to choose whether to stand up for what they believed in or run away. Ordinary folk are forced by circumstances—and villains—to do the extraordinary. I empathized and felt like I could be one of them. So when I came to write, I wanted to tell those kinds of stories. I eventually realized what I wrote was 'the intimate epic'—showing how the minor historical players can have a major effect.
I had to go back to a classic from childhood, the first book I remember crying while reading. I didn't know reading could do that! Set against the backdrop of 1066 and the Norman Invasion of England, this takes an ordinary young man who stumbles into a war and chooses to fight for his country and his king. His realization that there are bigger things than himself and causes worth dying for moved me utterly.
This book shaped me as a writer. The idea of sacrifice and redemption is just so well done.
I fell in love with historical fiction when I was a child. Adventurous tales—especially if they had swordplay in them! And I was fascinated by young people having to choose whether to stand up for what they believed in or run away. Ordinary folk are forced by circumstances—and villains—to do the extraordinary. I empathized and felt like I could be one of them. So when I came to write, I wanted to tell those kinds of stories. I eventually realized what I wrote was 'the intimate epic'—showing how the minor historical players can have a major effect.
Diana Gabaldon is one of the best writers of 'intimate epics': tales of more or less ordinary people drawn into the flow and flood of real historical events. I especially enjoy her Lord John novels.
Making her protagonist at odds with the morality of his time—Lord John is an unapologetic (though necessarily closeted) homosexual—creates extra tension in a work that sets John—and in this case, Jamie Fraser as well—against the backdrop of the Jacobite conspiracy's death throes and the prickly honor code of the British Army.
Passionate, humorous, adventurous—all things that keep me turning the pages until the wee hours!
From the international bestselling author of the Outlander series, the terrific new novel featuring the ever-popular Lord John.
1760. Jamie Fraser is a paroled prisoner-of-war in the remote Lake District. Close enough to the son he cannot claim as his own, his quiet existence is interrupted first by dreams of his lost wife, then by the appearance of Tobias Quinn, an erstwhile comrade from the Rising.
Lord John Grey - aristocrat, soldier, sometime spy - is in possession of papers which reveal a damning case of corruption and murder against a British officer. But the documents also hint at a…
Living in Istanbul, I fell in love with glimpses of Ottoman life still visible there, not only the mosques and palaces but neighborhoods of old wooden houses, like the one where I lived on the upper slopes of the Bosphorus, the small villas and hidden gardens, and quaint customs that have disappeared in modern society. Beginning in my twenties, I spent many years as a social anthropologist in Turkey studying contemporary Turkish society, but I also read about the Ottomans, whose diversity, rich customs, and colorful lifestyles were tragically erased by nationalism and war. The books on my list will let you experience it all.
I think this is a brilliant and, for me, unforgettable novel. It took an aspect of Ottoman history that I knew about as dry fact and imprinted it on my heart. I was fascinated by the daily lives of varied peoples in one small Ottoman town, how intertwined they were, even writing one language in the alphabet of another.
They tell their own stories of love and ambition, family and friendship, and how the Great War and its aftermath tore them apart. It reads like an epic unfolding through the eyes and voices of ordinary people, humane, evocative, humorous and brutal.
Set against the backdrop of the collapsing Ottoman Empire, Birds Without Wings traces the fortunes of one small community in south-west Anatolia - a town in which Christian and Muslim lives and traditions have co-existed peacefully for centuries.
When war is declared and the outside world intrudes, the twin scourges of religion and nationalism lead to forced marches and massacres, and the peaceful fabric of life is destroyed. Birds Without Wings is a novel about the personal and political costs of war, and about love: between men and women; between friends; between those who are driven to be enemies; and…
I fell in love with historical fiction when I was a child. Adventurous tales—especially if they had swordplay in them! And I was fascinated by young people having to choose whether to stand up for what they believed in or run away. Ordinary folk are forced by circumstances—and villains—to do the extraordinary. I empathized and felt like I could be one of them. So when I came to write, I wanted to tell those kinds of stories. I eventually realized what I wrote was 'the intimate epic'—showing how the minor historical players can have a major effect.
This book takes the lives of very ordinary Canadians and throws them into the maelstrom of war. I love that it carefully sets up a world few know about—Toronto in the 1930s—and shows the ambiguity of the times, how anti-Semitism was at home as well as across the water in Europe.
I so enjoyed the Romeo and Juliet love affair at the novel's heart, and I was moved by the trials love is subjected to—as well as shocked by excellent descriptions of war's brutality.
Inspired by a little-known chapter of World War II history, a young Protestant girl and her Jewish neighbour are caught up in the terrible wave of hate sweeping the globe on the eve of war in this powerful love story that’s perfect for fans of The Guernsey Literary and Potato Peel Pie Society.
If you’re reading this letter, that means I’m dead. I had obviously hoped to see you again, to explain in person, but fate had other plans.
1933
At eighteen years old, Molly Ryan dreams of becoming a journalist, but instead she spends her days working any job…
I discovered writing in my twenties when I was living alone in a hut in a remote village in Indonesia with no electricity. I began a novel to fill the lonely acres of time and found myself transported by my own imagination. I realised this interior world was one I could happily inhabit for life. It took me years to get there; I was a journalist for 15 years, and 44 before my first novel—Outlaw, about a gangster-ish Robin Hood—was published; but I haven’t stopped writing fiction since. I now have 17 novels under my belt, some of them bona fidebestsellers, and aim to keep writing till I drop.
Nelson’s masterly biography of Charlemagne is a dense, scholarly but still gripping account of one of the most interesting and influential monarchs in European history. I struggle to think of any figure who has has a greater impact that the King of the Franks and, later, Emperor of the Romans, who drew the boundaries of the continent as we know them today. This was my most reliable go-to source on Charlemagne and his long wars with the pagan Saxons, which is the subject of my own series.
A DAILY TELEGRAPH AND BBC HISTORY MAGAZINE BOOK OF THE YEAR 2019
'A remarkable book: the dramatic story of a truly extraordinary man ... brilliant' Helen Castor, author of She-Wolves
A major new biography of one of the most extraordinary of all rulers, and the father of present-day Europe
Charles, King of the Franks, is one of the most remarkable figures ever to rule a European super-state. That is why he is so often called 'Charles the Great': by the French 'Charlemagne', and by the Germans 'Karl der Grosse'. His strength of character was felt to be remarkable from early…
