59 books like Prey (Lucas Davenport)

In the world of crime, the “two-minute rule” is sacrosanct: linger longer than two minutes during a heist, and you’re destined for a lifetime behind bars. But not everyone plays by the rules. When ex-con Max Holman is released from prison, his thoughts are consumed by the hope of reconciling with his estranged son, a police officer.

Tragically, he learns that his son and three fellow LAPD officers were brutally murdered the night before his release. Crais’s storytelling prowess shines through in this tightly plotted psychological thriller, where every page is essential. The plot is both inventive and realistic, with richly drawn characters that resonate. New writers can learn from his presentation of setting, characterization, as well as crisp plotting. I admit that I unabashedly love Robert Crais’ serial work, but this stand-alone resonated with me from the moment I read it.

This author showcases her mastery of the police procedural in a standalone set against the gritty backdrop of 1974 Atlanta. The story follows rookie cop Kate Murphy as she steps into the testosterone-fueled world of the Atlanta police force.

From day one, Kate faces a barrage of challenges, navigating an environment that’s as welcoming to women as a porcupine in a balloon factory. As the department dives into the investigation of a fellow officer’s murder, Kate and her partner, Maggie Lawson, suspect they’re being sidelined from the real action. Slaughter expertly weaves a tale of tension and intrigue, highlighting the systemic hurdles and the relentless pursuit of justice in a male-dominated world.

Any book with this author’s Detectives Bosch and/or Ballard is a tour de force in police procedurals. He can make reading a murder file or a newspaper article informative, stimulating, and evocative. In this story, Ballard and the LAPD’s Open-Unsolved Unit are thrust into the spotlight with a breakthrough DNA match linking a recent arrestee to a notorious serial rapist and murderer who vanished two decades ago. The twist? The suspect is only twenty-four, pointing to a familial connection: his father, the infamous Pillowcase Rapist, who terrorized Los Angeles for five years.

As Ballard and her team close in, they unravel a complex web of secrets and legal challenges that test their procedural prowess. The narrative is complex, satisfying, and brimming with skillful twists that showcase the author’s expertise in crafting compelling procedurals.

When Myron Bolitar—part-time detective, former basketball hotshot, and ex-sports agent—discovers that his old frenemy and on-court nemesis Greg Downing, long thought to be pushing up daisies, is actually alive and dribbling, he stumbles into a slam-dunk of a mystery.

This case has it all: a dangerous plot, an ex-girlfriend, a surprise son, his aging parents, and, oh yeah, a serial killer lurking in the shadows. Coben’s narration is as breezy as a summer day, and the witty banter between Bolitar and his best buddy Win is a genuine (though oddly sinister) laugh riot.

At its core, this tale is as much about family ties, love, and loyalty as it is about dodging danger and solving crimes. With a cast of characters that could fill a basketball roster, you might feel like you need a scorecard to keep track—but trust me, it’s worth the read.

We are back in the world of horses, but this time western horses, not Thoroughbred racehorses. Laura Crum has created a series with a female equine veterinarian—Gail McCarthy—as her main character. I’m drawn to Gail because she’s incredibly competent as a vet, but also wicked smart at sniffing out the bad guys and has the courage to go against the boys very often to do just that. I’m always rooting for strong characters, men or women, and I love it that we women are now catching up in fiction as well as in real life!

This is the first in Crum’s series, but I’ve enjoyed all of them I’ve read. I love the rural setting, and I can almost smell the sweet scent of hay and hear the horses rustling gently in their stalls (which always does my heart good) as I read this book. In it, a dead horse… show more.

By now, you probably think I only read books by male authors who create male protagonists. Nope! Here’s a case in point. Sasscer Hill is a woman after my own heart—she writes horse racing mysteries set in the Thoroughbred racing world (!), just like me. Unlike me, Sasscer Hill was a racehorse breeder, trainer, and rider—and she brings all that experience to bear on creating an incredibly realistic setting for all her racing novels. I know a lot about Thoroughbred racing myself, so one thing I’m really drawn to in her books is how authentic they are. She does the “behind the scenes” thing with pinpoint accuracy and ease. And I love that she doesn’t shy away from the “dark underbelly” of racing, either.

In this book, her main character, Fia McKee, is on leave because she uses a little too much force when making an arrest. Ok, yeah, I… show more.

I don’t know about you, but when I find an author I like, I always hope there’s a series. And that’s the case here—Cameron’s, Arlis Cutter, is the investigator in each of the books, and he’s just the kind of guy I want to know—he’s strong, persistent, smart, and doesn’t ever need to talk about himself or how good he is at his job. His work speaks for itself.

In this book, he’s in a small Inupiaq village up by the Arctic Circle to investigate the death of a girl found frozen in the permafrost of a whaling family’s cellar. And this points to the other things I really like about this book (and the others in the series): they’re set in the indigenous community of Alaska; I always learn a lot about that culture from the books; and Cameron somehow weaves Arliss’ personal challenges into the cases he works… show more.

I’ve always been drawn to writers who capture such a vivid setting I can actually picture myself right in the pages of the book. I think Kent Kreuger does this better than any author, and readers can select any entry in his Cork O’Connor series and find themselves transported into a mesmerizing scene, but this 21st entry in the series really grabbed me. His word paintings of a field, a blueberry patch and the ancient Indian, Henry Miloux’s cabin is so real I could almost feel, see and smell the scene.

Kreuger has the rare skill to use such colorful and powerful language in his prose; some passages border on the poetic. Not to mention, the story about two missing girls—one white, one Native— is truly gripping, too. 

Richard Price, in my opinion, is one of today’s best writers in any genre. The Whites, a book about five detectives finally getting the criminal that always eluded them, was just the most recent book of his I’ve read. His classics—Clockers, Freedomland, The Night of, Sea of Love—were all adapted for the big screen. His prose is cliché free, no one captures New York City and its denizens the way Price does, and the dialogue in his books is pitch perfect and realistic.

When it comes to private detectives, Elvis Cole is my favorite. He’s got the combination of wit, intelligence, and experience that others strive for but often fall short. Pair him with Joe Pike and you’ve got an unbeatable combination.  

I really enjoy how Pike is more inclined to let his actions do the talking, while Cole is the voice telling the tale. This latest book includes the return of Lucy, Cole’s longtime lady friend, who helps smooth out his rough edges.

Crais paints a great landscape, where Elvis and Joe run through the Los Angeles area. This is a great example of how what looks like a simple case can easily be far more complicated.