Here are 9 books that Nonnonba fans have personally recommended once you finish the Nonnonba series.
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From the age of 11, and an encounter with an illustrated anthology entitled The World of Zen, I have been drawn to and fascinated by the spiritual, philosophical, and folkloric aspects of East Asian Culture. I studied the subject at Cambridge University and subsequently trained in Zen Shiatsu therapy. Most of my books draw from my passion for East Asian culture, and Japan in particular. I have travelled widely in Japan over the last two decades, and for Tsunami Girl spent four years researching, interviewing survivors, and visiting Fukushima. I am now working on a new book on Japanese yōkai and ghosts…
Away from the 2011 disaster itself, Fumio Obata’s Just So Happens is a wonderful graphic novel again exploring that borderland between konoyo (this world) and anoyo (that world). And it just happens to be another story that bridges Japan and the West, this time Japan and the UK. Central character Yumiko travels back to Japan for a family funeral, and is immersed in a world of ritual, Shinto temples, Noh theatre – at once both familiar and strange to her. Word and image combine beautifully to draw on themes that have obsessed me for years.
Yumiko was born in Japan but has made a life in London, losing herself in its cosmopolitan bustle. She has a gallery show of her art, a good job, and a good guy she plans to marry. The culture she grew up in seems very far away-until her brother phones with the news that their father has died. Yumiko returns to Tokyo and finds herself immersed in the rituals of death while also plunged into the rituals of life-fish bars, bullet trains, pagodas-as she confronts the question of where her future really lies. Just So Happens deals both gently and…
From the age of 11, and an encounter with an illustrated anthology entitled The World of Zen, I have been drawn to and fascinated by the spiritual, philosophical, and folkloric aspects of East Asian Culture. I studied the subject at Cambridge University and subsequently trained in Zen Shiatsu therapy. Most of my books draw from my passion for East Asian culture, and Japan in particular. I have travelled widely in Japan over the last two decades, and for Tsunami Girl spent four years researching, interviewing survivors, and visiting Fukushima. I am now working on a new book on Japanese yōkai and ghosts…
A journey through both her own grief and the suffering of the March 2011 disaster, Mockett’s book is a personal exploration of the after-effects of loss and trauma, set against Japanese Buddhist, Shinto, and folklore beliefs around death and the afterlife. Like travelling with a wise and inquisitive friend, she leads the reader to memorable encounters (some of which echoed my own experiences in Tohoku) with tsunami survivors, Zen priests, and blind mediums. Thought-provoking and tender, the book reverberated in my head long after I finished reading. Hugely recommended.
Marie Mutsuki Mockett's family owns a Buddhist temple but after the Fukushima disaster, radiation levels prohibited the burial of her Japanese grandfather's bones. As Japan mourned, Mockett also grieved for her American father who had died unexpectedly. Seeking consolation, Mockett is guided by a colourful cast of Zen priests and ordinary Japanese who perform rituals that disturb, haunt and finally uplift her.
From the age of 11, and an encounter with an illustrated anthology entitled The World of Zen, I have been drawn to and fascinated by the spiritual, philosophical, and folkloric aspects of East Asian Culture. I studied the subject at Cambridge University and subsequently trained in Zen Shiatsu therapy. Most of my books draw from my passion for East Asian culture, and Japan in particular. I have travelled widely in Japan over the last two decades, and for Tsunami Girl spent four years researching, interviewing survivors, and visiting Fukushima. I am now working on a new book on Japanese yōkai and ghosts…
On my very first night in Japan, some twenty years ago, my friend told me a local ghost story as we ascended a deserted, dark back street of Tokyo. It featured no-face ghosts (nopperabo) and, memorably, the chills merged with my jet lag to bring me face-to-almost face with the world of Japanese spirits in my first hours in the country. A couple of days later my friend gifted me a copy of Hearn’s Kwaidan and it remains a treasured book to this day. Hearn’s retellings of classic Japanese ghost stories are as valued to this day in Japan as in the West. He’s a great writer. More importantly, Hearn was a sensitive, thoughtful, and wonderful chronicler of other cultures, particularly supernatural Japan. His life and work continue to be an inspiration to me.
This collection of Japanese supernatural stories is a classic work in the field of Japanese horror.
Known primarily as an early interpreter of Japanese culture and customs, the famous writer Lafcadio Hearn also wrote ghost stories-"delicate, transparent, ghostly sketches"-about his adopted land. Many of the stories found in Kwaidan, "stories and studies of strange things," are based on Japanese tales told long ago to him by his wife; others possibly have a Chinese origin. All have been re-colored and reshaped by Hearn's inimitable hand.
Some critics attribute Hearn's fascination with eerie tales to his partial blindness. Whatever its roots, he…
From the age of 11, and an encounter with an illustrated anthology entitled The World of Zen, I have been drawn to and fascinated by the spiritual, philosophical, and folkloric aspects of East Asian Culture. I studied the subject at Cambridge University and subsequently trained in Zen Shiatsu therapy. Most of my books draw from my passion for East Asian culture, and Japan in particular. I have travelled widely in Japan over the last two decades, and for Tsunami Girl spent four years researching, interviewing survivors, and visiting Fukushima. I am now working on a new book on Japanese yōkai and ghosts…
This collection of Katsumata’s manga for legendary gekiga magazine Garo and others is a powerful graphic bridge between the politics and reality of this world, and the creatures and legends of the other. Katsumata takes us from the transitory and dangerous lives of nuclear workers at Fukushima Daiichi (decades before the 2011 disaster) to the tough and haunted lands of Tohoku (North East Japan) in the early twentieth century. Lonely kappa monsters, tanuki, and fox spirits feature as sympathetic lead characters, shapeshifting and conjuring a version of Fukushima and Tohoku that dazzled and inspired me.
A collection of manga examining Japan's fascination with nuclear power and its dangers and possibilities. FUKUSHIMA DEVIL FISH: ANTI-NUCLEAR MANGA, the fifth volume in the Breakdown Press manga line, collects Katsumata Susumu's nuclear energy related work from the '80s and '90s, produced in the wake of investigative news reports about unreported accidents and dangerous working conditions at Japan's nuclear power plants. Two outstanding works in the collection, "Deep Sea Fish" (1984) and "Devil Fish" (1989), are poetic stories treating the daily trials of maintenance and janitorial workers at Japan's nuclear plants. Due to poor pay, hazardous working conditions, and migrant…
My love for strange women began with a love of the tomboy, growing up in the ‘80s and 90’s with characters like Pippi Longstocking and George from The Famous Five. They’re young women who broke the rules of decorum or gender presentation—and they just always seemed to be having a lot more fun. Or at least more interesting experiences. This love of rebels and unruly women has stuck with me, and I think our depiction of women like this has become deeper and more varied. I just love a character who’s a bit of an odd duck, is irrepressible or voracious, or just plain messy. Nice is boring—give me the chaos.
Very few books have affected me more than this autobiographical Japanese manga. The book's author, artist, and protagonist is a young woman navigating her family relationships, mental health, and sexuality. In the grips of depression, desperate to be touched, the protagonist goes to an escort agency—but the plot is not the point.
Nagata’s willingness to “go there” feels so fresh, and is so vulnerable and heartfelt. As a queer person there was a lot to identify with, as a writer I took away a determination to try and be even half as vulnerable in my writing, and as a young woman I felt seen in a new way.
My Lesbian Experience with Loneliness is an honest and heartfelt look at one young woman's exploration of her sexuality, mental well-being, and growing up in our modern age. Told using expressive artwork that invokes both laughter and tears, this moving and highly entertaining single volume depicts not only the artist's burgeoning sexuality, but many other personal aspects of her life that will resonate with readers.
I am a comic book writer from Scotland now living in Japan. I have had more than 40 books published with a variety of US, UK, and Japanese publishers. I am the only professional manga writer from Britain who lives in Japan. In 2016 my book The Faceless Ghost was nominated for the prestigious Eisner Book Awards, and received a medal in the 2016 'Independent Publisher Book Awards'. In 2017, my book Secrets of the Ninja won an International Manga Award from the Japanese government – I was the first British person to receive this. In 2020 I received the ‘Scottish Samurai Award’ from an association linking Japan and Scotland.
This is another of the early gekiga greats coming out in a big English edition for the first time. Matsumoto worked alongside Tsuge and Tatsumi in the late 50s, to push manga into more mature territory of what I’m calling literary manga. This book is from early 70s strips which show how people relate to each other in a big city in a simple, understated style. Again, it’s a balance to the image of manga being all about exaggeration. He considers alienation, longing, aimlessness, but with humour and a lightness of touch. It also shows various onomatopoeia which Matsumoto was careful to create, and he made many originals ones.
Welcome to the quiet, evocative urban dramas of Masahiko Matsumoto, one of the leading lights of the Japanese alternative-comics movement known as "gekiga." Originally published in 1974, these eleven stories now form the first English-language collection of Matsumoto's mature work. His shy, uncertain heroes face broken hearts, changing families, money troubles, sexual anxiety, and the pressures of tradition, but with a whimsy and lightness of touch that is Matsumoto's trademark. With a new introduction by Matsumoto's well-known colleague, the late Yoshihiro Tatsumi.
I am a comic book writer from Scotland now living in Japan. I have had more than 40 books published with a variety of US, UK, and Japanese publishers. I am the only professional manga writer from Britain who lives in Japan. In 2016 my book The Faceless Ghost was nominated for the prestigious Eisner Book Awards, and received a medal in the 2016 'Independent Publisher Book Awards'. In 2017, my book Secrets of the Ninja won an International Manga Award from the Japanese government – I was the first British person to receive this. In 2020 I received the ‘Scottish Samurai Award’ from an association linking Japan and Scotland.
Tsuge is another of the early gekiga greats, who only recently allowed English translation of his classic work from the 1960s and 70s. Tsuge pushed the boundaries of what manga stories were about, into more abstract and surreal areas and visual presentation. This book is, like Tatsumi’s books, a glimpse of a little-known Japan beneath the common stereotypes. Its stories are told in an understated and sophisticated fashion. Literary manga indeed. Wonderful stuff, personally I love it.
The essential early work by the modern master of Japanese literary comics
Yoshiharu Tsuge is one of the most influential and acclaimed practitioners of literary comics in Japan. The Swamp collects work from his early years, showing a major talent coming into his own. Bucking the tradition of mystery and adventure stories, Tsuge’s fiction focused on the lives of the citizens of Japan. These mesmerizing comics, like those of his contemporary Yoshihiro Tatsumi, reveal a gritty, at times desperate postwar Japan, while displaying Tsuge’s unique sense of humor and point of view.
“Chirpy” is a simple domestic drama about expectations,…
I am a comic book writer from Scotland now living in Japan. I have had more than 40 books published with a variety of US, UK, and Japanese publishers. I am the only professional manga writer from Britain who lives in Japan. In 2016 my book The Faceless Ghost was nominated for the prestigious Eisner Book Awards, and received a medal in the 2016 'Independent Publisher Book Awards'. In 2017, my book Secrets of the Ninja won an International Manga Award from the Japanese government – I was the first British person to receive this. In 2020 I received the ‘Scottish Samurai Award’ from an association linking Japan and Scotland.
This book is a classic 1960s/1970s style gekiga book, which means more sophisticated literary manga. These are wonderful moving and funny stories from the street, about everyday people dealing with the pain and disappointment that we all must face throughout life. If you have never read any comic books beyond superhero ones this book will open your eyes to how subtle and intelligent comic books can be. I was lucky enough to meet and work with Tatsumi before he died.
Abandon the Old in Tokyo continues to delve into the urban underbelly of 1960s Tokyo, exposing not only the seedy dealings of the Japanese everyman but Yoshihiro Tatsumi's maturation as a storyteller. Many of the stories deal with the economic hardships of the time and the strained relationships between men and women, but do so by means of dark allegorical twists and turns. A young sewer cleaner's girlfriend has a miscarriage and leaves him when he proves incapable of finding higher-paying work. When a factory worker loses his hand on the job, the parallels between him and his pet monkey…
I am a comic book writer from Scotland now living in Japan. I have had more than 40 books published with a variety of US, UK, and Japanese publishers. I am the only professional manga writer from Britain who lives in Japan. In 2016 my book The Faceless Ghost was nominated for the prestigious Eisner Book Awards, and received a medal in the 2016 'Independent Publisher Book Awards'. In 2017, my book Secrets of the Ninja won an International Manga Award from the Japanese government – I was the first British person to receive this. In 2020 I received the ‘Scottish Samurai Award’ from an association linking Japan and Scotland.
A key cliche which comic book writers like myself are trying to get over is that comic books and manga are just for kids. That has never been true. This Showa book is an excellent example of that, as the four volumes range over a 63 year period (1926 to 1989) in Japanese history in which we learn about the war, Japanese society, the changes over time, and Mizuki’s personal story. Such comic books and manga, or graphic novels to give them their fancy modern term, are an excellent way to learn about a wide variety of topics with both text and visual working together in an engaging dance. Mizuki was one of the key figures in Japanese manga but for me, this book on history and culture, told in a personal way is his most impressive work.
A fascinating period in Japanese history recounted by manga s most distinguished author. Showa 1926 1939: A History of Japan lays the groundwork for Eisner award-winning author Shigeru Mizuki s historical and autobiographical series about Japanese life in the twentieth century. Depicted against his trademark photorealistic backdrops, Mizuki effortlessly portrays a nation forced into a period of upheaval and brings history into the realm of the personal. Indeed, as a child coming of age in the Showa era, the author s earliest memories coincide with key events of the time. It all begins with the Great Kanto Earthquake, a natural…
