Here are 52 books that Mordant's Need fans have personally recommended once you finish the Mordant's Need series.
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I have always been intrigued by fantastical world-building that is complex, detailed, forensically credible, and immeasurably encyclopedic in scope. It should propel you to a world that feels almost as real as the world you leave behind but with intricate magic systems and razor-shape lore. Ironically, some of my choices took a while to love, but once they “sunk in,” everything changed. Whenever life gets too much, it has been cathartic, essential even, to transport to another universe and find solace in prose dedicated to survival, soul, and renewal.
Thomas Covernant is a leper shunned by society but finds himself in the Land where some herald him as the one who’ll save them from an evil sorcerer, Lord Foul. He is not always a sympathetic character, but being on society’s edge where all and sundry openly shun him can do that to anyone.
What I loved the most was the captivating Land with its many peoples and inhabitants, such as the sentient woods and the Forestals that ward them, the Elohim, a benign people with special powers, the Giants and the evil Viles, Waynhim, and ur-viles.
Outside being exotic, the world feels credible and immersive, especially the “wild magic” Covernant begins to wield. I ended up caring passionately about what happened to the Land and wanting Covernant to acknowledge his worth.
'Comparable to Tolkien at his best' WASHINGTON POST
Instantly recognised as a modern fantasy classic, Stephen Donaldson's uniquely imaginative and complex THE CHRONICLES OF THOMAS COVENANT, THE UNBELIEVER became a bestselling literary phenomenon that transformed the genre.
Lying unconscious after an accident, writer Thomas Covenant awakes in the Land - a strange, beautiful world locked in constant conflict between good and evil.
But Covenant, too, has been transformed: weak, angry, and alone in our world, he now holds powers beyond imagining and is greeted as a saviour. Can this man truly become the hero the Land requires?
I write stories where consequence comes first. I grew up immersed in Greek/Egyptian mythology and fairy tales, but I was always more drawn to the parts they left out. I wanted to know what daily life looked like for someone like Hercules, not just the story beats. Or what happens when the moral of the story isn’t learned. My passion lies in exploring the cost of power, the wounds we carry (that are often excluded from stories), and the myths we create to justify them. I believe the best fantasy doesn’t just help us escape the world, it helps us to look at ours differently.
I can’t remember if I read WOT or GOT first… but this book was one of my entries into epic fantasy.
It begins with normal people trying to figure out something they can’t fully understand, and fearing being powerless in the face of what’s coming. Jordon really takes his time to slowly build the world, but even then, it feels like it is already established, and it is the reader who is new here.
What made it memorable was the way it balanced massive stakes with human fragility. It explores the theme that power isn’t always just a gift or a curse; it can be a burden that costs the wielders and those who are in orbit of it.
The Wheel of Time turns and Ages come and pass, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the Age that gave it birth returns again. What was, what will be, and what is, may yet fall under the Shadow.
When a vicious band of half-men, half beasts invade the Two Rivers seeking their master's enemy, Moiraine persuades Rand al'Thor and his friends to leave their home and enter a larger unimaginable world filled with dangers waiting in the shadows and in the light .
Escapism is my drug of choice. As a child, I was angry that my existence was confined to this reality, and I did everything I could to find a way out. Stories made it bearable. Whether it was Thor’s Bifrost, the wardrobe of Narnia, or the mirror in Stephen R. Donaldson’s Mordant’s Need duology, I was hooked. Now, I tell my own stories of escape. I create and invite others to find solace, adventure, love, and passion in fantasy realms, outer space, and reinvented parallel realities. This door is always open.
No matter how long since I entered the world of Magiere and Leesil, I find my mind wandering back occasionally. Perhaps I connected with Magiere’s awareness of her difference to all those around her. Her desire to walk away from life as a mercenary vampire slayer intrigued me because, though she had a hard exterior, the book offered a smattering of opportunities to see beneath her rough surface into the human part of her heart.
Magiere’s emotional dichotomy resonates with me in an unexpected, life-altering manner. In fact, the story might have been a catalytic element in the crucible where the main character for my novel was born. Snarky humor permeates in places that bring levity to long periods of darkness, and a diverse and interesting cast of characters brings depth to the worldbuilding that Hendee crafts through their storytelling.
Magiere has earned a reputation as the most formidable vampire slayer in the land. Villagers far and wide welcome her with both awe and disdain—grateful to her for ridding their towns of the undead menace, but finding themselves made poorer for their salvation. Magiere knows she’s dealing with simple folk, who only wish to have their superstitions silenced, and sees nothing wrong with exploiting them for profit.
Now, tired of the game, Magiere and her partner, the half-elf Leesil, are…
After devouring fantasy novels in my late teens and early twenties, I eventually hit a dead end. Where had all the good old-school fantasy gone? I wanted dashing heroes, compelling love stories, and epic battles between good and evil, but I could not seem to find it anymore–at least not as regularly as I wanted to. Eventually I set about writing my own stories, the kind of stories I always wanted to read. When I’m writing, I always go back to books on this list to rekindle my fire and remind me what good fantasy should be.
As a second-born son myself, I relate to the interesting themes of family and succession in this story. It is well-written, fast-paced, and has an interesting mix of lore, secrets, and lies. It takes a while to work out who the bad guys are and what they’re playing at, but once the lines are drawn, they are drawn in permanent ink.
As with other books in this list, the protagonist is someone I want to cheer for. They just had to win, and I had to read to the end to make sure that they did.
This first book of the Second Sons Trilogy establishes Jennifer Fallon as one of the most unique voices in fantasy fiction, as she creates full characters, and takes intelligent plotting to a whole new level in order to establish unparalleled complexity and tension.
On the world Ranadon there is no night as both suns shine brightly. The intervention of Belagren, High Priestess of the Shadowdancers, and the sacrifice of a child of royal blood, has banished the Age of Shadows from the skies. Belagren's position is unquestioned . . . until circumstances begin to tip political rivalries into a deadlier…
Escapism is my drug of choice. As a child, I was angry that my existence was confined to this reality, and I did everything I could to find a way out. Stories made it bearable. Whether it was Thor’s Bifrost, the wardrobe of Narnia, or the mirror in Stephen R. Donaldson’s Mordant’s Need duology, I was hooked. Now, I tell my own stories of escape. I create and invite others to find solace, adventure, love, and passion in fantasy realms, outer space, and reinvented parallel realities. This door is always open.
I didn’t know I wanted a story about a girl and her talking animal friends, but when it turns out that all of them have been enslaved by an evil witch and are shackled by her torturous magic, I couldn’t put it down.
Seemingly insignificant creatures decide to try and take their fate back, all while their frailty remains. I found myself invested in the whimsy of the fairy tale juxtaposed with the horrors of enslavement. Watching the girl called “Thing” navigate the human condition was beautiful and painful, and several times, I held my breath, unsure what the outcome would be.
This story is an unusual tale of hopelessness transformed into determination and a beautiful bond formed through shared trauma and circumstance.
A band of outcasts begins an arduous journey through a world of evil witches, walking trees, and miraculous gems along a path that will reunite them with their true destinies
Fantasy takes me to a place where I can get out of my own skin, explore new worlds, and live adventures. The stories that pulled folks from our world (for those of you as loosely tethered as I am, I refer to Earth) provided more connection to the idea that I could be in those fantasy worlds and involved in those stories. That’s the bonus level of escapism! I didn’t realize just how many of my favorite stories fell into that category until I wrote this. Those books were definitely instrumental in my writing, though I didn’t follow any of those specific formulas. I’ll have to write another grouping for the other major category of books that influenced my writing.
Yes, I’m back with another Hambly recommendation. The Windrose Chronicles is my next favorite that makes it onto this list. A programmer pulled out of her cube by the spells of a wizard… as much as I like programming, I can’t think of a day I wish that wouldn’t happen. While I enjoy the world-building, it is once again the relationships that make Hambly’s stories my favorites. The powerful and presumably mad wizard, Antryg Windrose, is one of my all-time favorite characters.
Magic and technology collide in the first book of the Windrose Chronicles by the New York Times–bestselling author and “fabulously talented writer” (Charlaine Harris).
In a world where wizards are relegated to ghettos, it is no surprise to see one murdered in the street. But for Stonne Caris, a young warrior monk who sees the killing and gives chase to the culprit, there is nothing ordinary about seeing a murderer disappear into a black, inky portal. The Archmage sends him in search of Antryg Windrose—a half-mad mage who understands the nature of these passages between dimensions.
Fantasy takes me to a place where I can get out of my own skin, explore new worlds, and live adventures. The stories that pulled folks from our world (for those of you as loosely tethered as I am, I refer to Earth) provided more connection to the idea that I could be in those fantasy worlds and involved in those stories. That’s the bonus level of escapism! I didn’t realize just how many of my favorite stories fell into that category until I wrote this. Those books were definitely instrumental in my writing, though I didn’t follow any of those specific formulas. I’ll have to write another grouping for the other major category of books that influenced my writing.
Tad Williams has many acclaimed series, but this stand-alone novel is my favorite. The protagonist is pulled into another realm where magic reigns supreme. The protagonist must uncover his past while learning about his place in the magical realm before both worlds are destroyed. The way Williams has connected up the two worlds is unique, and the world-building alone gets this story on my must-read list.
Theo Vilmos' life is about to take a real turn for the worse.
He is drawn from his home in Northern California into the parallel world of Faerie, for, unknown to him, he is a pivotal figure in a war between certain of Faerie's powerful lords and the rest of the strange creatures who live in this exotic realm.
We’ve all read them: the girl who is unknowingly of royal blood but was sequestered to an ordinary family to protect her identity. The detective with the broken home and a drink problem is driven to solve the crime. The action hero who can shoot their way out of any encounter. While these tropes are the bread and butter of genre fiction, they get overused. I found that my favorite and most engaging characters were those with complicated lives whose pasts might catch up with them at an inconvenient moment. Here are some of my favorite stories with unconventional characters that shine through the narrative.
My copies of this series are so worn by reading and re-reading that they are falling apart. There’s no higher praise from me as a reader.
This is my comfort read, which is odd because it’s about the fall of a civilization—and The Dark, in particular, is terrifying. We never really see them. That’s partly because they aren’t entirely corporeal and can change size and shape at will. It’s also because anyone we know in the story who encounters them is almost certainly fighting for their life.
Are The Dark one character or many? Certainly, what one of them knows, they all know. The key to this conundrum is what motivates them to do as they do, and alien as they are; their motivations are as unexpected as they are profound.
This is beautifully written classic fantasy in all its glory. If you only read one book of these five,…
Gil, a graduate student, discovers that her nightmares of people fleeing in panic from a hideous evil are not dreams and that she is standing in the doorway to another world
I’ve been a science fiction fan for as long as I can remember. As someone who never quite felt like I fit in, these stories became a kind of refuge and revelation for me. They taught me that being on the outside looking in can be its own kind of superpower—the ability to see the world differently, to question it, and to imagine something better. I’m drawn to characters who are flawed, searching, and human, because they remind me that courage and belonging are choices we make, not gifts we’re given. That’s the heart of every story I love and the kind I try to write.
When I strapped in to read Red Rising, I was mentally prepared for a modern Dune-style space opera, complete with a chosen-one arc. But what kept me turning pages was Darrow’s humanity.
I was thrilled to discover how he breaks, rebuilds, and keeps fighting to become more than the system that made him. I loved that it refused to give me a perfect hero. Every victory costs something, and every choice leaves a scar.
It reminded me that courage doesn’t always look noble—sometimes it’s messy, angry, and uncertain. But that’s what makes it real.
This book made me feel the weight of change and how hard it is to stay kind while tearing down what’s broken.
NEW YORK TIMES BESTSELLER NAMED ONE OF THE BEST BOOKS OF THE YEAR BY ENTERTAINMENT WEEKLY, BUZZFEED, GOODREADS AND SHELF AWARENESS
Pierce Brown's heart-pounding debut is the first book in a spectacular series that combines the drama of Game of Thrones with the epic scope of Star Wars.
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'Pierce Brown's empire-crushing debut is a sprawling vision . . . Ender, Katniss, and now Darrow' - Scott Sigler, New York Times bestselling author of Pandemic
'[A] top-notch debut novel . . . Red Rising ascends above a crowded dystopian field' - USA Today
After devouring fantasy novels in my late teens and early twenties, I eventually hit a dead end. Where had all the good old-school fantasy gone? I wanted dashing heroes, compelling love stories, and epic battles between good and evil, but I could not seem to find it anymore–at least not as regularly as I wanted to. Eventually I set about writing my own stories, the kind of stories I always wanted to read. When I’m writing, I always go back to books on this list to rekindle my fire and remind me what good fantasy should be.
This novel features a strong protagonist, separated from his love by an evil emperor.
I love characters that aren’t just fighting for a good cause, but are fighting for love, and this series features a gripping love story. The characters find a way to beat impossible odds using wits, magic, and courage. It’s one of the few books I was excited to read more than once.
SOUL OF THE FIRE saw the political machinations that have dogged the midlands reach new heights as the Chimes ran free and threatened magic everywhere. As the novel ended Kahlan has narrowly avoided death and now she and Richard Rahl, the Seeker, must strive again to save the world from the resurgent armies of the Emperor Jagang. From the very first page FAITH OF THE FALLEN PITCHES Richard and Kahlan into their most desperate fight yet, a fight where worlds once again hang in the balance. Richard must embark on a course of action that will leave his people feeling…
