17 books like Monster

In all honesty, what I liked most about this book is out of all the books I’ve read about mental illness, this one comes closest to my own book.  

It looks at the ramifications of mental illness through the gaze of a person that loves the main character. In the case of this book, it is two Asian American sisters: Lucia and Miranda.  

Lucia, like many people with a mental health diagnosis, like the character Bowie in my novel, suffers from anosognosia - a lack of insight about having a mental illness; making her oppositional to any treatment that would help level off her symptoms. Mira T. Lee compellingly describes the arrogance of ‘experts’ who know nothing about Lucia, ignoring the well-informed input from Miranda, prescribing meds that Miranda already knows from experience will have adverse effects. 

The book also examines how people with severe mental illness endure shifting diagnoses:… show more.

This book takes us on various modes of public transportation through Seattle, following an overweight, diabetic grocery store cashier struggling to make ends meet after losing his boyfriend to mob violence during a BLM rally. I love the way this book mirrors the moments of hilarity and the moments of sleaze that anyone who has ridden a bus in a metropolitan area will immediately recognize. It took me back to my own trips on the New York City subways, reading a book while a homeless man sang "Sexual Healing" in the aisles, lol. This book is totally of our moment, as the passengers argue about wearing masks vs. not wearing masks, or ride the light rail to the latest rally advertised on Facebook.

The book is broken into short little vignettes, moving us (seemingly) randomly through unconnected encounters with a rag-tag group of fellow passengers. The joy is that the… show more.

This book is slim as a Hanzo knife and its sentences cut just as precisely.

It comes in at a scant 72-page read, so those of us trying to fit in a great read between all our other obligations should take a look at this scathing look at the microaggressions endured in a male-dominated corporate environment.  

This book gets into the mind of a Black British woman; overqualified, impeccably educated, and yet still somehow made to feel inadequate through multiple tiny attacks on her character and her competence. Her white, well-to-do fiancé wants to marry her, and this marriage could be a way to lessen the impact of the toxic masculine environment surrounding her, but our nameless protagonist can’t be sure if there is true love in the union or if it is just a rebellious addition to her fiancé’s heretofore bland pedigree.

Told in a series of vignettes, Assembly… show more.

I was blown away by the authentic voices of the characters, the quick pacing, and the theme of justice confronting racial hatred in a courthouse and a community. Something tells me that Grisham himself might be most proud of this first novel, even over his many fine ones that followed it. Recently, I went back to read some of this book.

I wanted to remember how Grisham wrote about place and atmosphere. I found myself sweating as I took in his words describing the hot southern town. I re-read the entire novel.

This noir pastiche is one long joke, a satire on art, art criticism, and art collecting.

James Figueras, a cad bachelor freelance art critic in 1960s Palm Beach, is tasked with stealing a painting by the (fictional) French artist Jacques Deberiue.

Deberiue was the founder of the Nihilistic Surrealism movement who retired after the creation of one work, No. One: an empty frame mounted around a crack in a wall. The trail leads to the dusty outskirts of Miami and a bloody murder in the Everglades, but the real mystery surrounds the artist and his art.

And the fun is in the comedy: "The fact that he used the English No. One instead of Nombre une may or may not've influenced Samuel Beckett to write in French instead of English, as the literary critic Leon Mindlin has claimed."

A solid police procedural that influenced my own book, the novel explores race relations in Los Angeles amid the 1992 Uprising spurred by the beating of motorist Rodney King. Detective Charlotte Justice not only is tasked with solving the murder of a man responsible for killing her family but also contends with the misogynistic, racist, and overall toxic good old boy culture of the LAPD. The novel delivers a twisty mystery and deconstructs an event that should have served as the tipping point for police reform in America.

Here’s another book better known for the excellent film adaption, but the novel actually brings the gritty, sometimes brutal daily life in the rural Ozarks alive in the mind’s eye more vividly than a movie ever could.

Daniel Woodrell’s atmospheric story of a teen daughter’s quest to bring her father back for his court date, dead or alive, is a simple narrative rendered with stark, almost Biblical prose. I particularly appreciated the author’s distinctive language and evocative imagery.

Few writers inhabit history, distill it, and convey the feeling of an era with the verve or immediacy of E.L. Doctorow.

In Billy Bathgate, he trains his lens on the 1930s and introduces us to Billy Behan, a fatherless Irish-Jewish kid from the Bronx, who has a chance encounter with New York gangster Dutch Schultz and decides “whatever my life was going to be in this world it would have something to do with Mr. Schultz.”

Add a love triangle, a colorful cast of mobsters, murder, blackmail, a special prosecutor, and you have the propulsive plot and rich characters that power this unforgettable novel.   

In a heartfelt story of redemption, Deanna Lambert was labeled the school slut after her father caught her having car sex with a high school boy. Unforgiven and dejected in a smothering, gossip-fueled small town, Deanna faces the people she least wants to face in a moving attempt to outlive her past, with no help offered by her dysfunctional parents and a sister overwhelmed with young motherhood. I loved the gorgeous realism of this book, fueled by the deep intimacy Zarr creates with her sincere, frank-hearted, narrator.

In the dark world of hardboiled literature, anything can happen at any time for any reason—or no reason at all. In my view, that makes things easy for this debut novel about an unemployed LA factory worker named Easy Rawlins, and that makes things challenging for the story—for the character—as well. 

A man with money and power offers Easy a job looking for a missing blond-haired, white-skinned beauty. Rawlins faces only two problems: He has no experience as a private detective, and he needs to do the detecting with black skin in a segregated, remarkably unequal 1948 America. 

But I think Mosley has found the perfect genre for his character, one whose tough and humane and even psychologically insightful qualities have enabled him to adjust to, learn from, and survive in a place where laws can break out or disappear, depending on the color of his skin. Rawlins finds it… show more.