Here are 8 books that Mary Sutter Series fans have personally recommended once you finish the Mary Sutter Series series.
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I’m a historical novelist originally from Ohio. In Civil War lessons at school, we learned about battles and generals and read The Red Badge of Courage and other books centering on men’s experiences. With the exception of Florence Nightingale, women were largely absent from the discussions. I want to know about the women. As an adult, I lived in Roswell, Georgia, where I learned of the mill workers, mostly women and children, who, in 1864, were arrested and sent north by Federal forces for making Confederate cloth. Their fates largely remain a mystery, and I wrote my book in order to imagine what we may never know.
I love stories about ordinary women living through extraordinary times. In this story, the protagonist, Joetta, a North Carolina yeoman farmer who does not share the Confederacy’s view on slavery, attempts to stay neutral during the Civil War despite the ever-growing costs.
I admired the way Everhart deals with the relationship between Joetta and her teenage sons, boys old enough to assert their independence and choose their own way, no matter how much she may wish they chose differently.
From the author of The Saints of Swallow Hill, an evocative, morally complex novel set in rural 19th century North Carolina, as one woman fights to keep her family united, her farm running, and her convictions whole during the most devastating and divisive period in American history, perfect for readers of Cold Mountain by Charles Frazier and Enemy Women by Paulette Jiles.
Talk of impending war is a steady drumbeat throughout North Carolina, though Joetta McBride pays it little heed. She and her husband, Ennis, have built a modest but happy life for themselves, raising two sons, fifteen-year-old Henry, and…
I’m a historical novelist originally from Ohio. In Civil War lessons at school, we learned about battles and generals and read The Red Badge of Courage and other books centering on men’s experiences. With the exception of Florence Nightingale, women were largely absent from the discussions. I want to know about the women. As an adult, I lived in Roswell, Georgia, where I learned of the mill workers, mostly women and children, who, in 1864, were arrested and sent north by Federal forces for making Confederate cloth. Their fates largely remain a mystery, and I wrote my book in order to imagine what we may never know.
Set just prior to the Civil War, this novel is one I’ve often recommended since first reading it years ago. The novel’s four main characters, enslaved mistresses of Southern men, are well-rendered and complex and stayed with me long after I finished the book. I was drawn by the women’s distinct personalities and how they responded to the harsh realities of their lives.
The novel also introduced me to a piece of my home state’s history: Tawawa House was a summer resort in southwestern Ohio popular among southern planters who brought their enslaved mistresses despite Ohio being a free state. (The resort would later become the site of Wilberforce University, the nation’s oldest private, historically black university owned and operated by African Americans.)
Wench by Dolen Perkins-Valdez is startling and original fiction that raises provocative questions of power and freedom, love and dependence. An enchanting and unforgettable novel based on little-known fact, Wench combines the narrative allure of Cane River by Lalita Tademy and the moral complexities of Edward P. Jones’s The Known World as it tells the story of four black enslaved women in the years preceding the Civil War. A stunning debut novel, Wench marks author Perkins-Valdez—previously a finalist for the 2009 Robert Olen Butler Short Fiction Prize—as a writer destined for greatness.
I grew up watching my mother suffer under a strict patriarchal religion. She never felt she had a choice in her life, and yet she always remained a dreamer, collecting newspaper articles about events in history that interested her. They piled up in a box and I’ve no idea what she thought to do with them. She would thumb through them between bouts of standing over a ringer washer or hanging wet clothing outside in freezing weather. There were 15 of us, you can imagine the laundry. I never saw her cry…despite working like a mule. I admire her and women like her for getting through.
The title says a lot about why this book moved me. Susan La Flesche was a warrior for her people, and what greater reason do any of us have for our existence? La Flesche overcame impossible odds and gave up a great deal to become a doctor. Time and again she risked her life to travel to homes in the dead of night or through snowstorms to reach someone who needed her. That dedication and drive inspire me. Reading the book makes me roll my eyes at my own short list of accomplishments. Also, I was raised close to the famous Indian School in Genoa, Nebraska. I grew up fascinated by the buildings and the haunted feelings in the classrooms. Starita’s lyrical descriptions of the land also transported me back.
"An important and riveting story of a 19th-century feminist and change agent. Starita successfully balances the many facts with vivid narrative passages that put the reader inside the very thoughts and emotions of La Flesche." —Chicago Tribune
On March 14, 1889, Susan La Flesche Picotte received her medical degree—becoming the first Native American doctor in U.S. history. She earned her degree thirty-one years before women could vote and thirty-five years before Indians could become citizens in their own country.
By age twenty-six, this fragile but indomitable Native woman became the doctor to her tribe. Overnight, she acquired 1,244 patients scattered…
I grew up watching my mother suffer under a strict patriarchal religion. She never felt she had a choice in her life, and yet she always remained a dreamer, collecting newspaper articles about events in history that interested her. They piled up in a box and I’ve no idea what she thought to do with them. She would thumb through them between bouts of standing over a ringer washer or hanging wet clothing outside in freezing weather. There were 15 of us, you can imagine the laundry. I never saw her cry…despite working like a mule. I admire her and women like her for getting through.
The book chronicles Kidd’s evolution from a patriarchal religion into a spirituality that honors her as a woman. She’d built her reputation and made her livelihood as a Christian writer and speaker, and she risked everything: career, marriage, family, and friends in leaving that behind. I was making a similar journey when I found the book, leaving behind the organized religion I’d grown up with and significantly, married into. Fighting broke out when I quit attending services, and I received a lot of condemnation for seeking to free myself from a religion thousands of years old. How dare I! I was letting my immediate, and not so immediate, family and community down. I was headed for damnation. Kidd’s book uplifted and supported my decision. It’s honest, too, in addressing one’s internal conflicts about change. The book gave me the courage to face my fears, my guilts, and keep following my…
"A masterpiece of women’s wisdom."—Christiane Northrup, M.D.
"The journey to capture her feminine soul and live authentically . . . makes a fascinating, well-researched and well-written story."—Publishers Weekly
In celebration of the twentieth anniversary of its publication, a newly reissued edition of the bestselling author’s classic work of feminine spiritual discovery, with a new introduction by the author.
"I was amazed to find that I had no idea how to unfold my spiritual life in a feminine way. I was surprised, and, in fact, a little terrified, when I found myself in the middle of a feminist spiritual reawakening."—Sue Monk…
I am passionate about little-told stories of women’s lives. Too often, women have been either minimized or silenced, and in so doing, we have ignored the experience of half of humanity. I grew up in the 1950s and ’60s in the South, where girls and women were not listened to. For this reason, among others, it was hard for me to speak up for myself, hard for me to write. I found the stories of strong, courageous women—bad-ass women—whether fictional or real, to be life-affirming and inspirational in my own journey as a writer. These stories have helped me to say, “It’s my turn. I’m talking now.”
Here's another amazing woman—angry, determined 18-year-old Adair—who travels through Missouri’s brutal Civil War landscape looking for her father. Jailed in St. Louis under horrid conditions for suspected Confederate sympathies, she brawls with a fellow prisoner, strategically worms her way into the prison matron’s good graces, then captures the heart of a Union interrogator who helps her escape.
I am not a horse person, but Jiles’s description of Adair’s relationship with her horse Whiskey is otherworldly and totally converted me. One nightmare scene follows another as Adair makes her way back to her family home, and I love the resourceful lies she concocts to save herself and Whiskey amid guerrilla warfare and martial law.
Beautiful language; Jiles is a poet, and it shows.
"A gritty, memorable book ... it is a delight from start to finish, without a single misstep." Tracy Chevalier
Missouri, 1865. Adair Colley and her family have managed to hide from the bloody Armageddon of the American Civil War, but finally even their remote mountain farm cannot escape the plundering greed of the Union militia. Her house is burnt, her father beaten and dragged away. With fierce determination, Adair sets out after him on foot. So begins an extraordinary voyage which will see Adair herself denounced as a Confederate spy and thrown in jail. Here she falls passionately in love…
I’ve been an avid reader since I was a child, and my favorite protagonists are readers and writers. The Kansas tallgrass prairie horizons where I grew up fueled my imagination, and I wanted to write like the girls in my novels. I discovered Anne of Green Gables as a teen, and since then, I’ve researched, published, and presented on the book as a quixotic novel. As a creative writer, my own characters are often readers, writers, librarians, book club members, and anyone who loves a good tale. I hope you enjoy the books on my list as much as I do each time I return to them.
I love this book because it has so many layers that appeal to me: a historical period, the challenges of growing up, and a young woman who dreams of being a writer.
As an author, Jo March’s writing aspirations spoke to me, although I think I saw a bit of me in each of the four March sisters. That breadth is what welcomes me as a reader each time I return to the novel. And—no spoilers—I still sometimes scratch my head over the twist in the romance plot that didn’t go as I anticipated when I first read the book!
Louisa May Alcott shares the innocence of girlhood in this classic coming of age story about four sisters-Meg, Jo, Beth, and Amy.
In picturesque nineteenth-century New England, tomboyish Jo, beautiful Meg, fragile Beth, and romantic Amy are responsible for keeping a home while their father is off to war. At the same time, they must come to terms with their individual personalities-and make the transition from girlhood to womanhood. It can all be quite a challenge. But the March sisters, however different, are nurtured by their wise and beloved Marmee, bound by their love for each other and the feminine…
My passion for this topic of women overcoming the odds stems from having worked with powerful, resilient women as a life coach and therapist for the past 15 years. I witness and continue to be inspired by women who surpass what they or those around them believe is possible internally and externally. Women are powerful in unimaginable ways, and I love to read a great story that depicts this truth.
Kaya Clark is the wild child I longed to be growing up. Although her family story is tragic and well-explored, how she inhabits her world of nature and allows it to inhabit her is stunning. Once again, she is a young woman who is an outcast who manages to rise above her limitations and those placed on her by society.
Beyond the incredible storytelling and intriguing plot lines, I was mesmerized by the natural world of the North Carolina marshes, being as much a main character as Kaya herself. The intricate details of the lushness and cruelty of the natural world were incredible. In looking back at my favorite novels, one of the commonalities is the writing’s ability to come alive in my head and to take up a permanent space as much as my own lived memories. This novel is one of those.
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For years, rumours of the 'Marsh Girl' have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be…
I am a lifelong lover of books. As a child, one of my most prized possessions was my library card. It gave me entrance to a world of untold wonders from the past, present, and future. My love of reading sparked my imagination and led me to my own fledgling writing efforts. I come from a family of storytellers, my mother being the chief example. She delighted us with stories from her childhood and her maturation in the rural South. She was an excellent mimic, which added realism and humor to every tale.
This book is part odyssey, part ghost story, and part passion play. Toni Morrison is one of the patron saints of American literature whom I was fortunate to discover at an early age. This is her masterpiece, an example of what is possible when a writer’s heart, mind, and spirit are aligned.
The fact that the unfathomable sacrifice around which Beloved is imagined is based upon an actual event speaks volumes about the innate horrors of slavery. In matters of race, America’s skeletons are buried in shallow graves.
'Toni Morrison was a giant of her times and ours... Beloved is a heart-breaking testimony to the ongoing ravages of slavery, and should be read by all' Margaret Atwood, New York Times
Discover this beautiful gift edition of Toni Morrison's prize-winning contemporary classic Beloved
It is the mid-1800s and as slavery looks to be coming to an end, Sethe is haunted by the violent trauma it wrought on her former enslaved life at Sweet Home, Kentucky. Her dead baby daughter, whose tombstone bears the single word, Beloved, returns as a spectre to punish her mother, but also to elicit her…
