Here are 82 books that Lock in fans have personally recommended once you finish the Lock in series.
Book DNA is a community of authors and super-readers sharing their favorite books with the world.
I was introduced to the paranormal and unknown by my father. He was open to all possibilities. I loved being shocked, awed, and traumatized by the depths of dystopia and the heights of Utopian Imagination! I think, because we all live somewhere in between, flowing up and down as life experiences us, riding us ever onward!
I love not knowing anything about a book and finding myself turning from page to page, ever more excited to be a part of the adventure.
This alternate end of life leaves me wondering, why not? Though I look forward to a peaceful Galactic future, this one sure is fun (from the reader's perspective)!
Perfect for an entry-level sci-fi reader and the ideal addition to a veteran fan’s collection, John Scalzi's Old Man’s War will take audiences on a heart-stopping adventure into the far corners of the universe.
John Perry did two things on his 75th birthday. First he visited his wife's grave. Then he joined the army.
The good news is that humanity finally made it into interstellar space. The bad news is that planets fit to live on are scarce-and aliens willing to fight for them are common. The universe, it turns out, is a hostile place.
One of the reasons I love my job as a Space History Curator at the Smithsonian’s National Air and Space Museum is that I am fascinated to learn how people think about space, the cosmos, and their human connection with the universe. I am always eager to get beyond questions of what we know and how we know it and ask: Why do we ask the questions we ask in the first place? The books I’ve listed here all explore our relationship with space and how we engage personally or collectively with space exploration.
This science fiction novel, written by Daniel Abraham and Ty Franck under the pen name James S. A. Corey, was the beginning of the Expanse series (now totaling 9 novels and additional stories). It is one of the best space science fiction novels of the 21st century and became the basis for one of my favorite TV/streaming series, The Expanse.
The books dive deep into the political, social, and cultural complexities of sending humans to live on the Moon, Mars, and the asteroid belt, and it’s a nuanced reflection of our current ideas and ambitions when it comes to spaceflight. I am particularly drawn to the depiction of humans who, after multiple generations off Earth, consider their primary identity to be Martian.
Humanity has colonized the planets - interstellar travel is still beyond our reach, but the solar system has become a dense network of colonies. But there are tensions - the mineral-rich outer planets resent their dependence on Earth and Mars and the political and military clout they wield over the Belt and beyond. Now, when Captain Jim Holden's ice miner stumbles across a derelict, abandoned ship, he uncovers a secret that threatens to throw the entire system into war. Attacked by a stealth ship belonging to the Mars fleet, Holden must find a way to uncover the motives behind the…
I love 'Show, Don’t Tell' because it really brings a novel to life for the reader. It’s something so many writers struggle with, but it can turn a so-so novel into one readers can’t put down. Losing yourself in a story is the sign of great writing, and when a writer can show me what’s in their head and do it in a way that makes me forget I’m reading, well, that’s a book that keeps me turning the pages until it’s done. And that’s my favorite part of reading, writing, and teaching writing.
This book is one of my all-time favorites, because even though I knew it was fiction, it felt like nonfiction as I was reading it. It was that authentic, and that alive. I truly felt like I was reading an actual history book about an event from my own world.
The narrative structure was also amazing, telling the entire story through interviews with survivors of the zombie war, and I was riveted by those stories. They showed me what it was like to face that zombie horror, which made me desperate to know what happened, how they survived, and how they managed. Although I was reading, it felt like I was watching actual people tell their tales.
It began with rumours from China about another pandemic. Then the cases started to multiply and what had looked like the stirrings of a criminal underclass, even the beginning of a revolution, soon revealed itself to be much, much worse.
Faced with a future of mindless man-eating horror, humanity was forced to accept the logic of world government and face events that tested our sanity and our sense of reality. Based on extensive interviews with survivors and key players in the ten-year fight against the horde, World War Z brings the finest traditions of journalism to bear on what is…
Absurdity gets a bad rap in fiction and storytelling, I think. “It’s too silly,” they say. But for those who can take a step back and appreciate how absurd our own world is—our everyday life—there’s nothing more real than absurdity. (I’m saying “absurd” an absurd amount of times. Let’s just say it’s purposeful.) It might be played for laughs at times, but if it’s done right, it gives you perspective. Sometimes we all need to look through a funhouse mirror to realize that we’re only human. These five books share that spirit and have made me laugh, think, and occasionally reevaluate my entire life in a spiral of existential dread—with a smile on my face.
I love that this book is basically a workplace comedy, except the office is tasked with protecting giant monsters the size of Godzilla.
It takes the tired world of monster movies and flips it on its head, focusing instead on the government workers whose 9-to-5 actually involves dealing with them. The dialogue is razor-sharp, the satire of corporate culture had me cackling, and underneath it all, there’s a hopeful message about cooperation and curiosity.
The Kaiju Preservation Society is John Scalzi's first standalone adventure since the conclusion of his New York Times bestselling Interdependency trilogy.
When COVID-19 sweeps through New York City, Jamie Gray is stuck as a dead-end driver for food delivery apps. That is, until Jamie makes a delivery to an old acquaintance, Tom, who works at what he calls “an animal rights organization.” Tom’s team needs a last-minute grunt to handle things on their next field visit. Jamie, eager to do anything, immediately signs on.
What Tom doesn't tell Jamie is that the animals his team cares for are not here…
The best stories are the ones that take very silly ideas seriously. This doesn’t mean that they’re not funny; on the contrary, you don’t really hear the truth until it makes you laugh. These books all lean heavily on tropes, specifically B-movie tropes. I used to write detailed reviews of terrible movies, afterschool specials, and creature features. I host a podcast all about the funnier parts of TV criticism. Figuring out how something simple speaks to the core of us is the height of fiction, and all five of these do that and do it with humor.
It’s hard to beat Scalzi for nailing the execution of a high concept.
Redshirts could have so easily been nothing but a gimmick, but Scalzi really gets into the guts of the horror and humor of being a character written for the sole purpose of dying. I picked up the book with a cynical eye, expecting to hate it, but it drew me in.
Scalzi went so much further with the concept, shined a light on every corner of the idea, that he managed to create a deconstruction and reconstruction of the same trope at the same time.
'I can honestly say I can't think of another book that ever made me laugh this much. Ever' Patrick Rothfuss, New York Times bestselling author of The Name of the Wind
Ensign Andrew Dahl has just been assigned to the Universal Union Capital Ship Intrepid, flagship of the Universal Union since the year 2456. It's a prestige posting, and Andrew is even more delighted when he's assigned to the ship's Xenobiology laboratory. Life couldn't be better ... although there are a few strange things going on:
(1) every Away Mission involves a lethal confrontation with alien forces
I love 'Show, Don’t Tell' because it really brings a novel to life for the reader. It’s something so many writers struggle with, but it can turn a so-so novel into one readers can’t put down. Losing yourself in a story is the sign of great writing, and when a writer can show me what’s in their head and do it in a way that makes me forget I’m reading, well, that’s a book that keeps me turning the pages until it’s done. And that’s my favorite part of reading, writing, and teaching writing.
My favorite thing about this book is how Hughes gave me just enough details to make it feel real, but didn’t tell me everything. She referred to the story’s history in a way that felt natural to the protagonist, and didn’t dump a lot of information or explain it all to me. It really gave the world depth, and made it feel like it had an actual history beyond what was just on the pages.
I wanted to know more, and she spoon fed me details and kept me hooked all the way through. It’s a complex world and story, but I never felt lost because her narrator was solidly grounded in that world and made me feel grounded, too.
Alongside my early career as a children’s writer, I was a consultant to police forces about anti-corruption measures. It gave me a great look inside investigations…but my NDAs meant I couldn’t use any of that information in a mystery story. So, an amateur sleuth it had to be—but one who didn’t do stupid things instead of going to the police! Before that, I worked in children’s television, and I understand the power of the media to get people to talk. I brought those two sides of my work life together to create Poppy, my main character, and put her in Sydney, Australia, the city of my heart.
I’ve been a reader of Jennifer Crusie for a while, so I was delighted to find that she’d moved into murder mysteries. Then, when I read this, I thought: Liz Danger and my Poppy would really get on well—so naturally I loved it! I like the creation of a small town that isn’t the normal sweet-as-pie cozy place, and the slow-burn romance is handled deftly. Just quirky enough but not too quirky.
I like Liz and her ambivalence about the town and her erratic family. Because it’s a collaboration, the two points of view (Liz and cop Vince Cooper) are distinctly different, which I really enjoyed. I immediately went on to read the rest of the series, which is the highest praise I can give!
From the NY Times Bestselling duo that wrote Agnes and the Hitman, the first book in a new series.
Liz Danger has come home after fifteen years to deliver a giant teddy bear for her mother’s birthday (color: Guilt Red) when a cop with a great ass picks her up for speeding, fixes the missing lug nuts in her back wheel, pulls her out of a ditch, doesn’t give her a ticket, and helps her avoid her family. This is a man with real potential.
Vince Cooper picks up Liz for speeding and his life gets a lot more interesting.…
I love 'Show, Don’t Tell' because it really brings a novel to life for the reader. It’s something so many writers struggle with, but it can turn a so-so novel into one readers can’t put down. Losing yourself in a story is the sign of great writing, and when a writer can show me what’s in their head and do it in a way that makes me forget I’m reading, well, that’s a book that keeps me turning the pages until it’s done. And that’s my favorite part of reading, writing, and teaching writing.
Grabenstein also writes for kids, and it shows. His books are rich and fun, and this one just put me right in the middle of a quirky seaside tourist town. I could feel the sun on my face and wanted to go on all the rides and eat the food from all the snack vendors. He actually made me hungry on more than one occasion.
He crafted this playful world and overlaid a murder on top of it, using the contrasts of light and dark to show all the sides of this setting, and its citizens. I learned all about John Ceepak, the detective the rookie cop narrator works with, but I never felt like I was getting John’s life story or dossier. It was just Danny sharing his admiration and interest in a partner he wished he could be like. I felt like I knew Danny and that made…
I've loved horror since I was a kid. However, the horror of the unexpected has frequently popped up in my life. This started most prominently with a day on the beach, near the haunted Hotel del Coronado; while my mind was busy thinking of ghosts, I busily picked up various seashells, only to be shocked to find a crab in one of the shells I had attempted to retrieve. Several paranormal experiences and many late nights of research later, I have become the writer presenting you this list today. I've spent a lot of time watching movies, teaching, and reading about sociology. Happy reading!
This is a sci-fi book from famous sci-fi author Phillip K. Dick. Besides suggesting some big, scary questions, it didn't exactly stick to what I usually go for in a sci-fi book.
For a while, it involved this product, Ubik, which has so many uses that it's everywhere. But the story drew me in with a relatively everyman-type guy on a team of psionic corporate spies—and then things get weird. It's the kind of weird like when I was struggling to remember this amazing horror movie I had seen, only to realize the media in question had actually been this unforgettable book.
A classic science fiction tale of artifical worlds by one of the great American writers of the 20th century
Glen Runciter is dead.
Or is he?
Someone died in the explosion orchestrated by his business rivals, but even as his funeral is scheduled, his mourning employees are receiving bewildering messages from their boss. And the world around them is warping and regressing in ways which suggest that their own time is running out.
If it hasn't already.
Readers minds have been blown by Ubik:
'Sheer craziness, a book defying any straightforward synopsis . . . a unique time travel adventure…
I worked for many years in business consultancy (writing many books like the bestselling “Successful Time Management [Kogan Page]) before branching into other genres, including fiction and light-hearted travel writing (e.g., Beguiling Burma [Rethink Press]). My five novels all involve ordinary people caught up in situations that involve mystery or crime (or both). Like most fiction writers, I find it difficult to recognize where ideas come from, though I do draw on various aspects of my own life; for example, Long Overdue [Stanhope Books] involves sailing and a missing person. Certainly, I relate to sailing and, for many years, owned a boat.
Another unusual premise. An asteroid has been spotted on a collision course with Earth, and civilization appears doomed, yet our hero remains set on solving his current case, a death originally dismissed as suicide, which is, in fact, a murder.
Surprisingly, the two themes are made to sit well together, and the intent to solve the crime never seems inappropriate in dire circumstances. This is a real page-turner, which I loved.
In THE LAST POLICEMAN, Edgar Award winner and New York Times bestselling author Ben H. Winters, offers readers something they've never seen before: A police procedural set on the brink of an apocalypse. What's the point in solving murders when we're going to die soon, anyway? Hank Palace, a homicide detective in Concord, New Hampshire, asks this question every day. Most people have stopped doing whatever it is they did before the asteroid 2011L47J hovered into view. Stopped selling real estate; stopped working at hospitals; stopped slinging hash or driving cabs or trading high-yield securities. A lot of folks spend…
