Here are 100 books that Lincoln Lawyer fans have personally recommended once you finish the Lincoln Lawyer series.
Shepherd is a community of authors and super-readers sharing their favorite books with the world.
When I was a boy, my father filled our house with books. From an early age, I immersed myself in whatever he was reading, especially spy thrillers (John LeCarre was his favorite) and crime fiction (the first I recall reading was Joseph Wambaugh’s The Onion Field). I loved those books. What captivated me most were stories that provided clues but made me piece them together to draw my own conclusions. I strive to deliver this same experience to the readers of my novels by providing entertaining tales with unexpected, yet plausible endings.
This book introduced me to the gritty world of Los Angeles police detective Harry Bosch. I love Bosch’s smarts and toughness, yet beneath his hard exterior lurks a sensitive heart. He is fond of saying, “Everybody counts, or nobody counts,” and he means it.
Whether the victim is a rich businessman or an impoverished drug addict, Bosch pursues justice with the tenacity of a bulldog. Not only that, he makes tough choices with an ironclad sense of right and wrong. After reading it, I devoured everything Michael Connelly has written. I’m that fan who pre-orders his next book as soon as the announcement hits my inbox.
An LAPD homicide detective must choose between justice and vengeance as he teams up with the FBI in this "thrilling" novel filled with mystery and adventure (New York Times Book Review). For maverick LAPD homicide detective Harry Bosch, the body in the drainpipe at Mulholland Dam is more than another anonymous statistic. This one is personal . . . because the murdered man was a fellow Vietnam "tunnel rat" who had fought side by side with him in a hellish underground war. Now Bosch is about to relive the horror of Nam. From a dangerous maze of blind alleys…
I remember carrying home tall stacks of library books in the summertime and spending entire days immersed in my heroes’ latest adventures as a kid. This continued as I grew up, as I learned that I ought to be a hero, too, by confronting evil both within and without. So I took steps to face my fears, and now when I write about good guys fighting bad guys in my own action fiction, it’s with a real passion for doing what’s right, for making this world better, even if it’s in my own way and only just a little.
As I indicated earlier, I am a Lee Child superfan. I’ve read all his original books. A thick (and expensive) biography. A long essay he wrote on heroism. All his short stories. You get the idea. So it was fun to re-read this book, his first.
It wasn’t what I remembered, that’s for sure! Yes, the action scenes are vivid and instructive (Child writes about the utility of a headbutt versus the risk of breaking your hand with a punch), and the action is what I remember most. But there’s more to this book than fights: there’s a major romance, which the author writes with gusto and in detail, heavy on feelings, not on private parts; the prose is better than solid, with imagery that really makes it come alive; and the story is plausible and tightly woven, with plenty of surprises.
Ex-military policeman Jack Reacher is a drifter. He's just passing through Margrave, Georgia, and in less than an hour, he's arrested for murder. Not much of a welcome. All Reacher knows is that he didn't kill anybody. At least not here. Not lately. But he doesn't stand a chance of convincing anyone. Not in Margrave, Georgia. Not a chance in hell.
I knew I wanted to be a writer of fiction when I was 10 years old, being raised by my father. He thoughtfully gave me a typewriter, and plenty of other encouragement too. As a youngster, I couldn’t read enough about what youngsters read about: animals, sports, cowboys, child detectives. Soon, I came to love books that probed human conflict through characters who reached deeply into my soul. Not simplistic “good versus evil” driven principally by plot, but gut-pulling interpersonal struggle coming to life (and sometimes death) in characters facing moral and legal dilemma, and facing it with wit, humor, and human frailty.
I was blown away by the authentic voices of the characters, the quick pacing, and the theme of justice confronting racial hatred in a courthouse and a community. Something tells me that Grisham himself might be most proud of this first novel, even over his many fine ones that followed it. Recently, I went back to read some of this book.
I wanted to remember how Grisham wrote about place and atmosphere. I found myself sweating as I took in his words describing the hot southern town. I re-read the entire novel.
______________________________ THE MULTI-MILLION COPY BESTSELLER
John Grisham's first and most shocking novel, adapted as a film starring Samuel L. Jackson and Matthew McConaughey
When Carl Lee Hailey guns down the violent racists who raped his ten-year-old daughter, the people of the small town of Clanton, Mississippi see it as justice done, and call for his acquittal.
But when extremists outside Clanton - including the KKK - hear that a black man has killed two white men, they invade the town, determined to destroy anything and anyone that opposes their sense of justice. A national media circus descends on Clanton.
Around age thirteen I discovered Perry Mason and put Nancy Drew on a back shelf. By the time I discovered Raymond Chandler’s mean streets, I was hooked. A vastly over-protected child, I longed to explore places that would make my mother faint. To paraphrase Chandler, I wanted to read about the best woman of her world and a good enough woman for any world. The kind of woman (or yes, a man) who would never ever need to be rescued. And when I sat down to write, I wanted to write about men and women who could handle themselves on those mean streets without turning mean themselves.
I fell in love with Sue Grafton’s Kinsey Milhone in the first paragraph of this book. She’s learned to protect her heart from significant damage, and she’s got a toughness that makes her equal to any drug lord or cold-blooded killer in the streets of L.A. or anywhere else.
She’s hired by a woman who was convicted of killing her husband. She swears she didn’t do it. Of course, right? Kinsey is tasked with finding out who actually did it, and yes, she takes it with the proverbial grain of salt—until the bodies start piling up. Her investigation ranges from Beverly Hills to Las Vegas. Who says rich streets aren’t mean? Trust me, the lady can handle herself while keeping her ethics intact.
`My name is Kinsey Millhone. I'm a private investigator, licensed by the state of California. I'm thirty-two years old, twice divorced, no kids. The day before yesterday I killed someone and the fact weighs heavily on my mind . . .'
When Laurence Fife was murdered, few cared. A slick divorce attorney with a reputation for ruthlessness, Fife was also rumoured to be a slippery ladies' man. Plenty of people in the picturesque Southern California town of Santa Teresa had reason to want him dead. Including, thought the cops, his young and beautiful wife, Nikki. With motive, access and opportunity,…
I’ve always loved mysteries and the detectives that solved them. Sherlock Holmes and Hercule Poirot were heroes to me, but as I grew older and the world grew more complex, I started reading novels where it was not so easy to separate the good guys from the bad. The world was not black and white anymore, and justice was not so simple. Characters who had to work around the law or took matters into their own hands to earn justice became my new heroes. Phillip Marlowe and Sam Spade, while not saints themselves, did whatever they had to in order to serve justice, and I admired them for it.
I loved the way Scott Turow navigates the law and the courtroom in his fiction, and this novel especially.
Not only is this story a breathtaking page turner, it pins down the fine points of the law and behavioral nuances of the people who practice it.
This was one of the books that kept you up all night and then you found yourself wanting to read again—to find the trail of breadcrumbs you missed the first time through. Justice is served, just not as expected.
Rusty Sabich is a prosecuting lawyer in Chicago who enters a nightmare world when Carolyn, a beautiful attorney with whom he has been having an affair, is found raped and strangled. He stands accused of the crime.
This 'insider' book by a Chicago lawyer was one of the great novels of the 1980s, selling more than nine million copies, and was made into a famous film starring Harrison Ford. It's a supremely suspenseful and compelling courtroom drama about ambition, weakness, hypocrisy and American justice.
Success isn’t about money. It’s about character and personal experiences. I accept Viktor Frankl’s conclusion that fulfillment comes from having a purpose, caring for others, and living life with love. From my earliest movie heroes like Lash LaRue, Tom Mix, and Roy Rogers, to John Wayne, Cary Grant, and George Clooney, my favorite heroes have been modest and kind. Book heroes like Donna Leon’s Inspector Guido Brunetti, Louise Penny’s Armand Gamache, and John Le Carre’s George Smiley are modest and kind. This returns us to Lou Gehrig, my authentic, real-life hero. His early influence is clear in my heroic Duff Malone character.
He was the dad everyone wished they had. He was also a lot like my old high school football coach. There is authentic love and warmth when he and Scout are together. And there is honesty and spine when Atticus is in the courtroom, defending those who have been wrongly accused.
This beloved book has inspired generations of readers around the world. It is a morality tale about a rough and imperfect country, written in a way that has inspired idealists to stay the course in our fight for justice. We may be flawed, but we can still be strong.
'Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.'
Atticus Finch gives this advice to his children as he defends the real mockingbird of this classic novel - a black man charged with attacking a white girl. Through the eyes of Scout and Jem Finch, Lee explores the issues of race and class in the Deep South of the 1930s with compassion and humour. She also creates one of the great heroes of literature in their father, whose lone struggle for justice pricks the conscience of a town steeped…
I love a story filled with interesting characters and a plot that reels me in. I know how challenging it is to construct a plotline and create breadcrumbs (not too many, so the solution isn’t obvious)–all driven by intriguing characters. I am also a sucker for the “good guys” winning but with no guarantees. The characters must have depth, and I want to learn something new about a situation I am unfamiliar with or how a great story is told.
As a reader of mysteries and thrillers, I always look for intriguing characters, a great storyline, and something special. Not all books in the genre have these. This one does. The secret element is that it’s extremely charming. I love the relationship between the protagonist, Myron, and his best friend, the wealthy Win. For instance, they are both TV trivia nuts of classic TV shows from the ‘60s and forward.
Additionally, Win is very much not what he seems. This other side is intriguing and adds depth to the character. In Coban’s book, I rooted for Myron (I didn’t always agree with his choices) but was on his side the whole time.
The truth can get you killed... A stunning thriller from the SUNDAY TIMES bestselling author of SIX YEARS.
Investigator and sports agent Myron Bolitar is poised on the edge of the big-time. So is Christian Steele, a rookie quarterback and Myron's prized client. But when Christian gets a phone call from a former girlfriend, a woman who everyone, including the police, believes is dead, the deal starts to go sour.
Suddenly Myron is plunged into a baffling mystery of sex and blackmail. Trying to unravel the truth about a family's tragedy, a woman's secret and a man's lies, Myron is…
I like fiction which makes a character confront what the poet Thom Gunn called ‘the blackmail of his circumstances’: where you are born, the expectations of you. I like to think I am very much a self-created individual, but I can never escape what I was born into; the self is a prison that the will is trying to break out of. I like literature which reflects that challenge.
I could have chosen any Raymond Chandler novel for this list; he is such a brilliant stylist, one of the best in the language.
His lugubrious, heavy-drinking, first-person detective Philip Marlowe is my kind of fictional hero, a genre-defining character, perpetually alone though he yearns for the glamorous women he meets.
Raymond Chandler's first three novels, published here in one volume, established his reputation as an unsurpassed master of hard-boiled detective fiction.
The Big Sleep, Chandler's first novel, introduces Philip Marlowe, a private detective inhabiting the seamy side of Los Angeles in the 1930s, as he takes on a case involving a paralysed California millionaire, two psychotic daughters, blackmail and murder.
In Farewell, My Lovely, Marlowe deals with the gambling circuit, a murder he stumbles upon, and three very beautiful but potentially deadly women.
In The High Window, Marlowe searches the California underworld for a priceless gold coin and finds himself…
I have always loved reading fiction novels with a fast-paced plot and an unexpected ending that surprises me. In my own Dr. Kyle Chandler Thriller Series, I try to use this same thought-provoking pattern that also includes quick dialogue with an underlying sexual tension between the male and female protagonists to keep the readers’ interest. Using this, I feel I am conveying my passion for the characters and plot to the reader. I believe that this theme of fast-paced, twisting plots matched with surprise endings is shown with clarity in all five of the books I have recommended in this list.
Known for his Lincoln Lawyer and Harry Bosch crime/mystery series, this novel is the first one about Connelly’s investigative reporter Jack McAvoy.
I really enjoyed the immersion of the protagonist into the journalism newsroom world as he tries to link his brother’s unexpected murder to a series of nationwide murders.
With all odds against him, I liked the way Jack kept fighting the upstream battle to arrive at an astonishing conclusion to the case.
When Jack begins to investigate the phenomenon of police suicides, a disturbing pattern emerges and he soon suspects that a serial killer is at work, one who sets up his victims and leaves "suicide" notes drawn from the dark poems of Edgar Allan Poe.
I am an author, attorney, artist, and entrepreneur. My experience as a litigator for over forty years, as well as my experience as a painter and an investor, has inspired and influenced me to write the Chance Cormac legal thrillers series.
Elmore Leonard is the master of the dialogue-driven novel.
In Pronto, the US Marshal Raylan Givens, who wears a cowboy hat and is a quick draw, defends a former bookie who is on the run in Italy. It’s the basis of the TV show Justified, which is also a great legal thriller.
Leonard always gives an authentic voice to his characters, whether they are a bookmaker on the run or a Marshal from Kentucky.
“Speedy, exhilarating, and smooth. Nobody does it better.” —Washington Post
“The man knows how to grab you—and Pronto is one of the best grabbers in years.” —Entertainment Weekly
Fans of U.S. Marshal Raylan Givens of the hit TV series Justified are in for a major treat. The unstoppable manhunter with the very itchy trigger finger stars in Pronto, a crime fiction gem from the one and only Elmore Leonard, “the greatest crime writer of our time, perhaps ever” (New York Times Book Review). The Grand Master justifies the overwhelming acclaim he has received over the course of his remarkable career…
