Here are 45 books that Leviathan fans have personally recommended once you finish the Leviathan series.
Shepherd is a community of authors and super-readers sharing their favorite books with the world.
I have always been interested in feminine culture and how we move through loss & disappointment, build self-worth, find beauty, make and keep friendships, handle family strife, love the natural world, and value a rich imagination. I love creating fantasy worlds. My fantasy world is fueled by a lifetime of lucid dreaming and a group of animal spirits who always find a place in my stories. Music is my lifelong passion and profession, so original songs are a part of my storytelling package. I am steeped in the expression of the many facets of being a girl and practiced at the myriad of ways to explore them creatively.
I love this book for its keen originality, which turns tropes on their heads while telling a story that both kids and adults enjoy. It is set in a strange, whimsical, and fragmented fairyland. I simply cannot get over how wonderfully surprising Valente's tone and writing style are.
It's both fluid and fun, yet matter-of-fact in its telling of September, a brave and stubborn heroine as she navigates a mostly broken Fairyland and its cadre of colorful and unexpected creatures, such as a soap golem, centipedes, and a spoonless witch, to name a few.
"One of the most extraordinary works of fantasy, for adults or children, published so far this century."—Time magazine, on the Fairyland series
Twelve-year-old September lives in Omaha, and used to have an ordinary life, until her father went to war and her mother went to work. One day, September is met at her kitchen window by a Green Wind (taking the form of a gentleman in a green jacket), who invites her on an adventure, implying that her help is needed in Fairyland. The new Marquess is unpredictable and fickle, and also not much older than September. Only September can…
As a queer speculative fiction writer, I often find myself drawn to themes of identity. Reckoning with identity and defining your own (and redefining, and redefining, and redefining) is a critical part of the queer experience in the cis-hetero norms of the real world. Fantasy and science fiction have always given readers a lens to see themselves through, and many queer readers have found their own definitions between the lines of a book. The protagonists and stories in these books couldn’t be more different, but each offers a unique and compelling vision of discovering—or making—a place for themself in their magical world.
This is a story that challenges our understanding of identity–Zhu is a girl, and she is a male novice in a monastery. Zhu wears her dead brother’s name like armor and schemes to make his fate hers as well. Zhu is as unapologetically callous as the world that discarded her. Zhu lives as a man and never wishes to live as a woman, but her pronouns never change.
Her story forces the reader to confront the heavy hand of circumstance in our lives and our definition of self. Zhu performs gender without regret or longing, it is a tool of her survival; instead, she defines herself in her ambition. And even though the person that Zhu ultimately chooses to become isn’t one we might admire, her relationship to gender speaks to those of us who sit between the boundaries of gender, who move between, or who fill more than one…
As a nonbinary trans guy, I grew up obsessed with novels about women disguising themselves as men. I loved everything about the trope, and always felt disappointed when they had to go back to living as women. It is a trope I eagerly embraced when I wrote Shrouded Loyalties, and though I didn’t yet know the term “transgender,” I was already exploring my own gender identity through my reading and writing of this theme. The books I’ve chosen to highlight here are ones that became some of my very favorites, and also feature action-packed wartime settings like the one used in Shrouded Loyalties.
This is slightly outside the boundaries of a wartime novel, as it takes place in the Old West, but it’s a fantastic book for this list, and shouldn’t be overlooked if you love this trope. Jess Harney makes a name for herself as a notorious male sharpshooter and outlaw. Her first-person voice is one of the most interesting I’ve read, and I loved how she fit in as one of the guys while never sacrificing who she was. She barely even thinks about her gender as she so naturally considers herself male. Books like this really highlight the blurred lines between cross-dressing out of necessity or desire, and I’m excited to see more authors addressing this trope with the nuance of queerness which is often part of it.
Named a Best Book by Entertainment Weekly, O Magazine, Goodreads, Southern Living, Outside Magazine, Oprah.com, HelloGiggles, Parade, Fodor's Travel, Sioux City Journal, Read it Forward, Medium.com, and NPR's All Things Considered.
"A thunderclap of originality, here is a fresh voice and fresh take on one of the oldest stories we tell about ourselves as Americans and Westerners. It's riveting in all the right ways -- a damn good read that stayed with me long after closing the covers." - Timothy Egan, New York Times bestselling author of The Worst Hard Time
As a nonbinary trans guy, I grew up obsessed with novels about women disguising themselves as men. I loved everything about the trope, and always felt disappointed when they had to go back to living as women. It is a trope I eagerly embraced when I wrote Shrouded Loyalties, and though I didn’t yet know the term “transgender,” I was already exploring my own gender identity through my reading and writing of this theme. The books I’ve chosen to highlight here are ones that became some of my very favorites, and also feature action-packed wartime settings like the one used in Shrouded Loyalties.
Based on a true story, this book was a treasure of a find, detailing the rebellion of artists in Nazi-occupied Belgium in 1943. Helene, a girl disguised as a male newspaper hawker, is only a side character – a cog in the machine of the farce newspaper being published by the rebels – but her incredible voice brings the movement to life, while expertly weaving in her own questions about gender and sexuality in a world she’s not sure has a place for her. The author later came out on the nonbinary spectrum as well, which really brought home for me how many of us explore our identities through our writing before coming to terms with significant truths about ourselves.
In this triumphant debut inspired by true events, a ragtag gang of journalists and resistance fighters risk everything for an elaborate scheme to undermine the Reich.
The Nazis stole their voices. But they would not be silenced.
Brussels, 1943. Twelve-year-old street orphan Helene survives by living as a boy and selling copies of the country’s most popular newspaper, Le Soir, now turned into Nazi propaganda. Helene’s world changes when she befriends a rogue journalist, Marc Aubrion, who draws her into a secret network that publishes dissident underground newspapers.
Ross and I have backgrounds in academia, in the finest liberal arts tradition. Although we are currently in the fields of Information technology and public health, between us we have read extensively in military history, sociology, economics, feminist theory, Buddhist philosophy, mythology and all manner of fantasy fiction. This list of books reflects our favorites, in large part because of their focus on character and historical world-building. We are always eager to share our favorite fantasy fiction with other readers who love deeply complicated stories with unforgettable characters.
I’m a complete sucker for fantasy built around a seemingly unremarkable protagonist who responds to extraordinary circumstances with remarkable strength and courage. Add in a cross-dressing bad-ass heroine, and I’m hooked. This book is, in part, the story of Winter Ihernglass, a young woman who escapes her past by dressing as a man and enlisting in the Vordanai Colonials.
This is a complex novel reminiscent of the Napoleonic wars. The world-building was wonderful, the writing gritty, the military action realistic, but it was the way Winter earned the respect of her fellow soldiers that wouldn’t let go of me.
Set in an alternate nineteenth century, muskets and magic are weapons to be feared in the first "spectacular epic" (Fantasy Book Critic) in Django Wexler's Shadow Campaigns series.
Captain Marcus d'Ivoire, commander of one of the Vordanai empire's colonial garrisons, was serving out his days in a sleepy, remote outpost-until a rebellion left him in charge of a demoralized force clinging to a small fortress at the edge of the desert.
To flee from her past, Winter Ihernglass masqueraded as a man and enlisted as a ranker in the Vordanai Colonials, hoping only to avoid notice. But when chance sees…
I wrote my book and selected the five other books listed because I am passionate about women’s agency and how women may be empowered to achieve such. I started my career in a male-dominated profession and have many memories of differential treatment from my male peers. There are a few #metoo tales in there as well. I also grew up shy and studious, too timid to seek out empowerment or speak truth to power. If I could go back in time armed with these wonderful stories of girls and young women overcoming adversity, prejudice, assault, and other gender-based barriers, I think I would take that trip.
Semi-spoiler alert: this book has the best ending line ever so don’t flip to the end or you’ll rob yourself of something very precious. I adore a nice ending twist and although not so much an O’Henry plot twist (love his stories) as an “aha” shift in perspective, it has stuck with me more than any other element of the story.
The book’s blurb very aptly describes The Sea of Tranquility as “... a rich, intense, and brilliantly imagined story about a lonely boy, an emotionally fragile girl, and the miracle of second chances.” I’m a sucker for second chance stories, especially following an injustice. The beauty of this story lies not in the how the protagonist, Nastya, recovers her power by confronting and righting the injustice but in how she subtly and simultaneously learns to look forward instead of backward.
I live in a world without magic or miracles. A place where there are no clairvoyants or shapeshifters, no angels or superhuman boys to save you. A place where people die and music disintegrates and things suck. I am pressed so hard against the earth by the weight of reality that some days I wonder how I am still able to lift my feet to walk.
Former piano prodigy Nastya Kashnikov wants two things: to get through high school without anyone learning about her past and to make the boy who took everything from her-her identity, her spirit, her will…
I’ve been reading ever since kindergarten, and when I entered high school and discovered YA books, I found my home. Even when I read adult books now, I tend to gravitate towards rough-around-the-edges male leads. There’s just something fun and tempting about an anti-hero, bad boy, or morally gray male lead that always delivers spice and yearning. I’m a sucker for those bad boys who are only good for the girl who has their heart. While not all of my male leads are “bad boys,” naturally, I do tend to find myself writing quite a few of them and enjoying them, especially when you can show they’re multidimensional and have a soft side.
Two words: Wesley Rush. I’m a sucker for a bad boy with charisma. And Bianca—my girl!—definitely gives Wesley a run for his money. I love her feistiness. Wesley dubs Bianca the “Designated Ugly Fat Friend” which is a huge no-no, but somehow he and Bianca began a steamy enemies with benefits fling and I lived for it. Naturally, their walls began to come down the closer they got, and there’s a line in the book (I will not spoil it) that took my breath away and made me fall completely in love with Wesley. Skip the movie, read the book! I loved Keplinger’s authentic uncensored teen voice in this. It made me a fan.
Seventeen-year-old Bianca Piper is smart, cynical, loyal - and well aware that she's not the hot one in her group of friends. But when high-school jock and all round moron Wesley Rush tells her she's a DUFF - a Designated, Ugly Fat Friend - Bianca does not the see funny side. She may not be a beauty but she'd never stoop so low as to go anywhere near the likes of Wesley ... Or would she? Bianca is about to find out that attraction defies looks and that sometimes your sworn enemies can become your best friends ...
I’m a children’s story writer. I frequently include dragons, from babyhood to adulthood. They aren’t just pets – they can be scary. I like to show characters who become better people by coping with their fears. Dragons are symbols. Plus, I love imagining what they might do in my plots.
I love the idea of a protagonist who is half human and half dragon.
I’ve always felt that there was something odd about me that scared people. Seraphina is in that same position. She has a reason for it, and a special talent that comes of her mixed heritage. She’s worried that her talent will give away her secret. But she practices integrity, which is a trait I admire.
The kingdom of Goredd is populated by humans and by dragons who fold themselves into a human form. Though they live alongside each other, the peace between them is uneasy.
But when a member of the royal family is murdered, and the crime appears to have been committed by a dragon the peace and treaty between both worlds is seriously threatened . . .
Into this comes Seraphina, a gifted musician who joins the royal court as the assistant to the court composer. She is soon drawn into the murder investigation and, as she uncovers hints of a sinister plot…
At the close of World War II, I was born into the peace and prosperity of mid-twentieth century America, but I longed to be transported to an earlier era and a simpler time. I grew up living in an apartment building in New York City, but my spiritual home was Central Park, which served as my wilderness. Clumps of bushes were my woods. Rock outcroppings were my mountains. Books like Heidi and Little House on the Prairie captured my imagination and warmed my heart. But when my beloved father died in my eleventh year, a shadow fell that changed the emotional landscape of my life.
Despite high school freshman Melinda’s refusal to speak, I was immediately drawn into this contemporary (1999) novel by the pitch-perfect, first-person voice in which she tells her poignant story.
Melinda isn’t abandoned on a desolate island like Karana or exiled to a barren cave like Ayla but shunned by her friends after busting an end-of-summer party by calling the cops; her refusal to speak renders Melinda similarly isolated and remote.
I especially admire the way Anderson’s deft narration plays out the paradox of silence giving voice to revelation. As Melinda comes to terms with her devastating secret—having been raped by an upperclassman—she finally speaks up and breaks her silence.
Since my first trip to Oz, Dad’s voice traveling me to sleep, I’ve been in love with fantastic worlds, from the microscopic to the intergalactic. I’m drawn to the observations of poets, astronomers, and metaphysicians, but there’s a special place in my heart for children’s authors. Someone once told me middle grade is the “sweet spot.” Readers start making independent choices, exploring stories that resonate with them. I’ve been teaching world-building to students and writers of all ages since 1998, and there is something magical about those 8-12 year-olds with their wild imaginations and eagerness to explore. I wrote my fantasy series for 10-year-old me, lost in such worlds.
Author Adam Rex and I apparently have the same sense of humor because I think this book is laugh-out-loud-fall-on-the-floor-hold-your-stomach funny. Not only are the situations and dialogue hysterical, I love its satirical social commentary that pokes fun at human folly. It’s wonderfully ridiculous.
Intermixed with the funny are these poignant moments between our heroine, Gratuity, and her new Boov alien travel mate, J.Lo. Gratuity and J.Lo are thrown together on a quest to find Gratuity’s mother after the Boovs invade Earth… and then a second alien invasion happens on top of the first. And the second aliens are much meaner.
You can see their friendship developing from a mile away, but it still feels warm, fuzzy, and genuine. And the very, very end of the story was so surprisingly moving. How often does a middle-grade book make you both laugh and cry? It’s one of those…
The glorious leader of the Boovs, Captain Smek, has called for the invasion of Earth. But the plan goes very wrong when a cute and cuddly - and utterly hopeless - Boov makes a huge mistake. Now something much more dangerous is heading their way . . . Will human girl, Tip, be able to save her home?
The original and hilarious comic sci-fi adventure that inspired the major Dreamworks film, HOME.
