Here are 86 books that Landscapes fans have personally recommended once you finish the Landscapes series.
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I have been intrigued by the stranger, lesser-known parts of the natural world for as long as I can remember and have been continuing to explore those themes in my own work. I love that humans haven’t learned all there is to know about the natural forces that have ruled this planet for longer than we’ve been here. I enjoy books that peel back a layer into these mysteries by writers who have an appreciation for their existence, their ingenuity, and their importance. I have dedicated much of my career to synthesizing big topics into accessible, engaging, and fun information that creates curiosity and a desire to understand the world around us.
I found this bookto be a fascinating journey into realms of the world below the surface I had never thought about or even known existed. Cave diving is my worst nightmare, so one particular section stands out about the wild, terrifying, and utterly unrelatable passion of cave divers and the perils one faces when stuck very, very underground.
The mixture of purely natural environments and human-created ones, such as underground tunnels and cities, all held my attention as pieces of information I had read very little about in the past, all collected into one unifying theme. Having such a broad but specific topic all in one read was a fun, dynamic journey.
In Underland, Robert Macfarlane delivers an epic exploration of the Earth's underworlds as they exist in myth, literature, memory, and the land itself. Traveling through the dizzying expanse of geologic time-from prehistoric art in Norwegian sea caves, to the blue depths of the Greenland ice cap, to a deep-sunk "hiding place" where nuclear waste will be stored for 100,000 years to come-Underland takes us on an extraordinary journey into our relationship with darkness, burial, and what lies beneath the surface of both place and mind.
Global in its geography and written with great lyricism, Underland speaks powerfully to our present…
I fell in love with reading as a child and have carried that sense of magic and possibility with me ever since. As an adult and a writer, I believe passionately in the power of story to foster empathy, understanding, and greater human connection – and I still turn to children’s literature whenever I need reminding of all that we are capable of becoming and doing as human beings. This list has a strong environmental bent to it – partly because Wildoak is a book about caring for the natural world, and partly because I believe that stories shape our sense of purpose.
This book is by one of my favourite nature writers of all time, Robert Macfarlane. It’s a picture book that is for humans of all ages, truly. His poetry makes for a beautiful read aloud, the illustrations by Jackie Morris are stunning and the size of it makes for an immersive experience. I absolutely loved reading it with my kids when they were a little younger and we all piled into my bed. I also believe that it works… the poems are ‘spells’ designed to bring certain words back into use since they were cut from the Junior Oxford English Dictionary. Words like acorn… kingfisher, and otter…. Please read and share this book!
Penguin presents the CD edition of The Lost Words by Robert Macfarlane, read by Edith Bowman, Guy Garvey, Cerys Matthews and Benjamin Zephaniah.
All over the country, there are words disappearing from children's lives. Words like Dandelion, Otter, Bramble, Acorn and Lark represent the natural world of childhood, a rich landscape of discovery and imagination that is fading from children's minds.
The Lost Words stands against the disappearance of wild childhood. It is a joyful celebration of the poetry of nature words and the living glory of our distinctive, British countryside. With acrostic spell-poems by peerless wordsmith Robert Macfarlane this…
I used to think of television as a third parent. As a child of immigrants, I learned a lot about being an American from the media. Soon, I realized there were limits to what I could learn because media and tech privilege profit over community. For 20 years, I have studied what happens when people decide to make media outside of corporations. I have interviewed hundreds of filmmakers, written hundreds of blogs and articles, curated festivals, juried awards, and ultimately founded my own platform, all resulting in four books. My greatest teachers have been artists, healers, and family—chosen and by blood—who have created spaces for honesty, vulnerability, and creative conflict.
This book helped me release shame after a colleague of mine told me my work wasn’t “science.”
Here’s the truth: to create a healing platform, I needed to tap into ways of thinking that academia sees as “woo woo” and “savage.” I looked to the stars. I meditated. I did rituals and read myths.
Dr. Kimmerer, trained as a traditional botanist, realized that the Indigenous myths and stories she was told as a child contained scientific knowledge passed down for generations by her tribe.
She realized there were scientific truths her community knew for millennia that traditional scientists only discovered within the last 100 years. This is the power of Ancestral Intelligence, disregarded by the same science that ultimately created AI.
What stories, fables, and myths have taught you valuable lessons about the world?
Called the work of "a mesmerizing storyteller with deep compassion and memorable prose" (Publishers Weekly) and the book that, "anyone interested in natural history, botany, protecting nature, or Native American culture will love," by Library Journal, Braiding Sweetgrass is poised to be a classic of nature writing. As a botanist, Robin Wall Kimmerer asks questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces indigenous teachings that consider plants and animals to be our oldest teachers. Kimmerer brings these two lenses of knowledge together to take "us on a journey that is…
For decades, I have been identified as a poet-farmer—I have a friendship with the earth forged through many seasons of cultivation, husbandry, and harvest. Enrolled in an MFA program abroad in creative writing, I found my way to Ireland, Oxford, and eventually to Cornwall, England, where I learned the art of cliff meadow farming. Returning to America, I became part of an agricultural revival called Community Supported Agriculture. I continued to write and teach poetry, enlivened by literature and the silt-loam soil of the Long Island peninsula. The language of the garden and the language of poetry and prose in sympathy with the earth, for me, are inseparable.
As I was working on my last book, this book had a permanent place beside my desk. Each day I would read a chapter—each chapter beginning with a poem detailed on the page with Chinese characters, followed with a translation by Hinton. “Poetry is the Cosmos awakened to itself .” Sweet words to a poet, and so begins this book.
I have always admired the rivers-and-mountains tradition of ancient Chinese poetry, but I lacked a full enough understanding of the concepts—embedded in language—underlying the tradition. Hinton supplies this and more.
The poetry of Tu Fu is enlightening, as is Hinton’s commentary, and I found this book to be perhaps the most creative “biography” I have read. I now look with a closer eye at our own Western view of our place on this planet, this living, breathing earth, part of the unimaginable beauty of the Cosmos.
A deep and radically original exploration of Taoist and Ch'an (Zen) Buddhist wisdom through the lens of the life and work of Tu Fu, widely considered China's greatest classical poet.
What is consciousness but the Cosmos awakened to itself? This question is fundamental to the Taoist and Ch'an (Zen) Buddhist worldview that shapes classical Chinese poetry. A uniquely conceived biography, Awakened Cosmos illuminates that worldview through the life and work of Tu Fu (712-770 C.E.), China's greatest classical poet. Tu Fu's writing traces his life from periods of relative normalcy to years spent as an impoverished refugee amid the devastation…
I am a marine biologist who studies salt marshes, fishes, crabs, and marine pollution. I fell in love with the ocean as a child and am interested in sharing my love and knowledge with other people. So, in addition to my scientific research, I write books for the general public. This was the first one, and I wanted a second author to help me write in a "user-friendly" way, different from technical writing.
Once again, there's a poetic quality in this discussion of the shore and the life within it.
The author talks about the lives of the creatures that live in the empty shells we find and the kinds of creatures found on rocky shores, sandy beaches, and coral reefs. Along the Maine coast are the surf zone and tide pools, where barnacles, limpets, and periwinkles live along rocky shores. On sandy beaches, we explore the holes and tracks of crabs and the burrows of clams and whelks that come out at low tide.
She discusses geologic history in the reefs off the Carolina coast and the sponges, starfish, barnacles, and shipworm tunnels in driftwood. In the Keys is the coral coast—with a vast variety of life. In this area are also mangrove swamps, making "the edge of the sea" a fascinating place.
In The Edge of the Sea Rachel Carson introduces us to the 'strange and beautiful place' where the sea meets the land. She explores a tide pool, an inaccessible cave, and watches a lone crab on the shore at midnight. From these, and other, encounters she offers us not just a scientifically accurate study of the ecology of the seashore, but also a hauntingly beautiful account of the fragile balance of life found at the edge of the sea.
The Edge of the Sea, like all her writing, sounds a prophetic alarm for the damage mankind is doing to the…
Nature has been a source of play, exploration, community, and solace for me since I was very young – as an adult, I find myself fascinated and alarmed by our species’ relations with the living world. Nature writing gives me a way of bringing my attention to this relationship and exploring it in a very close way. I often think of that well-worn phrase: We cannot protect what we do not love; we cannot love what we do not know. Literature, it seems to me, offers one route to better knowing and loving the world.
I found this a profoundly moving book. Late Light describes the author’s own journey, an Indonesian Australian making a home for himself in England, as he finds strange parallels opening up between his own life and the lives of the "unloved" animals he encounters.
Malay’s voice is intelligent, questioning, gentle, and meditative – quietly, movingly, he asks questions that reach through to the heart of what it means to be alive today.
'Late Light brings the refreshing perspective of someone who goes from seeing England as a foreign place to someone who deeply studies its secret wonders. An astonishing read.' - Amy Liptrot, The Outrun
This is a book about falling in love with vanishing things
Late Light is the story of Michael Malay's own journey, an Indonesian Australian making a home for himself in England and finding strange parallels between his life and the lives of the animals he examines. Mixing natural history with memoir, this book explores the mystery of our animal neighbours, in all their richness and variety. It…
Nature has been a source of play, exploration, community, and solace for me since I was very young – as an adult, I find myself fascinated and alarmed by our species’ relations with the living world. Nature writing gives me a way of bringing my attention to this relationship and exploring it in a very close way. I often think of that well-worn phrase: We cannot protect what we do not love; we cannot love what we do not know. Literature, it seems to me, offers one route to better knowing and loving the world.
I must have read this book hundreds of times! I teach it to creative writing students every year, and every year, I find some new connection or detail I hadn’t noticed before.
Jamie has such an unusual, peculiarly alive connection to her surroundings. She describes landscapes that are local to her – a curious combination of domestic and wild spaces and a beautifully subtle mode of narration.
It's surprising what you can find by simply stepping out to look. Award-winning poet Kathleen Jamie has an eye and an ease with the nature and landscapes of Scotland as well as an incisive sense of our domestic realities. In Findings she draws together these themes to describe travels like no other contemporary writer.
Whether she is following the call of a peregrine in the hills above her home in Fife, sailing into a dark winter solstice on the Orkney islands, or pacing around the carcass of a whale on a rain-swept Hebridean beach, she creates a subtle and modern…
My interest in healing and nature stems from a very particular source—my own search for answers in the wake of my wife’s premature death in 2007. I’d read somewhere that loss often either engulfs someone or propels them forward, and I didn’t want to end up in the former category, particularly as I had a young daughter to look after. So this list represents an urgent personal quest that started years ago and still continues to this day. The books have been a touchstone, a vital support, and a revelation—pieces in the jigsaw of a recovery still incomplete. I hope they help others as they’ve helped me.
I loved this book because it’s hugely informative and completely inspiring.
It charts the way in which nature restores the author after he has slid into a period of severe depression, one where the entire foundation of his existence—a unique bond with the natural environment, established in childhood—suddenly seems pointless and irrelevant. He moves to East Anglia and, with the support of friends, slowly recovers a sense of meaning as he starts to write again about the changing seasons.
There is a wonderful eloquence to the way that he describes his regeneration. Nature is never a question of dry facts, it is a living, sensual experience that elevates the human soul. You also feel you’re in the presence of a very special observer, one who really understands the ancient rhythms of the universe in a way that few do.
The book is an educational experience that also manages to be…
To celebrate Richard Mabey's 80th birthday, a reissue of the seminal Nature Cure, originally published in 2005 to great acclaim.
At the height of his career, having recently published Flora Britannica, the author and naturalist fell in to a deep and all consuming depression. Unable to rise from his bed, his face turned to the wall, Richard Mabey found that the touchstones of his life - his love for nature and the land - could no longer offer him solace. But over time, with help from friends and a move to East Anglia, he slowly recovered, finding a new partner,…
I’ve been a hillwalker and mountaineer since the age of 1 year 10 months – and longer than that, if you consider that my family’s been at it for over 150 years now. For the last 30 years, I’ve been writing walking guidebooks, general books about UK mountains, and articles in walking magazines like Trail, The Great Outdoors, and Lakeland Walker. My Book of the Bivvy on tentless sleepouts has acquired semi-classic status among the wilder sort of outdoor enthusiasts. I care about mountains, and I care about great writing about mountains, all of which is explored in my free weekly newsletter, About Mountains on Substack.
Few have explored the extremes of outdoor life further than Bavarian filmmaker Werner Herzog. As Herzog himself has said: "Every man should pull a boat over a mountain once in his life."
Over more than 70 films he explores man’s (it’s usually men) magnificent, obsessive behaviour in the outdoors: Grizzly Man, Fitzcarraldo, Aguirre Wrath of God, Dark Glow of the Mountains (about Reinhold Messner). And he's written up his own long distance walk: Munich to Paris, in Winter conditions and unsuitable shoes.
In late November 1974, filmmaker Werner Herzog received a phone call from Paris delivering some terrible news. German film historian, mentor, and close friend Lotte Eisner was seriously ill and dying. Herzog was determined to prevent this and believed that an act of walking would keep Eisner from death. He took a jacket, a compass, and a duffel bag of the barest essentials, and wearing a pair of new boots, set off on a three-week pilgrimage from Munich to Paris through the deep chill and snowstorms of winter."Of Walking in Ice" is Herzog's beautifully written, much-admired, yet often-overlooked diary account…
I am an archaeologist, writer, and university lecturer, who spends his days dreaming of being on the move. I was filled with life-long wanderlust from a peripatetic childhood living in Malaysia, Fiji, and Cyprus, and this sense of needing to move around has never left me. I am a passionate walker and have rambled and roamed and trekked and trailed around most of the British Isles, often with my (occasionally willing) family. This has led to an intense fascination with the way people moved around in the past and how they knew where they were going, and I have centred much of my research, and my writing, on the subject.
I love a good walk! And so does Geoff Nicholson who sets out his love of it in a series of essays that make up his book The Lost Art of Walking.
These walking tales tell stories about pedestrianism in literature, art, and film; how it has been an inspiration to the likes of Bob Dylan, Charles Dickens, and Buster Keaton. But Nicholson also brings in some interesting perspectives from science and philosophy on the act of walking.
Written in a chatty, journalistic style, Nicholson is a pleasant and witty recontour to have on these journeys, he is informative and quite often irreverent, and there is plenty of humour thrown in to keep the footsteps light and the journey trotting at a good pace.
How we walk, where we walk, why we walk tells the world who and what we are. Whether it's once a day to the car, or for long weekend hikes, or as competition, or as art, walking is a profoundly universal aspect of what makes us humans, social creatures, and engaged with the world. Cultural commentator, Whitbread Prize winner, and author of Sex Collectors Geoff Nicholson offers his fascinating, definitive, and personal ruminations on the literature, science, philosophy, art, and history of walking.
Nicholson finds people who walk only at night, or naked, or in the shape of a cross…