5 books like Javier Falcón

The Civil War was the first conflict in history to leave a detailed photographic record, and no one did it better than Mathew Brady. More than ten thousand war images are attributed to his studio and he did iconic portraits of Abraham Lincoln, John Wilkes Booth, Walt Whitman, Horace Greeley, and other celebrities.

Today, artificial intelligence, iPhones, and streaming video are remaking our world. But back in the 1850s, photography was the latest technology. It soon became so affordable that soldiers on both sides of the struggle sent a visually accurate memento to loved ones back home before they marched into battle. 

After disguising herself as a man, Ash Thompson dons the uniform of a Union soldier in the Civil War. She is an enthralling character and not only did I avidly follow Ash to the front lines, this fine novel gave me the courage to move ahead with my work.

I decided my major character, Rory Chase, would be a woman caught up in the intrigue and espionage along our border with British Canada in 1864. Time and again, I said to myself, if Hunt can pull this off with his heroine, I believe I can do the same with Rory.

That I, too, can write about a woman who must learn the rules of warfare and espionage and then decide when to break them. 

Before the Civil War broke out, tens of thousands of freedom seekers fled enslavement in the South, trying to reach British Canada. Only there could they be truly free, and even today, Canadians pride themselves on being on the “good side” of the Civil War. But the real story is much more complicated.

Some Canadian businessmen, politicians, and financiers supported the Confederacy. Montreal became a hub for rebel spies and mercenaries. In fact, when John Wilkes Booth was apprehended after assassinating Abraham Lincoln, a banknote from a branch in Montreal was found on his person.

The New York Times proclaimed many of those involved in the plot to kill the president had been “harbored in Canada.”  

Since I plowed my way through this rollicking 800-page epic, I have eagerly recommended it to others. It ranks as one of a select few long books that never bogged down and left me with a twinge of sadness that it did not just keep going.

When the curtain finally fell (as I knew it would, upon Confederate collapse in 1865), I had been enthralled by dozens of expertly drawn characters and episodes. Some of the ministers, soldiers, and publicists appear once or twice; others provide a narrative spine that charts developments across the entire struggle.

Collectively, this dramatis personae restores the drama to what less gifted story-tellers than Foreman have termed “Anglo-American relations” in the battle for and against the Confederate rebellion.

We’re taught in school that the Civil War began in 1861, with the firing on Fort Sumter in South Carolina. Technically, that’s true. Yet the nation had long been debating about slavery, whether to let it flourish or to outlaw it. When Congress passed the Fugitive Slave Act in 1850, major stops on the Underground Railroad, like the Cataract House Hotel in Niagara Falls, became very important.

In the shadow of the famous tourist stop, it was located alongside the last river to cross before escaped slaves could reach freedom. Against this backdrop of beauty, the wait staff at the Cataract House stepped to the forefront, opposing local authorities and bounty hunters. Their courage was unmatched, and they remain unsung heroes from this tumultuous time in our nation’s history.